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Displayed below are some selected recent viaLibri matches for books published in 1982

         Hikari to Kage [Light and Shadow]

      (Tokyo): (Tojusha), (1982) - 4to (295 × 217 mm), pp.216. 100 black-and-white photographs. Double black endleaves. Printed French-fold wrappers, black, text in grey and white; light wear to extremities. Printed dust-jacket, black, text in grey and white, black-and-white photographic image silk-screened to front; light wear to edges with an abrasion to fore-edge, spine lightly toned, adhesive mark to rear flap. Publisher’s printed wraparound band, grey; lightly rubbed, wear to edges, two nicks with creasing to front, strengthened with tape on verso. Near-fine in an excellent dust-jacket with a very good band. First edition, one of Daido Moriyama’s key books. Following the publication of Shashin yo Sayonara (Farewell, Photography) and Karyudo (A Hunter) in 1972, Moriyama experienced something like a crisis of creative confidence and largely stopped taking photographs for several years. In 1981 he began taking photographs seriously attempting to capture light in a simple and direct way. Some of them were serialised in Shashin Jidai magazine, and the entire series is published here in Hikari to Kage, which also contains his first collection of writings on photography. [Attributes: First Edition; Soft Cover]

      [Bookseller: Oliver J. Wood]
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      NY: Viking, 1982. First edition, first prnt. Inscribed on the front free endpage by Naylor. "Dear Alan, This is an example of how I manipulated a 'useable present' Thanks for a great class, and for letting me cry in your office. Gloria " Dampstain on front board and beginning board extremity toning; dustjacket with minimal shelfwear and interior edge toning (which is not apparent onthe outside). Good condition in a Very Good dustjacket with an archival cover. The inscriptee is Alan Trachtenburg who was the Neil Gray, Jr. Professor of English and American Studies at Yale and as Naylor's inscription implies a mentor and early supporter of her work. . Inscribed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall. Association Copy.The images are of the book described and not stock photos,

      [Bookseller: Revere Books, ABAA & IOBA]
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         The Women of Brewster Place

      NY: Viking. (1982). Her highly praised first book, a novel constructed in seven stories. Winner of the American Book Award for best first novel of the year, and later the basis for a television miniseries. Inscribed by the author, "in sisterhood." Top boards edge-sunned; else fine in a very near fine dust jacket with slight wear to the crown and corners. First Edition. Hardcover. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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         Michel Leiris assiste à une danse sacrée au Mali.

      - 1 lettre autographe signée 1 In-4 24/04/1982 Enveloppe jointe. bon Après la lecture du dernier ouvrage de l'éthnologue Jean-Marie Gillab [Tambours d'eau : journal et enquête sur un culte de possession au Mali occidental]. «Je lis avec sympathie et intérêt votre livre consacré à ces Siné-Dou que j'ai, quant à moi, à peine effleurés (assistant un 14 juillet à Kita à une danse de dyedunu, puis posant à ce sujet quelques questions au cours de ce que je n'oserai même pas qualifier d'enquête). Dans ce livre (déjà parcouru en entier), ce que j'aime c'est qu'il est, à mon sens, un livre complet, contenant non seulement un compte-rendu vivant de la recherche et un exposé scientifique des résultats, mais une autocritique sans complaisance [.]». Ecrivain proche des Surréalistes, ethnologue et critique d'art, satrape du Collège de Pataphysique. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Traces Ecrites]
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         Iridology: The Science and Practice in the Healing Arts, Vol. 2

      USA: Bernard Jensen Intl. Hardcover. 0960836063 (xxvi), 580 pages. Profusely illustrated with high-resolution color photos. Four foldout illustrations. "It is possible, through an iridology analysis, to discern the location of a problem and then, following proper nutrition, the chemical and structural changes in the body will be visually apparent in the iris. This process provides a necessary guide and method to the practitioner to help improve the patient's condition and to better monitor the patient's progress. Above all, it provides a perspective through which a correlation of all the drugless arts may be achieved, emphasizing not the treatment of a disease but the care of the patient." - from author's prefatory note. Average wear. Binding intact. Moderate quantity of markings and high-lighting to contents. A sound copy of this treasured reference. . Good. 1982. First Edition.

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         The Gunslinger

      Donald M. Grant 1982 - Stephen King (1982) ‘The Gunslinger’, US first edition, first printing, published by Donald M. Grant. Signed and humorously inscribed by Stephen King around the date of publication, and signed by illustrator Michael Whelan on the title page. This is the first book of King’s eight volumes strong ‘Dark Tower’ series. Condition: near fine. The dust jacket is in near fine condition with slight fading to the spine and with some edge wear as pictured. The book is housed in an aftermarket custom made slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: First and Fine]
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         Altenbourg, Gerhard. - "Vorhänge aus Lust und Schauer".

      - Farbholzschnitt, in Schwärzlichgrau & Orange, auf hellem Velin-Büttenkarton, 1982. Von Gerhard Altenbourg. Auflage Exemplar Nr. 2/3. 13,7 x 48,7 cm (Darstellung / Druckstock) / 26,5 x 61 cm (Blatt). Janda H 269 H 1. Unterhalb in Feder und grauer Tusche signiert und datiert. Dazu Prägestempel des Künstlers und Signum A im Kreis. Rechts unten eigenhändige Auflagenbezeichnung. Links Titel. - Seltenes Blatt in einer Farbvariante mit kleiner Auflage. - Tadellos erhalten. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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         Spaceship Earth: Edition of the Fuller Dymaxion Sky - Ocean

      Philadelphia: Buckminster Fuller Institute, 1982. Map. Offset lithograph. 22 x 34 inches. Signed in black marker by Buckminster Fuller. Map. Offset lithograph. 22 x 34 inches. Signed in black marker by Buckminster Fuller. This map was the final publication of Fuller's icosahedron based world map that endeavored to more objectively look at planet earth with a comparatively less distorted projection and also a removed sense of 'up' and the political implications it might entail. Brightly color coded to show 'mean low annual temperature' for both land and sea. Small repair to lower right corner, some scuffs and light creases. Framed in archival shadow box with silver frame. Rare.

      [Bookseller: Argosy Book Store]
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         Studio Portraits from the Agatha Christie film 'Evil under the Sun'.

      1982 - Set of six colour photographs. Dimensions: app. 51 x 40 cm. (19.75 by 15.75 inches). A set of large format photographic portraits of six members of the cast of 'Evil Under the Sun', the 1982 film based on the novel by Agatha Christie, made by the outstanding British photographer Lord Snowdon. Directed by Guy Hamilton ('Goldfinger') and with a screenplay by Anthony Shaffer, 'Evil under the Sun' had a stellar cast, led by Peter Ustinov as Hercule Poirot, with Dames Maggie Smith and Diana Rigg, Jane Birkin, Nicholas Clay, and Roddy McDowall to name but a few. The portraits found here are of: Jane Birkin, Sylvia Miles, Emily Hope, Peter Ustinov, Nicholas Clay and Colin Blakeley. Lord Snowdon (1930-2017) established himself as a successful portrait photographer through his images of theatre and society figures before becoming associated with the British royal family. By the 1970s his work had placed him among England's most well-respected photographers. In 2001 the National Portrait Gallery held a retrospective of his work.

      [Bookseller: Shapero Rare Books]
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         Winston S Churchill Companion Volume V parts 1,2,3, The Exchequer Years, The Wilderness Years, The Coming Of War.

      William Heinemann, London. 1979-1982 - First editions in dustwrappers. Original red cloth binding with gilt titles to the spine. VG+ with no ink marks or inscriptions, showing slightest rubbing and flattening to the spine, fading to the red of the top edge . In VG dustwrappers showing some minor bumping and light creasing. Minor fading to red title of vol.2. slight uniform toning to the spines. Very heavy, extra postage will apply to international orders. Overall a pleasingt set of the scarcest of the companion volumes. 10990 [Attributes: Hard Cover]

      [Bookseller: Holybourne Rare Books ABA ILAB]
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         Grande folla

      Milano, Grafica Uno, 1982 - Acquaforte a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio, Grafica Uno, Milano. Esemplare 13/70. cm 77x53 (Foglio 99x70). . . Ottimo (Fine). . Tiratura 70 + XII esemplari. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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         Stadt des Schwarz. Eighteen photographs of Berlin.

      47 x 35 cm. 24 S. (und 68 halbtranspar. Zwischenblätter) mit 17 s/w Foto-Abb. Schwarzer OLnBd. mit einer montierten Orig.-Fotografie und transparentem Folienumschlag. Parr/Badger, The Photobook, Vol. 2, S. 64 Wiegand/Heiting, Deutschland im Fotobuch S. 341.- 'Stadt des Schwarz' ist das erste der drei Berlinbücher des amerikanischen Fotografen. Es erschien in einer Auflage von 500 Exemplaren (vorliegendes trägt die Nr. 63/500 und ist signiert). Es enthält 18 Aufnahmen, die Gossage zwischen 1982 und 1986 in Berlin machte, sowie eine Einleitung von Jane Livingstone und 3 Märchen, die auf Jacob und Wilhelm Grimm basieren.- Tadelloses Exemplar. / First edition, first and only printing. Limited edition of 500 copies numbered and signed by Gossage (this being # 63/500), with an original black and white gelatin silver print (21,2 x 17,2 cm) tipped in the front cover. - Mint condition.

      [Bookseller: berlinbook]
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         [POSTER] Tiny Tim : The Chameleon

      [Sydney, 1982]. Colour screenprint, from three stencils, 760 x 510 mm, initialled "S" in image lower right; a good example, with a few spots of light foxing and an expected amount of mild creasing; unbacked. A rare original poster designed by the important Australian pop artist Martin Sharp, a friend, champion and collaborator of the American musician, Tiny Tim (born Herbert Buckingham Khaury, 1932-1996), whom he had met in London in the late 60s. Sharp worked for nearly a decade on his Tiny Tim tribute film Street of dreams, and was to illustrate the posthumous biography of the great performing artist, Tiny Tim: Tiptoe Through A Lifetime (2013). According to the National Gallery of Australia, the print run the poster Tiny Tim : The Chameleon was limited to 50, with some additional proofs.

      [Bookseller: Douglas Stewart Fine Books]
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         DEN ÄRLIGA BEDRAGAREN (The True Deceiver)

      Stockholm: Bonniers, 1982. 1st Edition . Hardcover. Fine/Near Fine. First Printing. Printed in the Swedish language. The Schildts imprint which in this case is simply a slightly amended dustjacket (with "Schildts" substituted for "Bonniers" at the front panel). A Fine copy in Near Fine dustajcket. SIGNED by Tove Jansson at the half-title, rare thus. With Provenance.

      [Bookseller: Old Swan Books]
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         Different Seasons.

      The Viking Press, New York 1982 - First edition of this classic collection of four short stories. Octavo, original half cloth. Signed by Stephen King on the title page. Fine in a near fine dust jacket. Jacket design by R. Adelson. Jacket illustration by Kinuko Y. Craft. Different Seasons is a collection of four novellas. The novellas are titles: Apt Pupil, Rita Hayworth and Shawshank Redemption, The Body, and The Breathing Method. The collection is notable for having had three of its four novellas turned into films, one of which, The Shawshank Redemption, was nominated for the 1994 Academy Award for Best Picture. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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         Harald Klingelhöller. Atelier Düsseldorf, 1982.

       40,5 x 30,5 cm. Minimale Gebrauchspuren. Harald Klingelhöller, fotografiert von Erika Kiffl in seinem Atelier in Düsseldorf, 1982. Schwarz-Weiss Fotografie, Abzug 2006, verso handschriftlich bezeichnet und signiert. Erika Kiffl, geboren 1939 in Karlsbad (heute Tschechien), lebt seit 1951 in Düsseldorf. Seit 1979 als freie Fotografin tätig, zuvor als Artdirektorin. Erika Kiffl hatte bereits in den frühen 60er Jahren begonnen, in der Düsseldorfer Kunstszene aktiv zu fotografieren. Bekannt wurde sie mit ihrem eigenen Blick in die Ateliers der Künstler. Zu diesen Fotoserien erschienen mehrere Publikationen. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Düsseldorf / Düsseldorf, Fotografie / Photography, Kunstakademie Düsseldorf

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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         Portrait de Hans Hartung. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Small tear on the upper edge and stain on the white part of the photograph.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1982 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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         Bom-Crioulo. The Black Man and the Cabin Boy. Translated from Portuguese by E. A. Lacey.

      San Francisco: Gay Sunshine Press, 1982 - Octavo. Original green cloth, titles gilt to spine and front. No jacket as issued. Very slight rubbing to tips, excellent condition. First English edition, first printing, very scarce cloth issue, publisher Winston Leyland's own copy with his ownership inscription to the front free endpaper. Winston Leyland (b.1940) was a leading figure in American LGBT publishing and won the Stonewall Book Award in 1980. He established the Gay Sunshine Press in 1975, which was notable for its pioneering anthologies of gay writing from other cultures, and his Gay Sunshine Journal (1970-82) was particularly influential for its interviews with prominent gay writers of the era. The vast majority of the clothbound copies of Gay Sunshine Press books were sold to libraries, and are consequently very scarce. Bom-Crioulo "was the first completely open gay novel to be published anywhere in the world (1895). The book provoked such controversy in Brazil that author was threatened with court proceedings; it has since become a classic and is still in print in that country." (Gay Sunshine bibliography). Gay Sunshine A22a. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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         Early Millar : The First Stories of Ross Macdonald & Margaret Millar

      Cordelia Editions, Santa Barbara 1982 - Limited to 170 total copies, this is copy # VII out of 15 Roman numeral copies, SIGNED by both Kenneth Millar and Margaret Millar on the limitation page. Additionally, this copy is inscribed, (it looks like its to Wayne Warga) and SIGNED by Margaret Millar on the page facing the title page. Laid in is a reproduction of a 1931 photograph of the high school debate team of which both authors were members. The first story of each, written when they were in high school was published in 1931 in their school magazine, The Grumbler. Each is reproduced in this book. This volume is in fine condition and is protected in a plastic sleeve. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Trilby & Co. Books]
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         Ham on Rye

      Santa Barbara: Black Sparrow Press, 1982. First Edition. Hardcover. Fine. Signed limited edition with original sketches by Bukowski on the limitation page. 226 of 350. Original broadside laid-in. Fine in the quarter cloth binding with pictorial boards, covered by glasseine. Bukowski's classic semi-autobiographical novel of Henry Chinaski as he comes of age in Great Depression-era Los Angeles.

      [Bookseller: Carpetbagger Books]
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      Franklin Library, Franklin Center, Pennsylvania 1982 - Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; The Oxford Library of the World's Greatest Books; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare Book Cellar]
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         o.T. (Blattwerk). Zwei Originalabzüge, verso signiert.

      (Wien um 1982). - Sprache: deu 24 x 17,7 cm. Silbergelatineabzüge aus dem Spätwerk der Wiener Fotografin (1943-2003), verso eigenhändig signiert und mit ihrer Adresse versehen (Starkfriedgasse 11 in Pötzleinsdorf, nach dem Tod Gustav Glücks, lebte sie mit ihrem Mann, dem Dichter Reinhard Priessnitz, vorübergehend in der Wohnung ihres Vaters). Seit Beginn ihrer Ausstellungstätigkeit hat sie dem weißen Rand ihrer Abzüge besondere Bedeutung beigemessen. Beiliegt Typoskript (von Reinhard Priessnitz) zu ihrer Ausstellung 'Fotoarbeiten' 1982 im Intakt-Treffpunkt, den die Galeristin Christa Hauer in ihrer Galerie im Griechenbeisl eingerichtet hatte. 'Hier wird gleichsam eine durch Fotoarbeit möglich gewordene Umwelt des zweiten Blicks vorgeführt, eine Darstellung von Formstrukturen .'. In der Priessnitz-Gesamtausgabe nicht enthalten. Originalabzüge der Fotografin sind außerordentlich selten im Handel. Diese bei Röbl / Coeln nicht abgebildet. [Attributes: First Edition; Signed Copy]

      [Bookseller: Georg Fritsch Antiquariat]
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         Senza titolo

      Roma, Romero, 1982 - Acquatinta originale a colori. cm 31x49 (Foglio cm 50x70). . . Ottimo (Fine). . Tiratura: 100. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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      A Del Rey Book [1982], New York - Octavo, illustrated by Darrell K. Sweet, cloth backed boards. The second book in the Shannara fantasy series. Barron (ed), Fantasy and Horror 7-52. A fine copy in a fine dust jacket. (21719) [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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         Lubny 1913 - 1989 Plön). Landschaft Holsteinische Schweiz (?). Öl auf Hartfaserplatte von 1982. Unten rechts monogrammiert und datiert. 34 x 50 cm. Gerahmt.

      1982 - Hügelige, sommerliche Landschaft mit Wiesen und Bäumen unter etwas bewölktem Abendhimmel.- > Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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         Christina's World: Paintings and Pre-studies of Andrew Wyeth

      Houghton, Mifflin Company, Boston 1982 - Wyeth, Andrew. First edition. Illustrated. [vi], 281, [1] pp. Oblong 4to. The Wyeths and the Kirsteins. Inscribed in Betsy Wyeth's hand, "For Lincoln and Fido / with love / Betsy & Andy," with "Andy" in the artist's hand.An outstanding association copy of the monograph on the painting which initiated the relationship between Andrew Wyeth and his intimate friend and adviser, Lincoln Kirstein (1907-1996). Kirstein, who was on the board of MoMA, met Wyeth after the museum acquired CHRISTINA'S WORLD in 1948. Wyeth was still largely unknown at that time, and he quickly came to rely on Kirstein for support and honest criticism of his work. "Kirstein appointed himself Wyeth's friend, admirer, mentor, and stern critic - in essence a supersuccessor to NC. [.] Wyeth thinks that in the 1950s he needed Kirstein to push him toward more form in his work, more solidity" (Meryman, Andrew Wyeth: A Secret Life (1998) p. 239, 243). Kirstein, who disdained most abstract art, was essential in providing Wyeth the confidence he needed to continue work in the face of hostile critics who derided his art as sentimental and unsophisticated. Wyeth was fond of quoting Kirstein's dismissive opinion of the critics, "Why do you want approval from those horses' asses?" (ibid, p. 390).Kirstein was a father-figure to two generations of Wyeth artists, and as Andrew's son Jamie developed his own artistic gifts, Kirstein began to transfer his attention to the younger Wyeth. "After posing for nineteen-year-old Jamie, Kirstein more or less shifted his allegiance from Andrew and became Jamie's friend and mentor. Kirstein told Betsy, 'You gave me the only son I ever had'" (ibid, p. 275)"Fido" was Kirstein's wife, Fidelma Cadmus (1906-1991), a painter and the sister of the artist Paul Cadmus. Original mustard cloth, illustrated dust jacket. Some rubbing and minor soiling to boards, a few scuffs to jacket Illustrated. [vi], 281, [1] pp. Oblong 4to [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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         Poems and a Memoir

      New York: The Limited Editions Club , 1982. 1st Edition 1st Printing. Hardcover. New/Publishers Slipcase. Folio - over 12 - 15" tall. Henry Pearson. 2000 copies of Poems and a Memoir by Seamus Heaney have been printed for the members of The Limited Editions Club. The typographic design is by John Anderson of The Pickering Press. Daniel IKeleher at The Wild Carrot Letterpress has printed the illustrations and the text on one hundred pound letterpress paper with a laid finish made by Mohawk Mills and used in this book for the first time. The original relief engravings are by Henry Pearson who has signed this book. The book has an introduction by Thomas Flanagan who has also signed the book, which is also signed by the author Seamus Heaney. This is copy #539.Thsi is a collection of six suites of poems by Heaney, a number of which appear for the first time. There is a wonderful contemporary illustration at the beginning of each suite by Pearson. The book is in new condition as is the publisher's slipcase. The monthly letter of the Limited Editions Club is tipped in as is the instructions on how to care for the pure aniline full top grain calf binding which is magnificent. The spine of the book is lettered in gilt and the front has an embossed design by the book's illustrator. This is a must for collectors of Seamus Heaney and fine poetry in general. What more can I say, this is as good as it gets.

      [Bookseller: Oshtemo Book Sellers]
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         Hommage à Aimé et Marguerite Maeght.

      Paris. Galerie Maeght. Août. 1982 - Sprache: Französisch Folio. 111 S., 2 Bl. Mit 24 teils farbigen und doppelblattgrossen Originalgraphiken und vielen teils s./w. Porträt-Fotografien. Originalkarton mit Schutzumschlag mit einer farbigen Originallithographie von Steinberg. "24 artistes ont accepté de réaliser une oeuvre graphique originale pour ce numéro qui comporte la table générale de tous les numéros ainsi que des extraits de textes de 32 écrivains." - Mit Originallithographien von Steinberg, Chagall, Miró, Bram Van Velde, Rebeyrolle, Tàpies, Tal-Coat, Alechinsky, Ubac, Pol Bury, Klapheck, Titus-Carmel, Kelly, Bazaine, Adami, Arakawa, Riopelle, Takis, Garache, Gardy-Artigas, Fiedler und Originalserigraphien von Chillida, Palazuelo, Monory.

      [Bookseller: Daniel Thierstein]
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         Cinnamon Skin

      Books on Tape 1982-01-01 - 5557074937 In a Good case.

      [Bookseller: Blindpig Books]
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      SELEZIONE DAL READER'S DIGEST, 1982. ITALIANO 1,93 Prefazione di Alberico Sala, rilegatura editoriale in tutta similpelle bordeaux, con titoli d'oro al piatto ed al dorso e con lievissimi segni del tempo, sovraccoperta illustrata, ingiallita, oscurata anche da velo di polvere al dorso e con usura da scaffalatura, pagine in buonissimo stato di conservazione e con numerose illustrazioni a colori nei testi USATO

      [Bookseller: Biblioteca di Babele]
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         A" is for Alibi A Kinsey Millhone Mystery

      Holt, Rinehart and Winston, New York 1982 - 274pp. Red gilt title on spine with original gray boards. Dust jacket in fine condition, bright illustrations, with $12.95 unclipped price in corner. Book appears to have never been read. This was the debut mystery novel from Sue Grafton, part of a future series of "Alphabet Mystery Series." First edition had 7,500 copies printed. [Attributes: First Edition; Hard Cover]

      [Bookseller: The First Edition Rare Books, LLC]
 31.   Check availability:     AbeBooks     Link/Print  

         Autograph Letter Signed ("Patrick"), to Don and Iris Hunt

      Hog Hollow, Langata, [Kenya] 1982 - 1 p. red and blue ink on thick art paper with three hole-punches at left margin, addressed with rebus, cut-out of black-and-white photograph on verso of young woman (captioned "memories of Mogadishu:"). 14 x 11 inches. An exuberant, humorous letter. The rebus greeting, illustrating "Dear Iris, Don and Kewine [?]" makes this letter a work of art in its own right. Reading in part, "Warmest greetings from the land of hogs-Heaven's choicest blessings Shower upon us in the form of rain ?Glad to hear Lake Rudolph was such a success, we splinter off for Sudan tomorrow. If we miss you at Hoggers, settle in ? By the time you throw some stones on Lenana's Kiburi we will be back. 'M. Buno' is in charge of the grass - Kamande is in charge of the booze ? In hopes the opening 'Rhebus' has not boggled your minds ?" Don and Iris Hunt were co-founders of the Mount Kenya Wildlife Conservancy. Light edgewear and a few faint stains 1 p. red and blue ink on thick art paper with three hole-punches at left margin, addressed with rebus, cut-out of black-and-white photograph on verso of young woman (captioned "memories of Mogadishu:"). 14 x 11 inches

      [Bookseller: James Cummins Bookseller, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  

         `Iridology: The Science and Practice in the Healing Arts, Volume (Vol.) 2 (Two / II)

      Bernard Jensen, Publisher, 1982. (xxvi), 580 pages. Profusely illustrated with high-resolution color photos. Four foldout illustrations. "It is possible, through an iridology analysis, to discern the location of a problem and then, following proper nutrition, the chemical and structural changes in the body will be visually apparent in the iris. This process provides a necessary guide and method to the practitioner to help improve the patient's condition and to better monitor the patient's progress. Above all, it provides a perspective through which a correlation of all the drugless arts may be achieved, emphasizing not the treatment of a disease but the care of the patient." - from author's prefatory note. Average wear. Binding intact. Moderate quantity of markings and high-lighting to contents. A sound copy of this treasured reference.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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         TIN ROOF

      Island Writing Series, Lantzville 1982 - First edition, limited to 500 copies, fifty of which were bound in cloth and signed by Ondaatje. This copy is an out of series (unnumbered) softcover copy signed by Ondaatje on the title page. Printed stapled wraps. Wrapper with few tiny edge wrinkles and beginning staple oxidation (not immediately apparent). Near Fine condition. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: REVERE BOOKS, abaa & ioba]
 34.   Check availability:     AbeBooks     Link/Print  

         Chemie, Nobelpreise.

      verschiedene Radiertechniken - 1983 signiert nummeriert und datiert 1982 - Aufl. 100 Exemplare + XXV + XV e.a. 39,5 x 49,5 cm Cramer 222 Blatt 2 der eindrucksvollen sechsblätterigen Radierfolge. Die Nobelpreise sind im April 1983 von der Galerie Börjeson, Malmö, herausgegeben worden. Die Graphik ist etwas lichtrandig. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
 35.   Check availability:     ZVAB     Link/Print  

        Die Bibliothek deutscher Klassiker, 60 Bände. Gesammelte/Sämtliche Werke.

      8, (Kunst-)Ledereinband, gebundene Ausgabe 60 Bände (komplett: 1 Friedrich Gottlieb Klopstock 2-4 Gotthold Ephraim Lessing 5 Christoph Martin Wieland 6 Georg Christoph Lichtenberg 7-8 Johann Gottfried Herder 9-12 Johann Wolfgang von Goethe 13-15 Friedrich Schiller 16 Johann Peter Hebel 17-19 Jean Paul 20-21 Friedrich Hölderlin 22 Novalis 23 Friedrich Schlegel 24 E.T.A. Hoffmann 25-26 Heinrich von Kleist 27-28 Clemens Brentano 29 Achim von Arnim 30-31 Adalbert von Chamisso 32 Joseph von Eichendorff 33 Arthur Schopenhauer 34 Franz Grillparzer 35 Annette von Droste-Hülshoff 36-39 Heinrich Heine 40 Christian Dietrich Grabbe 41 Wilhelm Hauff 42 Eduard Mörike 43 Adalbert Stifter 44 Georg Büchner 45-46 Friedrich Hebbel 47 Otto Ludwig 48 Gustav Freytag 49 Theodor Storm 50-53 Theodor Fontane 54-55 Gottfried Keller 56 Conrad Ferdinand Meyer 57 Wilhelm Raabe 58-60 Friedrich Nietzsche), 8 (19*12 cm), Dünndruck, braunes (Kunst-)Leder m. rotem Rückenschildchen, Rücken- u. Deckelgoldprägung, hellbraune Vorsätze, Goldkopfschnitt, Lesebändchen, Klarsichtschutzumschlag. Einmalige Sonderausgabe der Harenberg Kommunikation 1982. Wohl komplett ungelesen, Schutzumschläge alterswellig, die Bücher selbst neuwertig erhalten, ohne Einträge, geruchsneutral.

      [Bookseller: Versandantiquariat Reader's Corner]
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More rare books found from 1982

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