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Displayed below are some selected recent viaLibri matches for books published in 1650

        Magiae naturalis libri viginti. Ab ipso quidem authore adaucti, nunc vero ab infinitis, quibus editio illa scatebat mendis, optime repurgati : in quibus scientiarum naturalium diuitiae & deliciae demonstrantur : accessit index, rem omnem dilucide repraesentans, copiosissimus.

      Rotomagi (Rouhen), Ioannis Berthelin, 1650 8vo legatura coeva in piena pelle con quattro snodi, titoli e fregi dorati al dorso (qualche spellatura, piccole mancanze agli angoli dei piatti ed alla base del dorso) tagli marmorizzati, pp. (14)-662 con marca tipografica xilografica al frontespizio, testatine, capilettera e finalini xilografici e numerose incisioni xilografiche nel testo : pp. 283, 285, 286, 288, 389, 397, 399, 410, 553, 554, 573, 575, 576, 577, 580, 583, 584, 592, 608, 609. Qualche arrossatura. Errori tipografici nella numerazione delle pagine, sono omesse le pag. 147/148 e 629/630, ma testo completo) Le sue opere furono proibite e lÕA. inquisito pi volte.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Henrick Smids Lægebog

      Henrick Smid: Henrick Smids Lægebog. Indhold: I, Mange skøne oc udualde Lægedoms stycker, for atskillige Siugdomme, offuer det ganske Legeme fra Hoffedet til Føderne. II, Lægedom for Qvindfolcks oc Børns Siugdomme. III, Mange atskillige Lægedoms stycker for Bartskære. Item, om Aareladelse, Bad og Koppesættelse. IV, Præservatiff, Forvaring oc Lægedom imod Pestilentze. V, Om Menniskens Vand at besee oc der om dømme. VI, Om atskillige Urter, som her udi Riget vaaxe, hvorledis de til Lægedom skulle brugis, udvaartis oc indvaartis. For- og bagperm, samt den originale ryg er tilstede i den oprindelige læderindbinding, som er medtaget. Ryggen er let medtaget og de oprindelige messingbeslag mangler, men dele af lukkemekanismen er tilstede på forpermen. Der er indsat to ex libris og tre stempler af tidligere ejere. Forbladet mangler, enkelte sider med gamle reparationer og en del sider med pletter og enkelte skjolder. Eksemplaret komplet og velholdt. København 1650.

      [Bookseller: Dansk Antikvarisk Boghandel]
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        Rotterdam - Caspar Merian, 1659.

      "Rotterdam", kopergravure gedrukt van platen. Afm. 20 x 70 cm.Gegraveerd ca. 1650 door Salomon Savry, uitgegeven te Frankfurt a.M. door Caspar Merian in 1659 als onderdeel van de atlas Topographia Germaniae Inferioris.Topographia Germaniae Inferioris was een deel van Topographia Germaniae, het belangrijkste werk van kopergraveur en uitgever Matth?us Merian de Oudere (1593 ? 1650). Hij gaf dit werk gezamenlijk uit met Martin Zeiler (1589-1661) uit Ulm, die voor de tekst verantwoordelijk was. Het werk bevat ongeveer 2.000 afbeeldingen en plattegronden van steden, kloosters en kastelen en geldt als een van de belangrijkste werken op het gebied van geografische afbeeldingen.Merian was 1642 begonnen met de uitgave van een overzichtswerk met stadsgezichten, afbeeldingen van landschappen en kaarten waar hij reeds decennia lang tekeningen voor had verzameld.Tot 1688 werd de serie uitgebreid met verdere beschrijvingen van Europese gebieden tot uiteindelijk 30 banden met in totaal 92 kaarten en 2142 stadsgezichten en was daarmee een van de grootste uitgegeven boeken uit z?n tijd.De eerste delen graveert Matth?us Merian zelf en geeft deze ook zelf uit. Later wordt aan een groot aantal in die tijd beroemde graveurs het graveerwerk uitbesteed en nemen zijn zoons Matth?us de Jongere en Caspar het uitgeverswerk over.Prijs: Euro 1.450,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Toonneel des Aerdrycx, oft Nieuwe Atlas. Derde deel.

      Amsterdam, Johan Blaeu, 1650, volume in imperial folio (cm. 54 x 35) legatura originale in piena pergamena con unghie, titoli e impressioni a secco e dorate ai piatti ed al dorso, tagli dorati, bellissimo frontespizio inciso in rame colorato a mano, cc. 190 - ma numerate 120-10-(2) - comprendenti 61 carte geografiche incise in rame e colorate a mano (tutte a doppia pagina tranne ÒCorsicaÓ, ÒElbaÓ e ÒSardegnaÓ che sono a mezza pagina e ÒTerritorio cremascoÓ a pagina intera). Qualche lievissima brunitura ma ottimo esemplare, completo delle carte dÕindice, in fine.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Antique Master Print-LANDSCAPE-MULE DRIVER-RIVER-Waterloo-ca. 1650

      - Antique Master Print, untitled. Landscape with a mule driver next to a river. Etching on laid paper paper. Watermark: monogram Description: From a series of 6 landscapes. State: Only state. Ref: Hollstein 48 Artists and Engravers: Made by 'Anthonie Waterloo' after own design. Anthonie Waterloo (1609-1690) is born in Lille, but his family moved to Amsterdam probably to escape religious persecution. He was a painter, etcher and diplomat and famous for his landscapes (136 items). He developed his own style, probably as an auto-didact. Although Waterloo traveled widely, many of his landscapes were probably imagined in the workshop and were influenced by the work of other landscapists. Although mostly etching he is known to have added accents to his work by burin and other engraving techniques as well. Condition: Good, given age. Margins cropped to or minimally over the image edge. A little paper loss in the top left corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-203 LA The overall size is ca. 5.7 x 5.1 inch. The image size is ca. 5.7 x 5 inch. The overall size is ca. 14.4 x 13 cm. The image size is ca. 14.4 x 12.7 cm.

      [Bookseller: ThePrintsCollector]
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        An Act For turning the Books of the Law, and All Process and Proceedings in Courts of Justice into English [with] An Additional Act Concerning the Proceedings of the Law in English. Neither in Wing. Folio

      [1] Printed by Edward Husband and John Field [2] by John Field 1650 & 1651, London - Pages 1097-1099 and 1339-1341, light browning, disbound, else clean and with ample margins, now preserved in a modern folding case; the Taussig copies The far-reaching legislation requiring that the law of England in virtually all its manifestations be in English, a fundamental reform aborted at the Restoration and not largely achieved until the early eighteenth century [in 1731] under George II

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
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        Urania propitia sive Tabulae astronomicae mirè faciles, vim hypothesium physicarum à Kepplero proditarum complexae; facillimo calculandi compendio, sine ullâ logarithmorum mentione, phaenomenis satisfacientes. Quarum usum pro tempore praesente, . . . duplici idiomate, Latino & vernaculo . . . communicat Maria Cunitia. Das ist: Newe und Langgewünschete leichte Astronomische Tabelln durch derer vermittelung auff eine sonders behende Arth aller Planeten Bewegung nach der länge, breite, und andern Zufällen auff alle vergangene, gegenwertige, und künfftige Zeits-Puncten fürgestellet wird. Den kunstliebenden Deutcher Nation zu gutt berfürgegeben.

      Oelsna Silesiorum: Johann Seyffert, 1650. 1st Edition. Hardcover. Folio - over 12 - 15" tall. Two parts in two volumes. Oelsna Silesiorum: Johann Seyffert, 1650. Folio (315 x 192 mm). [24], 1-144 [i.e. 146], [2], 147-264, [2]; 268, [2] pp., including half-title, title printed in red and black, 3 errata leaves, and 2 (of 3) folding letterpress tables, lacking table "Tabula sexagenaria". Signatures: ):(-2):(6 A-M6 N2, 2A-K6, 3A-V6 W-Z6. Colophon: "Olsnae Silesiorum, Ex Officinà Typographica Johann: Seyfferti. Anno M. DC. L." on Z6v. Latin text in roman and italic typeface on p. [1-24] and 1-145 (first sequence of part I); German text in blackletter on p. 147-264 (second sequence of part I). Errata leaf for the Latin text after p.146 and for the German text after p.264 in first part; errata for tables on final leaf Z6r in part II, bifolium 2H2/5 bound in twice, leaf I3 misbound after I1 in part II. Bound in contemporary full vellum with yapp edges, spines ink lettered (ties gone, vellum on spines partly chipped and cracked). Text with light uniform browning, minor occasional faint spotting, second table loosley inserted. Except for the missing table an excellent fresh and clean copy. ---- Houzeau & Lancaster 12767; Caspar 91. - FIRST EDITION. A remarkable and very rare work by Maria Cunitz, an early female scientist, on the Rudolphine tables. Her husband, Elias von Leuwen (d. 1661), a physician, wrote the preface to this work, in which he was at pains to stress that the work was indeed by his wife rather than him. Her tables are accompanied by a description of their use in both Latin and German. Maria Cunitz and her husband corresponded with Hevelius, Ismael Boulliau, the French astronomer, and Pierre Desnoyers, amongst others. All her letters to and from these people were destroyed in a fire on 25 May 1656, in which her home, library and equipment, as well as some 200 astronomical observations were also lost. Houzeau & Lancaster 12767; Caspar 91. - FIRST EDITION. A remarkable and very rare work by Maria Cunitz, an early female scientist, on the Rudolphine tables. Her husband, Elias von Leuwen (d. 1661), a physician, wrote the preface to this work, in which he was at pains to stress that the work was indeed by his wife rather than him. Her tables are accompanied by a description of their use in both Latin and German. Maria Cunitz and her husband corresponded with Hevelius, Ismael Boulliau, the French astronomer, and Pierre Desnoyers, amongst others. All her letters to and from these people were destroyed in a fire on 25 May 1656, in which her home, library and equipment, as well as some 200 astronomical observations were also lost. "Maria Cunitz's Beneficent Urania, published in 1650, has the distinction of being the earliest surviving scientific work by a woman on the highest technical level of its age, for its purpose was to provide solutions to difficulties in the most advanced science of the age, the mathematical astronomy of Kepler's Rudolphine Tables. Her work is at once original and the product of a long history." (Swerdlow N., In: Buchwald J. (eds) A Master of Science History. Springer, Dordrecht, 2011, pp. 81-121). "Urania Propitia is a remarkable volume for many reasons. Published in 1650, this work of astronomy demonstrates a command of high-level mathematics and astronomical calculation. It also reveals a deep understanding of Keplerian astronomy; its author both simplified and corrected Kepler's math for locating planetary positions. Finally, the book was written in German as well as Latin, which helped to both establish German as a language of science and make the tables accessible outside of the university." (L. McNeill, smithsonianmag.com, March 2017). - Visit our website for additional images and information. Very Good.

      [Bookseller: Milestones of Science Books]
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        Pflantz-Gart Darinn grundtlicher Bericht zu finden, welcher gestalten 1. Obs-Gärten, 2. Kraut-Gärten, 3. Wein-Gärten. Mit lust und nutz anzustellen, zu bawen, und zu erhalten [.] Vermehret, Mit einem sehr nutzlichen Bericht, was deß Pflantzens halb 1. In gewissen Monaten fürzunemmen, 2. Auff etlichen nammhafften Tagen zu halten, 3. Auß der Witterung zu schliessen seye. 4 Teile in 1 Band.

      Bern Georg Sonnleitner für Rhagors Erben 1650 - 12 Bl., 238 S., 1 weißes Bl., 159, 139, 114 S., 1 weißes Bl. 8° (17 x 10,5 cm). Pergament der Zeit mit Papierrückenschild unter Verwendung einer Notenhandschrift des Spätmittelalters. Zweite Ausgabe der ersten systematischen deutschsprachigen Anleitung für Obst-, Gemüse- und Rebbau in der Schweiz, gegenüber der Erstausgabe Bern 1639 um einen vierten Teil mit Pflanzkalender für das erste Halbjahr erweitert. - Der Berner Burger Daniel Rhagor (1577-1648) hatte sich als Landvogt in Gottstatt und Thorberg sowie "Teutsch-Weinschenk" (Verwalter der Weinkeller der deutschsprachigen Gebiete) langjährige Erfahrung im Garten- und Weinbau erworben und im vorliegenden Werk "auff unsere Landes-art gerichtet" zusammengefaßt. Im Buch über die Krautgärten werden unter anderem auch Spargel und Kartoffeln behandelt. - Gering gebräunt, kaum fleckig, einige kleine Wurmspuren im Rand (ohne Textberührung), Vorsatz mit Besitzvermerk (datiert 1660). Einband wenig fleckig und mit kleineren Bezugsfehlstellen durch Wurmfraß, die Bindebänder fehlen. Gutes Exemplar. *VD 17 23:263638G. Graesse VI/1, 101. Schoene3, 3767. Simon, Bibliotheca Vinaria, 70. Wimmer/Lauterbach 85. Gewicht (Gramm): 450 [Attributes: First Edition]

      [Bookseller: Antiquariat Christian Strobel (VDA/ILAB)]
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        Die neue Heutiges Tages gebräuchliche Scheide-Kunst/oder Chimia... - Die belägert- und entsetzte Venus, Das ist/ Chirurgische Abhandlung Der so genanten Frantzoßen/ Auch Spanischen Pocken-Kranckheit... - Neuerleuchtender Praxis der Medicine. Zweyter und dritter Theil. - 3 Titel in 1 Band.

      8vo. Mit 6 (st. 8) Kupfertiteln u. wenigen Textholzschnitten. Titel in Rot u. Schwarz. Pgt. d. Zt. m. hs. Rückentitel. Farbschnitt. Zusammenstellung seltener Titel des niederländischen Mediziners Steven Blankaart (1650-1704). - Enthält: 1) Die belägert- und entsetzte Venus, Das ist/ Chirurgische Abhandlung Der so genanten Frantzoßen/ Auch Spanischen Pocken-Kranckheit/ Drüpper/ Sjankert/ Klap-Ohren/ [et]c.: Worinnen derselben/ Vornemlich auf des weltbekanten Cartesii Gründe/ befestigte sichere und unfehlbare Cur vollkömmlich angewiesen wird. Leipzig, Gleditsch, 1689. Kupfertitel u. Titelbl. sowie 2 von 8 Kupfern fehlen (Kopien beiliegend). 2 Bl., 544 S., 4 Bl. Titel ermittelt nach VD17 3:603946D. - 2) Die neue Heutiges Tages gebräuchliche Scheide-Kunst/ oder Chimia Nach den Gründen des fürtreflichen Cartesii und des Alcali und Acidi. Hann. u. Wolfenbüttel, Grentz, 1689. Titel ganz vorne in das Buch gebunden. 179 S., 5 Bl. VD17 23:289754C. - 3) Neuscheinende Praxis Der Medicine : Worinn angewiesen wird/ Daß alle Kranckheiten eine Verdickung des Bluts und der Säffte sind/ und bloß von Sauer und Schleim entstehen... Ebd. 1689. Nur der zweite Teil: S. (471)-550. VD17 7:703462M. Sowie Teil 3. 223 S. VD17 3:302764E. - Pgt. stark fleckig u. bestoßen. Vorsätze m. Einrissen. Etw. gebräunt. Die Taf. stärker angerändert, wenige einzelne Tintenmarginalien.

      [Bookseller: Antiquariat Düwal Berlin]
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        Muß jetzt in das Exilium.

      Ohne Ort (Ca ) 1650 - (30 x 21 cm). Einblattdruck. Mit halbseitigem Textkupfer (13,5 x 19 cm). Hübsches und seltenes Spottblatt auf die aus Frankreich kommende Mode der Reifröcke, die dort schon wieder passé sein soll, aber in Deutschland noch unverdrossen getragen wird. - Das große Kupfer in der oberen Hälfte zeigt zwei Männer die einen an einer Stange hängenden Reifrock durch ein Tor tragen. Darunter zehn Vierzeiler: "Die Reif-Röck pfleget man vorjetzt sehr weit zu nehmen, Daß sich die Glocken selbst vor ihnen müssen schämen; Weil sie bey weitem nicht von solchem Umfang seyn; zwey Reif-Röck nehmen just die breiten Gassen ein". - Zweifach gefaltet und gering stockfleckig, sonst gut erhalten. - VD17 23:675017Z

      [Bookseller: Antiquariat Gerhard Gruber]
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        Receuil, des plus beaux portails de plusieures eglises de Paris.[Paris], Jacques van Merle, 1660. Series of 11 (of 12) engraved prints, including the title-print, showing elevations and plans of 17th-century Parisian baroque churches, portals and altars, some naming the architects Mansart, Brosse and Le Mercier. With: (2) MAROT, Jean. [Recueil de plusieurs portes des principaux hostels et maisons de la ville de Paris ensemble le retable des plus considerables autels des eglises].[Paris, Pierre Mariette II, ca. 1660/65]. Series of 19 (of 20) etched prints showing portals of numerous Paris churches and civic buildings. (3) LE PAUTRE, Jean. Retables dautels a lItaliene inventes et graves par Jean Potre ...Paris, Pierre Mariette II, [ca. 1660/65]. Complete series of 6 etched prints, including title-print, showing richly decorated altars, some with a plan at the foot. (4) LE PAUTRE, Jean. Porte cochere, inventée et gravée par J. Le Potre ...Paris, Pierre Mariette II, [ca. 1657/59?]. Complete series of 6 etched prints, including the title-print, showing richly decorated portals, each with a plan at the foot. Very rare series. (5) LE PAUTRE, Jean. Cheminees a la moderne inventées et gravéez par Jean le Pautre.Paris, Pierre Mariette II, 1661. Complete series of 6 unnumbered etched prints, including the title-print, showing a hearth with a richly decorated mantelpiece. (6) LE PAUTRE, Jean. Desseins de plaphons inventez et gravez par Le Pautre.Paris, Pierre Mariette II, [ca. 1660/65?]. Series of 5 (of 6) etched plates, including the title-print, showing a richly decorated ceiling, some with an elaborate painted scene in the central panel. (7) MAROT, Jean. Nouveaux desseins d'Alcoves inventés et gravés par J. Marot.Paris, Pierre Mariette II, [ca. 1665?]. A complete series of 8 numbered engraved prints, including the title-print, showing alcoves (at least some of them for beds) with richly decorated walls and doorways. Very rare edition. (8) LE PAUTRE, Jean . Chaires de predicateurs nouvellement inventées et gravées par J. Le Pautre.Paris, Pierre Mariette II, 1659. Series of 4 (of 6) etched prints, including the title-print, showing elaborately decorated pulpits, most with the preacher and congregation during the sermon. (9) BOISSEAU, Jean. [Paris buildings].[Paris], Jean Boisseau, [1655?]. Series of 6 (of 14) engraved prints, showing buildings in Paris. (10) PIERRETZ, Antoine. Recherche de plusieurs beaux morceaux d'ornamens antiques et modernes, comme trophées, frises, masques, feuillages, et autres, dessignés et graves par A. Pierretz.Paris, Pierre Mariette II, [ca. 1657/59?]. Series of 24 (of 25) engraved plates, namely 1-7 (helmets, military insignia), 8-11, 13-14 (decorated borders, friezes), 15-21 (masks), 22-25 (decorated architectural elements) and an extra no. 24 of a geometrical design. Very rare series. (11) FANELLI, Francesco. Varie architeture di Francesco Fanelli Fiorentino scultore del Re della Gran Bretagne.Paris, Jacques van Merle, 1661. A complete series of 21 unnumbered engraved prints, including the title-print. Five prints show grottos with sculpture, all but one including fountains, and the other fifteen show free-standing fountains. 11 series in 1 volume. Small oblong folio (18.5 x 29 cm). Contemporary limp parchment.

      Extensive description on request Interesting and important early collection of 11 very rare architectural print series (with a few additional prints from other series bound with them) giving in total 120 engraved and etched plates of churches, other buildings, portals, altars, mantelpieces, ceilings and wall panels, alcoves, pulpits, architectural decorations (including helmets, military insignia, decorated borders, friezes, masks), fountains and grottoes, mainly in Paris and surroundings. The prints are etched and engraved by the best and most famous artists in Paris in the 1650s and 1660s: Jean Le Pautre, Jean Marot ('Le grand Marot'), Pierre Cottart, Jean Boisseau, Antoine Pierretz and Francesco Fanelli. All but Boisseau's were published and printed by the two most famous printers of engravings and etchings: Pierre Mariette II and Jacques van Merle. None of the 11 series is demonstrably later than 1661, though some may be later in the 1660s. The fact that each print series at least generally shows a consistent paper stock and the fact that the endleaves show a watermark contemporary with the latest print series strongly suggests that each series comes from a single impression as published and that they were bound together soon after publication: this is not a collection assembled from separate prints by a collector. It is of the greatest importance for the history of French architecture during the seventeenth century.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        The Civil Right of Tythes, Wherein, Setting Aside the Higher Plea..

      1650. Tithing to the Church of England During the Commonwealth E[lderfield], C[hristopher] [1607-1652]. The Civil Right of Tythes: Wherein, Setting Aside the Higher Plea of Jus Divinum from the Equity of the Leviticall Law, Or That of Nature for Sacred Services, And the Certain Apportioning of Enough by the Undoubted Canon of the New Testament, The Labourers of the Lords Vineyard of the Church of England are Estated in Their Quota Pars of the Tenth or Tythe per Legem Terrae, by Civil Sanction or the Law of the Land: Which Being the Foundations of All Civill Right Here, Must Needs Render Their Spoliation Wrong, The Taking or Withholding as Injurious as of Any Other Mans Due. Humbly Represented to the Judicious and Pious Consideration of All Sober and Advised Christians, Who Fearing God and Hating Covetousness, Have Learned Christ so Far, As, To Give Every One His Own; And Would do no Wrong for Conscience Sake. London: Printed by Tho. Newcomb, For John Holden, At the Anchor in the New-Exchange, 1650. [viii], 344 pp. Lacking final leaf, errata sheet on recto, blank verso. Quarto (7-1/4" x 5-1/2"). Recent three-quarter calf over pebbled cloth, lettering piece to spine, endpapers renewed. Negligible light rubbing to extremities. Moderate toning to text, light foxing in a few places, margins of some leaves have faint dampstaining, light soiling to title page. $500. * Only edition, one of two issues from 1650. The Church of England was disestablished during the Commonwealth and Protectorate. As a result, its status shifted with the political climate. Elderfield's treatise defended the Church's right to collect tithes, a right threatened by Puritans in Parliament. Counting both issues, OCLC locates 10 copies in North America, 5 in law libraries (Columbia, Harvard, LA County, Library of Congress, University of Georgia). English Short-Title Catalogue R18717.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Gesamtans., i. Vgr. Reisende, "Avgspvrg.

      - kol. Kupferstich ( m. Bordüre ) v. P.H. Schut b. Claes Jans. Visscher, um 1650, 21 x 27 So nicht bei Fauser, der aber unter der Nr. 853 ein Blatt von Schut bei Visscher aufführt, allerdings mit Nr. 22 nummeriert. Schefold, Nr. 40441 kennt nur die Ausgabe bei Peter van der Aa: Krogt, Koeman's Atlantes Neerlandici, Bd. IV-2.1, Nr. 309. - Vorliegendes Blatt ohne Künstlersignaturen und ohne Nummerierung, ist bei Josef H. Biller, "Das Städtebuch von Nicolaes Visscher und Pieter Hendricksz. Schut", die Nummer 22 (1. Zustand.). Diese Serie, so Biller, scheint eine der seltesten Stadtansichtfolgen im 17.Jahrhundert zu sein.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Riposo dalla fuga in Egitto

      1650 - Acquaforte, circa 1650, priva di dati editoriali. Da un sogetto di Simone Cantarini. Magnifica prova, ricca di toni, impressa su carta vergata coeva con filigrana "giglio nel cerchio", rifialta al rame, in ottimo stato di conservazione. L'opera deriva dall'incisione del Cantarini, della quale è una fedele e coeva replica, molto ingannevole. Probabile che si tratti di una lavoro di scuola. Ex collezione Martin-von-Wagner-Museum der Universität Würzburg (Lugt 2541 C). Magnifica tiratura. Etching, circa 1650, without signature. After Simone Cantarini. A fine impresison, printed on contemporary laid paper with "encircled fleur de lys "watermark, trimmed to the paltemark, very good conditions. A close copy of the Pesarese's etching. Ex collezione Martin-von-Wagner-Museum der Universität Würzburg (Lugt 2541 C). Bartsch 30; Bellini 30A. Dimensioni 265 178mm

      [Bookseller: Libreria Antiquarius]
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        Il Davide Perseguitato, David Persecuted.

      Printed for Humphrey Moseley, London 1650 - , 1- 259 pages, contains one steel cut plate which is the frontispiece, translated by Robert Ashley Third Edition , rebound, nice copy, minimal staining on the inside of the textblock, very good condition , half calf with brown cloth, 5 raised bands and a gilt title on the spine , 12mo, 15.5 x 9 cm Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Lucrezia

      1650 - Acquaforte, metà del XVII secolo. Esemplare nel secondo stato di due, con la dedica all’arcivescovo Paleotti. Bellissima prova, impressa su carta vergata coeva con filigrana del "sole", con sottili margini, in perfetto stato di conservazione. Il Sirani, introdotto all’arte alla scuola del Possenti e del Cavedone, divenne successivamente il principale allievo di Guido Reni, con il quale collaborò in diversi dipinti e ne terminò tutte le opere incompiute alla data della sua morte. La sua opera grafica non ha ancora avuto una completa catalogazione e comprende circa una decina di lavori, con principale soggetto religioso. La Lucrezia del Sirani è opera di probabile invenzione dell’artista. Rara. Bartsch, XIX, 1; Bertelà 927. Dimensioni 136 234mm

      [Bookseller: Libreria Antiquarius]
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        Riposo dalla Fuga in Egitto

      1650 - Acquaforte, circa 1650/60, firmata in lastra in basso a sinistra. Da un soggetto di Giovanni Andrea Sirani. Bellissima prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. Rara. Ex collezione Franz Rechberger (Lugt 2133). Bibliografia: Bartsch 5, Bertelà 920. Dimensioni 179x169 Etching, 1650/60 circa, signed on lower left plate. After a subject of Giovanni Andrea Sirani. Beautiful work, printed on contemporary laid paper without watermark, trimmed to the platemark, in excellent condition. Rare. Ex collection Franz Rechberger (Lugt 2133). Bartsch 5, Bertelà 920. Dimensioni 179x169. Dimensioni 179 169mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Occulta naturae miracula. Libri IIII.

      Ohne Ort In bibliopolio Abrahami Commelini (Ca ) 1650 - (12 x 6,5 cm). (20) 638 S. Mit großem Titelkupfer. Lederband der Zeit. Hier eine der vollständigen Ausgaben des beliebten Kunst- und Wunderbuches in 4 Büchern. Lemnius' Hauptwerk erschien erstmals 1559 in 2 Büchern. - "Lemnius describes the distillation 'per alembicum' of brandy. He mentions the 'compas', 'Pistolettes' (pistols), potable gold, the manufacture of salt, soap, and potash. Lemnius mentions the use of saltpetre in cooling wine." (Partington). - Titelkupfer rechts leicht angeschnitten. Einband bestoßen. Überzug des vorderen Gelenks gebrochen (Deckel fest), sonst sauber und gut erhalten. - Hirsch/H. V, 736; Partington II, 113 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        Comitatus Hollandiae

      1650. Decorativa carta georgfaica dell'Olanda. Si tratta di una carta non comune, incisa da Gerard Coeck e orientata col l'occidente in alto. La carta è inserita nel 'Atlas Novus sive theatrum orbis terrarum...', Amsterdam, J. Janssonius, 1647. Incisione in rame, finemente colorata a mano, in ottimo stato di conservazione. Rare decorative map of the Netherlands, with compass rose, sailing vessels and coat of arms. Oriented with West at the top. A scarce map, engraved by Gerard Coeck. This plan originates from a Latin edition of: 'Atlas Novus sive theatrum orbis terrarum...', Amsterdam, J. Janssonius, 1647. (Van der Krogt 1, 1:202). Copperplate with fine later hand colour, very good condition.

      [Bookseller: Libreria Antiquarius]
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        Wappenhandschrift, wohl Augsburg um 1650: ca. 750 farbige Wappen

      - Wappenhandschrift, wohl Augsburg um 1650: ca. 750 farbige Wappen. Wappenhandschrift, 4° (30x21cm), fester Kartoneinband der Zeit mit Stoffschließen und Teil eines beiliegenden Elfenbein-Verschluss(?)-Zapfens, 46 Blatt mit ca. 700-800 farbigen Wappenzeichnugen. Einband fleckig, Wurmlöcher, Rücken unten mit Läsur, Blätter fleckig und mit Wasserrand oben, Beschädigungen an 17 Blättern oben, kleine Randläsuren, Blätter vereinzelt zu knapp aneinandergebunden und so am inneren Rand nicht ganz lesbar, sonst gut. Der Band erlitt einst einen Wasserschaden, wobei die Seiten unterschiedlich stark betroffen wurden. Mit starkem Wasserrand und Beschädigungen oben: Blätter 1-8 und 20-26 und 43-46, mit schwachem Wasserrand Blätter 9-19 und 31-42. Blätter 27-30 sind erstaunlicherweise ohne Wasserrand. In dem Band wurden wohl 3 differente Handschriften oder Teile derselben eingebunden. Man kann 3 unterschiedliche Stränge ausmachen. Die Stränge ordnete man nicht stringent hintereinander sondern wechselweise ins Buch. Aufgeführt sind die Großmeister des Deutschordens, zahlreiche Geistliche (darunter eine Liste der Bischöfe von Augsburg bis ca. 1598, Besucher des Konzils von Konstanz (genannt „Consilium zu Coßnitz"), Herrscher (vom Grafen bis zum Kaiser), Adelige. Von gleicher Handschrift und Machart: Strang 1: 1v-2r, 27r-30v: 19 Hochmeister des Deutschen Ordens mit Wappen (Heinrich von Waltpott, Otto von Karpen, Hermann Bart, Hermann von Balza, ., Heinricus Düsener oder Demeser von Arstberg ist zum Hohemeister gekoren worden under dem Kayser Ludowico dem Bayer Anno 1345" („Der 18 Hohemeister"), Winricus von . Rode (19. Hohemeister, erkoren 1351). Strang 2: 1r: Wappen von Augsburger Bischöfen / 2v-4v: Päpste / 5r-6v: Zählung von 1 bis 63, adelige Männer, teils Prälaten, teils Weltliche, allesamt deutsche Namen / 7r-12r: Bischöfe, Äbte, Bistümer / 12v-17v: Wappen-Trios, z.B. Heilige Drei Könige, „Die 3 besten Haiden", „Die 3 besten Christen" . „Die 3 gehorsame König", „Die 3 tobenden Unwesen" (bis 13v) , Wappen-Vierergruppen, z.B. „Des Reichs 4 Margrafen", „Des Reichs 4 Burgrafen", ., „Das sindt des Reichs 4 Marschalk", „Das sindt des Reichs 4 edle Geschlechter", „Das sindt des Reichs 4 Truchsessen", „Das sind die 4 Furt", „Das sindt die fir Herren", „Das sindt des Reichs 4 Dörffer" / 18r und 18v: Länder- und Städtewappen / 19r-19v: „ettliche Appt" / 20r– 22r: Kardinäle, Bischöfe, Patriarchen (Teilnehmer des „Consilio zu Koßnitz" 1416) / 22r-25v: Bischöfe und Erzbischöfe / 31r: Adlige / 31v-32r: „Folgen ettliche . [unles.] und Grafen so zu Cosnitz im Consilio ware" / 32r-32v: „Die statt Bothschaft im . Consilium zu Consnitz" / 33r-35v: Adelige (auch aus „engellandt" und „portugall" / 36r-40v: Könige, Kaiser, Herzöge / 41r-41v: „Ettliche Hohe Schule" / 43r: Länderwappen (wie 18r und 18v) / 43v (Adelige, auch „Heinrich vom Uhm, Bürgermeister zu Coßnitz 1413" und 3 andere Bürgermeister der Stadt). Strang 3: 26r-26v: „Catalogus Episcoporum Augustensium" 1591 steht oben, aufgeführt sind dagegegen von ca. 600 bis 750 (n.Chr.) „erwählte"Männer / 45r-45v: Grafen und Regierungsjahre (oft Dillingen), erwählt von 813 bis 1134, es handelt sich indes um Bischöfe von Augsburg / 46r: Adelige / 46v: Bischöfe von Augsburg, mit Regierungsjahren, wie 45 (der Vorletzte: „Marquard vom Berg, Erwält 1575, Regiert 36" [Jar]). [Attributes: Soft Cover]

      [Bookseller: Cassiodor Antiquariat]
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        Theatrum omnium scientiarum sive Apparatus, quo exceptus fuit ex C.mus princeps d. Innicus de Gueuara, et Tassis comes de Onnate, & Villamediana, &c. ac Neapolitani regni prorex sapientissimus in Neapolitana Academia in instauratione Studiorum anni 1649

      Robertus Mollus typographus excudebat, Neapoli 1650 - In-4 (250x190 mm.), pp. (22), cc. 105, pp. (5). Splendida antiporta figurata raffigurante le 9 scienze riunite nell'Accademia + 63 emblemi incisi magnificamente da Nicolas Perrey. (di cui 9 a piena pagina). Legatura in mezza pelle verde del secolo XIX, filetti e titoli in oro al dorso, ottimo esemplare impresso su carta forte e pressocché esente da fioriture. Quest'opera, di estrema rarità soprattutto se, come al caso nostro, completa, venne commissionata "per celebrare con ogni enfasi il ripristino dell'ordine dopo la vittoria su Masaniello per merito del viceré conte d'Onate, dove, di quadro in quadro, si dispiega una raffinata ed aristocratica pinacoteca cartacea, sorretta dalla dovizia dei riferimenti dottrinali. L'opera più ambiziosa sul piano estetico che contenga il catalogo dello stampatore Mollo" (da "Leggere per immagini. Ed. napoletane illustrate della Biblioteca Nazionale di Napoli XVI-XVII sec. p. 31). Bibliografia: Landwehr, Romanic emblem books, 196. Praz, 293: "raro". Piantanida, 257. [Attributes: First Edition; Hard Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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        Gesamtans, "Mayence. Electorat d'Empire".

      - Kupferstich ( v. 3 Platten ) n. Seb. de Pontault de Beaulieu, um 1650, 44,5 x 54 ( m. Bordüre ). Fauser, Nr. 8334. - Dek. Blatt mit einer breiten, von seperater Platte gestochener Bordüre. Über der Ansicht ein großes leeres Portraitmedaillon flankiert von Putten, Girlanden und Draperien. Unter der Ansicht Erklärungen von A - Z und 1 - 12.- Der Stich von 3 Platten gedruckt.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Gesamtans., "Philipsbovrg au Palatinat".

      - Kupferstich v. Perelle n. Seb. de Pontault de Beaulieu, um 1650, 20 x 54 ( m. Bordüre ). So nicht bei Fauser, vergl. aber 10895. - Die dek. Ansicht umgeben von einer breiten, von seperater Platte gestochener Bordüre. Unterhalb der Ansicht Erklärungen von A - P.- Schönes, tadelloses Blatt.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        DRESDEN. "Prospect Deß Elbstroms umb Dreßden, wie Solches auff dem Berg zu Loschwitz Zu Sehen ist". Schöner Panoramablick auf das Elbtal von Lockwitz bis nach Scharfenberg mit Dresden in der Ferne, rechts im Vordergrund Loschwitz, im Hintergrund kleine Ansichten von Siebeneichen, Plauen und Leymen.

      - Kupferstich von Caspar Merian, 1650, 25 x 102 cm (von drei Platten gedruckt). Fauser 3247. - Im Vordergrund der Zeichner mit einem Peildiopter, beobachtet von zwei Herren. - Geglättete Faltspuren. Sehr sauber.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Antique Master Print-RELIGION-SAINT ANASTASIUS-READING-Rembrandt-Baillu-ca. 1650

      - Antique Master Print, titled: 'S. Anastasius.' - St. Anastasius in a room, seated at a table while reading. Engraving on wove paper. Description: Rare, impression printed on oriental paper. This print was made after a painting which is no longer accepted as Rembrandt. State: Second state of 2 Ref: Hollstein 34Artists and Engravers: Made by 'Pieter de Baillu' after 'Rembrandt van Rijn'. Pieter de Baillu (1613-1660) was active in Antwerp. He made many engravings after Rubens. Rembrandt van Rijn (1606-1669) is undoubtedly the most famous artist of the dutch Golden age. He made a large oeuvre of prints throughout his live, which are famous sougt after, particularly in early impressions. Condition: Good, given age. No margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-171 LATPC The overall size is ca. 9.1 x 11.7 inch. The image size is ca. 9.1 x 11.7 inch. The overall size is ca. 23.2 x 29.6 cm. The image size is ca. 23.2 x 29.6 cm.

      [Bookseller: ThePrintsCollector]
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        Parallèle de l'architecture antique et de la moderne: avec un recueil des dix principaux autheurs qui ont écrit des cinq ordres; sçavoir, Palladio et Scamozzi, Serlio et Vignola, D. Barbaro et Cataneo, L.B. Alberti et Viola, Bullant et de Lorme, comparez entre eux. Le trois ordres Grecs, le Dorique, l'Ionique & le Corinthien... Et les deux Latins, le Toscan & le Composite... -

      Paris, Martin, 1650. In-folio (35,2 x 23,7 cm.). Mezza pelle, dorso con nervi, fregi oro e tassello; solida legatura moderna in stile dell'epoca. Con 2 frontespizi, uno inciso e con un ritratto in medaglione di François Sublet de Noyers, cugino dell'autore nonché ministro e segretario di stato a cui l'opera è dedicata, 3 testatine, 2 finalini, e 40 tavole incise da Charles Errard jr. (10) 109, (3) pp.; timbro sui frontespizi, ripetuto alcune volte; carta lievemente ossidata, ma nel complesso buon esemplare. Rara prima edizione di un'opera "insigne e preziosa per la sua esecuzione tipografica e calcografica, oltre le cognizioni riunite nel testo" (Cicognara 507). L'autore vi paragona i principali architetti che hanno scritto dei cinque ordini e sostiene la superiorità degli antichi sui moderni, e più in generale dei greci e della loro architettura sui romani. Il Parallèle si compone di due parti, in cui da un lato si affrontano gli stili classici dei greci (dorico, ionico, corinzio) e dall'altro quelli dei latini (toscano e composito). Comolli IV, pp.187-197. Berlin Kat. 2374. Fowler 127: "A beautifully printed and designed volume." Rare first edition of an important work. "The Parallèle is not simply a compilation of examples derived from earlier works - it is a statement of a new point of view. It is the first architectural treatise of the seventeenth century to propose a fresh look at earlier architectural treatises..." (Dora Wiebenson, Millard Architectural Collection, I, 76). With an engr. title, 3 head and 2 tail-pieces and 40 full page illustrations engr. by Charles Errard. Red oval stamp of the Mercantile Library New York on titles, repeated on a some pages and illustrations, light toning of the paper, but generally a good copy bound in period-style half calf, spine with a red leather label, raised bands, and gilt. For a detailed and scholarly description of the work, see: http://architectura.cesr.univ-ours.fr/traite/Notice/ENSBA_LES1545.asp?param=en

      [Bookseller: Libreria Antiquaria Rappaport]
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        Den stormectige høybaarne førstis oc herris/ her Friderich dend tredies Danmarckis/ Norgis/ Wendis oc Gottis konnings/ hertug udi Slesvig/ Holstein/ Stormarn oc Ditmersken: greffue udi Oldenborg oc Delmenhorst: hans Majestæts kongelige kronings/ som udi vor Fru Kircke udi Kiøbenhaffn med første solennitet bleff holden Clementis dag/ dend 23. novembris, aar 1648. Korte beskriffuelse/ forfattet effter befalning.

      København 1650. 4to. Samt. rødt helfløyelsbd. (42) bl. Tittelbl. trykt i rødt og sort. Kobberstukne portretter av Fredrik III og dronning Sophia Amalia. Eksemplar på stort papir. Bindet litt slitt. Tittelbl. og noen bl. med svak fuktskjold i øvre høyre hjørne.. .

      [Bookseller: Ruuds Antikvariat]
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        Carte du Royaume de Danemarq et de partie Meridionale de la Gotie

      Paris app 1650, In passepartout 42x57 cm

      [Bookseller: Andersens Antikvariat]
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        Pflantz-Gart. Darinn grundtlicher Bericht zu finden, welcher gestalten I. Obs-Gärten, 2. Kraut-Gärten, 3. Wein-Gärten. zu bawen, und zu erhalten. Mit einem sehr nutzlichen Bericht, was des Pflantzens halb I. In gewissen Monaten fürzunemmen, 2. Auff etlichen nammhafften Tagen zu halten, 3. Auß der Witterung zu schliessen seye. Auß langwiriger, selbs eygener Erfahrung zusamen getragen. und. zum anderen mahl in Truck verfertiget. 4 Teile in 1 Band.

      Bern Sonnleitner 1650 - (17 x 10,5 cm). (24) 238 (2w) S.; 159 S.; 139 S.; 114 (2w) S. Pergamentband der Zeit mit durchzogenen Bünden. Zweite Ausgabe des ersten deutschsprachigen Werkes über Obst-, Gemüse- und Weinbau; gegenüber der ersten Ausgabe von 1639 um den 4. Teil mit einem Pflanzkalender für das erste halbe Jahr erweitert. Es beruht weitgehend auf eigenen Erfahrungen des Verfassers, berücksichtigt aber auch die alte und zeitgenössische Literatur. - Der aus Bern stammende Daniel Rhagor (1577-1648) bekleidete dort zahlreiche Ämter. Er "war der erste, der die Grundlagen zur Förderung von Obstbau, Gartenbau und Weinbau in der Schweiz schuf" (Martini). - Stempel auf Titel. Stellenweise leicht stockfleckig. Einband gering berieben. Insgesamt wohlerhalten. - VD17 23:263638G; Martini, Geschichte der Pomologie in Europa S. 45; Wimmer, Gartenbücher S. 85; Schoene 1750; nicht bei Dochnahl

      [Bookseller: Antiquariat Gerhard Gruber]
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        Cl. Claudiani Quae exstant: ex emendatione Nicolai Heinsy Dan. F.

      Amsterdam (Amstelodami), Typis Ludovici Elzevirii, 1650. 24mo. 260 p., Engraved title. 19th century calf. 12 cm Fresh copy, very nice binding (Ref: Willems 1102; Rahir 1113; Berghman 2034; Brunet 2,88; Dibdin 1,471; not in Schweiger, nor in Graesse, Moss and Ebert) (Details: Back gilt and with 4 raised bands; red morocco letterpiece. Boards with gilt double fillet borders. Marbled endpapers)(Condition: Some wear to the extremes) (Note: 1650 was a happy year for the last important Roman poet Claudius Claudianus (ca. 400 A.D.). That year saw four editions. First an almost 2 kg heavy edition of the German scholar Caspar von Barth, or Barthius, 1587-1658, whose speciality seems to have been hoarding material. Second an edition 'ex emendatione virorum doctorum' by the Elzevier brothers in Amsterdam. Third a two volume edition, published by the Leiden branch of the Elzeviers, volume one containing the text , and volume two with the notes of Nicolaas Heinsius. (Willems 675) Fourth this slim and elegant text edition of 89 gram edited by the same Nicolaas Heinsius, and published in Amsterdam by the same Elzevier brothers, who published also the second Claudianus edition just mentioned. This last edition repeats the first volume of the Leiden edition, and offers only the Latin text of the poems. It has the same preliminary 'Lectori', 'Claudiani vita', 'Index operum Cl. Claudiani'. It omits however the dedication to Christina, queen of Sweden. § Claudianus 'war ein sehr fruchtbarer, temperamentvoller Dichter und bietet reichen historischen Stoff in rhetorischem Stil'. (Buchwald, Tusculum-Lexikon, 3rd ed. p. 171/2) As 'tribunus et notarius' he acted as court poet for the emperor Theodosius, his general Stilicho, and the emperor's sons Honorius and Arcadius. In 400 he was honoured with a bronze statue on the Forum Trajanum in Rome. His work was widely read in the Middle Ages. The humanists also placed him on the center stage. In the beginning of the 20th century philologists lost interest, but since the rise of interest in late antiquity in the sixties, he is again recognized as one of the great Roman poets. (Neue Pauly, s.v. Claudianus) This 1650 edition is the first of the Dutch classical scholar Nicolaas Heinsius, 1620-1681, the only son of the Leiden professor Daniel Heinsius. Nicolaas Heinsius never held any academic post. Sandys thinks very high of him in his 'A history of classical scholarship': 'His practice in versification, his wide reading in classical and post-classical Latin, and his knowledge of Greek literature made him an accomplished scholar. As a textual critic he had acquired an extensive knowledge of various readings by his study of MSS'. And: 'In making his selection from the vast mass of variants, he was guided by a fine taste and a sound judgement acquired by long experience'. And: 'His editions of the Latin poets laid the foundation of the textual criticism of those authors, and he has thus obtained the title of 'sospitator poetarum Latinorum.' (Sandys 2,323/327) He consulted, young Heinsius tells us in the praefatio, for his edition some 28 manuscripts. Among these were 2 from the University Library of Leiden, and 2 from the Bodleian. Also two that were in the possession of the successor of Plantin, the publisher Balthasar Moretus, manuscripts that were originally used for the Plantin edition of Claudian by Pulman (Antwerp, 1571). Heinsius consulted also three manuscripts which the French librarian and collector of manuscripts Alexander Petavius sent him, one of the Royal library, one of his own, and one owned by J.A. de Thou) (Provenance: On the boards the gilt coat of arms of Joseph-Guilhem, comte de Lagondie, 1809-1879. He was a bibliophile and an Elzevier collector. His collection was dispersed after his death. § On the front pastedown an armorial bookplate: 'Ex libris bibliothecae de Don Joannes Baptista Moens, natus 1833') (Collation: A-Q8, R2) (Photographs on request)

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        DRESDEN., "Prospect Deß Elbstroms umb Dreßden, wie Solches auff dem Berg zu Loschwitz Zu Sehen ist". Schöner Panoramablick auf das Elbtal von Lockwitz bis nach Scharfenberg mit Dresden in der Ferne, rechts im Vordergrund Loschwitz, im Hintergrund kleine Ansichten von Siebeneichen, Plauen und Leymen.

      Kupferstich von Caspar Merian, 1650, 25 x 102 cm (von drei Platten gedruckt). Fauser 3247. - Im Vordergrund der Zeichner mit einem Peildiopter, beobachtet von zwei Herren. - Geglättete Faltspuren. Sehr sauber. Sachsen und Sachsen-Anhalt

      [Bookseller: Buch- und Kunstantiquariat]
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        GLAMORGANENSIS COMITATUS VULGO GLAMORGAN SHIRE.

      Engraved partly elevated map of Glamorgan (southeast Wales). With four decorative cartouches one of which with the coat of arms of Glamorgan. 39x51 cm. Illustrated with three sailing ships at sea. No date or printing place. [Amsterdam c. 1650]. Edge reinf

      [Bookseller: Andersens Antikvariat]
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        1650 Etching by Adriaen van Ostade The Smoker at the Window

      1650 - We offer an original print by Adriaen van Ostade. “The Smoker at the Window” is 7 1/8” x 6 1/8” with faint plate lines intact, mounted to a board and trimmed 9 ¼” x 7 7/8” (a larger margin than customary seen on prints of the period). It is signed in the plate “A. Ostade.” With a masterful sense of scale and composition, Ostade’s controlled cross hatching creates depth and form; from the voluminous smoker’s sleeve to the delicate grape leaves hanging over the window frame to the painstaking subtleties of the wooden shutter. Adriaen van Ostade (1610-1685) lived and worked in Haarlem. He may have been apprenticed to Frans Hals together with Adriaen Brouwer. The latter’s influence is discernable in Van Ostade's early paintings. He continued to paint scenes of village life in taverns and domestic interiors throughout his career. He also painted the seamier side of life: disreputable lawyers, teachers and quacksalvers. Van Ostade held various positions in Haarlem’s artist guild and served in the civic guard. He seems to have done well. Indeed, he was highly productive, with over eight hundred paintings and a couple of hundred drawings and watercolours. Van Ostade was a popular artist in his day. He taught several pupils, among them his younger brother Isaack van Ostade, Cornelis Bega and, probably,Jan Steen. (from the Rijk Museum website) Condition: Laid down, margins darkened from prior framing, good, presentable condition with new matting.

      [Bookseller: Dennis Holzman Antiques]
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        America Noviter Delineata

      "Magnifico esemplare di questa rara mappa del continente americano, copia pirata (data l'assenza di indicazioni editoriali) della celebre mappa di Jodocus Hondius, pubblicata per la prima volta ad Amsterdam nel 1618. In particolare sembra essere una derivazione della version di Janssonius del 1623. La rarità della mappa è elevata; è assente sia dalla bibliografia di Tooley sulle carte americane ""Sequence of Maps of America"", che dal più accurato articolo di Louis Loeb-Larocque sulle derivazioni francesi dalle carte olandesi. Viene descritta da Philip Burden nel suo ""The Mapping of North America"" che attribuisce, giustamente secondo noi, la carta a Pierre Mariette per la presenza in due esemplari del ""Theatre Geographique de France"" del celebre editore francese. Incisione in rame, alcune pieghe di carta restaurate al verso, per il resto in ottimo satto di conservazione. Carta molot rara." "A fine example fo this VERY RARE map of America, a pirate copy of the Jodocus Hondius map (1618). ""This particular map falls into the seires derived form the Jodocus Hondius of America, 1618, In this case it is a closer to the version by Joannes Janssonius, 1623. Like some of the others this has not imprint which makes it difficoult to assign. It is not recorde in Tooley's ""Sequence of Maps of America"", or the more detailed article by Loeb-Larocque on the French derivates of Dutch maps. The map of Africa with the same distinctive cartouche is recorded in Tooley's Maps of the African Continet, but is likewise listed as anonymus. However, on two occasions the author has noted the map's presence in examples of Pierre Mariette's ""Theatre Geographique de France"", which ha editions in 1650 and 1653. Two of the most recongnisable features of this map are the square cartouche and the differing wording of the title form the others."" (P. Burden, The Mapping of North America, n. 300). Copperplate, restored paper folds at the back, otherwise very good." P. Burden, The Mapping of North America, n. 300; Tooley (1972), pl. 9.

      [Bookseller: Libreria Antiquarius]
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        Vero e Novo Disegno di Frascati con Tutte le Ville convicine

      1650. "Veduta della città di Frascati con Villa Aldobrandini, Monte Porzio Catone, Villa Lodovisi, Mondragone ecc. 22 didascalie descrittive. Pubblicata a Roma da Giovanni Giacomo De Rossi (1627-1691) ed incisa da Dominique Barriere. Sebbene non firmata la lastra infatti figura nel ""Indice delle Stampe De' Rossi"" redatto da Lorenzo Filippo nel 1735, prima della vendita delle matrici alla Calcografia Camerale. L'opera è descritta a p. 32, n. 5, come ""Veduta della Città di Frascati colle sue Ville circonvicine, disegnata, intagliata in acqua forte da Domenico Barriera in foglio imperiale per traverso. Ba. 10"". Viene per la prima volta attribuita al Barriere da Alfredo Petrucci nel Catalogo della Calcografia Nazionale del 1934 e poi 1953 (n. 1241). Incisione in rame, strappi di carta perfettamente resaturati, per il resto in buono stato di conservazione. Antiche iscrizioni ad inchiostro bruno, in lingua francese, su tutta la tavola. Rara." "View of the city of Frascati with Villa Aldobrandini, Monte Porzio Catone, Villa Lodovisi, Mondragone etc. 22 descriptive captions. Published in Rome by Giovanni Giacomo De Rossi (1627-1691). An active printer and engraver in Rome. Son of Giuseppe De Rossi, who founded the most important printing house of his time which will later be transformed into Calcografia Camerale in the XIX century. Even is not signed the plate can be ascribed to the hand of Dominique Barriere. The plate is listed in the catalogue of De Rossi's tipography ""Indice delle Stampe De' Rossi"" by Lorenzo Filippo (1735) p. 32, n. 5, as ""Veduta della Città di Frascati colle sue Ville circonvicine, disegnata, intagliata in acqua forte da Domenico Barriera in foglio imperiale per traverso. Ba. 10"". First ascribed to Barriere by Alfredo Petrucci and than to Anna Grelle Iusco. Copperplate, some tears percectly repaired, otherwise very good. Antique ink inscription translate the title and the keys in French. Rare." Petrucci (1934) n. 1241; Grelle Iusco (1996): pp. 204, 407.

      [Bookseller: Libreria Antiquarius]
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        Pisgah-Sight of Palestine and the Confines Thereof, with the History of the Old and New Testament Acted Thereon

      London: J.F. for John Williams at the signe of the Crown in Pauls Church-yard 1650 - First edition. 4to. Recent panelled calf, spine with raised bands, old gilt lettered red label preserved, all edges red. Frontispiece, engraved title, folding map of Palestine and 27 double plates comprising 19 maps (unusually many with old hand colouring, likely 19th century), a plan of Jerusalem, 4 plans and views of temples and the Tabernacle plus 3 plates illustrating the habits of the Jews, the "pantheon" of Jewish idols of antiquity and the "Fragmenta Sacra". Palestine map with judicious repairs to the folds, an attractive copy. Erratically paginated as issued and complete, full collation available on request.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        L'America poema eroico.

      Rome: nella stamperia di L. Grignani,, 1650. Folio (304 x 214 mm). Contemporary vellum, flat spine lettered in ink and with double gilt fillets, sides with double gilt fillet frame with corner- and centrepieces, gilt edges. Allegorical engraved frontispiece by Johann Frederich Greuter depicting Vespucci reaching the Americas, engraved portrait of the author, section headings within elaborate typographical border, woodcut initials and tailpieces, text in two columns. Early printed bookplate (Federighi) to front pastedown. Vellum a little stained, light marginal waterstaining in places, a few quires lightly foxed or browned due to paper stock, still a very good copy. First edition of this "magnificent" (Gamba) celebration of the discovery of America, an allegorical epic in ottava rima, forty cantos each of a hundred stanzas, "a sort of Pilgrim's Progress in verse" (Rich). The work celebrates the heroic wanderings and adventures of Amerigo Vespucci, in avowed imitation of Homer's Odyssey. In his introduction the Florentine author explains that the Odyssey is the more "complex", according to Aristotle's definition, of the two Homeric archetypes. Significantly, in his own reports Vespucci had cited the wanderings of Ulysses as described by his fellow Florentine Dante as a key inspiration for his voyages of discovery. "As expansion into the New World escalated, the irony was not lost on Italians that while Italy had no national presence in the New World, it was an Italian [i.e. Dante] who had inspired those journeys and Italians such as Columbus, Vespucci, Caboto, and Verrazzano who had assumed the roles of captains and navigators in the return to paradise" (Mary Watt, "Dante and the New World", in The New World in Early Modern Italy, eds. Elizabeth Horodowich & Lia Markey).

      [Bookseller: Peter Harrington]
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        WILHERMSDORF/bei Fürth., Gesamtansicht von "Wilhermsdorff", rechts "Lusthaus" und "Bürckmischling", mit Wappen, darüber Truppenaufstellungen.

      Kupferstich, um 1650, 18,5 x 31,5 cm. Fauser 15505. - Der Text unter der Abbildung fehlt: "Daß Mansfeltische Volck ... ist Anno 1621 den 4 October in dißem ab gebilten ortt Wilhermsdorff ankumen". - Seltener Einblattdruck. Bis zur Einfassungslinie geschnitten. BAYERN, Einblattdruck, Franken

      [Bookseller: Buch- und Kunstantiquariat]
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        Gesamtansicht von \"Wilhermsdorff\", rechts \"Lusthaus\" und \"Bürckmischling\", mit Wappen, darüber Truppenaufstellungen.

       Kupferstich, um 1650, 18,5 x 31,5 cm. Fauser 15505. - Der Text unter der Abbildung fehlt: \"Daß Mansfeltische Volck ... ist Anno 1621 den 4 October in dißem ab gebilten ortt Wilhermsdorff ankumen\". - Seltener Einblattdruck. Bis zur Einfassungslinie geschnitten. Versand D: 6,00 EUR BAYERN, Einblattdruck, Franken

      [Bookseller: Antiquariat Bierl]
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        L' Histoire des elephants

      Chez Charles Sercy au Palais en la Galerie Dauphine á l'enfeigne de la Foy Couronnée, A Paris 1650 - First edition. In somewhat later leather. Spine with gilt ornaments, and red title vignette. Panels ruled with gilt lines on turn-ins. Marbled endpapers. Engraved frontispiece. Ornamented with typographical head-pieces and woodcut tail-pieces. [1 leaf of engraved frontispiece], [14], 198, [18] p. Extremely scarce, very early publication on elephants, one of the earliest in vernacular, by the French scholar and writer, Salomon de Priézac (1639-1666). Salomon, who also authored books about the Nile and the theory of colors, was the son of Daniel de Priézac (1590-1662), one of the founding members of the French Academy (Académie française). Some pages misbound. First 5 leaves and H2 artistically restored. Wormholes on the lower edge of a4-6 with no effect on the text. A3 slightly overtrimmed that effects the marginal notes on its recto and verso. Rubbed at joints, bumped at corners. Complete. In fine condition. In somewhat later leather. Spine with gilt ornaments, and red title vignette. Panels ruled with gilt lines on turn-ins. Marbled endpapers. Engraved frontispiece. Ornamented with typographical head-pieces and woodcut tail-pieces [Attributes: First Edition; Hard Cover]

      [Bookseller: Földvári Books]
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        A charte of the island of Cap Verd

      Artist: Goos Abraham ca ; issued in: Amsterdam; date: ca1650 - - technic: Copper print; - colorit: colored; - condition: Upper left and right corner perfectly replaced; - size (in cm): 44 x 54; - description: Map shows the Island of Cap Verde; - vita of the artist: Abraham Goos (1590?1643), was a cartographer and map seller. He has published numerous globes, land and sea maps together with Jodocus Hondius and Johannes Janssonius in Antwerp.From 1666, Pieter Goos, his son, also published a number of well produced atlases. He was the first to map Christmas Island, which he labelled "Mony" in his map of the East Indies, published in his 1666 Zee-Atlas (Sea Atlas). His Atlas ofte Water-Weereld (Atlas or Water World) has been cited as one of the best maritime atlases of its time. Another of his fine works was the Oost Indien (East Indies) map published in 1680. Pilot books, which contained a large number of navigation charts, were published by many authors, including Goos. He had a notarized agreement with two others, Jacob Lootsman and Hendrick Doncker, to publish pilot books for navigation along the Mediterranean coast, also covering easterly and westerly navigational routes. These were called the Dutch pilot books and remained valid for the period from 1643 to 1680. Goos was also instrumental in publishing the first pilot book for coastlines outside Europe. A further improvement over the pilot books in Dutch cartography was the publication of sea atlases covering the whole world. Initiated in 1659 by Doncker, the approach was also adopted by Goos from 1666. One of his larger works is named le grand & nouveau miroir ou flambeau de la mer (1662).In the same year, Goos published -The Lighting Colomne or Sea-Mirrour-, which not only contained nautical charts, but also -a brief instruction of the art of navigation-.The maps of Goos and Gerard van Kuelen were used exclusively during the eighteenth century until 1740. They were, however, found to have deficiencies such as the location of sandbars, grand banks and islands in the Gulf of St. Lawrence, with inaccuracies of as much as 44 leagues on the reduced Goos maps.Goos' famous world map titled Atlas ofte Water-Weereld was in two parts, one for each hemisphere. The colourful presentation included the two poles. His maritime maps encompassed not only Europe, Great Britain and Ireland but also the two poles.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Rare Antique Print-VREDENBURG CASTLE-UTRECHT-NETHERLANDS-v. Lamsweerde-c.1650

      - Antique print, titled: 'Vredenburgh.' - Panoramic view of the Vredenburg castle Utrecht, The Netherlands. Extr. Rare. Etching / engraving on hand laid paper. Description: Published by Herman Specht, who was an engraver and art dealer in Amsterdam in the first part of the 17th c. State: 1st state (II); a c. 1707 ed. was published by Gerard Kribber with title in banner. Ref: FMH 732; Holstein Dutch 21.Artists and Engravers: Made by 'Steven van Lamsweerde' after own design. Steven / Stewen van Lamsweerde, also named Simon Anton van Lamsweerde (ca. 1620 - 1686) was a Dutch draughtsman and engraver probably from Utrecht. Condition: Very good, given age. Trimmed near or inside plate mark. Paper a bit thin at top. Nice impression of a very scarse print. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q1-101 TPC The overall size is ca. 11.2 x 8.3 inch. The image size is ca. 10.9 x 7.1 inch. The overall size is ca. 28.5 x 21 cm. The image size is ca. 27.8 x 18 cm.

      [Bookseller: ThePrintsCollector]
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        Novus Atlas das ist : Welt- Beschreibung mit schönen neuen Geographischen Figuren inhaltende Frankr./ganz Schweiz/dessen Bundgenossen und Hispanien

      Artist: Janssonius Johann ca ; issued in: Amsterdam; date: ca1650 - - technic: Copper print; - colorit: original colored; - condition: Right margin replaced; - size (in cm): 38 x 25; - description: Titlepage from the "Novus Atlas" 2nd part; - vita of the artist: "Johannes Janssonius (Jansson),( 1588- 1664) Amsterdam was born in Arnhem, the son of Jan Janszoon the Elder,a publisher and bookseller. In 1612 he married Elisabeth de Hondt, the daughter of Jodocus Hondius. He produced his first maps in 1616 of France and Italy. In 1623 Janssonius owned a bookstore in Frankfurt am Main, later also in Danzig, Stockholm, Copenhagen, Berlin, Königsberg, Geneva and Lyon. In the 1630s he formed a partnership with his brother in law Henricus Hondius, and together they published atlases as Mercator/Hondius/Janssonius.Under the leadership of Janssonius the Hondius Atlas was steadily enlarged. Renamed Atlas Novus, it had three volumes in 1638, one fully dedicated to Italy. 1646 a fourth volume came out with "English County Maps", a year after a similar issue by Willem Blaeu. Janssonius' maps are similar to those of Blaeu, and he is often accused of copying from his rival, but many of his maps predate those of Blaeu and/or covered different regions. By 1660, at which point the atlas bore the appropriate name "Atlas Major", there were 11 volumes, containing the work of about a hundred credited authors and engravers. It included a description of "most of the cities of the world" (Townatlas), of the waterworld (Atlas Maritimus in 33 maps), and of the Ancient World (60 maps). The eleventh volume was the Atlas of the Heavens by Andreas Cellarius. Editions were printed in Dutch, Latin, French, and a few times in German."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        The Civil Right of Tythes, Wherein, Setting Aside the Higher Plea.

      1650 - Tithing to the Church of England During the Commonwealth E[lderfield], C[hristopher] [1607-1652]. The Civil Right of Tythes: Wherein, Setting Aside the Higher Plea of Jus Divinum from the Equity of the Leviticall Law, Or That of Nature for Sacred Services, And the Certain Apportioning of Enough by the Undoubted Canon of the New Testament, The Labourers of the Lords Vineyard of the Church of England are Estated in Their Quota Pars of the Tenth or Tythe per Legem Terrae, by Civil Sanction or the Law of the Land: Which Being the Foundations of All Civill Right Here, Must Needs Render Their Spoliation Wrong, The Taking or Withholding as Injurious as of Any Other Mans Due. Humbly Represented to the Judicious and Pious Consideration of All Sober and Advised Christians, Who Fearing God and Hating Covetousness, Have Learned Christ so Far, As, To Give Every One His Own; And Would do no Wrong for Conscience Sake. London: Printed by Tho. Newcomb, For John Holden, At the Anchor in the New-Exchange, 1650. [viii], 344 pp. Lacking final leaf, errata sheet on recto, blank verso. Quarto (7-1/4" x 5-1/2"). Recent three-quarter calf over pebbled cloth, lettering piece to spine, endpapers renewed. Negligible light rubbing to extremities. Moderate toning to text, light foxing in a few places, margins of some leaves have faint dampstaining, light soiling to title page. $500. * Only edition, one of two issues from 1650. The Church of England was disestablished during the Commonwealth and Protectorate. As a result, its status shifted with the political climate. Elderfield's treatise defended the Church's right to collect tithes, a right threatened by Puritans in Parliament. Counting both issues, OCLC locates 10 copies in North America, 5 in law libraries (Columbia, Harvard, LA County, Library of Congress, University of Georgia). English Short-Title Catalogue R18717. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Kupferstich- Karte, b. Blaeu, "Nova totivs Germaniae descriptio".

      - mit altem Grenzkolorit, um 1650, 39 x 49 Schöne Deutschlandkarte, mit Schriftleiste über der Karte, sowie großem Reichswappen unten links. Mit lateinischem Rückseitentext.

      [Bookseller: Antiquariat Nikolaus Struck]
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