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Displayed below are some selected recent viaLibri matches for books published in 1992

        David Hamilton: Twenty-five Years of an Artist

      1992-02-01. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!

      [Bookseller: Books Express]
 1.   Check availability:     Biblio     Link/Print  

        The Marked Word : A Bible Study Guide - - Part 1&2. + Bible Lessons for Catholics by Mary Walsh - 3 books in one.

      North American Division, Church Ministries 1992 - Near Fine. Excellent condition. A unique and innovative method of marking the Bible page by page in chronological order, rather than lesson by lesson, is the feature of the MARKED WORD that makes Bible marking easy and simple to follow. The marking begins with Genesis 1:20 and finishes with Revelation 22:20. Rare [Attributes: Hard Cover]

      [Bookseller: JULIAN'S BOOKS]
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        Bertelsmann Lexikothek Künstler-Edition Georg Baselitz, 15 Bände (A-Z), limitiert & handsigniert | Nr. 763/999

      Bertelsmann, Gütersloh 1992 - Limitierte Künstler-Ausgabe der Bertelsmann Lexikothek in 15 Bänden (komplett) & mit Dokumentationsbroschüre (s. Bilder 11-14). Der erste Band nummeriert & von Georg Baselitz handsigniert; hier Editions-Nummer 763/999 (s. Bild 7). Format ca. 30 x 23 cm, zus. rd. 6.000 S. Die Bände sind innen in Neuzustand; tadellos, alles fest eingebunden, keine unangenehmen Gerüche usw. Äußerlich finden sich bei ca. der Hälfte der Deckelecken leichte, nur auf den zweiten Blick ersichtliche, Bestoßungen. Da sich alle Bände - wie auf den Originalbildern 15 & 16 dargestellt - noch in den originalen, durchsichtigen Schutzfolien befinden, ist der übrige Einband einwandfrei. Lediglich die Schutzfolien zeigen Lagerspuren wie die materialbedingt typische Dunkelung sowie kleine Fehlstellen oder Einrisse, letztere teils auch stärker (manche wurden geklebt, bei einer Folie fehlt der Umschlagrand). ••• Die Bilder 2 ff. sowie weitere Informationen zu dieser Ausgabe finden Sie wie immer auf unseren eigenen Internetseiten. ••• 30000 Gramm. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Lexikon und Enzyklopädie]
 3.   Check availability:     ZVAB     Link/Print  

        Ballades et Rondeaux du Testament.

      - Costigliole, All'Insegna del Lanzello, 1992. In-folio, pp. 92 con 6 acquaforti originali (5 a piena pagina firmate a matita dall'artista) di MARIO CALANDRI. Legatura mezza pergamena editoriale, cofanetto. Testo tradotto in italiano da Luciano Erba. Edizione originale. Tiratura complessiva di 125 esemplari (n. 54). Esemplare perfetto. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Freddi]
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        Marbled vignettes.including Muir Dawson & Norma Rubovits in conversation

      Dawson's Book Shop, Los Angeles 1992 - Edition limited to 135 signed copies, this being one of 35 in a box with 5 matted examples of marbled vignettes, this being copy no. XV; 4to, pp. [6], 8, [2]; original black Japanese cloth lettered in blind on spine and upper cover; together in a black Japanese cloth clamshell box containing the 5 matted vignettes, each numbered and signed by the author; fine, The text consists of a conversation between Muir Dawson and Norma Rubovits on the art of marbling. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        The Betrayed Confidence

      Orleans, MA: Parnassus Imprints, 1992. First Edition. Softcover. Like New. Signed. First edition, limited issue. Copy number 223 of a limited 250 copies signed by Edward Gorey. Publisher's printed wraps in black slip case, with previously unpublished signed print with matching number laid in. Fine in Fine slipcase. A beautiful, seemingly untouched copy. Toledano A104a.

      [Bookseller: Burnside Rare Books, ABAA]
 6.   Check availability:     Biblio     Link/Print  

        Lost Cowboys (but not forgotten)

      New York: Library Fellows of the Whitney Museum of American Art, 1992. First Edition. Hardcover. Fine. Folio (31 cm), [32 pp, four plates]. No. 29 of 70, signed by both authors on colophon page. Linen boards with morroco backstrap bound by Claudia Cohen. Text by Kittredge, four mezzotints by Robert Ecker based on Helm's paintings. Printed on handmade Twinrocker paper. Third in the Artists and Writers: American Journals Series.

      [Bookseller: Elk River Books ]
 7.   Check availability:     ABAA     Link/Print  

        Columbus from Artist's United for Nature Columbus - In Search of a New Tomorrow

      1992 - Screenprint with embossing on wove paper, signed and numbered from the edition of 100, co-published by Edition Domberger (with their blindstamp) and Artists United for Nature, Munich, 75 cm x 56 cm [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
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        THE PRINTS OF SAM FRANCIS: A Catalogue Raisonne 1960-1990. Volume I: Lithographs; Volume II: Intaglio Prints, Screenprints and Posters plus exhibition brochure.

      New York: Hudson Hills Press, (1992) dj First printing. Fine in fine dust jackets in a very near fine slipcase. Brochure is near fine. Two volume set in a royal blue slipcase. Volume I includes an introductory essay by Ruth E. Fine, color reproductions of 285 lithographs, and 50 color reproductions of self-portrait lithographs, along with detailed information regarding each print. Volume II contains color reproductions of 115 intaglio prints, 21 screen prints, and 8 posters. Volume One is SIGNED by both the artist Sam Francis (on the half title page) and the author (on the title page.) Chronology, selected exhibition history, bibliography, glossary, concordances, and index. Volume I, 412 pp. Volume II, 200 pp. Laid in is a four-fold brochure for the show "The Last Works" held at the Los Angeles County Museum of Art in 1995.

      [Bookseller:, IOBA]
 9.   Check availability:     IOBABooks     Link/Print  

        Figure. 1968 / 74.

      Hamburg - Langenhorn. Griffelkunst-Vereinigung. 1992. 68,5 x 21,2 cm. 1 Blatt, gerahmt. Sehr gutes Exemplar. Edition für die Griffelkunst-Vereinigung, herausgegeben vom Estate Marcel Broodthaers. 6 Silbergelatine-Abzüge von Broodthaers Objekten kombiniert mit den Buchstaben F I G U R E, montiert auf weißem Karton in schwarzem Holzrahmen, wie herausgegeben. Aus dem Nachlass herausgegeben in unbestimmter Auflage, verso mit Etikett verifiziert. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Belgien / Belgium, Kunst, Original Grafik

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        All the Pretty Horses

      New York: Alfred A. Knopf, 1992. Paperback. Very good. Octavo (20.5 cm), pp. 298. Signed limited edition, advance proof in publisher's cardstock folding box. Upper corner of book is crimped, else fine. Box is worn at corners and missing material at one corner. First book of McCarthy's iconic Border Trilogy.

      [Bookseller: Elk River Books ]
 11.   Check availability:     ABAA     Link/Print  


      FRATELLI MELITA, 1992. ITALIANO 0,38 2 romanzi in un unico volume, traduzioni di Renato Mucci e Maria Ortiz, pagine in buonissimo stato di conservazione, fioritura ai tagli e lievemente ai fogli di guardia e controguardia anteriori, rilegatura editoriale cartonata, illustrata e con lievi tracce d'uso USATO

      [Bookseller: Biblioteca di Babele]
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        Sled Driver: Flying the World's Fastest Aeroplane

      Midland, 1992, Hardcover, Book Condition: Very Good Condition, Dust Jacket Condition: Very Good, First Edition. VG/VG- 1st printing 1st UK edition very large, heavy 1992 Midland hardback, unclipped DJ, profusely illustrated high quality edition. Some surface rubbing to jacket, light surface crease along top edge of DJ with some corner and spine end rubbing to DJ and boards beneath, surface rub to small area at front edge of DJ else VG internally, bright and unmarked, a scarce title in very good condition. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Aviation; ISBN: 1857800028. ISBN/EAN: 9781857800029. Pictures of this item not already displayed here available upon request. Inventory No: 068088.

      [Bookseller: 84 Charing Cross Road Books]
 13.   Check availability:     Bookzangle     Link/Print  

        The Commissario Guido Brunetti novels complete to date. THREE VOLUMES SIGNED BY THE AUTHOR]. Death at La Fenice (SIGNED) to Earthly Remains COMMISSARIO GUIDO BRUNETTI COMPLETE TO DATE

      Chapmans [and] Macmillan [and] Heinemann, [1992-2018] - 26 vols., 8vo., First Edition; cloth, gilt backs, a near fine run in unclipped dustwrapper. The set comprises: Death at La Fenice (SIGNED BY THE AUTHOR ON TITLE) (Chapmans, 1992); Death in a Strange Country (Chapmans, 1993); The Anonymous Venetian (Macmillan, 1994); A Venetian Reckoning (Macmillan, 1995); Acqua Alta (Macmillan, 1996); The Death of Faith (Macmillan, 1997); A Noble Radiance (Heinemann, 1998); Fatal Remedies (Heinemann, 1999); Friends in High Places (Heinemann, 2000); A Sea of Troubles (Heinemann, 2001); Wilful Behaviour (Heinemann, 2002); Uniform Justice (Heinemann, 2003); Doctored Evidence (Heinemann, 2004); Blood from a Stone (Heinemann, 2005); Through a Glass Darkly (Heinemann, 2006); Suffer the Little Children (Heinemann, 2007); The Girl of his Dreams (Heinemann,2008); About Face (Heinemann, 2009); A Question of Belief (Heinemann, 2010); Drawing Conclusions (Heinemann, 2011); Beastly Things (Heinemann, 2012); The Golden Egg (Heinemann, 2013); By its Cover (Heinemann, 2014); Falling in Love (Heinemann, 2015); The Waters of Eternal Youth (Heinemann, 2016; SIGNED BY THE AUTHOR ON TITLE); Earthly Remains (Heinemann, 2017; SIGNED BY THE AUTHOR ON TITLE). A SPLENDID RUN, COMPLETE TO DATE, WITH THE FIRST AND MOST ELUSIVE VOLUME (TOGETHER WITH TWO OTHERS) SIGNED BY LEON ON TITLE. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Island Books]
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      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Hockney Die Frau ohne Schatten, Royal Opera House Signed silk screen poster 1/100 ltd ed

      Royal Opera House Covent Garden, 1992 - David Hockney (1937-). Die Frau ohne Schatten, Royal Opera House Covent Garden, 1992, a silk screen promotional poster for Richard Strauss' Die Frau ohne Schatten at Covent Garden, 1992, signed by Hockney to lower left corner, limited edition of 100 unnumbered, sheet size 76 x 50 cm (30 x 19.5 ins). Fine with superb bright colours. Unmounted and unframed. Delivered rolled. [Attributes: First Edition; Signed Copy]

      [Bookseller: Finecopy ABA]
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      STAMPA ALTERNATIVA, VITERBO 1992 - PICCOLA BIBLIOTECA DELLA FELICITA' INTERLINGUE Piccolo volume, versione di Angelo Maria Pellegrino, copertina morbida, ingiallita al posteriore e con lievi segni di usura, pagine leggermente ingiallite dal tempo, in italiano e greco a fronte La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 900,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Un coup de Dés Jamais n' Abolira Le Hasard

      The Limited Editions Club 1992 - This is copy #13 of The Limited Editions Club 1992 publication of Stéphane Mallarmé's "Un coup de Dés Jamais n' Abolira Le Hasard", an edition of 300 copies, with lithographs by Ellsworth Kelly, signed by Kelly on the limitation page. This is in its original felt-lined clamshell case, in fine condition, with Kelly's art on a linen exterior. The book itself is also in fine condition. Its black morocco cover (12.75" x 17.25") is clean and unfaded, with a straight and securely attached spine, on which the gilt lettering is clean and bright. The pages, printed by Daniel Keleher at Wild Carrot Press on Velin BFK Rives paper, are as new, with all text and the Kelly lithographs, printed by Bruce Porter of Trestle Editions, in perfect condition. There are no stamps or other attachments. The only writings are the copy number and Kelly signature. There are no tears or creases. The binding is tight, with no loose or missing pages. The accompanying photos are of this copy. International shipping would be by priority express insured mail, with a shipping charge of $125.00. US shipping would also be by priority express insured mail, with a shipping charge of $60.00. [Attributes: Signed Copy; Hard Cover]

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        Fiabe dei Bambini e della Casa

      Petrini Editore, TORINO 1992 - Pagina Bianca ITALIANO Pagina bianca, collana di narrativa per la scuola diretta da Carlo Ossola. Traduzione di Dino Provenzal. A cura di Alessandra Faustini. Brossura editoriale illustrata con titolo al piatto e al dorso, copertina morbida patinata con lievi segni di uso, sprovvista del talloncino a fronte e tracce di fioritura presente anche alle carte ed al taglio di testa, pagine ottimamamente conservate La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 900,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Those were the Days Thirty Years of Hunting the Wild Sheep and Goats of the World

      Long Beach, Safari Press, 1992 (first English edition). Small quarto, [ii] (certificate of limitation), x, 294 (including one blank and five 'Remarks') pages with numerous illustrations plus 24 pages of colour plates. Gilt-pictorial cloth; a fine copy in the fine slipcase (albeit with the author and title handwritten in gold ink on its spine). Number 476 of 1000 copies signed by the author. The second book in the publisher's Hunting in High Altitudes Series.

      [Bookseller: Michael Treloar Antiquarian Booksellers]
 20.   Check availability:     Biblio     Link/Print  

        All the Pretty Horses - (Signed & Inscribed, Uncorrected proof - 1st state)

      Knopf, New York 1992 - This is an Uncorrected Proof copy of Cormac McCarthy's breakthrough novel, "All the Pretty Horses". There were three different printings of this particular proof. This is the rare First State proof, which denotes the title as, "Volume One of A Border Trilogy". This copy is in Near Fine Condition, with a bit of corner creasing on the back of the delicate beige wraps. Still tight & crisp, with clean pages and text. IMPORTANTLY- this copy is SIGNED & INSCRIBED by the author as follows: "For XXX XXX All Best Wishes Cormac McCarthy. Overall, a very nice signed copy of this scarce 1st state format. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Midwest Books]
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        Toit à Aurillac. Photographie Originale de l'artiste

      Par l'auteur 1992 - - Par l'auteur, s.l. 1992, 31,5x46cm sur papier Ilford 60x50cm, une feuille. - Photographie originale en noir et blanc réalisée et tirée par Marc Trivier. Tirage argentique non signé, comme la plupart des oeuvres de Trivier. Epreuve unique tirée par l'artiste. Précieuse épreuve argentique originale du célèbre photographe belge, un des artistes contemporains les plus secrets, qui malgré un succès international précoce, a préféré limiter sa production pour conserver la cohérence de son œuvre. Marc Trivier ne tire pas de nouveaux exemplaires de ses anciens portraits, le papier de tirage qu'il utilisait n'est d'ailleurs plus commercialisé. L'artiste « réalise lui-même ses tirages sur papier baryté Ilford, consacrant plusieurs jours de travail à chacun, avec une concentration particulière pour rendre les blancs, par contraste avec des noirs d'une rare densité. Un tirage de Marc Trivier ne ressemble à aucun autre. Lorsqu'il accepte de les exposer, il les suspend dans des cadres en inox de sa fabrication, laissant libre cours à la vie du papier. » (Xavier-Gilles, « Marc Trivier et la tragédie de la lumière » in Le Monde Libertaire, 2011). Cette « vie du papier » participe de l'œuvre au même titre que les diverses altérations que subissent les photographies lorsqu'elles sont exposées : « Dans les boites, les tirages gondolent, mais qu'importe : le photographe affectionne ce genre d'accident. » (Claire Guillot, « Les face à face sans échappatoire du photographe Marc Trivier », Le Monde, 2011). Marc Trivier a une sensibilité particulière pour l'aspect matériel de ses productions. Alors que la photographie relève par essence du multiple, cette intervention de l'artiste dans tout le processus de création confère une aura autographique à ces tirages. Photographies d'artistes, de fous, d'arbres ou d'abattoirs, Marc Trivier aborde tous ces sujets avec un regard aussi précis qu'intense. « Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. » (Luc Desbenoit). La beauté qui émane de ses photos vient de cette nudité. Il n'y a ni retouches, ni recadrages. On retrouve dans son œuvre le même format carré souligné par le carré du négatif que Trivier laisse sur ses tirages. Ce cadre piège notre regard dans des photographies où le fard de la couleur est rejeté pour un noir et blanc incisif. Toute artificialité ayant disparu nous ne faisons pas face à la mise en scène d'un sujet mais à une présence exacerbée par la lumière irradiante et singulière, témoin d'un instant de vie et non de pose. C'est cette lumière, liée au médium photographique, qui unit les séries de Marc Trivier : « Les photographies de Marc Trivier écrivent une tragédie de la lumière, celle-ci n'accueillant les êtres - hommes, arbres ou bêtes - qu'en les brûlant, avant disparition. » (Xavier-Gilles in Le Monde Libertaire). C'est aussi elle, délivrée de tous les artifices, qui donne à ses œuvres l'aura qui les rend si présentes. Cette « brûlure » de la lumière nous renvoie à un instant réel, au « ça a été » de Barthes (La Chambre Claire, 1980) : « De trente-cinq ans de pratique photographique, d'obsessions, c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière, décliné d'une image à l'autre, en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie. » (Marc Trivier). « La photographie ne dit qu'une chose : « C'était. » On ne fixe que ce qui a été. S'il y a une tragédie, elle est là. » (Marc Trivier) Warhol, Foucault, Beckett, Dubuffet . les plus grands écrivains et artistes ont posés pour Trivier. Simultanément l'artiste s'intéressent également aux marges de la société, à ce que les hommes ne veulent pas voir. Il photographie alors les aliénés et les abattoirs qu'il place en regard des célébrités. Dès la fin des années 1980 son œuvre est unanimement reconnue et [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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      - Reprodução do códice iluminado 171 da Biblioteca Nacional. Preparação e nota introdutória de Luís de Albuquerque. Leitura e ordenação de topónimos de Maria Armanda Ramos Taveira e Maria Catarina Madeira Santos. Comissão Nacional para as Comemorações dos Descobrimentos Portugueses. Finantia. Lisboa. 1992. Livro oblongo de 41x56 cm. Com 50 páginas sem numeração. Encadernação do editor em percalina com sobrecapa de protecção ilustrada com a reprodução da encadernação do códice da Biblioteca Nacional. Impresso sobre papel de elevada qualidade com as folhas de fac-simile protegidas por papel com legendas e toponímia. Trata-se da 2ª tiragem desta edição que foi publicada pela primeira vez em 1991. Reproduz o Atlas de 1576. O texto da introdução está impresso a 3 colunas. Fernão Vaz Dourado (Goa c. 1520 – c. 1580) um dos maiores cartógrafos portugueses, filho de pai português e mãe indiana, foi navegador e soldado, pois participou no segundo cerco de Diu, em 1547, onde foi ferido em combate. Conservam-se dele 6 atlas, com 98 cartas e folhas com elementos cosmográficos, que são um dos mais elevados marcos da cartografia portuguesa. Foi o primeiro cartógrafo a desenhar cartas em grande escala de Ceilão (Sri Lanka) e do Japão. Language: Português / Portuguese Location/localizacao: M-grande formato-4/5 [Attributes: Hard Cover]

      [Bookseller: Livraria Castro e Silva]
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        Toit à Aurillac. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1992 31,5x46cm sur papier Ilford 60x50cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Vomitting / Eating.

      19,0 x 10,5 cm. Kunststoffkassette in OKarton-Schuber. Sehr gutes Exemplar. VHS Video, Schutzhülle mit montiertem Farbfoto und handschriftlichem Titel in Rot und Schwarz, Kassettenetikett handschriftlich betitelt: Vomitting 1/17/92 = 17 min / Eating 1/18/92 = 43 min, signiert von Elke Krystufek, datiert Vienna 1992. Elke Krystufek war 22 Jahre alt und hatte gerade Ihr Studium bei Arrnulf Rainer beendet, als sie in Wien mit einigen profozierenden Performances und Videoarbeiten auffiel. "Vomitting / Eating" ist eine der ersten Arbeiten der Künstlerin, worin sie sich mit Bulimie, Selbstzerstörung, der Rolle des Künstlers und speziell der Frau in unserer Gesellschaft auseinander setzt. Die Videoarbeiten wurden damals von der Generali Foundation in die Sammlung übernommen. Gezeigt wurde der Film unter anderem in der Kunsthalle Düsseldorf anläßlich der Ausstellung "Eating the Univers", 28. 11.2009 28. 2. 2010. Elke Krystufek hat die 60minütige Videoarbeit - offenbar in nur sehr wenigen Exemplaren - für Sammler dupliziert und in einfacher, handgemachter Gestaltung angeboten.

      [Bookseller: Antiquariat Querido]
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        Cronologia delle Scoperte Scientifiche

      Edizione Club, BERGAMO 1992 - ITALIANO Le grandi invenzioni e le geniali scoperte che hanno cambiato il corso della storia dall'età della pietra ai giorni nostri. Prima ristampa. Traduzione di Nicoletta Spagnol e Roberto Sorgo. Legatura editoriale tutta tela con titolo in oro in bassorilievo al dorso, copertina rigida con lievi segni di uso, sovracopertina plastificata illustrata a colori con lievi segni di uso e strappetti, segnalibro in stoffa, tagli bruniti con macchia a quello di testa, data e firma di appartenenza alla terza carta, pagine lievemente ingiallite ottimamente conservate La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 900,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Pandora's Books - The Ultimate "Unseen Hand" Behind the New World Order

      Pandora's Box Publishing, Birmingham, AL 1992 - 1992 10th Edition (Revised), 601pp. *8.5" x 11" Velobind with minor finger soiling to exterior pages edges. Size: 8 1/2" x 11" Tall [Attributes: Soft Cover]

      [Bookseller: Veronica's Books]
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        Blaue Scheibe. (Ehre an Joseph Beuys).

      Auflage 65 Exemplare. Sehr gutes Exemplar. Isolierscheibe mit zwei dunklen Gläsern, Signalblau, 48,0 x 41,8 cm. Nummer 45 / 65 Exemplaren, auf einem beiliegenden Zertifikat mit einem Text von Johannes Stüttgen von IMI Knoebel handschriftlich signiert und nummeriert. Die Blaue Scheibe ist eine Reminiszenz an Joseph Beuys und dessen blaues Fenster in der Andreasstraße 25, Düsseldorf. Die Edition erschien anläßlich der Ausstellung Knoebels in den Hamburger Deichtorhallen, 12.3. - 10.5.1992, wo der Künstler in die Fensterfront des Museums eine blaue Scheibe installierte, die er der Stadt zum Geschenk machte. Mit beiliegendem Zertifikat in der Original-Verpackung, verschnürt.

      [Bookseller: Antiquariat Querido]
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        Turkmen Jewellery

      Ginza: POLA Research Institute of Beauty and Culture. New; 9 x 12 Hardback in decorative slipcase in New condition. 1992. Hardcover. Illustrated by 234 color plates 34 black and white photographs ; Scarce. An outstanding selection of Turkmen jewelry in a Japanese research institute collection. With rare examples of children's jewelry. English/Japanese text.; 157 pp. .

      [Bookseller: RugBooks, IOBA]
 29.   Check availability:     IOBABooks     Link/Print  

        Cornwall an interior vision. Copper engravings & texts by Brian Hanscomb

      [Lower Marston, Risbury, Herefordshire: The Whittington Press, 1992. Editiion limited to 135 copies, this one of 35 with an extra set of the engravings, this copy marked "press copy" on the colophon, and signed by Hanscomb; folio, 12 frenchfold leaves (the first blank), 8 copper engravings, each signed in pencil, each with an accompanying poem on the facing page; original gray paper wrappers, printed paper label on the upper cover, stab-sewn with blue cord; fine; accompanied by a gray paper-covered board portfolio containing each of the above 8 engravings, in this (unique?) case each marked "A.P." and signed in pencil by the artist; book and portfolio together in the publisher's gray paper-covered board slipcase. A muted but beautiful book, like so many made at Whittington.

      [Bookseller: Rulon-Miller Books]
 30.   Check availability:     Biblio     Link/Print  

        [The Commissario Guido Brunetti novels complete to date. THREE VOLUMES SIGNED BY THE AUTHOR]. Death at La Fenice (SIGNED) to Earthly Remains COMMISSARIO GUIDO BRUNETTI COMPLETE TO DATE

      Chapmans [and] Macmillan [and] Heinemann,, [1992-2018]. 26 vols., 8vo., First Edition; cloth, gilt backs, a near fine run in unclipped dustwrapper. The set comprises: Death at La Fenice (SIGNED BY THE AUTHOR ON TITLE) (Chapmans, 1992); Death in a Strange Country (Chapmans, 1993); The Anonymous Venetian (Macmillan, 1994); A Venetian Reckoning (Macmillan, 1995); Acqua Alta (Macmillan, 1996); The Death of Faith (Macmillan, 1997); A Noble Radiance (Heinemann, 1998); Fatal Remedies (Heinemann, 1999); Friends in High Places (Heinemann, 2000); A Sea of Troubles (Heinemann, 2001); Wilful Behaviour (Heinemann, 2002); Uniform Justice (Heinemann, 2003); Doctored Evidence (Heinemann, 2004); Blood from a Stone (Heinemann, 2005); Through a Glass Darkly (Heinemann, 2006); Suffer the Little Children (Heinemann, 2007); The Girl of his Dreams (Heinemann,2008); About Face (Heinemann, 2009); A Question of Belief (Heinemann, 2010); Drawing Conclusions (Heinemann, 2011); Beastly Things (Heinemann, 2012); The Golden Egg (Heinemann, 2013); By its Cover (Heinemann, 2014); Falling in Love (Heinemann, 2015); The Waters of Eternal Youth (Heinemann, 2016; SIGNED BY THE AUTHOR ON TITLE); Earthly Remains (Heinemann, 2017; SIGNED BY THE AUTHOR ON TITLE). A SPLENDID RUN, COMPLETE TO DATE, WITH THE FIRST AND MOST ELUSIVE VOLUME (TOGETHER WITH TWO OTHERS) SIGNED BY LEON ON TITLE.

      [Bookseller: Island Books]
 31.   Check availability:     Biblio     Link/Print  

        Doomsday Book - Signed

      Bantam Books, New York 1992 - Very good or better in a near fine unclipped dust jacket. SIGNED by the author on the title page. Top corner of front end paper clipped, thus the "very good or better". Near fine condition otherwise. Jacket with light edge wear, some lamination issues beginning along the top edge, not apparent through the mylar covering. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Graham, Bookseller, ABAA, IOBA]
 32.   Check availability:     AbeBooks     Link/Print  

        The Art of the Maasai. 300 Newly Discovered Objects and Works of Art.

      New York: Alfred A. Knopf 1992 - Quarto. Original dark orange cloth, titles to front board and spine gilt, design to front board stamped in blind, publisher's device to back board stamped in blind, map endpapers. With the photographic dust jacket. An excellent copy in the slightly rubbed jacket with short nick to head of spine. 195 photographs, 80 in colour, by Peter Beard. First edition, first impression. Inscribed on the front free endpaper: "To Larry Wilson from Vicky Wilson @ Knopf - Happy New Year & all best W '92-'93". Additionally, and elaborately, inscribed on the title page with original ink drawings and Beard's finger print: "Special edition for Larry W from the author. Peter Beard, Jan 1, '93". With an original photograph pasted to the title page and an author's compliment slip loosely inserted. The recipient was most likely Larry Wilson, a noted firearms author and close friend of Peter Beard. Beard and Wilson collaborated on six books on firearms. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 33.   Check availability:     ZVAB     Link/Print  

        The Letters and Prose Writings of William Cowper. 5 Volume Set

      OUP Oxford 1992 - 5 volume set. Only minor shelf wear to blue cloth hardcovers. Dust jackets of volumes 2 - 5 have only minor wear. Volume 1 dust jacket has chipping at top of spine. All dust jackets are in removable archival mylar protectors. Otherwise these are tight, unmarked volumes. xlii, 598, xxviii, 652, xxxiv, 630, xxxiv, 498, xxvi, 246 pp. Index in each volume. Published 1979 - 1986. [Attributes: Hard Cover]

      [Bookseller: The Bookseller]
 34.   Check availability:     AbeBooks     Link/Print  

        Mirette On The High Wire - 1st Edition/1st Printing

      G. P. Putnam's Sons, New York 1992 - A beautiful first edition/first printing in Fine condition in alike dust-jacket. SIGNED by author/illustrator Emily Arnold McCully directly on verso front free endpaper. Bound in aqua laminated boards, pictorial illustration on front cover, dark blue spine with lettering in pink and white, aqua endpapers; in dust-jacket with illustrations by McCully; Awarded the Caldecott Medal in 1993, McCully captures 19th Century Paris with her impressionistic watercolors. Mirette helps the great tightrope artist Bellini overcome fear and regain his confidence and spirit through her friendship, courage and perseverance; Color Illustrations First Edition; First Printing; Signed by Author & Illustrator. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
 35.   Check availability:     AbeBooks     Link/Print  

        Jesus' Son

      New York: FSG, 1992. First edition, first printing. Hardcover. Hardcover. First edition, first printing. A fine book in a fine dust jacket. A beautiful copy. A well-reviewed collection of stories, perhaps Johnson's best-known work, that was made into a quite successful film. A small first printing which has made first editions truly scarce. The book takes its title from the Velvet Underground song "Heroin." Signed and inscribed by Johnson on the title page and dated in 1992, the year of publication. Signed by the author.

      [Bookseller: Sawtooth Books]
 36.   Check availability:     Biblio     Link/Print  

        Gesaenge der Haemmer.

      Bayreuth, Bear Press Wolfgang Benda. 1992 - Ca. 30 x 20,5 cm. 52 Seiten, 1 Blatt, mit einer doppelblattgroßen Farbradierung (Titel) und einer lose beiliegenden signierten, numerierten und datierten Farbradierung, 14 Holzschnitt-Initialen und 14 goldgeprägten Absatzzeichen von Uwe Bremer. Blindgeprägter rotbrauner Original-Kalblederband mit blindgeprägtem Rücken- und Deckeltitel sowie Kopfgoldschnitt in Original-Pappschuber. Erste Ausgabe. 15. Druck der Bear Press Wolfram Benda. Slg. Achilles 650. Eins von 25 (Gesamtauflage 150) numerierten und vom Illustrator und Verfasser signierten Exemplaren der Vorzugsausgabe mit der zusätzlichen signierten und nummerierten Farbradierung. Der Handeinband von Werner G. Kießig nach einem Entwurf von Uwe Bremer. Tadellos. [Attributes: First Edition]

      [Bookseller: Antiquariat Rainer Schlicht]
 37.   Check availability:     ZVAB     Link/Print  

        Booked to Die: A Mystery Introducing Cliff Janeway( Proof with TLS)

      Charles Scribner's Sons ( Scribners), New York,U.S.A. 1992 - First edition. UNCORRECTED PROOF. First edition. Original wraps. FINE with TLS laid in. Letter and envelope are "Old Algonquin Books" letterhead. Among other things, Dunning comments on collectabilty of proofs and ARC's. Folded twice else FINE. Letter is signed "John" above his typed full name. The book that gave new impetus to the bibliomystery genre and started the Cliff Janeway series of bibliomysteries from this author. Only the letter is signed. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: THE USUAL SUSPECTS (IOBA)]
 38.   Check availability:     AbeBooks     Link/Print  

        Barock: Theatrum Mundi. Die Welt als Kunstwerk [Gebundene Ausgabe] Rolf Toman Achim Bednorz Barbara Borngässer Reihe/Serie: Bibliothek der Kunstepochen Kunst Kunstgeschichte Kunststile Barock Barocke

      Nach dem Welterfolg ARS SACRA begibt sich das Team um Rolf Toman erneut auf die Reise. Das Schloss von Versailles und die Peterskirche im Vatikan waren die herausragenden Bauwerke des Barock. Aber ungeahnte Kostbarkeiten finden sich in Europa und in Amerika, der Neuen Welt: Prachtvolle Bibliotheken, Tresorräume der Wissenschaft oder geheimnisvolle Gartenanlagen, kunstfertige Porzellanarbeiten und illusionistische Malerei, um nur einige Aspekte dieser vielschichtigen Epoche zu nennen. Mit Leidenschaft und Akribie gelang es dem Fotografen Achim Bednorz Details von Bildwerken vor die Linse zu bekommen, wie sie selbst vor Ort am Original nicht wahrgenommen werden. Die exklusiv für den vorliegenden Band so entstandenen Fotografien kommen durch das große Format besonders gut zur Geltung. Die Autorin Barbara Borngässer entwirft dazu ihre Geschichte des Barock und entführt den Leser in das damalige Welttheater, das Theatrum Mundi. Ein prachtvolles Buch mit hervorragenden Abbildungen. Die Kunst des Barock. Ein Traum. (Frankfurter Rundschau) Das Welttheater in einem Prachtband. Was der Foliant vor Augen rückt, das sind die Räume, Fassaden, Skulpturen und Gemälde. Und zwar mit exzellenten Fotografien in [] stattlichen Formaten. (Frankfurter Allgemeine Zeitung) Die atemberaubenden Bilder in den opulenten, sieben Kilogramm schweren Büchern [] sprechen für sich. Die neue Generation von Kunstbüchern. (Express) Über den Autor: Rolf Toman wollte ursprünglich Lehrer werden. Doch nach Abschluss des Zweiten Staatsexamens folgten statt der Schultätigkeit weitere Lehr- und Arbeitsjahre in einem großen internationalen Verlagshaus als Verlagslektor. Ab 1992 arbeitete er als freier Herausgeber für verschiedene international wirkende Verlagshäuser. Kunstgeschichtliche Epochenbände bildeten das Zentrum seiner langjährigen Arbeit. Rolf Toman lebt und arbeitet in Südfrankreich. Der Kölner Fotograf Achim Bednorz arbeitet seit über 20 Jahren für internationale Publikationen zu kunsthistorischen Themen. Er hat sich vor allem als Spezialist für Sakralräume einen Namen gemacht. Sein Interpretations-Prinzip ist denkbar einfach: maximale Wirklichkeitsnähe, d.h. Darstellung des Objekts in ausgewogener Lichtführung, Erkennbarkeit wie bei Idealbedingungen, Verzicht auf jede Effekthascherei. Achim Bednorz ist Architekturfotograf und arbeitet seit vielen Jahren für Buchprojekte zu kunsthistorischen Themen. Als Spezialist für Sakralräume hat er sich einen Namen gemacht. Dr. Barbara Borngässer studierte Kunstgeschichte, Romanistik und Archäologie in Berlin, Florenz und Salamanca. Sie schrieb zahlreiche Publikationen zur Kunst und Architektur der Neuzeit. Reihe/Serie: Bibliothek der Kunstepochen Sprache deutsch Maße 288 x 398 mm Gewicht 8006 g Kunst Musik Theater Kunstgeschichte Kunststile Barock Barocke Kunst Bibliotheken Gartenanlagen Kunstepoche Peterskirche Tresorräume Versailles Zoom-Prinzip ISBN-10 3-8480-0059-8 / 3848000598 ISBN-13 978-3-8480-0059-3 / 9783848000593

      [Bookseller: Buchservice Lars Lutzer]
 39.   Check availability:     Link/Print  

        Lexikon Der Ägyptologie Band VII: Nachträge, Korrekturen und Indices

      Otto Harrassowitz, Wiesbaden 1992 - XLI, 841 Seiten und 10 gefaltete Karten; roter Leineneinband mit Rücken- und Deckeltitel; Einband mit leichten Gebrauchsspuren - sonst gutes und sauberes Exemplar; 2,8 kg Versandgewicht; [Attributes: Hard Cover]

      [Bookseller: Antiquariat Tröger]
 40.   Check availability:     AbeBooks     Link/Print  


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