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Displayed below are some selected recent viaLibri matches for books published in 1635

        Ritratti et elogii di capitani illustri. Dedicati all'Altezza Serenissima di Francesco d'Este Duca di Modona.

      alle spese di Pompilio Totti, libraro (appresso Andrea Fei), 1635. In-4° (220x152 mm), legatura in piena pergamena moderna, titolo a inchiostro nero sul dorso liscio, carte moderne bianche ai contropiatti e alle guardie; pp. (8), 295, (1). Errori nella paginazione: le pp. 61-64 sono ripetute e le 77-80 omesse. Bel frontespizio allegorico calcografico. 128 ritratti nel testo incisi su rame (la maggior parte incise da Pompilio Totti); capi-lettera e finali finemente incisi. Testo in corsivo. Dedica e prefazione di Totti. L'opera finisce a p. 288 con il colophon; poi prosegue con l'aggiunta di un quaderno, con la biografia di Fabrizio Colonna e la "errata". Prima edizione romana di Andrea Fei di questa galleria storica-iconografica dei persoanngi illustri più famosi dal XII secolo al XVII (la descrizione inizia con Federico Barbarossa, e finisce nel 1632). L'opera si basa sul "Ritratto di cento capitani illustri" (Roma, 1596) di Aliprando Caprioli. Il testo di questa opera è stato attribuito a Giulio Roscio. I personaggi, qui raffigurati con grande maestria a mezzo busto (circa 125x90 mm), hanno in un angolo lo stemma delle rispettive famiglie; ogni biografia finisce con una breve descrizione delle caratteristiche fisiche del notabile. Tra i personaggi descritti ed illustrati ci sono: Federico II, Ezzelino da Romano, Farinata degli Uberti, Castruccio Castracani, Luigi Gonzaga, Cola di Rienzo, Bajazet I, Tamerlano, il Conte di Carmagnola, il Gattamelata, il Colleoni, Fabrizio Colonna, Cristoforo Colombo, etc. Prov.: Timbro di un rivenditore Belga al contropiatto anteriore (A. Van Loock, Rue St. Jean 51, 1000 Bruxelles). Rif.: IT\ICCU\VEAE\006272. OCLC, 21726329. Cicognara, 2118. Olschki Choix, 10450. Vinciana, 1492. Cond.: Leggere trace d'uso alla legatura, rara presenza di macchiette alle carte. Opera in condizioni molto buone. -- FIRST EDITION OF THIS HISTORICAL AND ICONOGRAPHIC GALLERY OF FAMOUS PEOPLE FROM XII TO XVIII CENTURY BY POMPILIO TOTTI. Modern full vellum binding, black ink title at flat spine, modern white paper at paste-downs; pp. (8), 295, (1). Numbers 61-64 repeated, 77-80 omitted, in pagination. Fine allegoric chalcographic title-page. 128 copper engraved portraits in the tetxt (the great majority are engraved by Pompilio Totti); fine engraved initials and tail-pieces. The text is in Italics. Dedication and prefatory note by Totti. The work ends with the colophon at page 288 with signature NN4; later, the work was added a quire, signature OO4, with the biography of Fabrizio Colonna and the "errata". First edition by Andrea Fei of this historical and iconographic gallery of famous people of earlier centuries to the XVII (the description of the lives opens with the twelfth century, with Frederick Barbarossa, and ends with 1632). Based on "Ritratto di cento capitani illustri" (Rome, 1596) by Aliprando Caprioli; his portraits have been used in slightly altered form. The text of the present work has been attributed to Giulio Roscio. The characters, here portrayed with great skill in copper at half-length (about 125x90 mm), have into a corner the coat of arms of their family; every biography ends with a short description of the physical characteristics of the notable. Among the described and portrayed characters, we find: Federico II, Ezzelino da Romano, Farinata degli Uberti, Castruccio Castracani, Luigi Gonzaga, Cola di Rienzo, Bajazet I, Tamerlano, il Conte di Carmagnola, il Gattamelata, il Colleoni, Fabrizio Colonna, Cristoforo Colombo, etc. Bookseller's stamp at front paste-down (A. Van Loock, Rue St. Jean 51, 1000 Bruxelles). Light traces of se, occasional spotting or staining. A very good copy.

      [Bookseller: Books and collectibles di Paola Suaria]
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        A collection of 225 watermarks on 190 blank paper sheets 15th - 19th Century

      Hardcover/Hardback. Good. A unique collection 225 old watermarks on 190 blank paper sheets of which 28 sheets are folded. Boxed in an 18th Century vellum ledger binding, size 52 x 35 x 7 cm. The paper sheets are inserted in Archival Polyester Pockets Non-yellowing and inert, glass-clear museum standard polyester 50 micron 430mm x 307mm. Included is a printed catalogue of 92 pages with a description of each sheet with back-lit pictures of all the watermarks and a CD-Rom with all the files of the pictures of the watermarks. Most sheets are quite large and uncut, the average size is about 25 x 40 cm. Only a small amount of sheets have some writing in ink on a small part, but never interfering with the watermarks. Most paper is laid paper, some is early wove paper. A large part was made by Dutch papermills, but also by English, French, German and Portugese papermills. covering the period 15th - 19th century. Some names: Honig, Blauw, Pannekoek, Pieter van der Ley, van Gelder, Koning & Desjardin, Proost, Wendelin Richel, Vierevant, Gerrevink, Middelink, Koldewyn, etc. Some groups of watermarks: - Arms of Amsterdam used between 1635 - 1796 - Vryheit in Wreath, Lion, spear and seven darts 1654-1720 - Vryheit in crowned circle Pro Patria 1704-1810 - Garden of Holland or Maid of Dordrecht Pro Patria. One of the most popular watermarks after 1700. It stayed in use until the beginning of the 19th century. 1683 - 1799. Sheet nr. 88 with the watermark of J. Honig & Zoonen is exactly the same paper as used for the Declaration of Independence in the two copies of the Library of Congress, the copy of the Indiana University, the copy of William H, Scheide Library and the copy of Anonymus, New York. ¶ This collection is a bit like the James McBey collection of watermarked paper, the difference being that this collection is unique and more then 3 times as large! Like the James McBey collection, this collection is very usefull for educational purposes. Blank paper sheets with watermarks

      [Bookseller: Rockingstone]
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        Le Dessein de l'Histoire de Reims. Avec diverses curieuses remarques touchant l'Etablissement des Peuples, & la Fondation des Villes de France

      Engraved title vignette of Reims, finely engraved portrait of Bergier on recto of é4, & six engraved plates (one folding). 8 p.l., 18, 468 pp. (privilege leaf replaced by blank leaf). Small 4to, cont. limp vellum (ties gone & one corner a little rounded). Reims: N. Hecart, 1635. First edition of this history of early France and, in particular, Reims, of which this was the most authoritative account up to this date; the author was only able to complete the first two parts before his death. Bergier (1567-1623), a historian and lawyer at Reims, was commissioned by Louis XIII to write a pioneering history of Roman roads which was consulted for several centuries. This work contains a lengthy description of Gaul's society before the Roman invasion, including much new research. Bergier then traces Reims' history from its beginnings as a small town ravaged numerous times by invading armies to the birthplace of the Kingdom of France, where every king was consecrated by the local archbishop. The frontispiece portrait of the author, signed by Edme Moreau (active 1617-60), is especially fine. The plates, two of which are signed by Moreau and Georges Baussonnet (1577-1644), a local draughtsman who produced an album illustrating the coronation of Louis XIII, depict the remains of Roman architecture, the tomb of Saint-Rémy de Reims, and a detailled panoramic view of the city and its university. Nice copy. On the bottom of the title-page there are two interlocked "C's." The leaf of privilege has been replaced by a blank leaf. Erratic pagination between pages 384 and 397. ❧ Benezit, Dictionary of Artists, Vol. 1, p. 1369 (Baussonnet) & Vol. 9, p. 1276 (Moreau). N.B.G., Vol. 5, cols. 513-14 (Bergier).

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        SYLVA DE SVFFRAGIOS

      - Declarados louuados emcõmendados pera cômu[m] proveito deuinos e defuntos. PELO. F. ANTONIO DA NAtiuidade da ordem dos Eremitas de S. Augustinho da Prouicia, de Portugal &c nella leitor jubilado da sagrada Theologia. Imprimiu Manoel Cardozo impressor de liuros, No Collegio de N. S. do Populo de Braga. erd 1635. In 8º (de 21x15 cm) com 1 frontisp. grav., [16], 360, [28] fólios. Encadernação da época em pergaminho flexível com título manuscrito na lombada. Rara impressão bracarense ilustrada com um magnifico frontíspicio gravado (por Francisco de Deuras?) com motivos emblemáticos, representando 3 santos e tendo um brasão de D. Isabel da Silva, aquém é dedicada a obra. Exemplar com título de posse (ex-libris) da época de: «Frei João de Jesus Maria José, Monge de S. Bento. Foi da Livraria». Inocêncio Tomo I, 211: 'Fr. António da Natividade, Eremita Augustiniano, cuja regra professou em 1607. Foi Mestre na Ordem, mas não consta que exercesse mais algum cargo. Nasceu em Lisboa, e morreu em 1665. Sylva de suffragios, declarados, louvados, encommendados para commum proveito de vivos e defunctos. Braga, por Manuel Carvalho 1635. 4.º de XVII 387 folhas numeradas pela frenle, com o frontispicio gravado a buril. Diz Barbosa que fôra traduzida em castelhano, por Fr. Diogo Noguera, e saíra, Madrid 1666. 4.°-Tenho um exemplar d"esta obra, que é mui pouco vulgar, e sei que algum se vendeu por 1:200 réis.' Samodães 2194. 'Obra clássica e muito estimada. Edição única. Os exemplares são MUITO RAROS.' Ameal 425 – 1608. Palha 31 "Raro". Language: Português / Portuguese Location/localizacao: M-3-C-23 [Attributes: Hard Cover]

      [Bookseller: Livraria Castro e Silva]
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        Antique Master Print-GENRE-PANCAKE WOMAN-BAKING-CHILDREN-Rembrandt-1635

      1635 - Antique Master Print, untitled. A woman baking pancakes between children. Authentic, but later impression printed by Basan in Paris around 1800. State: Seventh state of 7. Ref: NH 144/B. 124 Etching on laid paper. Made by 'Rembrandt van Rijn' after own design. Rembrandt van Rijn (1606-1669) is undoubtedly the most famous artist of the dutch Golden age. He made a large oeuvre of prints throughout his live, which are famous sougt after, particularly in early impressions. Very good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 8.8 x 11.5 cm. The image size is ca. 7.8 x 10.8 cm. The overall size is ca. 3.5 x 4.5 inch. The image size is ca. 3.1 x 4.3 inch. Storage location: TPCLA-C15-08

      [Bookseller: ThePrintsCollector]
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        Kst.- Karte, n. U. Emminus b. G. Blaeu, "Typvs Frisiae orientalis. Auctore Vbbone Emmio".

      - mit altem Grenzkolorit, um 1635, 37,5 x 47,8 Dek. Karte mit zwei Kartuschen, Segelschiffen, Windrose und zwei großen Wappen. Unten rechts kleine Nebenkarte der Umgebung v. Emden mit Darstellung der Flut im Jahr 1277.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Swerikes landz lagh, effter som hon är aff fordom then stormechtige höghborne furste och herre, herr Carl then nijonde... åhr 1608. publicerat worden. Sampt itt nytt register här til bifoghat (+) Swerikes stadz-lagh, effter den stormechtige, högborne furstes och herres, herr Gustaff Adolphs... befalning, uthgångin aff trycket åhr 1618.

      Stockholm, (Henrich Käyser), 1635. 4to. In a nice later green half calf binding with richt gilt ornamentation to spine. Both title-pages printed in red and black within ornamental frame. Occasional marginal annotations in contemporary hand. Marginal repairs to a few leaves. 200, (40), 184, (40) pp. ¶ Second printing (the first being from 1634) of Sweden's Carl IX's state law. Collijn Sweden's bibliography 1600s: 483.Rudbeck 13

      [Bookseller: Herman H J Lynge & Søn A/S]
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        New England. The most remarqueable parts thus named. by the high and mighty Prince Charles, nowe King of great Britaine

      Printed by James Reeve, London 1635 - Copper engraved map, engraved by Simon de Passe. With an oval portrait of Smith in the upper left corner titled "The Portraictuer of Captayne John Smith / Admirall of New England" and with a poem in homage to Smith below. With the arms of the Council of New England in the center of the map. Neatly repaired tear extending from the left margin. State 9. One of the legendary early maps of Colonial America: "the foundation map of New England cartography, the one that gave [New England] its name and the first devoted to the region" (Burden 187). This copy is the rare final state, with the correct location of Boston shown and named. After a period of inactivity following his Virginia escapades, Captain John Smith was invited by four London merchants to explore the coastline north of Virginia, with instructions to return with a profitable cargo. Smith arrived off the Kennebec River with two ships in May 1614. One of Smith's ships concentrated on catching fish and gathering other valuable commodities, while Smith continued down the coast to chart and explore. Smith immediately recognized the poor state of the existing cartography for the region. He noted that he had six or seven maps "of those northern parts, so unlike each to other, and most so differing from any true proportion, or resemblance of the Countrey, as they did me no more good, then so much waste paper." Returning to England in December 1615, Smith had the map published with his A Description of New England in June 1616. According to a legend on the map, much of the nomenclature was provided by Charles, Prince of Wales, the future Charles I. Several of these placenames are still in use, including Cape Anne, Charles River, and Plymouth. The decorative elements were engraved by the outstanding Dutch engraver Simon de Passe, who worked in London from 1616 to 1621. De Passe was most famous for his portraits. Griffiths notes that de Passe's English portraits "marked an epoch not only in the British print but in the development of European portrait engraving," most importantly for his introduction of "a new type of auricular frame . It is curious that such an advanced type should first be popularized in England." The separately dated ("Ao 1616") portrait of Smith on the map, which may have been de Passe's first published in England, predates his auricular style. But the "scale of leagues" in the lower right corner clearly exhibits the "extraordinary curling and folding decoration" that he soon incorporated into his portrait frames. De Passe may have also been responsible for the map itself, but it was probably Robert Clark, whose name appears below de Passe's, who engraved the topographical detail. This is state nine of the map, which appeared in the atlas Historia Mundi , published in London between 1635 and 1639. For this state, Reeve's imprint appears in the lower right corner, the arms of the Council of New England have been added at the center of the map, a school of fish appears off of Cape Cod, text relating to Wood's New England Prospect appears below the compass rose and the town of Boston is shown in the correct location (previously appearing near present day York, Maine). Benes, New England Prospect, 3; Burden, Mapping of North America I: 187 (state 9); Deak, Picturing America , 19; Fite & Freeman, A Book of Old Maps , 34; Krieger & Cobb, Mapping Boston , pp. 82-83; McCorkle, New England in Early Printed Maps , 614.1; Degrees of Latitude , 6; Schwartz & Ehrenberg, The Mapping of America , plate 53; Suarez, Shedding the Veil, 42. For Simon de Passe, see Anthony Griffiths, The Print in Stuart Britain 1603-1689, pp. 56-63.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Antique Master Print-TEMPTATION OF ST. ANTHONY-MONSTERS-DEVILS-Callot-1635

      1635 - Antique Master Print, titled: 'Illustrissimo maximoque viro d.d. Ludovico Phelypeaux [.].' - Depiction of the temptation of St. Anthony. Description: Good, but in an 18th. Century impression of this very famous print by Callot. State: Fourth state of 4. Ref: Lieure 1416.Artists and Engravers: Made by 'Jacques Callot' after own design. Jacques Callot (Nancy 1592-1635) was a famous baroque printmaker and draftsman from Lorraine / present day France. He was active in Italy employed by Cosimo II de Medici until 1621. He was very influential and popular with his prints. Etching on laid paper. Anonymous. Good, given age. Thread margins, old vertical fold. Thin paper spot at bottom left corner, backed. Small tear at bottom right corner, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 71.7 x 49 cm. The image size is ca. 62.1 x 46.6 cm. The overall size is ca. 28.2 x 19.3 inch. The image size is ca. 24.4 x 18.3 inch. Storage location: Expo

      [Bookseller: ThePrintsCollector]
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        Der hochwichtige Articul Von der Wiedergeburt, Dero Ursachen, Mittel, Art, Pflichten, Würden, Kennzeichen und übrigen dahin gehörigen Materialien / auß unterschiedlichen Texten Heil. Schrift In 66 Wochen-Predigten Der Christlichen Gemeinde zu S. Nicolai in Berlin, Durch GOttes Gnade vorgetragen, und Auff Christlicher Freunde Ansuchen zum Druck gegeben.

      (16), 1052 (recte 1060), (4) Seiten. Frakturdruck. Schwarz-roter Titel. 8 (21 x 16,5 cm). Pergamentband der Zeit mit durchgezogenen Bünden und gesprenkeltem Schnitt. [Hardcover / fest gebunden]. Bircher C2483. - Grünberg 63. - VD17, 1:020995K. - Der ordentliche Pergamentband vor allem am Hinterdeckel gering fleckig und etwas berieben. Auf dem Vorderdeckel Abdruck eines Wasserglases und verblasste ältere Tintenspuren. - Innen durchgehend leicht gebräunt, Vorsatz stärker. - Insgesamt gutes und sauberes Exemplar der für die pietistischen Glaubensinhalte eminent wichtigen Wiedergeburtspredigten, die den Buß- und Bekehrungsweg der Gläubigen vom verlorenen Sünder über den reuigen Büßer bis hin zum wiedergeborenen Christen illustrieren und somit eine sehr persönliche "subtilitas applicandi" pietistischer Bibelhermaneutik bilden. Mit der Wiedergeburt des geistlichen Menschen ist nach Spener die Vergebung der Sünden und der Beginn eines gottgefälligen Lebens verbunden freilich kann der Wiedergeborene dieses Lebens wieder verlustig gehen die ständige Prüfung der eigenen Rechtgläubigkeit ist damit ein kontinuierlicher, nicht endender und mühevoller Prozess. - Das Leitbild des "Wiedergeborenen" und dessen "praxis pietatis" ist das zentrale Motiv der pietistischen Erweckungs-Bewegung, verlagert den Begriff von rechtem Glauben in den Bereich der innerlichen Erlebniswirklichkeit und befördert damit die Introspektion, die Selbst-Vergewisserung und letztlich damit die Aufklärung (als "Ausgang des Menschen aus seiner selbstverschuldeten Unmündigkeit") bis hin zur Empfindsamkeit und sentimentalischen Dichtung des 18. Jahrhunderts. - Selten, zumal in diesem guten Zustand. - Zu Spener (1635), einem der produktivsten und innovativsten Theologen des 17. Jahrhunderts und Begründer des Pietismus, vgl. RE XVIII, 609ff. - BBKL X, 909ff. - TRE XXXI, 652ff, "Spener hat, abgesehen von einer zweijährigen Unterbrechung 1675/76, seine Predigten wörtlich ausgearbeitet. Auf der Kanzel spontan zugefügte Passagen hat er als vom Heiligen Geist eingegeben angesehen und unmittelbar nach dem Gottesdienst in sein Manuskript eingetragen. Es gibt keinen zweiten deutschenprotestantischen Theologen ähnlicher Bedeutung, von dem so viele Predigten bekannt und zu großen Teilen gedruckt überliefert sind. Ein vollständiger Catalogus, von Spener selbst aufgesetzt (gedruckt 1715), führt 3.005 Predigten auf [...] Neben diese im sonntäglichen Hauptgottesdienst gehaltenen Predigten treten Wochenpredigten aus der Berliner Zeit, die deutlicher an einen kleineren Kreis ernster Christen gerichtet sind und dadurch stärker pietistisches Gepräge habe: Der hochwichtige Articul von der Wiedergeburt (1696)". Contemporary vellum slightly stained and rubbed, a little browned throughout. Overall a good and clean copy of the very scarce first edition. Of great importance for the developement of protestant spirituality and the growth of the evangelical movements until today.

      [Bookseller: Antiquariat-Kretzer]
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        Nouvelle Relation En forme de Iournal, Dvn Voyage Fait en Egypte. Par le P. Vansleb, R.D., en 1672 & 1673.

      kl.8. 16,0 x 9,5 cm. (7)Bl.,423 S.,(8)Bl., Seiten, In gutem Zustand. Einband auf 5 echten Bünden, mit kleinen Rückenschild und floraler Vergoldung, leicht berieben, Vorsätze leicht braunfleckig, vorderer Vorsatz leimfleckig, Buchblock in gutem Zustand. Johann Michael Wansleben 1635-1679, Deutscher Orientalist und Reisender, Namensvarianten: Vansleb, J. M. Vansleb, F., Vanslebio, Giovanni Michele, Wansleb, Johann Michael, Vanslebius, Johann Michael, Vanslep, Johann Michael, Wanslebio, Giovanni M.Wanslebius, Johannes M. Vansleb, Jean.

      [Bookseller: Leipziger Antiquariat e.K.]
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        Privilegium, über die jenigen Capitul, Regel und Ordnungen: so durch die Fürstl. Durchl. Ertzhertzogin Claudia zu Oesterreich, etc. denen auff die Botzner-Märckt negocierenden Teutsch- und Welschen Kauff- und Handelsleuthen. bewilliget, . mildreichst confirmiert, und bestättiget worden. Bozen, Ph. J. Khuen 1707. 4°. 32 S., 6 Bll. (Deutsch), mit Wappenkupfer am Titel u. herald. Textkupfer mit Weltkarte sowie Initialen, Kopfleisten u. Schlußvignetten.- Angeb.: Privileggi benignamete concessi per le fiere di Bolgiano. Bozen, Ph. J. Khuen 1702. 27 S., 19 Bll. (Italienisch), mit Wappenkupfer am Titel u. herald. Textkupfer mit Weltkarte sowie Initialen, Kopfleisten u. Schlußvignetten, Goldschnitt, Prgt. d. Zt. mit Goldfilet.

      - Bestätigung des Bozner Marktrechtes in einer deutschen und einer italienischen Ausgabe (von beiden Ausgaben kein Exemplar über KVK u. WorldCat nachweisbar).- Am 15. September 1635 errichtete die Tiroler Landesfürstin Erzherzogin Claudia von Medici den Merkantilmagistrat, ein bilateral deutsch-italienisch besetztes Sondergericht in Handelssachen.- Gering gebräunt, tls. etw. waserrandig, Ebd. etw. fleckig u. berieben.

      [Bookseller: Antiquariat Johannes Müller]
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        Nova Italiae Delineatio

      1635. Raffinata e precisa carta geografica dell'Italia basata sul modello del Magini. SI tratta della prima mappa di Blaeu dell'Italia. Include un cartiglio decorativo, 5 navi a vela, un mostro marino e la scala di miglia decorata. Pubblicata per la prima volta nel 1630, contornata da una bordura decorativa contenente le piante delle principali città della penisola, la carta fu successivamente ridotta di formato, che diviene quello consono ad essere inserito nell'atlante di Blaeu. Bell'esemplare, con margini molto puliti. Old color example of Blaeu's first map of Italy. Includes an ornate cartouche, 5 ships, sea monster and decorative scale of miles. A nice example, with very wide clean margins. Van der Krogt 2, 7000:2A.2.

      [Bookseller: Libreria Antiquarius]
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        C Plinii Secundi Historiae Naturalis libri XXXVII

      Leiden (Lugduni Batavorum), Ex officina Elzeviriana, 1635. 12mo. 3 volumes: (XXIV),654,(18 index); 631,(16 index),(1 blank); 582,(17 index),(1 blank) p. Calf 13 cm (Ref: Willems 428; Berghman 2116; Rahir 420; Schweiger 2,790; Brunet 4,716: 'Très jolie edition'; Graesse 5,341; Ebert 17291: 'Neue schätzbare Recognition' and 'Meisterstück'; Fabricius/Ernesti 2,197: 'ceteris longe melior' and 'emendatissima'; Dibdin 2,323/24: 'its beauty is a theme of extraordinary commendation by the French bibliographers; Moss 2,480) (Details: Nice copy. Backs gilt and with 3 raised bands. Red gilt shield in the second compartment. Edges of the boards gilt. Marbled endpapers. Title of the first volume engraved by Cor.Cl. Duysent; it depicts all kinds of animals, plants, fish, birds and celestial phaenomena. The other 2 volumes have Elsevier's woodcut printer's mark on the title, featuring an old man who stands in the shade of a vine-entwined elmtree. The motto is: 'Non solus'. Edges dyed red. Woodcut portrait of Pliny on the verso of page *12 of volume 1) (Condition: Bindings slightly worn, especially at the extremes. Some corners somewhat bumped. Tiny wormhole in the blank left upper corner of the first 310 pages of the first volume. The lower margin of some gatherings of the first volume slightly waterstained. Some pencil marks. Some marginal ink notes. Old long and learned note on leaf *12 of the preliminary pages of volume 1) (Note: The Roman polymath Gaius Plinius Secundus, or Pliny the Elder, died, overcome by fumes, while observing from the neigbourhood of Stabiae the eruption of the Vesuvius on the 24th of Aug. 79 A.D. His curiosity and energy were inexhaustible. His encyclopedic 'Naturalis Historia' in 37 books is his only surviving work. It 'encapsulated for later ages the accumulated knowledge of antiquity'. ('The Classical Tradition', Cambr. Mass. 2010, p.744). The 'Historia' consists of a preface and an index of topics and authors discussed in book 1, book 2 describes the Universe, 3-6 are on geography, 7 man, 8-11 other animals, 12-19 botany, 20-27 botany in medicine, 28-32 zoology in medicin, 33-37 metals and stone, including their use in medicine, art and architecture. This unique compilation has also its vices, e.g. lack of discrimination, and there are plenty absurdities. But 'it is all too easy to criticize Pliny for failing to exercise scientific methods for which he had neither training nor time'. (OCD 2nd ed. p. 846) This encyclopedia was widely read and used in late antiquity and the Middle Ages. Humanism was critical to the reputation and influence of Pliny's work. 'It was the curiositas of Renaissance scholars in the field of natural science, together with greater appreciation of rediscovered Greek texts, that led to increasing calls for works such as the Historia Naturalis' ('The Classical Tradition', p. 745). Pliny's classification of material into a universal system foreshadowed the great classification of the 18th century naturalists such as Linnaeus. § This Pliny edition of 1635 was edited by the Dutch scholar Joannes de Laet, who tells in the preface that the Elzevier brothers (Typographi nostri) asked him to produce for them a new edition of Pliny, as correct as possible. Notwithstanding all the efforts of all previous learned editors, there were 'non pauca loca' which needed mending. (p. *2 recto). He consulted, he tells, previous editions and weighed the observations of many Latin scholars, and especially relied on the Plinian observations of the French scholar Claudius Salmasius, of whom he adopted a great number of notes, which he incorporated in the section (of 24,14 & 13 pages) of 'Variae lectiones observationesque' at the end of each of the three volumes. § Claude de Saumaise, latinized as Claudius Salmasius, 1588-1653, accepted in 1632 the chair formerly held by Scaliger at the university of Leiden, where he remained till 1650. He was an expert on Plinius Maior, for in 1629 he published his most remarkable work the 'Plinianae Emendationes', 900 pages filled with eludications of the 'Historia Naturalis' of Pliny. § The Dutch scholar and geographer Johannes de Laet, 1582-1649, was of Flemish origin. He was a resident of Leiden all his life, studied there under Scaliger, and later he befriended Salmasius. In 1621 he became Director of the newly established 'Dutch West India Company', in Dutch 'Geoctroyeerde Westindische Compagnie'. At Leiden he was also acquainted with the Elseviers, for whom he produced eleven (of the 48) volumes of the 'Respublicae' series. In 1649 De Laet published an edition of Vitruvius. He is however remembered for his descriptions of the West Indies and America. In 1625 he published in Leiden his 'Nieuwe Wereldt ofte beschrijvinghe van West-Indien', of which work a Latin translation appeared in 1633, 'Novus Orbis seu descriptio Indiae Occidentalis', 'arguably the finest description of the Americas published in the seventeenth century'. (Wikipedia) (NNBW 8,991/92) (Provenance: The note at page *12 of the first volume seems scholarly. The same hand wrote on a few places in the book in Greek letters 'sêbanilla'. The name of a city?) (Collation: vol. 1: *12,A-2E12; vol. 2: A-2D12 (leaf 2D12 verso blank); vol. 3: A-2B12 (leaf 2B12 verso blank)) (Photographs on request)

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        De heylige . Stadt Ierusalem ."

      Artist: Janssonius Johann ca ; issued in: Amsterdam; date: ca1635 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 32 x 47; - description: Bird's-eye view of Jerusalem; - vita of the artist: "Johannes Janssonius (Jansson),( 1588- 1664) Amsterdam was born in Arnhem, the son of Jan Janszoon the Elder,a publisher and bookseller. In 1612 he married Elisabeth de Hondt, the daughter of Jodocus Hondius. He produced his first maps in 1616 of France and Italy. In 1623 Janssonius owned a bookstore in Frankfurt am Main, later also in Danzig, Stockholm, Copenhagen, Berlin, Königsberg, Geneva and Lyon. In the 1630s he formed a partnership with his brother in law Henricus Hondius, and together they published atlases as Mercator/Hondius/Janssonius.Under the leadership of Janssonius the Hondius Atlas was steadily enlarged. Renamed Atlas Novus, it had three volumes in 1638, one fully dedicated to Italy. 1646 a fourth volume came out with "English County Maps", a year after a similar issue by Willem Blaeu. Janssonius' maps are similar to those of Blaeu, and he is often accused of copying from his rival, but many of his maps predate those of Blaeu and/or covered different regions. By 1660, at which point the atlas bore the appropriate name "Atlas Major", there were 11 volumes, containing the work of about a hundred credited authors and engravers. It included a description of "most of the cities of the world" (Townatlas), of the waterworld (Atlas Maritimus in 33 maps), and of the Ancient World (60 maps). The eleventh volume was the Atlas of the Heavens by Andreas Cellarius. Editions were printed in Dutch, Latin, French, and a few times in German."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        C. Plinii Secundi Historiae Naturalis libri XXXVII.

      Leiden (Lugduni Batavorum), Ex officina Elzeviriana, 1635. - 12mo. 3 volumes: (XXIV),654,(18 index); 631,(16 index),(1 blank); 582,(17 index),(1 blank) p. Calf 13 cm (Ref: Willems 428; Berghman 2116; Rahir 420; Schweiger 2,790; Brunet 4,716: 'Très jolie edition'; Graesse 5,341; Ebert 17291: 'Neue schätzbare Recognition' and 'Meisterstück'; Fabricius/Ernesti 2,197: 'ceteris longe melior' and 'emendatissima'; Dibdin 2,323/24: 'its beauty is a theme of extraordinary commendation by the French bibliographers; Moss 2,480) (Details: Nice copy. Backs gilt and with 3 raised bands. Red gilt shield in the second compartment. Edges of the boards gilt. Marbled endpapers. Title of the first volume engraved by Cor.Cl. Duysent; it depicts all kinds of animals, plants, fish, birds and celestial phaenomena. The other 2 volumes have Elsevier's woodcut printer's mark on the title, featuring an old man who stands in the shade of a vine-entwined elmtree. The motto is: 'Non solus'. Edges dyed red. Woodcut portrait of Pliny on the verso of page *12 of volume 1) (Condition: Bindings slightly worn, especially at the extremes. Some corners somewhat bumped. Tiny wormhole in the blank left upper corner of the first 310 pages of the first volume. The lower margin of some gatherings of the first volume slightly waterstained. Some pencil marks. Some marginal ink notes. Old long and learned note on leaf *12 of the preliminary pages of volume 1) (Note: The Roman polymath Gaius Plinius Secundus, or Pliny the Elder, died, overcome by fumes, while observing from the neigbourhood of Stabiae the eruption of the Vesuvius on the 24th of Aug. 79 A.D. His curiosity and energy were inexhaustible. His encyclopedic 'Naturalis Historia' in 37 books is his only surviving work. It 'encapsulated for later ages the accumulated knowledge of antiquity'. ('The Classical Tradition', Cambr. Mass. 2010, p.744). The 'Historia' consists of a preface and an index of topics and authors discussed in book 1, book 2 describes the Universe, 3-6 are on geography, 7 man, 8-11 other animals, 12-19 botany, 20-27 botany in medicine, 28-32 zoology in medicin, 33-37 metals and stone, including their use in medicine, art and architecture. This unique compilation has also its vices, e.g. lack of discrimination, and there are plenty absurdities. But 'it is all too easy to criticize Pliny for failing to exercise scientific methods for which he had neither training nor time'. (OCD 2nd ed. p. 846) This encyclopedia was widely read and used in late antiquity and the Middle Ages. Humanism was critical to the reputation and influence of Pliny's work. 'It was the curiositas of Renaissance scholars in the field of natural science, together with greater appreciation of rediscovered Greek texts, that led to increasing calls for works such as the Historia Naturalis' ('The Classical Tradition', p. 745). Pliny's classification of material into a universal system foreshadowed the great classification of the 18th century naturalists such as Linnaeus. § This Pliny edition of 1635 was edited by the Dutch scholar Joannes de Laet, who tells in the preface that the Elzevier brothers (Typographi nostri) asked him to produce for them a new edition of Pliny, as correct as possible. Notwithstanding all the efforts of all previous learned editors, there were 'non pauca loca' which needed mending. (p. *2 recto). He consulted, he tells, previous editions and weighed the observations of many Latin scholars, and especially relied on the Plinian observations of the French scholar Claudius Salmasius, of whom he adopted a great number of notes, which he incorporated in the section (of 24,14 & 13 pages) of 'Variae lectiones observationesque' at the end of each of the three volumes. § Claude de Saumaise, latinized as Claudius Salmasius, 1588-1653, accepted in 1632 the chair formerly held by Scaliger at the university of Leiden, where he remained till 1650. He was an expert on Plinius Maior, for in 1629 he published his most remarkable work the 'Plinianae Emendationes', 900 pages filled with e

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        Memorie sacre de gli huomini illustri per titoli, e per fama di santità della città di Bologna e de' santi protettori. Sino all'anno 1520. Ove, per quanto vien permesso dall'antichità, si raccontano le vite di ciaschedun di loro. Raccolte dà processi fatti, da vecchie scritture, e rogiti d'archivij, e da vari autori autorevoli, & approvati.UNITO A: Memorie venerabili susseguenti a i bolognesi illustri per santità.

      Bologna, per Raimondo Monti, e Carlo Zenero, 1640, due volumi rilegati in uno in-4to (cm. 21,5 x 16) piena pergamena coeva molle con titoli manoscritti al dorso, pp. (12)-129-(2) + Idem, per Giacomo Monti, 1635, pp. (8)-132-(8). Qualche capolettera e testata xilografica. Opera non comune, soprattutto quando completo delle due parti che furono pubblicate autonomamente a cinque anni di distanza l'una dall'altra. Bella copia.

      [Bookseller: Libreria Piani già  Naturalistica]
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        Taurica Chersonesus Hodie Przecopsca et Gazara dicitur

      Artist: Janssonius/ Pitt Moses Johann ca ; issued in: Amsterdam; date: ca1635 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 38 x 49,5; - description: Map shows the Ukraine with the island of Krim; - vita of the artist: "Johannes Janssonius (Jansson),( 1588- 1664) Amsterdam was born in Arnhem, the son of Jan Janszoon the Elder,a publisher and bookseller. In 1612 he married Elisabeth de Hondt, the daughter of Jodocus Hondius. He produced his first maps in 1616 of France and Italy. In 1623 Janssonius owned a bookstore in Frankfurt am Main, later also in Danzig, Stockholm, Copenhagen, Berlin, Königsberg, Geneva and Lyon. In the 1630s he formed a partnership with his brother in law Henricus Hondius, and together they published atlases as Mercator/Hondius/Janssonius.Under the leadership of Janssonius the Hondius Atlas was steadily enlarged. Renamed Atlas Novus, it had three volumes in 1638, one fully dedicated to Italy. 1646 a fourth volume came out with "English County Maps", a year after a similar issue by Willem Blaeu. Janssonius' maps are similar to those of Blaeu, and he is often accused of copying from his rival, but many of his maps predate those of Blaeu and/or covered different regions. By 1660, at which point the atlas bore the appropriate name "Atlas Major", there were 11 volumes, containing the work of about a hundred credited authors and engravers. It included a description of "most of the cities of the world" (Townatlas), of the waterworld (Atlas Maritimus in 33 maps), and of the Ancient World (60 maps). The eleventh volume was the Atlas of the Heavens by Andreas Cellarius. Editions were printed in Dutch, Latin, French, and a few times in German."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Antique Master Print-SENSES-SMELL-Van Vliet-ca. 1635

      - Antique print, untitled. It shows: the sense of smell. Etching, watermark: seven-pointed foolscap. Description: From a set of the senses. State: II (2). Ref: Hollstein 29. Artists and Engravers: Made by Jan Gillisz. van Vliet after own design. Jan Gillisz. van Vliet (ca. 1628-ca. 1669) was active in Leiden and worked together with Rembrandt in his Leiden years. He worked very much in the manner of Rembrandt. Later he stopped as a graphic artist and went into the bussiness of wine selling Condition: Very good, no margins. Very good impression. Small nick top left of the paper. From the collection of H. Fussli (Lugt 1008) General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R2-126 LA The overall size is ca. 7.8 x 9.3 inch. The image size is ca. 7.8 x 9.3 inch. The overall size is ca. 19.7 x 23.7 cm. The image size is ca. 19.7 x 23.7 cm.

      [Bookseller: ThePrintsCollector]
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        Augusta Juxta Figuram quam his habet delineata temporibus

      Artist: Janssonius/Braun Hogenberg Johann ca ; issued in: Amsterdam; date: ca1635 - - technic: Copper print; - colorit: original colored; - condition: Royal edition, hightened with gold; - size (in cm): 33 x 48; - description: Map shows a city map of Augsburg; - vita of the artist: "Johannes Janssonius (Jansson),( 1588- 1664) Amsterdam was born in Arnhem, the son of Jan Janszoon the Elder,a publisher and bookseller. In 1612 he married Elisabeth de Hondt, the daughter of Jodocus Hondius. He produced his first maps in 1616 of France and Italy. In 1623 Janssonius owned a bookstore in Frankfurt am Main, later also in Danzig, Stockholm, Copenhagen, Berlin, Königsberg, Geneva and Lyon. In the 1630s he formed a partnership with his brother in law Henricus Hondius, and together they published atlases as Mercator/Hondius/Janssonius.Under the leadership of Janssonius the Hondius Atlas was steadily enlarged. Renamed Atlas Novus, it had three volumes in 1638, one fully dedicated to Italy. 1646 a fourth volume came out with "English County Maps", a year after a similar issue by Willem Blaeu. Janssonius' maps are similar to those of Blaeu, and he is often accused of copying from his rival, but many of his maps predate those of Blaeu and/or covered different regions. By 1660, at which point the atlas bore the appropriate name "Atlas Major", there were 11 volumes, containing the work of about a hundred credited authors and engravers. It included a description of "most of the cities of the world" (Townatlas), of the waterworld (Atlas Maritimus in 33 maps), and of the Ancient World (60 maps). The eleventh volume was the Atlas of the Heavens by Andreas Cellarius. Editions were printed in Dutch, Latin, French, and a few times in German."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Chymischer Glücks-Hafen, oder Grosse Chymische Concordantz und Collection. Von funffzehen hundert Chymischen Processen: Durch viel Mühe und Kosten auß den besten Manuscriptis und Laboratoriis in diese Ordnung / wie hier folgendes Register aussweiset / zusammen getragen [...]. Erstausg.

      4 Bll., 810 S., 18 Bll., 8, Späteres Halbpergament (Deckel mit Kleisterpapier bezogen) Duveen 57 Ferguson I, 86 Kopp II, 349 Schmieder 417-418: "eine Sammlung von fünfzehnhundert alchemistischen Processen, nach dem Material in 20 Theile getheilt, so daß jeder Theil eine Art von Konkordanz darstellt. Der Leser hat die Wahl unter 20 Grundstoffen, und mag zusehen, daß er die rechte Prima Materia treffe, worauf der Titel (Glückstopf, nicht: Hafen des Glücks) sich bezieht." - Johann Joachim Becher (1635-1682), deutscher Universalgelehrter u. Alchemist. Er untersuchte u.a. die Natur des Verbrennungsprozesses u. ist zusammen mit Georg Ernst Stahl (1659-1734) Mitbegründer der Phlogistontheorie, die erst durch Antoine Lavoisier widerlegt wurde. - Schnitt schwarzfleckig die ersten vier fehlenden Blätter wurden einfühlsam mit Kopien auf altem Papier ergänzt, ebenso wie die zwei letzten Blatt des Registers Seite 1 fast lose u. durch Eckabriss mit Textverlust bei den gedruckten Randbemerkungen Seite 2 mit hinterlegter Blattecke wenige Blatt leicht fleckig u. mit Randläsuren etwas gebräunt seltene feine Anstreichungen u. Marginalien, sonst ein gutes Expl.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        America anno Domini 1492, a Christophoro Colombo .

      1635 - c1635 copper engraved map; overall size 17 x 19 cm. Very rare map of the American continent. Initially part of a larger ovoid world map with scrollwork above and below, creating a round map, this separately published map was included in Pagitt’s ‘Christianographie, or the Description . . . of the Christian World, not subject to the Pope’, thus including both the world map as well as the American map in the same publication. Though the original world map was first published by an unknown engraver and map maker in c1600, Pagitt’s work was first published in 1635 with later editions in 1636, 1640 and 1674. All place names are in Latin, with additional names of ‘New England’, ‘Holanders (Brasil)’ and ‘Davis Straits’. - Part of the scrollwork to the original world map are visible; a ship and several sea monsters are in the sea. fold as issued; indistinctive plate marks; left edge frayed; evenly toned; lower marginal tear; top margin paper weakness; on verso: old paper hinges; o/w vg cond. [ref: 2904 ]

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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        La vie de l'enfant prodigue.

      1635.(). Etchings. Set of 11. Mostly 60 x 80 mm. with margins. Pasted down at the corners. Lieure, 1404-1414. Third states. Text trimmed off on L. 1405. Corner missing on L 1414.

      [Bookseller: Wittenborn Art Books]
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        1635 1ed Julius Caesar WAR Commentaries Scaliger Military Maps BEST of ELZEVIER

      Lugduni Batavuorum, : Ex officina Elzeviriana., anno 1635. First edition - 1635 1ed Julius Caesar WAR Commentaries Scaliger Military Maps BEST of ELZEVIER “If you must break the law, do it to seize power: in all other cases observe it!” – Julius Caesar A rare collection of civil war histories and Julius Caesar war commentaries edited and translated by Joseph Juste Scaliger. Scaliger was a 16th-century classical scholar who is responsible for expanding the knowledge base of ancient Rome to Western Europe. His 1606 edition of ‘Julius Caesar’ would become the standard text for nearly two centuries Julius Caesar’s war commentaries are some of the most prolific military writings! While not specifically known for his writing, Julius Caesar wrote this book which would become a mainstay in the Latin literature canon. It focuses on first-hand account of Julius Caesar in the Callic wars, but it was written as though from a third-person view. This fine first edition is extremely desirable, and, according to Willems, is “the finest of all Elzevier productions!” Willems continues of this edition – “This reprint (from the first edition) is beautifully executed and copy line for line the original.” This printing matches the expected edition points listed in Willems. Item number: #1978 Price: $750 CAESAR, Julius C. Iulii Caesaris quae extant Lugduni Batavuorum, : Ex officina Elzeviriana., anno 1635. First edition Details: • Collation complete with all pages: [24], 561, [71] o Illustrated with 3 folding maps and 6 illustrated leaves Lacking genealogical folding table • References: Willems 420; Copinger 733; Scaliger Collection 25 • Edition points: o Pages 149, 335, and 475 are misprinted as 153, 345 and 375 o Buffalo headpiece illustration on the second leaf • Language: Latin • Binding: Leather; tight & secure • Size: ~5in X 3in (13cm x 8cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1978 Photos available upon request [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Antique Print-RHENI ET MOSAE-RHINE-WAAL-MAAS-RIVERS-Blaeu-c. 1635

      - Antique print, titled: 'Tractus Rheni et Mosae . ' - Two maps on one sheet. Above the Rhine, Waal and Maas Rivers near their entrance to the sea. Bottom shows the Rhine River before it splits into the Rhine and Waal Rivers. Forests are drawn as groups of individual trees. Fortified cities are shown with walls around them. Map title and mileage scales are surrounded by decorative designs. Original hand coloured engraving on hand laid paper. Description: From; Theatrum Orbis Terrarum sive Atlas Novus / Volume II, published by Willem and Joan Blaeu from 1635-1655. We do not know the exact date of this map.Artists and Engravers: Anonymous. Condition: Excellent, given age. Well inked and attractively old hand colouring. Original middle fold. Light creasing. Paper edges a bit chipped from handling. Latin text on rear. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC Expo P11-31 The overall size is ca. 23.6 x 19.8 inch. The image size is ca. 19.8 x 15.2 inch. The overall size is ca. 60 x 50.2 cm. The image size is ca. 50.4 x 38.5 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-CLIVIA DUCATUS-DUCHY KLEVE-RAVENSTEIN-Blaeu-1635

      - Antique print, titled: 'Clivia Ducatus et Ravestein Dominium.' - Map of the Duchy Clivia and Ravestein, part of Brabant in The Netherlands and Germany, with the cities: Nijmegen, Helmond, Venlo, Kleve, Emmerick, Nice old hand colouring. Original hand coloured engraving on hand laid paper. Description: From; Theatrum Orbis Terrarum sive Atlas Novus / Volume II, published by Willem and Joan Blaeu from 1635-1655. We do not know the exact date of this map.Artists and Engravers: Anonymous. Condition: Excellent, given age. Original middle fold. Dutch text on rear. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC Expo P11-24 The overall size is ca. 24.3 x 20.6 inch. The image size is ca. 20.3 x 15.2 inch. The overall size is ca. 61.8 x 52.2 cm. The image size is ca. 51.6 x 38.6 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-CLIVIA DUCATUS-DUCHY KLEVE-RAVENSTEIN-COLOURED-Blaeu-1635

      - Antique print, titled: 'Clivia Ducatus et Ravestein Dominium.' - Map of the Duchy Clivia and Ravestein, part of Brabant in The Netherlands and Germany, with the cities: Nijmegen, Helmond, Venlo, Kleve, Emmerick etc. From a French language edition; French text on verso. Copperplate engraving / etching with hand colouring. on hand laid (verge) paper. Description: From; Theatrum Orbis Terrarum sive Atlas Novus / Volume II, published by Willem and Joan Blaeu from 1635-1655. We do not know the exact date of this map.Artists and Engravers: Made by 'Willem Janszoon Blaeu' after an anonymous artist. Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. Cartographers: A. Metius and G. Freitag. Condition: Good, given age. Paper slightly browned. Middle fold reinforced on verso. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B17-05 ISCRA The overall size is ca. 22 x 16.9 inch. The image size is ca. 20.1 x 15.1 inch. The overall size is ca. 56 x 42.8 cm. The image size is ca. 51 x 38.3 cm.

      [Bookseller: ThePrintsCollector]
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        Brandeburgum Marchionatus, cum Ducatibus Pomeraniae et Meklenburgi.

      Amsterdam, Apud Guiljelmum et Ioannem Blaeu. [ca. 1635].. Altkolorierter Kupferkarte. 50 x 60 cm (Blattgr.); 38 x 52 cm. (Kartengr.). Im weißen Rand geringfügig stockfleckig. Aus der latein Ausgabe v.: Theatrum orbis terrarum, sive, Atlas novus. (Angelehnt an Theatrum orbis terrarum des Atlas von Abraham Ortelius, 1570). Mit zwei kleinen fig. Kartuschen (links unten Titelkartusche, rechts Meileneiger), Windrosen, Segelschiffen und 3 kleineren Wappen im Kartenbild. Gebiet Ostseeküste zwischen Lübeck und Rügenwalde, im Süden die Linie Wittenberg - Krossen.

      [Bookseller: Antiquariat Burgverlag]
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        Antique Map-BRABANT-BRABANTIA DUCATUS-NETHERLANDS-BELGIUM-Blaeu-ca. 1635

      - Antique print, titled: 'Brabantia Ducatus.' - ('The Duchy of Brabant') Detailed map covering Brabant in the Netherlands and Belgium. Two stunning cartouches with coats of arms and scale. No text on verso. Engraving on hand laid (verge) paper. Description: This map originates from a German edition if the 'Atlas Novus.' published in Amsterdam by W. Blaeu 1634/1635. Artists and Engravers: Made by 'Blaeu workshop' after 'Willem Janszoon Blaeu'. Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Good, given age. Margins with scattered small stains and soiling. Paper loss in the lower left margin (not affecting the image), reinforced using contemporary paper. A small wormhole just left of the middle fold (backed with contemporary paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: B16-39 The overall size is ca. 20.7 x 16 inch. The image size is ca. 19.5 x 15 inch. The overall size is ca. 52.5 x 40.6 cm. The image size is ca. 49.5 x 38 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-BRABANT-HERTOGENBOSCH-EINDHOVEN-van der Burght-Blaeu-1635

      - Antique print, titled: 'Quarta pars Brabantiae cujus caput Sylvaducis.' - (The quarter of 's-Hertogenbosch, part of Brabant.) The Norteast part of the Duchy of Brabant as it appeared in the early 17th. c. With a decorative cartouche, coat of arms of Brabant and 's-Hertogenbosch and along the sides the coat of arms of impostant cities: Helmond, Eindhoven, Megen, Ravestein, Grave. The most desirable ed. of this map with original hand colouring. Copperplate etching / engraving with contemporary hand colouring. on hand laid (verge type) paper. Description: This map originates from a French edition if the 'Atlas Novus.' published in Amsterdam by W. Blaeu 1634/1635. Artists and Engravers: Made by 'Willebordus van der Burght' after an anonymous artist. Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Excellent, given age. Original middle fold. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC-Expo-P9-34 The overall size is ca. 23.6 x 20.7 inch. The image size is ca. 19.8 x 16.4 inch. The overall size is ca. 59.9 x 52.5 cm. The image size is ca. 50.3 x 41.6 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-BRABANT-BELGIUM-NETHERLANDS-Blaeu-1635

      - Map : 'Brabantia Ducatus. ' (Map of Brabant.) Copper engraved contemporary hand coloured map by W. Blaeu. This map shows the province of Brabant in the Netherlands and belgium. Two stunning cartouches with coats of arms and scale. German text on verso. Copper engraving on verge type hand laid paper with watermark. Original old hand colouring. Description: This map originates from a German edition if the 'Atlas Novus.' published in Amsterdam by W. Blaeu 1634/1635.Artists and Engravers: Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Excellent; general age related toning; some light staining from handling. Small tear in the upper middle fold not affecting the image. Storage location: IN LIJST The overall size is ca. 23.2 x 19.7 inch. The image size is ca. 19.7 x 15.2 inch. The overall size is ca. 59 x 50 cm. The image size is ca. 50 x 38.5 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-RHENOLANDIAE-RHINELAND-AMSTELLAND-HOLLAND-W. Blaeu-c. 1635

      - Antique print, titled: 'Rhenolandiae et Amstellandiae exactissima Tabula.' - Map of Rhineland and Amstelland. This map shows parts of Holland in the Netherlands including major cities: Amsterdam, Haarlem, Leiden, Gouda and the Haarlemmermeer, a polder nowdays location of the Schiphol airport. Coloured copperplate engraving. on hand-laid paper. Description: This map originates from a German edition if the 'Atlas Novus.' published in Amsterdam by W. Blaeu 1634/1635. Exact ed. unknown.Artists and Engravers: Anonymous. Condition: Very good, given age. Some stains in print and margin. Print was previously matted, so some discolouring on print. Slight paper separation at lower middle fold. Original middle fold reinforced on rear. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC-Expo-P11-17 The overall size is ca. 22 x 18.4 inch. The image size is ca. 19.8 x 16 inch. The overall size is ca. 55.9 x 46.7 cm. The image size is ca. 50.2 x 40.6 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-GRONINGA-GRONINGEN-NETHERLANDS-Blaeu-c.1635

      - Antique print, titled: 'Groninga Dominium.' - (Map of Groningen.) Copper engraved map of the Groningen province min the Netherlands. Two cartouches, compass rose and ships on the sea. After preliminary work by Ubbo Emmius (1547-1625), the Groningen councelor Barthold Wicheringe (1580-1652) produced in 1616 a large overview map of the Province of Groningen. This map became the new standard and was the model for most Groningen maps made until into the 18th c. Hand Colored copperplate engraving on verge type hand laid paper. Description: Published in Amsterdam by W. Blaeu ca. 1635. Artists and Engravers: Publisher: W. Blaeu. Cartographer: Barthold Wicheringe. Carthographers: Ubbo Emmius (1547-1625) and Barthold Wicheringe (1580-1652), who was a counselor from Groningen. Publisher: Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Good, given age. Original middle fold, as issued. Large vague dampstain in left and right margin. Light soiling. More recent hand coloring. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B1-10 The overall size is ca. 23.5 x 19.8 inch. The image size is ca. 19.3 x 14.9 inch. The overall size is ca. 59.8 x 50.3 cm. The image size is ca. 49 x 37.8 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-FRISIAE OCCIDENTALIS-FRIESLAND-NETHERLANDS-Blaeu-c.1635

      - Antique print, titled: 'Frisia Occidentalis ( )' - Map of Friesland, The Netherlands. Colored copperplate engraving on verge type hand laid paper. Description: From; Theatrum Orbis Terrarum sive Atlas Novus / Volume II (latin ed.), published by Willem and Joan Blaeu from 1635-1655. We do not know the exact date of this map. Rear text in latin.Artists and Engravers: Publisher: Willem Blaeu. Cartographers: Adriano Metio and Gerard Freitag. Engraver: unknown. Cartographers: A. Metius and G. Freitag. Publisher: Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Good, given age. Original middle fold, as issued. Middle fold with minimal paper separation, barely visible, reinforced using contemporary paper. Corners worn. Small worm hole top right. A few very small tears in the margins, not affecting image. Margins slightly browned and soiled. Overall a very nice copy with later hand coloring. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-P1-03 The overall size is ca. 23 x 19.7 inch. The image size is ca. 19.5 x 15.3 inch. The overall size is ca. 58.5 x 50 cm. The image size is ca. 49.6 x 38.8 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-Duchy of Brabant-'S HERTOGENBOSCH-NETHERLANDS-Danckerts-1635

      - Title: 'Nouvelle et Exacte Carte du duche de Brabant l'Anne 1635. A Amsterdam chez Corneille Dankert'. Hertogdom Brabant. With cartouches. With scale stick. West above. Degree distribution in edges. The arms of Brabant in the upper right corner; in the bottom right a cartouche with scale and two putti. Copperplate engraving on a verge type of hand laid paper. Later hand colouring. Description: This rare map is the Danckerts copy of the Hondius map of Brabant. Since Danckerts maps were never published in atlases, this map was only published in a loose sheet edition in 1635.Artists and Engravers: Cornelis Danckerts II (1603-1656) was a succesful Amsterdam-based art-. print- and map-seller. (He called himself 'Papiere, konst en caertverkoper.') His sons Dancker II and Justus were active in the business as well. The Danckerts were a well known family containing several engravers, cartographers and print-sellers that started with the founder Cornelis Danckerts I (1536-1595) who was the city carpenter. Condition: Excellent given age. Middle fold, as issued. Top and bottom edge of the sheet a little uneven. General age-related toning and/or occasional light stains from handling. Please study scan carefully. Storage location: TPC-Expo-P4-05 The overall size is ca. 21.3 x 16.1 inch. The image size is ca. 19.1 x 15.2 inch. The overall size is ca. 54 x 41 cm. The image size is ca. 48.5 x 38.5 cm.

      [Bookseller: ThePrintsCollector]
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        Campus inter Bohum et Borystenem. Engraved map in two strips, outline handcoloured, composed of two joint leaves.

      [Amsterdam, Blaeu, c. 1635]. Plate size c. 760 x 320 mm; very wide margin to the left, lightly toned, small repair at fold. Originally prepared by Tomasz Makowski (1575-1630) and here published by Blaeu for an atlas, this superb, large map shows the course of the Dniepr River from Cherkassy to the estuary on the Black Sea. Blaeu produced at least three large maps of the region inhabited by Kozaks, Tartars, Orthodox Christians, Turks, Khazars and other people. This is the map with the largest amount of text with information on the cataracts, cities, salt mines, fortresses, and the historical traditions of the Kozaks. In 1654 the ethnic composition changed when Ukraine came under Russian influence and the Kozaks moved away from the hundreds of islands in the river Dniepr, where they had lived as traders, smugglers, pirates and mercenaries. This map is based on an inset map from the important Radziwill-Makowski map of the Duchy of Lithuania (1613).

      [Bookseller: Henry Sotheran Ltd.]
 36.   Check availability:     Direct From Seller     Link/Print  


        11 Antique Prints-BIBLE-PRODIGAL SON-SERIES-Callot-1635

      - 11 Antique prints, titled: 'La vie de l'enfant prodigu' - The story of the Prodigial son in 10 images and a title page. Etching on hand laid paper. Watermark: Eagle? (in one impression). Made by 'Jacques Callot' after an anonymous artist. Jacques Callot (Nancy 1592-1635) was a famous baroque printmaker and draftsman from Lorraine / present day France. He was active in Italy employed by Cosimo II de Medici until 1621. He is an important figure in the development of the old master print and highly popular in the 17th. century. Condition: Very good, given age. Margins cropped to the platemark or image edge. Some faint browning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 3.1 x 2.4 inch. The image size is ca. 3.1 x 2.4 inch. The overall size is ca. 8 x 6 cm. The image size is ca. 8 x 6 cm.

      [Bookseller: ThePrintsCollector]
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        Practica nova imperialis Saxonica rerum criminalium. Editio quinta, correctior, cum indice, ut et rerum ac verborum, priore multum locupletiore. 3 in 1 Bd.

      Fol. Mit gestoch. Porträt und gestoch. Titel. 6 Bl., 343 S., 6 Bl., 435 S., 6 Bl., 406 S., 50 Bl. (Register). Pgt. d. Zt. (etwas fleckig). Überarbeitete fünfte und zugleich letzte zu Lebzeiten Carpzovs erschienene Ausgabe seines Hauptwerkes zum Strafrecht. - Das erstmals 1635 erschienene Werk "stellt eine erste, systematische Gesamtdarstellung des peinlichen Rechts dar und begründete eine eigenständige deutsche Strafrechtswissenschaft" (Stolleis S. 120). - "Seine strafrechtlichen Lehren sind auf der Grundlage der sächsischen Praxis und unter starker Heranziehung der Constitutio Criminalis Carolina entstanden. Sie haben bis weit ins 18. Jahrhundert hinein in den Gerichten höchstes Ansehen genossen, und zwar nicht nur innerhalb Sachsens, sondern auch in Nord- und Ostdeutschland, sowie zeitweise sogar in den katholischen Gebieten" (NDB III, 157). - Vgl. Kleinheyer/Schröder (4), S. 88f. ausführlich). - Stellenweise etwas braunfleckig, wenige alte Anmerkungen. Wohlerhaltenes Exemplar einer Adelsbibliothek, mit deren Stempel auf dem vorderen Spiegel.

      [Bookseller: Antiquariat Sander]
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        Accuratissima regnorum Sueciae, Daniae et Norwegiae tabula

      Artist: Danckerts Justus ( - 1701) Amsterdam; issued in: Amsterdam; date: ca 1650 1635 - - technic: Copper print; - colorit: original colored; - condition: Centerfold restored; - size (in cm): 50 x 59; - description: Map shows Scandinavia with Sweden, Denmark and Norway; -vita of the artist: The Danckerts family sold and published maps during the 17th Century in Amsterdam. Justus Danckerts, the son of the business founder Cornelius Danckerts (c. 1603- c. 1656), was born 1635. He has published several Atlases together with his son Theodorus between 1680 and 1700. The plates finally have been sold to R. & J. Ottens who published them under their own name. Danckerts died in 1701.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Arabia seu Arabum vicinarumque gentium Orientalium leges, ritus, sacri et profani mores, instituta et historia. Accedunt praeterea varia per Arabiam itinera, in quibus multa notatu digna enarrantur.

      Amsterdam, G. & J. Blaeu, 1635.. 24mo. 110x60 mm. Pp. 247. Engraved plate as title-page. Hardcover, rebound in most attractive full vellum with overlapping edges, spine with delicately gilt-tooled raised band, gilt brown morocco lettering-piece, compartments with gilt fleurons, date stamped in gilt at foot, sides paneled in gilt with gilt corner-pieces, marbled endpapers, all edges gilt; trimmed close, very small, vague stamp to bottom verso of title-page. A splendid little copy. ~ Second edition. The first edition, identical, appeared in 1633.

      [Bookseller: Librarium of The Hague]
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        Chirurgischer und Physischer Wag-Schaale/ Der IV. Theil. Von der Venus-Kranckheit.

      324 + 12 S. Kanzleipappe der Zeit (mit Holzdeckeln). Apart. Ohne Titelblatt, nur Schmutztitel. - Fleckig, tlw. feuchtigkeitsrandig, Seiten etw. gebräunt, anfangs im Bug Fraßspuren dadurch die entsprechenden Blätter neu eingesetzt mit Japanpapier (ebenso am Ende), m. hds. Notizen a. Leerblatt am Schluß, Gbrsp. - Musitano, (1635 - 1714), wurde mit 24 Jahren Priester und studierte Medizin in Neapel. Sein Hauptaugenmerk waren die Geschlechtskrankheiten, wo er sich an die medizinische Schule von Salerno hielt (entgegen Galenus). (Nach Zitat).

      [Bookseller: Antiquariat Weinek]
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        Sämtliche Werke. 6 Bände (= komplett). [Original-Ganzlederbände]. Band 1: Gedichte, erster Teil. Band 2: Gedichte, zweiter Teil. Band 3: Jugendgedichte. Band 4: Frühe Erzählungen und Dramen. Band 5: Worpswede, Rodin, Aufsätze. Band 6: Malte Laurids Brigge, Prosa 1906-1926.

      Klein-8. 18,5 cm. 879, 959, 977, 1117, 697, 1635 Seiten. Braune Original-Ganzlederbände mit Original-Schutzumschlägen und goldgeprägten Rückentiteln auf grauen Lederschildchen. Pappschuber. 1. Auflage. Braune Original-Ganzlederbände mit Original-Schutzumschlägen im Original-Pappschuber. Schutzumschläge von Band 1 und 6 am Rücken mit leichten Knickpuren, ansonsten sehr gute Exemplare.

      [Bookseller: Antiquariat Lenzen GbR]
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        Sovverainetez de sedan et de Ravcourt et la Prevost de Don Cherie

      Amsterdam, 1635. Full original color. Title surrounded by cartouche. 19 1/2 x 15 with wide margins. Lorraine in France.

      [Bookseller: Antipodean Books, Maps & Prints]
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        Swanhuita, en lustig och sanfärdigh comoedia, om then underlighe och berömlighe troheet, the stormächtige och höghborne herrar, herr Hunding, Sweriges och Göthes och herr Hading Danmarkz, konungar, såsom och then stormächtige furste, härtigh Regner, och then höghborne fröken Swanhuita, medh thet åhr effter wärldenes uphoof 2983. gunsteligen hwar annan bewijste.

      - Stockholm, Ignatio Meurer, 1635. 8:o. A8-E8, F4. Småfläckar, en större fläck på blad G7-G8, litet hål genom de sista tre bladen, med en liten bokstavsförlust. Tagen ur band.Collijn sp. 615. Klemming, Sveriges dramatiska litteratur, s. 17f. Tredje tryckningen av Messenius drama Svanehuita. Den trycktes första gången 1612, samma år som den uppfördes för första gången av Messenius studenter i Uppsala, sedan trycktes den om året därpå 1613, och sedan tredje gången 1635. Ett nytryck kom 1660. Klemming anser att den första tryckningen kom år 1613.Messenius Swanhuita går tillbaka på Saxos historia om Regner och Svanhvit. Sveriges kung Hunding och danske kungen Hading är bästa vänner. När Hunding för höra ett falskt rykte att Hading dött dränker han sig i ett mjödfat. Då Hading å sin sida får höra att Hunding dött går även han hädan. Hundings äldste son Regner blir bortföst av sin styvmoder, änkedrottningen, som iställer sätter hennes son på svenska tronen. Prinsessan Svanhvit som är dotter till Hading blir bortmotad av sin bror Frotho. Svanhvit samlar då ihop en egen arme och tar sig fram till Regner. Hon erbjuder sig att hjälpa honom återta den svenska tronen om han lovar att äkta henne till sin drottning. Så sker. Pjäsen avslutas med ett lyckligt bröllop. I andra myter är Svanhvit mer valkyrielik och slåss med monster med sitt magiska svärd. Hon är även hjältinna i online-dataspelet ?Age of Ishtaria?: ?Once a beautiful princess, her delicate white skin and beautiful black hair are now stained with the blood and dirt of the battlefield. Slicing her enemies as she soars through enemy terrain, it's almost as if she's taunting death itself. A true battle maiden in every sense of the word?.

      [Bookseller: Centralantikvariatet]
 44.   Check availability:     AbeBooks     Link/Print  


        ALBUM AMICORUM, RIPPERBANT, VOETH, E.A Tien bladen uit een vroeg-17de-eeuws album amicorum, los opgezet op karton. Alle bladen zijn voorzien van grote, fraai getekende familiewapens in kleur. Ieder blad 14,5x19cm.

      Naast en onder de wapens hebben de bladen de volgende teksten: 1. Johanes Blanckvoort Anno 1635 den 4 november; 2. Henricus Ripperbant Anno 1635 den 17 october; 3. Mechtelt Ripperbant Anno 1635 den 8 november. NB. Het handschrift op de nrs. 1 t/m 3 is van dezelfde hand. Nr. 3 heeft verso: een Latijns citaat en: `Luman van der Lauwick'; 4. Luman van der Lauwick, 1637. NB. verso het volgende versje: Eensaem sijn yck / Eensaem bijn yck / Eensaem wijl yck blijven / Eensaem wijl yck mijn tijt verdrijven / Stelt yck my yn godes handt / Elysabeth Voeth / Ben yck genampt; 5. Elysabeth Voeth, met een hart, twee pijlen en enkele letters; 6. Lucresse Cuingnet; 7. Philippe Cuingnet, 1637; 8. Johannes a Delen, anno 1638 den 28 augustij; 9. S. Grubbessss, 1637, en twee versjes; 10. Jacques de Hertoge, anno 1637 den 20 Mert. M1011 m1011

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Nieve Afbeldinghe Der Schencken Schans met hare omligghen de landen ende steden. Gedruckt tot Arnhem by Ian Iacobs inde werelt caert':.

      - Kupferstich b. Jan Jacobs in Arnheim, um 1635, 26,5 x 44,5 Schenkenschanz D 5; Nicht bei Angerhausen. - 4. bekanntes Exemplar. - Sehr seltenes Flugblatt des Niederrheins zwischen Emmerich, Goch, Nimwegen und Arnheim (Arnhem). - Am unteren Bildrand Vogelschauansicht mit Umgebung der Schenkenschanz; darüber Erklärungen. - Im Kartenhimmel Titel auf Banderole. - Emmerich, Arnheim und Nimwegen (Nijmegen) mit Befestigungsplänen. - Die Dörfer und Städte mit kleinen Vogelschauansichten, u.a. Goch, Materborn, Donsbrüggen, Kellen, Warbeyen, Huisberden, Rindern, Rindern, Düffelward, Elten.

      [Bookseller: Antiquariat Norbert Haas]
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        Gründtliche Abcontrafeyung, Beyder Umb Die Schencken Schantz, Campierenden, Kön. Span. und Statischer Kriegs Armeen, darinnen derselben beschaffenheit, wie sie an itzo gegen einander gelegert, vor angegestellet.'.

      - Kupferstich b. Latomus Erben in Frankfurt a.M., um 1635, 27 x 34,5 Zeigt die Belagerung von Schenkenschanz im Jahre 1635 mit Karte der Umgebung zwischen Kleve, Emmerich und Keeken. - Kleve, Griethausen und Emmerich mit Vogelschauansichten. - Das Blatt mit Titelkopfleiste. - Selten!

      [Bookseller: Antiquariat Norbert Haas]
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