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Displayed below are some selected recent viaLibri matches for books published in 1981

        Stilleben mit Blumenstrauß in Glasvase, brauner Vase, Flasche und Obst auf grünem Tuch. Farbiges Aquarell auf Büttenpapier, rechts unten mit *Kohlhoff, (19)50 * signiert und datiert.

      Bildmaß ca. 37 x 46 cm ( Höhe x Breite ), Blattmaß ca. 41,5 x 48 cm. Farbiges Aquarell auf Büttenpapier Gezeigt wird ein Stilleben mit rotem Blumenstrauß in Glasvase, rechts davor eine Tonvase, linkerhand eine Tonflasche, hiervor 1 Apfel und 1 Zitrone. Auf Büttenpapier gemalt. Das Blatt gering fleckig im weißen Außenrand, möglicherweise linkerhand knapp beschnitten. Walter Kohlhoff ( *1906Berlin 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc.. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts, Selbstporträts und Aktzeichnungen. ( Weitere Bilder auf Anfrage further pics at request ) ( Artikelnumer 15754 )

      [Bookseller: Antiquariat Friederichsen]
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        Medaglie e monete

      MILANO: Gruppo Editoriale Fabbri, 1981. Brossura. OTTIMO. 22,5 29,5. I quaderni dell'antiquariato USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        The Portfolios of Ansel Adams (signed By Adams)

      New York Graphic Society, Boston 1981 - Quarto. First printing with laser-scanned separations and with a new design, Signed by Adams on the half-title and with a color Kodak photograph of Adams along with news clippings of his death laid in. The introduction is by John Szarkowski. A beautiful copy bound in black cloth stamped with Ansel Adams name in blind, spine lettering gilt, in fine bright unclipped pictorial dust jacket.

      [Bookseller: Alcuin Books, ABAA]
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        Klinische Anatomie des Kopfes. Neurokranium, Orbita, Kraniozervikaler Übergang.

      Berlin, Springer-Verlag, 1981, Folio, XIV, 492 pp., 388 vierfarbigen Abbildungen und 177 Schemata, orig. Leinenband. Erste und hochwertige Original-Ausgabe!Johannes Lang (1923-2003) - "Die anatomischen Wissenschaften sind die Grundlagen ärztlichen Handelns" - diesem Leitsatz folgte Prof. Lang in Forschung und Lehre. Deshalb sind all seine wissenschaftlichen Arbeiten - über 300 an der Zahl - vom Bezug zur Klinik gekennzeichnet. Der Mediziner hat die Topographie und Mikroanatomie von Kopf, Gehirn, Wirbelsäule und Rückenmark unter klinischen Aspekten neu beschrieben. Viele operative Zugänge in der Kiefer- und Neurochirurgie sowie der Augen- und Hals-Nasen-Ohrenheilkunde wurden nach seinen Befunden standardisiert.Über 180 Doktoranden trugen bei Prof. Lang wissenschaftliche Daten zusammen. Diese bildeten unter anderem die Grundlage für ein Dutzend Monographien mit zahlreichen diagnostischen und operationstechnischen Hinweisen. Die Operationskurse, die der Jubilar in der Würzburger Anatomie für junge Neurochirurgen und Hals-Nasen-Ohren-Ärzte durchführte, waren an vielen anderen Kliniken Vorbild für ähnliche Veranstaltungen.Johannes Lang wurde 1923 in München geboren. Als Soldat erlitt er an der Ostfront nach einigen Gewehrdurchschüssen eine schwere Granatsplitterverletzung. Noch während des Krieges, 1944, begann er sein Medizinstudium in München. Später wechselte er nach Erlangen, legte aber sein Staatsexamen 1950/51 wieder an der Münchener Universität ab. Während des Studiums engagierte er sich sieben Jahre als ehrenamtlicher Leiter eines Studentenheimes.Seine wissenschaftliche Laufbahn begann er am Anatomischen Institut der Uni München. Auf die Assistentenzeit folgte 1957 die Habilitation. Im Jahr 1965 wurde Johannes Lang auf den Lehrstuhl für Anatomie der Medizinischen Hochschule Hannover berufen. Von dort wurde er wenige Jahre später an die Uni Würzburg geholt. Hier war er von 1973 bis 1975 Dekan der Medizinischen Fakultät, von 1975 bis 1989 ihr Prodekan.Prof. Lang ist aktives Mitglied, Berater oder Ehrenmitglied in nationalen und internationalen wissenschaftlichen und klinischen Institutionen. Noch heute wird er zu Tagungen eingeladen, um die anatomischen Grundlagen des ärztlichen Handelns zu beschreiben. 1990 wurde er mit dem Bundesverdienstkreuz ausgezeichnet." Uni Würzburg

      [Bookseller: MedicusBooks.Com]
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        LARGO WINCH ASSALTO AL GRUPPO W

      MONDADORI, CLES 1981 - ITALIANO Suppl.to al n. 6 di Giallo d'Azione Mondadori, traduzione di Sarah Cantoni, pagine lievemente ingiallite ai bordi rimanendo comunque in buonissimo stato di conservazione, brossura editoriale illustrata, ingiallita ai bordi ed al dorso e con lievissimi segni di usura La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 900,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Tricks: 25 Encounters

      1981-03-03. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
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        Vienna Series N° 3.

       Sehr gutes Exemplar. Bleistift und Aquarell auf Papier, 1981. Verso Rahmung betitelt und signiert. In der Originalrahmung der Ausstellung von 1981, verso mit Sichtfenster. 29 x 21 auf Träger 40 x 25 cm in Kassettenrahmung, 52 x 36 x 4,8 cm. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Amerika / America, Kunst, Multiples

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Vienna Series N 3.

      Sehr gutes Exemplar. Bleistift und Aquarell auf Papier, 1981. Verso Rahmung betitelt und signiert. In der Originalrahmung der Ausstellung von 1981, verso mit Sichtfenster. 29 x 21 auf Träger 40 x 25 cm in Kassettenrahmung, 52 x 36 x 4,8 cm.

      [Bookseller: Antiquariat Querido]
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        WHAT IS SELF-DEFENSE.? (Kenpo Jiu-Jitsu)

      1981-08-07. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
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        Husserl, Shorter Works

      1981-06-09. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
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        George's Marvellous Medicine.

      London: Jonathan Cape,, 1981. Octavo. Original light blue cloth, spine lettered in gilt. With the dust jacket. Illustrated throughout by Quentin Blake. A fine copy in the bright jacket. First edition, first impression, signed by the author on the front free endpaper in green ink.

      [Bookseller: Peter Harrington]
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        The Archives. Art Information Centre Peter van Beveren.

      Hasselt. Provinciaal Museum. 1981. Auflage 500 Exemplare. 30,5 x 22,0 cm. 1 Blatt, 30 Blatt, 30 montierte Tafeln, 1 Blatt. Schwarzes Kunstleder mit goldener Titelprägung. Rückenkanten minimal berieben. Sehr gutes Exemplar. Nummer 198 / 500 nummerierten Exemplaren. Erschien anläßlich der Ausstellung \"The Archives / Art Information Centre Peter van Beveren\", die im Provinciaal Museum Hasselt stattfand. Enthält auf 30 montierten Tafeln Arbeiten von: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michel Cardena, Christo, Robin Crozier, Geurt van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier, Wolf Vostell. Die Arbeit von Joseph Beuys ist die Sekretärstasche, eine normale Versandtasche 25,0 x 15,5 cm, gestempelt, darin 2 Faksimile-Drucke auf tarnsparenter Folie. Auflage 500 Exemplare, stempelsiegniert und betitelt. [Vgl. hierzu Schellmann, Die Multiples, S. 303, Nummer 382]. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Belgien, Kunst, Editionen

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        FOREIGN DEVIL - REMINISCENCES OF A CHINA MISSIONARY DAUGHTER 1909-1935 [SIGNED]

      China Materials Center, 1981. First Edition. 8vo., xviii, 458 pages, [2]; VG/VG-; spine yellow with black lettering; dust jacket protected with a mylar covering; mild shelfwear and soiling to dust jacket, large water stain along lower edge of both covers, tail of spine; INSCRIBED on ffep by Janet Fitch "For Our Doctor", a nice association copy of an incredibly scarce book; part of the Asian Library Series; Janet Fitch was an artist who grew up the children of missionaries, who went on to exhibit globally as well as illustrating a book by Madame Chiang Kai-shek.; shelved case 5. Dupont.

      [Bookseller: Second Story Books ]
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        Episodi.

      - B-Gfcs. Casaló, 1981. 33'5 cm. 12 serigrafias originales estampadas en los talleres de obra gráfica de Vallirana, compuestos en tipos Garamond por linotípias taravilla e impreso en papel Guarro, con un tiraje de 115 ejemplares numerados y firmados por el autor. Todas las litografías firmadas por Ràfols Casamada. Presentado en carpeta. (11102-E8). ARTE. LITOGRAFÍAS.

      [Bookseller: Llibreria Antiquària Casals]
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        Portrait de Frank Auerbach. Photographie Originale de l'artiste

      Par l'auteur 1981 - - Par l'auteur, s.l. 1981, 18x18cm sur papier Ilford 24x30, une feuille. - Portrait photographique original en noir et blanc réalisé par Marc Trivier. Tirage argentique original non signé, comme la plupart des œuvres de Trivier. Trace de scotch et partie blanche déchirée par endroits. Précieuse épreuve argentique originale du célèbre photographe belge, un des artistes contemporains les plus secrets, qui malgré un succès international précoce, a préféré limiter sa production pour conserver la cohérence de son œuvre. Marc Trivier ne tire pas de nouveaux exemplaires de ses anciens portraits, le papier de tirage qu'il utilisait n'est d'ailleurs plus commercialisé. L'artiste « réalise lui-même ses tirages sur papier baryté Ilford, consacrant plusieurs jours de travail à chacun, avec une concentration particulière pour rendre les blancs, par contraste avec des noirs d'une rare densité. Un tirage de Marc Trivier ne ressemble à aucun autre. Lorsqu'il accepte de les exposer, il les suspend dans des cadres en inox de sa fabrication, laissant libre cours à la vie du papier. » (Xavier-Gilles, « Marc Trivier et la tragédie de la lumière » in Le Monde Libertaire, 2011). Cette « vie du papier » participe de l'œuvre au même titre que les diverses altérations que subissent les photographies lorsqu'elles sont exposées : « Dans les boites, les tirages gondolent, mais qu'importe : le photographe affectionne ce genre d'accident. » (Claire Guillot, « Les face à face sans échappatoire du photographe Marc Trivier », Le Monde, 2011). Marc Trivier a une sensibilité particulière pour l'aspect matériel de ses productions. Alors que la photographie relève par essence du multiple, cette intervention de l'artiste dans tout le processus de création confère une aura autographique à ces tirages. Photographies d'artistes, de fous, d'arbres ou d'abattoirs, Marc Trivier aborde tous ces sujets avec un regard aussi précis qu'intense. « Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. » (Luc Desbenoit). La beauté qui émane de ses photos vient de cette nudité. Il n'y a ni retouches, ni recadrages. On retrouve dans son œuvre le même format carré souligné par le carré du négatif que Trivier laisse sur ses tirages. Ce cadre piège notre regard dans des photographies où le fard de la couleur est rejeté pour un noir et blanc incisif. Toute artificialité ayant disparu nous ne faisons pas face à la mise en scène d'un sujet mais à une présence exacerbée par la lumière irradiante et singulière, témoin d'un instant de vie et non de pose. C'est cette lumière, liée au médium photographique, qui unit les séries de Marc Trivier : « Les photographies de Marc Trivier écrivent une tragédie de la lumière, celle-ci n'accueillant les êtres - hommes, arbres ou bêtes - qu'en les brûlant, avant disparition. » (Xavier-Gilles in Le Monde Libertaire). C'est aussi elle, délivrée de tous les artifices, qui donne à ses œuvres l'aura qui les rend si présentes. Cette « brûlure » de la lumière nous renvoie à un instant réel, au « ça a été » de Barthes (La Chambre Claire, 1980) : « De trente-cinq ans de pratique photographique, d'obsessions, c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière, décliné d'une image à l'autre, en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie. » (Marc Trivier). « La photographie ne dit qu'une chose : « C'était. » On ne fixe que ce qui a été. S'il y a une tragédie, elle est là. » (Marc Trivier) Warhol, Foucault, Beckett, Dubuffet . les plus grands écrivains et artistes ont posés pour Trivier. Simultanément l'artiste s'intéressent également aux marges de la société, à ce que les hommes ne veulent pas voir. Il photographie alors les aliénés et les abattoirs qu'il place en regard des célébrités. Dès la fin des années 1980 son œuvre est [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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        TEATRO TAMERLANO. LA TRAGICA STORIA DEL DOTTOR FAUSTUS. L'EBREO DI MALTA

      TORINO: UTET, 1981. BROSSURA. BUONO. 11 18. I GRANDI SCRITTORI STRANIERI USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        The Religious Life of Chinese Muslims. Beijing, Foreign Languages Printing House

      1981 - 4to, 126pp, original decorated wrappers [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
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        Autoportrait. Photographie Originale de l'artiste

      Originael black and white photography made and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Portraits de Michel Foucault. Photographie Originale de l'artiste

      Set of six photographic portraits in black and white made by the artist.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result instead of a desire for desecration:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 14,5x24 cm sur papier Ilfordune feuille

      [Bookseller: Librairie Le Feu Follet]
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        Portrait de Paule Thévenin. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Collective Farm. No. 1 (Dec. 1981) through No. 6 (1986) (all published)

      A complete run in 6 fascicules of the avant-garde conceptual art assemblage, each issue with a specific subtitle: Kolkhoz, Letters to the USSR, Post Office Dinner, Wonderkids, Five Year Plan, and Stalin Test, under the editorial direction of Vagrich Bakhchanyan, Valeriy Gerlovin, and Rimma Gerlovina, issues 2 through 6 consisting of bound envelopes each housing small individual artworks, contributing artists include Guy Bleus, GAAG (Jon Hendricks and Jean Toche), The Gerlovins, Klaus Groh, David Cole, Chuck Welch/Cracker Jack Kid, Igor Makarevich, Paul Zelevansky, Fred Truck, Peter Frank, Ken Friedman, John Furnival, Bernd Olbrich, Buster Cleveland, Tehching Hsieh, Anatol Ur, Leslie Bohnenkamp, Ray Dobbins, Jean Dupuy, R.I.P. Hayman, Donald Lipski, Jack Ox, and Carolee Schneemann, among others. Illustrated. Various sizes, 16mo to 4to. Printed and rubber-stamped cardstock wrpps. New York 1981-1986. Collective Farm is an assembled work containing contributions from many important and notable artists in the fields of conceptual and mail art. 'Letters to the USSR' and 'Post Office Dinner' are comprised of 22 and 25 envelopes, respectively, each envelope containing individual conceptual artworks from a different artist. 'Wonderkids' includes 11 envelopes containing what is described as "Famous artworks influenced by children's art, are completed by children of contemporary artists." '5 Year Plan' is comprised of 12 large envelopes, each with a specific theme such as Social Engineering, Industry, Forbidden Fruits, Politics/Military, and Money/Law, and each containing 3 to 5 works on the topic by various artists. And in 'Stalin Test', "Russian people of different professions were asked to take a visual Stalin test", with 14 envelopes each labeled with a person's name and profession, enclosing their version of a portrait or impression drawn from memory of the dictator.

      [Bookseller: F.A. Bernett Books]
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        Capogrossi. Gouaches Collages Disegni

      Milano, Electa, 1981 - Catalogo Ragionato dell'opera su carta di Giuseppe Capogrossi. Testo di Giulio Carlo Argan. Nota introduttiva di Guglielmo Capogrossi curatore del volume. 425  tavole in bianco e nero e a colori . 4to (cm 29x26). pp. 428. . Ottimo (Fine). . Prima edizione (First Edition). . "Ora con questi collages, si ha la prova sicura che l'immagine di Capogrossi è sempre all'origine, tridimensionale, plastica, materica; e certo bisognerà rivedere l'interpretazione essenzialmente segnica, quando non addirittra simbolica, che si è data della sua pittura" (Giulio Carlo Argan). Rilegato tela, sovracoperta, custodia (cloth, dust jacket, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        JUMANJI

      Boston: Houghton Mifflin, 1981. First Edition. Hardcover. Near fine/near fine. Oblong 4to. Original green cloth in DJ. Near fine in a like jacket. Jacket bright and sharp with just small closed tear to rear panel. Unclipped. Book has bump to one edge. Else clean and sound. REVIEW COPY, with slip loosely laid in. First edition (no sticker, full number line) of this Caldecott-winning picture book, adapted into the movie of the same name starring Robin Williams. Van Allsburg's second book.

      [Bookseller: Brian Cassidy, Bookseller]
 23.   Check availability:     Biblio     Link/Print  


        Signer, Roman. Zeichnungen.

      Eigenverlag, o. O. 1981. - Quer 4°. OKart. unp. Auflage 500 nummerierte und signierte Expl., dieses 155 [Attributes: Soft Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
 24.   Check availability:     ZVAB     Link/Print  


        Klinische Anatomie des Kopfes. Neurokranium, Orbita, Kraniozervikaler Übergang 388 vierfarbigen Abbildungen und 177 Schemata

      Berlin, Springer-Verlag 1981 Folio, XIV, 492 S.., Kasch. Ln., Su., Name auf Vorsatz, Pappschuber, sehr guter Zustand Versand D: 5,00 EUR Medizin; Gesundheit; Anatomie

      [Bookseller: Antiquariat Loest]
 25.   Check availability:     buchfreund.de     Link/Print  


        Gesammelte Werke in sieben Bänden. Herausgegeben von Christian Büttrich und Norbert Miller.

      Frankfurt a. M., Insel Verlag 1981 - 1989. - Band 1: 689 Seiten; Band 2: 586 Seiten; Band 3: 853 Seiten; Band 4: 932 Seiten; Band 5: 805 Seiten; Band 6: 827 Seiten; Band 7: 1029 Seiten. Durchgehend Dünndruckpapier. Obige ISBN bezieht sich auf Band 1; Band 2: 345805961X; Band 3: 3458140344; Band 4: 3458140913; Band 5: 3458140936; Band 6: 3458140956; Band 7: 3458140972. Inhalt: Band 1: Die frühe Prosa; Band 2: Die autobiographische Prosa I; Band 3: Die autobiographische Prosa II; Band 4: Die Erzählungen; Band 5: Die Gedichte; Band 6: Die Hörspiele, Die biographischen Studien; Band 7: Die essayische Prosa. Schuber lichtrandig (Bräunung, sonst gute bis sehr gute Exemplare mit leichten Altersspuren. Sprache: Deutsch Gewicht in Gramm: 1950 21 x 13 cm, blaues Leinen mit goldgepr. Rückentitel; Schutzumschlag. Alle Bände im Schuber. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Neue Kritik]
 26.   Check availability:     ZVAB     Link/Print  


        Lenin v Parizhe MOVIE POSTER/LENIN W PARYZU/POSTER

      1981 - LENIN W PARYZU - 1981, Dir: Sergei Yutkevich, Cast: Yuri Kayurov , Claude Jade , Valentina Svetlova, , Nac. film: RUSIA, Company: , Designer: , , Nac. poster: POLONIA, Measures (Cm. and Inches) : -70x100--Cm.-27x41--In.-1 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
 27.   Check availability:     ZVAB     Link/Print  


        similia similibus. Edition 12. Mai 1981. Joseph Beuys zum 60. Geburtstag. (Herausgegeben von Johannes Stüttgen).

      Köln. DuMont Verlag. 1981. 26 x 18 cm. 280 S. OPappband und Tape in OPapp-Kassette und OPapp-Schuber. Makellos frisches Exemplar. Nummer 69 von 200 handschriftlich nummerierten Exemplaren der Vorzugsausgabe als Multiple. Enthält das Buch \"similia similibus\", gestempelt \"Free International University\", von Joseph Beuys handschriftlich nummeriert und signiert sowie ein Tape /Tonbandkassette) \"Nur noch 2272 Tage bis zum Ende des Kapitalismus\", ebenfalls handschriftlich nummeriert und signiert. Das Buch mit Texten und Arbeiten unter anderem von Johannes Stüttgen, Andy Warhol, Heiner Bastian, Karin Genoux, Constanze Lueb, Dolores Wyss, Ulrich Meister, John Cage, Nam June Paik, Felix Droese, Katharina Sieverding, Rainert Ruthenbeck, Ute Klophaus, Imi Knoebel, Jörg Immendorff etc. [Vgl. Schellmann / Beuys - Multiples 380]. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Düsseldorf / Düsseldorf, Kunstakademie Düsseldorf, Signierte Bücher / Signed Books, Multiples

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 28.   Check availability:     buchfreund.de     Link/Print  


        Joseph Beuys. Multiplizierte Kunst 1965-1981. Sammlung Ulbricht. Eine Ausstellung in der Ständigen Vertretung der Bundesrepublik Deutschland.

      Berlin, Ständige Vertretung der Bundesrepublik Deutschland. 1981 - Ca. 27 x 21 cm. 54 Seiten, mit zahlreichen Abbildungen. Illustrierter Original-Karton. Mit Widmung (Bleistift) von Joseph Beuys für Walter Womacka auf dem Vorderdeckel: "Joseph Beuys / für / Walter / Womacka. Berlin / 23. / 10. / 81". Titelblatt mit zusätzlicher Signatur. Beiliegend Einladung des Leiters der Ständigen Vertretung für Womacka zur Ausstellungseröffnung. Schönes Exemplar. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Rainer Schlicht]
 29.   Check availability:     ZVAB     Link/Print  


        The Archives. Art Information Centre Peter van Beveren.

      Hasselt. Provinciaal Museum. 1981 - Auflage 500 Exemplare. 30,5 x 22,0 cm. 1 Blatt, 30 Blatt, 30 montierte Tafeln, 1 Blatt. Schwarzes Kunstleder mit goldener Titelprägung. Rückenkanten minimal berieben. Sehr gutes Exemplar. Nummer 198 / 500 nummerierten Exemplaren. Erschien anläßlich der Ausstellung "The Archives / Art Information Centre Peter van Beveren", die im Provinciaal Museum Hasselt stattfand. Enthält auf 30 montierten Tafeln Arbeiten von: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michel Cardena, Christo, Robin Crozier, Geurt van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier, Wolf Vostell. Die Arbeit von Joseph Beuys ist die Sekretärstasche, eine normale Versandtasche 25,0 x 15,5 cm, gestempelt, darin 2 Faksimile-Drucke auf tarnsparenter Folie. Auflage 500 Exemplare, stempelsiegniert und betitelt. [Vgl. hierzu Schellmann, Die Multiples, S. 303, Nummer 382]. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
 30.   Check availability:     ZVAB     Link/Print  


        FOREIGN DEVIL - REMINISCENCES OF A CHINA MISSIONARY DAUGHTER 1909-1935 [SIGNED]

      China Materials Center, 1981. First Edition. 8vo., xviii, 458 pages, [2]; VG/VG-; spine yellow with black lettering; dust jacket protected with a mylar covering; mild shelfwear and soiling to dust jacket, large water stain along lower edge of both covers, tail of spine; INSCRIBED on ffep by Janet Fitch "For Our Doctor", a nice association copy of an incredibly scarce book; part of the Asian Library Series; Janet Fitch was an artist who grew up the children of missionaries, who went on to exhibit globally as well as illustrating a book by Madame Chiang Kai-shek.; shelved case 5. Dupont.

      [Bookseller: Second Story Books]
 31.   Check availability:     Biblio     Link/Print  


        Italo Calvino écrit l'introduction de l'édition italienne de Raymond Queneau.

      - 1 lettre autographe signée 2 In-8 08/06/1981 En-tête des éditions Giulio Einaudi de Turin. Avec enveloppe. bon Débordé de travail, Italo Calvino ne répond que tardivement à la sollicitation de Claude Rameil. «Le recueil de Raymond Queneau sera publié je crois au mois de septembre par les éditions Einaudi de Turin. Le titre sera Segni, cifre e lettere, c'est à dire Bâtons, chiffres et lettres avec la substitution de Bâtons (qui donnait des problèmes à la traduction) par Signes. J'attends toujours les épreuves de la traduction française de mon introduction [.]». Ecrivain et philosophe italien, auteur du Baron Perché. [Attributes: Signed Copy]

      [Bookseller: Traces Ecrites]
 32.   Check availability:     AbeBooks     Link/Print  


        The River. Paul Zweig. Cofanetto! Ed. Plain Wrapper Press. 1981. Y1

      -

      [Bookseller: Messinissa libri]
 33.   Check availability:     AbeBooks     Link/Print  


        SANDKINGS (Very Fine Signed First Edition)

      Pocket Books, USA 1981 - Pocket Books, USA. December 1981. First edition. 238 pages. A collection of seven short stories. It is interesting to note that George Martin published several short story collections in the 1970s and 1980s, whereas his 21st century output consists largely of doorstops in the 'Game of Thrones' series. This is a very fine copy with superbly clean and colourful wrappers whose corner architecture is magnificent, whose spotless spine bows to no man, and whose pages are as pure as the virginal village troll. AS NEW AND SIGNED BY THE AUTHOR. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Fine Edition Books]
 34.   Check availability:     AbeBooks     Link/Print  


        Midnight's Children

      London: Jonathan Cape. London, Jonathan Cape, 1981. First Edition. First Impression. Hardback. One of the finest works of literature and speculative fiction. Concerns a telepath born the moment India gained independence from Britain. Winner of the Booker Prize, the Booker of Bookers and the second Booker of Bookers. An excellent work of Magic Realism, or let's just say it outright - fantasy. A very good copy. Some sunning to the spine, a little light edge wear, particularly to the corners, one small chip (5mm x 5mm) to spine tip. Some toning to the board edges. A little wear to the lower page block. Internally fine. A respectable copy and better than usually found. Cover art by Bill Botten [6433, Hyraxia Books]. . Very Good. Hardback. 1st Edition. 1981.

      [Bookseller: Hyraxia]
 35.   Check availability:     Biblio     Link/Print  


        IKEBANA PRATICO L'ARTE DI DISPORRE I FIORI SECONDO LE SEI PIU' FAMOSE SCUOLE GIAPPONESI

      MONDADORI, 1981. ITALIANO 1,65 Rilegatura editoriale cartonata, azzurra con titoli bianchi al dorso e lieve usura ai bordi, sovraccoperta illstrata, con tracce d'uso e fioritura al retro, pagine riccamente illustrate da numerose foto a colori e con sporadica fioritura, fioritura anche ai tagli USATO

      [Bookseller: Biblioteca di Babele]
 36.   Check availability:     maremagnum.com     Link/Print  


        Cave Pictures. Drawings by Jonathan Lasker. Poetry by Everett Potter.

      Düsseldorf und New York 1981. 18 S. mit 3 Original-Bleistiftzeichnungen von Jonathan Lasker auf Aquarellpapier. Original-Pappband von Ch. Zwang 37 x 28 cm. Eines von 25 Exemplaren. Im Druckvermerk von Lasker und Potter voll signiert. Tadelloses Exemplar.

      [Bookseller: Antiquariat Stefan Küpper]
 37.   Check availability:     booklooker.de     Link/Print  


        For the Birds.

      Boston & London: Marion Boyars,, 1981. In Conversation with Daniel Charles. Octavo. Original very pale yellowish-brown paper-covered boards, title gilt to the spine. With the laminated jacket. Spine slightly crumpled at the tail, jacket mildly tanned at the spine, front endpapers, title and half-title browned from the inclusion of a quantity of news-clippings, else very good. First edition in English, first published in French in 1976. This copy inscribed on the front free endpaper to publisher Marion Boyars; "for you, dear Marion, John Cage (The first sextuple)" The recipient's name and the signature have both been overwritten six times suggestive of the composer's use of chance, number and repetition in the Ryoanji drawings, creating here a similar- and in this case highly personalised - rhythmic blur

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  

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