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Displayed below are some selected recent viaLibri matches for books published in 1760


         Comedias del célebre poeta español , que saca a luz Don Juan Fernández de Apontes.

      - Madrid, Viuda de Manuel Fernández, 1760-1763, 11 tomos en 5 volúmenes, holandesa piel antigua con algunos roces, 21 x 16 cm., 4 h. + 492 págs. = 2 h. + 496 págs. = 2 h. + 499 págs. = 2 h. + 539 págs. = 2 h. + 526 págs = 2 h. + 528 págs. 2 h. + 484 págs. = 2 h. + 475 págs = 2 h. + 464 págs. = 4 h. + 480 págs. = 232 págs. (Esta edición contiene un total de 108 comedias, las mismas que las publicadas por el gran amigo del autor Vera Tasis, pero con distinto orden).

      [Bookseller: Librería Anticuaria Antonio Mateos]
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         Prospect von den Leicester Platz in der Stadt London./ Vue de la Place de Leicester a Londres.

      1760 - original hand coloured copper engraved view; overall size 32 x 43 cm. cropped; no distinctive plate marks; vertical crease; some scratches; /w vg cond.- Beautiful vue d’optique of Leicester Square by Thomas Bowles; to be viewed with a zograscope.-

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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         Antique Drawing-BUREN-HUIZERPOORT-Spilman-ca. 1760

      - Antique drawing, untitled. View of the old Huizerpoort in the city of Buren, The Netherlands. Pen & ink, washed in watercolour. on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Hendrik Spilman'.  Hendrik Spilman (Dutch; 1721-1784): engraver and designer of mostly town and city views. Condition: Very good, given age. Margins cropped to the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-276 LOEF The overall size is ca. 7.9 x 5.5 inch. The image size is ca. 7.9 x 5.5 inch. The overall size is ca. 20 x 14 cm. The image size is ca. 20 x 14 cm.

      [Bookseller: ThePrintsCollector]
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         Pilgrim's Progress from this World to That Which Is to Come

      London: W. Johnston, 1760. Hardcover. Very Good. In fine leather binding with gilt tooling and raised bands, gilt to page edges. A lovely, early copy on a wonderful binding. Leather shows edge wear, with rubbing at extremities. Bookplates from previous owners to marbled end papers. Pages are remarkably well preserved, though show some signs of age including toning, light smudging, light corner creases, offsetting, foxing, age related spotting. Very well preserved given its age.

      [Bookseller: Burnside Rare Books ]
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         The Gentleman's Magazine and Historical Chronicle Volume XXX (30) January to December 1760

      London: D Henry; R Cave. G : in Good condition without dust jacket. 20th century binding with new eps. Some foxing and set-off. 1760. First Edition. Buff hardback cloth cover. 220mm x 140mm (9" x 6"). iii, 623pp, [xvii] + plates. 20 b/w plates and maps (9 fold-out). .

      [Bookseller: Barter Books Ltd]
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         Le plaisir des dames. Le plaisir des fous. 2 Original-Kupferstiche nach David Teniers d. J. (bzw. d. II.).

      Paris, Basan Graveur und Amsterdam, P. Fouquel, ohne Jahresangabe (um 1760).. Formate der Abdrucke ca. 24,7 x 17,4 cm, Blattgrößen ca. 27,2 x 19,7 cm und 26,1 x 18,6 cm. Jeweils unter Passepartout gefaßt. Das Papier leicht nachgedunkelt, ansonsten fleckenfreie, frische Drucke. Jeweils unterhalb der Abbildung betitelt und mit vierzeiligem Text. La Peinture: Telle doit au Pinceau ce qu'elle à de venom / Qui fait horreur à voir sans fard, & sous le linge / Et pour peindre à son gré mainte laide Guenon / Il faut être adroit comme un Singe. La Sculpture: Ce Singe Industrieux qui Travaille en Sclupture / Peut de l'Art qu'il exerce estre dit l'inventure / On ne peut estre bon Sculpture / Qu'en se faisant Singe de la Nature.

      [Bookseller: Antiquariat Stefan Wulf]
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         Der Insel Montreal; Und Den Gegenden Umher

      Nuremberg, 1760. Map. Engraving with original hand coloring. Page 15 1/2" x 9 1/2" Image 8 2/3" x 11 1/4" Map. Engraving with original hand coloring. Page 15 1/2" x 9 1/2" Image 8 2/3" x 11 1/4". Unusual map of the island of Montreal and surrounding areas. Includes an inset of the old town which is named Stadt Maria (German for Ville Marie). Published during the French Indian War. Full margins as issued. Light foxing. Faint library stamp on the bottom right corner.Gabriel Nikolaus Raspe was a renowned publisher and bookseller in Nuremberg. He published many war maps in the 18th century, including "Schauplatz der geegenswaertigen Kriegs," "Isles Philippines," and "Plan der Bataille bey Freyberg... und der Combinirten Kayserl und Reichs Armee." He also created "Geschichte der Kriege in und ausser Europa" with Christoph Heinrich Korn. Jacques Nicolas Bellin (1703-1772) was the official hydrographer to the French king and the first person to hold the title of "Ingénieur de la Marine of the Depot des cartes et plans de la Marine" (chief engineer of the French Hydrographical Office).

      [Bookseller: Argosy Book Store]
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         L'Isle de Corse.

      1760 - Augsburg c1760 - orig. col. copper engr. map; 50 x 58 cm; some faint discolouration in c?fold, some faint foxing/staining, some faint paper weakness, plate slightly rubbed, o/w exc. cond. Nice large map of Corsica with decorative cartouche. Lotter was a German engraver and publisher from Augsburg. He worked with his father-in-law, Georg Matthaeus Seutter who he succeeded him in 1756. After inheriting half the copper plates from Seutter, he set up his own publishing house in 1758. He was succeeded by his brother Andreas, his sons Matthaeus Albrecht, Georg Friedrich the elder and Gustav Conrad, and his grandsons Gabriel and Georg Friedrich the younger. [ref: 1687 ]

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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         L'Entrée du Port de Marseille.

      Parigi, 1760. Incisione in rame all'acquaforte, colore, cm 53,5 x 75 ca. (il foglio), dedica al Marquis de Marigny. Da un dipinto di J. Vernet, bella veduta della città di Marsiglia, in Francia, con il porto e alcune costruzioni, riccamente animata. Esemplare in margini (i margini ci sono ma sono sono stati non inquadrati per allineare la foto). Difetti marginali, discreto stato. .

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
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         \"Ein Federschütze auf einem Schieß Pferde\". Der Jäger sitzt auf einem Schimmel und schießt auf Enten im Wasser. Eine bereits erlegte Ente baumelt am Sattel, der lauernde Jagdhund zum Apportieren bereit.

       Kupferstich von Martin Elias Ridinger nach Johann Elias Ridinger, um 1760, 30,5 x 24 cm. Thienemann 128. - Blatt P aus der Folge: \"Jaeger und Falkoniers mit ihren Verrichtungen\". - Breitrandig und sauber. - \"... mit Recht geschätzte Sammlung\" (Thienemann S. 34). Versand D: 6,00 EUR Berufe, Jagd

      [Bookseller: Antiquariat Bierl]
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         Der Insel Montreal; Und Den Gegenden Umher

      Nuremberg, 1760. Map. Engraving with original hand coloring. Page 15 1/2" x 9 1/2" Image 8 2/3" x 11 1/4" Map. Engraving with original hand coloring. Page 15 1/2" x 9 1/2" Image 8 2/3" x 11 1/4".Unusual map of the island of Montreal and surrounding areas. Includes an inset of the old town which is named Stadt Maria (German for Ville Marie). Published during the French Indian War. Full margins as issued. Light foxing. Faint library stamp on the bottom right corner.Gabriel Nikolaus Raspe was a renowned publisher and bookseller in Nuremberg. He published many war maps in the 18th century, including "Schauplatz der geegenswaertigen Kriegs," "Isles Philippines," and "Plan der Bataille bey Freyberg... und der Combinirten Kayserl und Reichs Armee." He also created "Geschichte der Kriege in und ausser Europa" with Christoph Heinrich Korn. Jacques Nicolas Bellin (1703-1772) was the official hydrographer to the French king and the first person to hold the title of "Ingénieur de la Marine of the Depot des cartes et plans de la Marine" (chief engineer of the French Hydrographical Office).

      [Bookseller: Argosy Book Store ]
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         Il Goffredo, ovvero Gerusalemme Liberata. Nuova edizione arricchita di figure in rame e annotazioni con la vita dell'Autore.

      In Venezia, presso Antonio Groppo, MDCCLX-MDCCLXI (1760-61), - 2 vol. in-4, pp. (2), XXX, 364; XII, 360. Legatura posteriore in m. pelle e angoli, titolo in oro su duplice tassello al dorso. Bella composizione allegorica inc. in antiporta del primo vol.; frontesp. impresso in rosso e nero, con vignetta inc.; ritratto in ovale del Poeta dal celebre dipinto di A. Carracci. Ad ognuno dei 20 Canti è preposta una stupenda tavola riferita al testo, inc. da J. Leonardis dai disegni di Bernardo Castello, i medesimi rami già apparsi nell'ediz. del 1617. Gli argomenti sono entro elegante bordura inc. e la prima iniziale di ogni canto è finem. istoriata ed inc. in rame. Inoltre ben 95 scene del poema sono illustrate da finissime incisioni a mezza pag., frammezzate al testo, del Leonardis dai disegni del Novelli. Bellissima e stimata edizione, considerata una delle migliori per la ricchezza e bellezza dei rami. Pure il testo è assia pregiato e In fine a ciascun vol. ha le Annotazioni di S. Gentili e le Osservazioni di G. Guastavini sui luoghi del poema imitati da antichi scrittori. Abile restauro al margine bianco interno delle pp. 185-188, macchia rossa alla p. 203, qualche piccola macchietta qua e là, ma nel complesso buon esemplare. Raccolta Tassiana, 270: ''Questa edizione merita di essere annoverata tra le più belle ed ornate che si abbiano della Gerusalemme''. Morazzoni, p. 228. Gamba, 948, p. 285. Serassi II, 406. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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         An Extract from a Treatise

      1760 - by William Law, M.A. called The Spirit of Prayer; or, The Sould Rising out of the Vanity of Time, into the Riches of Eternity. First edition. 12mo. Nineetenth century half morocco, gilt. 48pp. Philadelphia, B. Franklin & D. Hall, A crisp copy of this Franklin printing.Evans, 8633; Miller, 731. [Attributes: First Edition; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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         CURSUS PADI PER LONGOBARDIAM A FONTE USQUE AD OSTIA CUM FLUMINIBUS, QUAE IN ILLUM SE EXONERANT ET ADJACENTIBUS DUCATIBUS AC PRINCIPATIBUS QUOS INTERLUIT ET QUI CONFINES SUNT.

      1760 ca., Corso del Po 1760 - La carta è stampata in tre fogli della misura di mm 580x455 ciascuno. Il territorio raffigurato comprende l'intero bacino del Po' e la regione veneta fino ad Aviano. Attraente coloritura coeva all'acquerello.Bibliografia: Marinelli, n. 1346; Motta, p. 12 e p. 20; Arrigoni-Bertarelli n. 635; Davoli - Sanfelici - Zanasi, 91 mm 580x455

      [Bookseller: Sergio Trippini]
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         A New and Correct Chart of the Harbour of Havana on the Island of Cuba with a Plan of ye City &c. from an Actual Survey by Captain James Phelps

      c. 1760 - 42.5 x 54 cm. Ésta es una muy escasa carta náutica del Puerto de la Habana, Cuba, y uno de los más tempranos mapas de esta importante ciudad en publicarse en Inglaterra. Probablemente fue creado gracias al creciente interés británico en la isla de Cuba y el puerto de la Habana después de ocurrida la Guerra de la Oreja de Jenkins. También llamada Guerra del Asiento, se trató de un conflicto bélico entre los reinos de Gran Bretaña y España, que abarcó los años de 1739 a 1748. Se llevó a cabo principalmente en el Caribe, debido a que los británicos deseaban obtener la supremacía marítima en esta zona. El objetivo inicial de Gran Bretaña era conquistar la isla de Cuba, la mayor y más importante de las Antillas. Especialmente después de la catastrófica derrota que sufrió al tratar de tomar Cartagena de Indias en 1741, en la que una flota británica de 186 naves y casi 27 mil hombres fue vencida a manos de una guarnición española compuesta por unos tres mil quinientos hombres y seis navíos. Esta victoria por parte de España fue posible gracias a la extraordinaria eficacia de los servicios de inteligencia, que consiguieron infiltrar espías en la corte londinense y en el cuartel militar. Circunstancia que les permitió a los españoles defender Nueva Granada mejor de lo que los británicos habían pronosticado inicialmente. El cese de hostilidades fue posible en 1748 con la firma del Tratado de Aquisgrán, según el cual se retornarían todas las tierras conquistadas a sus gobernantes originales, antes del conflicto bélico. La guerra del Asiento supuso la mayor derrota sufrida por la Royal Navy en su historia, lo que aseguró la preponderancia española en el Atlántico y el Caribe hacia finales del siglo XVIII. El mapa está basado en el levantamiento cartográfico del Capitán James Phelps y el grabado corrió a cargo de James Mynde. Fue publicado en la ciudad de Londres y vendido por William Mount y Thomas Page en Tower Hill. Muestra con detalle, la bahía, el puerto, un plano de la ciudad amurallada de la Habana y la campiña circundante. Se puede apreciar la red hidrográfica y de caminos. Por su parte, el relieve está expresado de manera pictórica, con montes de perfil y sombreado, y abundante arbolado. Resulta llamativa su escasa toponimia, pero sí vemos presentes los sondeos de profundidad, los fondeaderos y los veriles para el seguro anclaje de las embarcaciones. También están trazados pequeños planos que indican las fortificaciones de la bahía. Dos rosas de los vientos orientan la carta con el norte dirigido hacia la esquina inferior izquierda, es decir, el suroeste de la hoja. En el ángulo superior derecho localizamos el sencillo pero interesante cartouche del título, decorado con motivos vegetales y coronado con tres figuras alegóricas que hacen referencia a las matemáticas, la navegación y la astronomía. En el ángulo superior izquierdo se ubica la cartela que contiene la clave numérica y alfabética que identifica los lugares más representativos. Esta leyenda da cuenta de las fortificaciones, el mercado, el palacio de gobierno, las puertas de acceso a la ciudad, entre otros sitios de interés. La escala está expresada en varas castellanas, a 32 pulgadas cada una. Coloreado a mano. Marca de la plancha visible. Buen estado de conservación. Es sumamente destacable que esta excepcional carta marítima no ha aparecido en los catálogos de los mayores comerciantes de mapas en los últimos treinta años.

      [Bookseller: Bolivar Old Prints]
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         Antique Master Print-FURNITURE RESTORERS-CARPENTRY-Volpato-Maggiotto-ca. 1760

      - Antique Master Print, titled: 'Goncia Gareghe.' - Travelling furniture restorers, a man and a boy. Both carry bundles of wood and tools. Etching on hand laid paper. Watermark: Large initials (Venetian paper) Description: From the set "Le arte per via". State: Only state. Ref: Marini 68 Artists and Engravers: Made by 'Giovanni Volpato' after 'Francesco Maggiotto'. Giovanni Volpato (Bassano del Grappa 1735 - 1803 Rome) was an Italian engraver, excavator and antiques dealer. He went to Venice in 1762 and worked with Joseph Wagner and Bartolozzi. He gained more fame and moved to Rome in 1771 where he produced a series of engravings after the Raphael Rooms and Loggias in the Vatican. Francesco Maggiotto (1750-1805 Italian). Condition: Good, given age. Cut somewhat irregular on the platemark. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-E1-06 The overall size is ca. 11.4 x 15 inch. The image size is ca. 11.4 x 15 inch. The overall size is ca. 29 x 38 cm. The image size is ca. 29 x 38 cm.

      [Bookseller: ThePrintsCollector]
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         ORNITHOLOGIE OU METHODE CONTENANT LA DIVISION DES OISEAUX EN ORDRES, SECTIONS, GENRES, ESPECES & LEURS VARIETES. A LAQUELLE ON A JOINT UNE DESCRIPTION EXACTE DE CHAQUE ESPECE, AVEC LES CITATIONS DES AUTEURS QUI EN ONT TRAITE, LES NOMS QU'ILS LEUR ONT DONNES, CEUX QUE LEUR ONT DONNES LES DIFFERENTES NATIONS, & LES NOMS VULGAIRES [bound with:] SUPPLEMENTUM ORNITHOLOGIAE .

      Jean-Baptiste Bauche, Paris 1760 - Six quarto volumes (7-1/2" x 10") bound in contemporary marbled calf leather, rebacked with later gilt decorated spines. Dual title-pages in French and Latin with parallel text in French and Latin, engraved woodcut head- and tailpieces and initials. Illustrated with 6 engraved title pages and 261 folding engraved plates by Martinet depicting numerous species of birds (pigeons, peacock, stork, eagle, ostrich, turkey, pheasant, etc.). The birds are depicted in their natural habitat, with charming backgrounds. The most important French ornithological work of the 18th century. ANKER 69: "Written by one of the greatest connoisseurs of birds of the time, the work deals with 1336 species. Brisson knew by sight more than 800 of the species he described. The plates, which are folded, were drawn and engraved by Martinet. Both artistically and as accurate detail studies they are better than those of most of his predecessors"; NISSEN 145; ZIMMER, page 95: "One of the early systematic treatises on birds by a contemporary of Linnaeus." One plate with partial closed tear, most plates with some offsetting from being folded. Near Fine, handsome set [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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         Nova relação do encontro que tiveram os Argelinos com hum navio Frances mercante: e noticia, que dahi resultou.

      N.p., n.pr., ca. 1750-1760. - 4°, disbound. Caption title. Some small, relatively light waterstains at inner margins. In good condition. 8 pp. *** FIRST and ONLY EDITION of this Portuguese newsletter about the capture by Algerian pirates of a French merchant ship on its way from Cadiz to Marseilles. The French consul at Algiers, protesting the enslavement of the crew, was ineffectual until word came that Louis XV was assembling a squadron at Toulon. The ruler of Algiers repented and returned the ship and captives. When this account was published, it was unknown whether the squadron would be dispersed or sent to attack Algiers. The author, who clearly believes a show of force against the Barbary pirates is long overdue, cites the events of the 1680s, when Louis XIV sent a squadron to bombard Algiers, resulting in a 1690 treaty with France that protected its shipping for many years.*** Not in Innocêncio. Coimbra, Miscelâneas 498: lists as Relação (Nova) do encontro . Porbase cites a single copy, in poor condition, in the Biblioteca Nacional de Portugal. Not located in Copac, Catnyp, Hollis, Orbis or Melvyl. KVK (44 databases searched) locates of the copy cited by Porbase. No copy located in The European Library. [Attributes: First Edition]

      [Bookseller: Richard C. Ramer Old and Rare Books]
 18.   Check availability:     IberLibro     Link/Print  


         \"Die Luft. L`Air\". Junge Frau in einem schönen Kleid, mit hochgestecktem Haar und einem toten Vogel in der Linken vor ihrem Hund, rechts im Hintergrund eine Vogeljagd mit zwei Jagdhunden und zwei Reitern zu Pferde.

       Schabkunstblatt von und bei Georg Philipp und Johann Lorenz Rugendas, um 1760, 40,5 x 31 cm. Die dekorative Darstellung mit einem schmalen Rand um die Plattenkante. Versand D: 6,00 EUR Dekorative Graphik, Vögel

      [Bookseller: Antiquariat Bierl]
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         Antuerpiani In Universam Sacram Scripturam Commentarius - Tribus Tomis Comprehensus, Atque Indicibus omnino sex auctus - 3 Teile in einem Buch. Editio Omnibus Locupletior, Et Emendatior, Cui praeter Sacrorum Bibliorum Textum ad primum Antuerpiense exemplar restitutum accedunt Prolegomena.; Levini Lemnii Libri duo. - Astrologia Francisci Ruei . Liber de Gemmis. Notationes praeterea quamplurimae alterius ex eadem Soc. Jesu Presbyteri.

      Venetiis, Pezzana, 1760 - 403, 515, 311, CCXVIII Seiten eine mehrfach gefaltete Karte - ( das Heilige Land ), Kanten berieben, Buchrücken oben und unten etwas beschädigt, vorne und am Buchrücken etwas mit Würmschäden, sonst guter Zustand. la Gewicht in Gramm: 7550 [Attributes: Hard Cover]

      [Bookseller: Thomas Schäfer]
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         Urbis Romae veteris ac modernae accurata delineatio edita.

      - Norimberga, 1760 circa. Pianta della città tratta dall'"Atlas Novus Terrarum" edito a Norimberga nel 1720. Incisione in rame all'acquaforte, colore d'epoca, cm 49,5 x 59 (alla lastra) più margini. Carta ricca di elaborati cartigli, legenda che riporta 14 rioni, una didascalia storica, e altrettanti stemmi quanti sono i rioni, ciascuno relativo a essi. Bella coloritura, buon esemplare.

      [Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS]
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         Antique Master Print-ROMANCE-FRENCH COSTUME-MARRIAGE-LOVE-Maucler-Challe-1760

      - Plate : 'Quand l'Hymen dort, l'Amour Veille'. (When marriage sleeps, love wakes). This plate shows a romantic scene with 18th century French costumes. A woman slips a love-note to her paramour into the quiver of a statue of Cupid. The lover is watching in excited expectation from behind a tree, while the woman's husband is sleeping beside her. A stunning romantic print exhibiting the best of French Rococo art. Very rare. Stipple and line engraving with plate colouring, on a verge type handlaid paper. This impression is a good example of early colour printing, which was developed as a means of reproducing the effects of painting in oils. It exemplifies the single plate colour printing technique used in England, then adopted in France, at the close of the eighteenth century The effect is achieved by inking a single plate with several colours, using a rag stump, known as "a la poupee". Description: This masterprint was published in Paris by Vidal ca. 1760. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: This plate engraved by Maucler after Challe. Engraver: E. Maucler (active 1750-1770). Artist: Charles Michel Ange Challe (1718-1778) was a French painter, architect and mathematician. He was born in Paris, and studied under Andre, Lemoine and Boucher. Although he never gained much fame as a painter, as an architect and draughtsman to the king he directed numerous feasts on the occasion of the birth of Louis XVI, as well as the funerals of the Dauphin and Dauphiness, the King of Poland, the Queen of Spain and Louis XV. Condition: Excellent, given age. Two small tears in the bottom margin, backed with acid-free archival tape. A small crease in the bottom margin. None of this affects the image itself. General age-related toning and/or occasional light stains from handling. Please study scan carefully. Storage location: TPCLA-P6-15 TPC The overall size is ca. 17.7 x 13.8 inch. The image size is ca. 14.6 x 12 inch. The overall size is ca. 45 x 35 cm. The image size is ca. 37 x 30.5 cm.

      [Bookseller: ThePrintsCollector]
 22.   Check availability:     ZVAB     Link/Print  


         Mappe Monde / Weltkarte). - Diversi globi terr-aquei statione variante et visu intercedente, per colures tropicorum, per ambos polos et particul. sphaerae zenit in planum delineati orthographici prospectus:.com gratia et privil. S.R.I. vicariat[us] in partib[us] Rheni Sveviae et juris Franconici / cura et studio Matth. Seutteri.,

      Ausgburg zw. 1740 und 1760, - Blatt 49x57 cm / Karte 26x51 cm, kolorierte Kupferstich-Karte / Carte coloriée, traces du pli au milieu, unter Passepartout im Holzrahmen. / sous passepartout. Encadrement bois. Erdkarte in 2 Hemisphaeren. 12 Nebenkarten oben und unten (Durchmesser zwischen 4 und 14 cm). 2 Titelkartuschen oben. Koloriert.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Sammlung Ryhiner, I, 141

      [Bookseller: Harteveld Rare Books Ltd.]
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         THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENTLEMAN [9 Volumes] [Volumes 5, 7 and 9 SIGNED]

      J. Dodsley; T Becket & P.A. Dehondt 1760-1767, London - Set of Nine 12mos; VG- to VG condition; Rebound with original spotted calf intact; New leather spines with raised bands and maroon leather title label; Originally bound by Zaendsdorf (imprint still visible on ffep); Gilt lettering, each volume numbered; Marble end papers; All edges gilt; Sewn in silk bookmarks. Volumes 1-4 published by R & J Dodsley, with "Second Edition" stated on volumes 1 and 2 on title page; Hogarth frontispiece intact in volume 1; Volume 1's black plate and volume 3's marbled plate are intact and clean. No frontispiece on volume 3. Volumes 5-9 published by T. Becket and P.A. Dehondt. To combat piracy, Sterne signed the first and second editions of volume 5 and the first edition of 7 and 9. Here, volumes 5 & 7 signed. Volume 9 has very faint remnant of signature, but very hard to spot. Volume seven is first state with printed errata sheet on verso of title page. Condition Notes: Some wear to the edges and corners, light scuffing to the gilt edges; Some small chipping to the edges of the marbled endpapers. Rear end paper of volume 4 has small tape repair. Some minor spotting throughout, pages are age toned. Sewn-in silk bookmarks are extremely fragile from age, and have left some marks on the pages. Overall, an extremely well preserved and professionally re-bound edition of this rare set. 9 volumes, shelved in case 2. Dupont. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Second Story Books, ABAA]
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         The Odyssey

      London: T. Osborne, C. Hitch et al.. London, T. Osborne, C. Hitch et al., 1760. First Thus.First Impression. Five volumes, recently rebound in half calf with marbled boards. Five raised bands. Near fine copies, some light foxing and toning to the volumes, but minimal and doesn't really detract. A lovely set overall, preserved for another couple of centuries in the new bindings. Homer is a favourite of ours here at Hyraxia, and we always try to keep a nice edition or two in stock. 210mm x 140mm x ~30mm. [xli, 240; 272; 316; 277; 280 [19 index + Battle of Frogs and Mice]] [5852, Hyraxia Books]. . Near Fine. Hardback. 1st Thus Edition. 1760.

      [Bookseller: Hyraxia]
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         The Life and Opinions of Tristram Shandy, Gentleman. In 9 volumes

      London: R. and J. Dodsley; T. Becket and P. A. Dehondt 1760 / 1767. In nine volumes complete. Published 1760 to 1767. Signed by the author Laurence Sterne in volumes 5, 7 and 9 at the head of the first page. Contemporary full calf with raised bands to spines and maroon leather title labels. Gilt lettering and volume numbers to spines. In a custom maroon cloth box. Spines very skilfully rebacked to style. Slight variations in the calf boards. All the volumes are first editions with all points required. In volume 9, the dedicatory leaves are the variant B. Bookplates have been removed from two volumes. A very attractive set in Near Fine to Fine condition. . Near Fine. Full Calf. First Edition. 1760. Small 8vo..

      [Bookseller: Fosters' Bookshop]
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         A Pocket Companion for Harrowgate Spaw .. a particular account of the several Medicinal Springs .. shewing their different Nature & Uses towards restoring Health & Strength with Directions how to use the Waters ..

      First edn, Halifax, for J. Wood, 1760. Sm 8vo, [ii], vi, ms index, 56p. Bkplt, slight wear, light browning throughout, upper hinge weak, VG in old 1/4 calf, marbled boards, gilt title label. Scarce early account of the Harrogate Springs and Spa.

      [Bookseller: A G Cram]
 27.   Check availability:     PBFA     Link/Print  


         Urbis Romae veteris ac modernae accurata delineatio edita.

      Norimberga, 1760 circa. Pianta della città tratta dall'"Atlas Novus Terrarum" edito a Norimberga nel 1720. Incisione in rame all'acquaforte, colore d'epoca, cm 49,5 x 59 (alla lastra) più margini. Carta ricca di elaborati cartigli, legenda che riporta 14 rioni, una didascalia storica, e altrettanti stemmi quanti sono i rioni, ciascuno relativo a essi. Bella coloritura, buon esemplare.

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
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         Des Semis et Plantations des Arbres et de leur Culture ou méthodes pour multiplier et elever les Arbres, les Planter en Massifs et en Avenues former les Forets & les Bois ........ par M. Duhamel du Monceau.... Paris MDCCLX

      Paris: H.L. Guerin & L.F. Delatour, 1760. Condition: 7 . Binding: Contemporary Half Leather Quarto 4to

      [Bookseller: Antiquariaat Meuzelaar]
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         VENEZIA '700. SAYER ROBERT (1725 - 1794) editore e stampatore in Londra. Incisione all'acquaforte raffigurante la Riva degli Schiavoni...

      VENEZIA '700. SAYER ROBERT (1725 - 1794) editore e stampatore in Londra. Incisione all'acquaforte raffigurante la Riva degli Schiavoni sul Gran Canal a Venezia. Circa 1760. Misura mm 260 x 160 (ai margini mm 280 x 190). Lieve coloritura all'acquerello. Buona conservazione. (Rif.D2195)

      [Bookseller: La Casa del Collezionista]
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         Histoire et phenomenes du Vesuve. Traduction de l'italien par m. l'abbé Peton.A Paris, chez Jean Thomas Herissant , 1760.

      A Paris, chez Jean Thomas Herissant 1760 - Cm. 17, pp. xxiv, 399 (1). Una cart. geogr. ripieg. f.t. dei dintorni di Napoli e cinque tavole ripieg. f.t. in fine al volume con vedute del Vesuvio. Il tutto inciso finemente in rame. Legatura coeva in piena pelle con titoli su tass. e fregi in oro al dorso, tagli rossi. Esemplare ben conservato. Prima edizione francese dell'opera "Storia e fenomeni del Vesuvio"; edita a Napoli nel 1755 e scritta dal fisico e naturalista romano Giovanni Maria Della Torre (1712-1782). L'abate Peton non si limitò a tradurre il testo italiano, ma ampliò il testo aggiornandolo fino ai fenomeni eruttivi del 1760, proprio con la collaborazione e grazie a dati forniti dallo stesso Della Torre. L'opera, che poggia le basi sulle prime osservazioni erudite di Plinio e fu ben accolta negli ambienti scientifici del tempo, si configura come la prima storia generale del Vesuvio. Cfr. Iccu. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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         Histoire et phénomènes du Vésuve. Exposés par le Pere Dom Jean-Marie Della-Torre, clerc régulier sommasque, garde bde la bibliothéque & du cabinet du roi des Deux-Siciles, & correspondant de l'Académie Royale des Sciences de Paris. Traduction de l'Italien par M. l'abbé Péton.

      - Paris, Jean-Thomas Hérissant, 1760. 12mo (16.3 x 9.2 cm). xxiv, 399 pp., one large folded map of Mount Vesuvius, the Bay of Naples and surroundings, and five folded plates with panoramas and other views of the volcano, caldera, etc. Contemporary full mottled calf. Spine with five raised bands. Compartments with gilt floral vignettes and small red morocco label with gilt title. Marbled endpapers, marbled edges. = The first French translation by Abbé Péton of Giovanni Maria della Torre's (1712-1782) "Storia e fenomeni del Vesuvio", largely dealing with the recent eruption of Mount Vesuvius near Naples. Péton edited the work and added new information. It includes a list of works/authors writing about Mount Vesuvius from 1631 onwards, and the lengthy "Dissertation critique sur les opinions courantes touchant les phénomènes du Vésuve et des autres volcans; par le pere Gaetan d'Amato", followed by the supplemental notes made by Della Torre in 1860, which were published in Italian in 1761. The last plate depicts the situation of the caldera on 30 April 1759. Rubbing to the boards, a few spots, small hole in the rear endpapers, otherwise a very good, clean copy. Ward & Carozzi, 2185. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Schierenberg]
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         American Mathematical Textbooks 1760-1850 : Collection for sale

      1760-1850. A substantial collection of American textbooks of arithmetic, algebra, and geometry, including representative selections of primers combining lessons in spelling, reading, and writing with arithmetic, designated for use in schools, academies, and lyceums; textbooks of natural philosophy, astronomy, and mathematical geography specified for use in colleges; and ready-reckoners and other books of tables intended for tradesmen. Although textbooks for all levels of instruction are offered, the collection is strongest in those prepared for use in elementary and secondary schools. The reform of mathematical education through the introduction of "Pestalozzian" or child-centred methods of instruction is thus amply documented. The collection was built using as a guide Louis C. Karpinski's magisterial Bibliography of mathematical works printed in America through 1850 (Ann Arbor 1940, with three supplements published 1941-1954). Karpinski investigated the holdings of more than one hundred libraries and found that nine had purposefully collected in this field. According to his tabulated analysis, our collection would have occupied sixth rank, nearly approximating the holdings of Columbia University, exceeding those of Boston Public Library and New York Public Library. We offer 269 different works, plus 192 subsequent editions, for a total of 511 printed books, and in addition five manuscript ciphering and exercise books. Thirty-three eighteenth-century books are offered, fifty-five printed 1801-1810, sixty-five printed 1811-1820, ninety-five printed 1821-1830, 129 printed 1831-1840, 124 printed 1841-1850, and ten printed post-1850. Forty-one books in the collection are editions not recorded by Karpinski. Twenty-six books represent editions not yet recorded in the American Bibliography 1801-1819 (New York 1958-1966) and Checklist of American Imprints 1820-1844 (New York, Metuchen & London 1964-1993), the principal bibliographical tools available for the study of nineteenth-century American books. Another seventeen books in the collection have imprints different to those stated in the Checklist. With few exceptions, the books are offered in original condition and in original bindings, and the collection is thus of interest also to historians of the book. Textbooks published in the period before 1820 commonly were offered in three styles of binding: scaleboard (a shingle of wood, backed with leather, finished with either blue paper or marbled paper on covers), leather-backed boards covered by marbled paper, and full leather. In this collection, twenty books are in scaleboard bindings, forty-five in paper boards finished with marbled paper, and 259 in full-leather, the most expensive (and durable) binding. About 1820, a type of publishers' binding with printed covers became popular. Eighty-nine books are in such bindings, the earliest published in 1815, and several of these binding contribute valuable bibliographical evidence. A few books still retain coverings in cloth and paper fashioned by pupils to protect them from wear. As a rule, textbooks have been inscribed, drawn-on, or otherwise marked, more consistently than most books, by readers who are not usually purchasers. Few owners failed to write at least their names on the endleaves; many pupils added incantations against borrowers and thieves of books, sentimental verses of affection to other students, comments upon their classmates and teachers, drawings, rubbings of coins, pen trails and scrolls. Textbooks preserved in libraries are routinely rebound and this evidence of ownership discarded, to the detriment of scholarship. For example, forty books in this collection have ownership inscriptions by girls. When mathematics became inserted in the elementary curriculum, it was taught to boys and girls alike, however girls did not progress to study algebra and geometry. Ownership entries in books in this collection suggests that the moment of transition, when the stereotype of the non-mathematical feminine mind eroded sufficiently for algebra and geometry to be taught to girls, occurred about 1840. This early date contradicts suppositions about the elementary curriculum made recently by several historians. For additional information, click the PDF icon above.

      [Bookseller: Robin Halwas | Rare Books]
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        Moscowittisch Pferd. Cheval de Russie. Equus Moscoviticus.

      - Kupferstich v. M. E. Ridinger, um 1760, 29 x 34,5 cm. Der Grauschimmel wird von einem Mann in langem Mantel geführt, dem ein Hund vorangeht.- Minimaler Rostfleck in der unteren rechten Ecke. JPEG-Bilder auf Anfrage möglich. Moscowian horse. "Moscowittisch Pferd. .". Copperplate engraving by M. E. Ridinger and J. E. Ridinger ca. 1760. 29 x 34.5 cm. JPEG pictures upon request. A man in a long coat leads the grey horse, in front of him his dog,- Tiny rusty spot in the bottom right corner.

      [Bookseller: Gertraud Bracker]
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