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Displayed below are some selected recent viaLibri matches for books published in 1620

        HEROOLOGIA ANGLICA [first "o" printed as Greek omega] hoc est Clarissimorum et Doctissimorum aliqout [sic] Anglorum qui floruerunt ab Anno Christi M.D. usq[ue] ad Presentem Annum M.D.C.XX Vivae Effigies Vitae et elogia Duobus tomis Authore H.H. Anglo Britanno

      London: Printed by Jan Jansson, impensis Crispini Passaei Calcographus [sic] et Jansonij Bibliopolae Arnhemiensis, 1620. Hardcover. Very Good. Engraved titlepage with vignette map of England & view of London engraved by Crispijn van de Passe, 67 portrait & other engravings by Willem and Magdalena van de Passe, woodcut historiated initials & tail-pieces. Two Volumes in One small folio (in 6's) fine 19th century morocco, gilt ruled with gilt inner edges and decorated spine on 5 cords, "bound by F. Bedford" (Francis Bedford 1799-1883), All Edges Gilt. Marbled end-papers, [16]pp + 240pp (with pagination continuous) + [2]pp Contents, added leaf at end London 1809 printed for R. Tiphook giving List of Portraits and Places from whence taken. As in some library copies (e.g. those at Cambridge), two leaves of prelims (Post-Praefatio & Admonitio ad Lectorem) are here lacking, possibly to suppress controversial comments in their Latin text. Otherwise this copy is complete, with 240pp including brilliant impressions of all 64 portraits as listed in the Table and 3 other engravings, including the tomb of Queen Elizabeth I (which with 3 of the portraits are plates outside the collation). Pages slightly browned but all clean and crisp throughout. Light pencil notes on end-paper and at end explaining origin of the extra final leaf. *Finely bound copy of this splendid 1620 publication, as described in the DNB article on Henry Holland, whose "reputation as a bookseller was chiefly made by the issue of two elaborately illustrated antiquarian works ... [his] second and more famous illustrated publication appeared in 1620 in two folio volumes, the first dedicated to James I and the second to the universities of Cambridge and Oxford. Holland's letterpress is in Latin throughout ... The work opens with a portrait of Henry VIII, and closes with one of Thomas Holland (d. 1612). There are sixty-five portraits in all, and two engravings of monuments (of Prince Henry and Queen Elizabeth respectively). In one copy in the British Museum there is inserted an old manuscript list of the pictures whence the engravings were made. This was printed in 1809 for insertion in other copies" (as here present at the end). STC 13582 and A.M. Hind, Engraving in England in the sixteenth and seventeenth centuries, vol ii 145-62.

      [Bookseller: Abbey Antiquarian Books]
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        Haidelberga : Sereniss. Potentiss. Principi Friederico, Bohem. Régi Com. Pal. Rhen. S. Rom. Imp. Elect. . Humillime D. D. D. Matthæus Merianus 1620. Altkolorierter Kupferstich.

      Matthäus Merian, Frankfurt 1620 - ( Erscheinungsort ermittelt ). Bildmaß der Darstellung ca. 20 x 46 cm ( Höhe x Breite ).Panoramaansicht der Stadt mit Schloß und Umgebung, vom Heiligenberg aus gesehen, rechts außen weitet sich der Blick über die oberrheinische Tiefebene bis gegen Speyer, rechts oben das böhmische Königswappen mit dem kreisförmig umgelegten Hosenbandorden und Wahlspruch sowie die Widmung an den böhmischen König und Pfalzgrafen bei Rhein, Gezeigt wird Heidelberg mit dem noch unzerstörten Heidelberger Schloß links oben, die Stadt hinter dem Neckar. Auf dem altkolorierten Blatt eine Wappenkartusche sowie eine Titelkartusche. Das Blatt alt unter Glas gerahmt ( Rahmenmaß ca. 25 x 52 cm – ungeöffnet ), die Rückwand verso mit Resten alter Textblätter aus einer alten Chronik. Der Kupferstich ist eine von zahlreichen Stadtansichten, die von Matthäus Merian (1593-1650) und seiner Werkstatt angefertigt wurden. Der Kupferstich von guter Erhaltung mit schönem Altkolorit, der Rahmen bestoßen, Rückdeckel bzw. -wand unfachmännisch mit Klebestreifen montiert. - selten - ( Weitere Bilder auf Anfrage – further pics at request )

      [Bookseller: Antiquariat Friederichsen]
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        Gemaine Handstücklein zur Kriegs Arzney gehörig. Medicina MI-Litaris Sev Libellus Castrensis. Euporista ac facilè parabilia M. eamenta coprehendens It est: Gemaine Handstücklein zur Kriegs Arzney gehörig. Mit wolgegründten Experimenten gezieret / und den gemainen Soldaten / Ritter und Knechten zum nuzen an Tag gegeben. Durch Raymundum Minderer / der Artzney Doctorn / Fürst: Durchl: inn Bayrn Rath / und Leibmedicum / auch der Kayserlichen Reichstadt Augspurg bestelen Physicum. Dies dieei eructat verbum & nox Nocti indicat scientiam. Gedruckt zu Augspurg / Durch Andeam Aperger / auff unser lieben Frawen Thor / 1620.

      Augsburg ; Andreas Aperger, 1620 - 7 Bll., 232 S., Einband fleckig und mit zwei kleinen Wurmlöchern, jeweils in die folgenden zwei Seiten durchgehend, eine Lage gelockert, Schließ-Bänder fehlen. Ersten Seiten eselsohrig. Einige Marginalien von alter Hand. Sprache: Deutsch Gewicht in Gramm: 139

      [Bookseller: Antiquariat Heubeck]
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        Sancti Fundatores Religiosorum Ordinum in Ecclesia Laetiensis Monasterii Ordinis S. Benedicti: tabellis pictis pio spectatori supra chori sedilia positi DDQ' [bound together with] 'SS. Apostolorum et Evangelistarum Icones cum Suis Parergis a Theodoro VanL

      Very Good hard cover. Contemporary vellum over boards with vellum and metal clasps at fore edge; hand written title of first work on front cover; all edges red sprinkled. Two series of fine copperplate engravings, 57 in all. Frontis/title page and 39 full page plates in first work; frontis/title page and 16 full page plates in second work. All leaves are printed recto only, engravings with limited engraved text in cartouche - no printed text pages. Sancti has 38 portraits and 1 plate showing St. Peter surrounded by angels, popes, prelates. Apostolorum has 16 portraits of 20 - lacking Jesus, Mary, Joseph and John the Evangelist. Covers and spine are in very good condition with some age darkening and light soiling; vellum remains supple; tightly bound; former bookseller's description on paper pasted to front pastedown; 3 small stamps on 2 leaves; all engravings are strong, clear impressions; Sancti generally bright and clean interior but for some age darkening at gutter; Apostolorum has some foxing on frontis/title page and limited damp staining at fore edge of few leaves light yellow water coloring on title page garland (see photo). 19 x 14 cm. For Sancti, see OCLC #976489532 (but our plate order slightly different and with 1 additional plate. For Apostolorum, see OCLC #79605339.

      [Bookseller: Madden Books]
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        Swea och Götha Crönika; hwarutinnan beskrifwas, icke allena the inrikes Konungars lefwerne och namnkunnige Bedriffter uthi theras eghit Fosterland: Räknandes ifrån Magog Japhetson Götha första Regent, in til then .... Konung Göstaff: Uthan och the uthländska Göthers loflighe Regimente och store Mandom som the på många ortar uthöfwer wijda Werlden, och särdeles uthi Hispanien och Italien bedrifwit hafwe. Aldraförst på åthskillige tijder och rum uthgåangen på Latin, Och nu på Swenska uthtålka aff Erico Schrodero. (+)

      Stockholm, Ignatium Meurer, 1620. - Stockholm, Christoffer Reusner, 1622. Folio. Indbundet i et samtidigt hellæderbind over træ med 5 ægte bind på ryggen. Begge permer med rigt blindtrykte rammer. Rester af beslag til lukkestroppe. Ryg med nogle krakeleringer ved forreste fals. Hjørner let stødte. Ganske få marginalrifter. Nogle læg i slutningen af Tegel's værk brunede. Få spredte brunpletter.Titelbladet i rød/sort med rigsvåbnet i træsnit. (8),XVI,663 (664 blankt),(26) pp. Kolophon: "Tryckt i Stockholm, hoos Ignatium Meurer Anno M. DC. XX. - Tegel: Begge titelblade trykt i rød/sort. (14),324,(14);(6),416,(8) pp. Kolophon: "Tryckt i Stockholm hoos Chr. Reusnerum, medh Authoris eghet förlagh och bekostningh. Anno M.D. CXXII. ¶ Johannes Magnus' værk er den sjældne første svenske udgave af hans berømte værk "Historia de omnibus Gothorum Sveonumque regibus" 1554. Værket var inspirationskilden til Sveriges stormaktsideologi i 1600-tallet.- Colljin: 558.Tegels værk er originaludgaven. "Tegel sammanskref denna Historia på Kong Carl XII:s Befalning, til Vederläggning på Arild Huitfelds Danska Chrönika om Kon. Christian III i Danmark; men beskylles före, at hafva i det stället snarare, ånda til Danskan Ordasätten följt, och afskrifvit densamma. At Tegel på mangå ställen ord ifrån ord afskrifvit Biskop Peder Swarts Krönika, er redan här ofvanföre...anmärkt."( Warmholtz Nr. 3041). - Colljin: 913-14.

      [Bookseller: Herman H J Lynge & Søn A/S]
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        La Galeria del cavalier Marino, distinta in pitture, e sculture.

      Seconda impressione corretta dall'autore. Venetia, Ciotti, 1620, - 2 parti in un vol. in-12, pp. (4, compr. tit. inc.), 312; 58, (32); leg. coeva p. perg. molle. Primo titolo inc. in rame con stemmi e figure (un pittore ed uno scultore intenti al lavoro), altro frontesp. a stampa per la seconda parte. Edizione contemporanea della prima di Milano (G.B. Bidelli) e di altre due impresse a Napoli ed Ancona. La prima parte (''Le pitture'') è ''distinta in favole, historie, ritratti e capricci''); la seconda (''Le sculture'') in ''statue, rilievi, modelli, medaglie e capricci''). Trattasi di componimenti poetici di vario metro del noto poeta e letterato napoletano (1569 -1625), descriventi dipinti e statue di grandi artisti (tra cui Rubens, Correggio, Carracci, Dürer, Tiziano, Michelangelo, ecc.), riuniti in una specie di galleria ideale e classificati per soggetto: storici, mitologici, ritratti (Dante, Petrarca, Tasso, Bembo, Ronsard, ecc.). Grazioso volumetto, raro. Cat. Vinciana 2517. Michel-Michel V, p. 123. BMC, XVII sec., p. 541. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Vita di Santa Caterina da Bologna.

      Bologna, Bartolomeo Cochi, 1620, 4to mm. 226 x 168 in piena pergamena morbida coeva, tracce d'uso con strappetti al dorso, pp. (6)-254-(2) con una tav. in antip. incisa in rame. Rara, davvero, prima edizione di opera ristampata altre volte nel secolo seguente.

      [Bookseller: Libreria Piani già  Naturalistica]
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        HISTORIA ORIENTAL DE LAS PEREGRINACIONES

      - DE FERNAN MENDEZ PINTO PORTVGVES, ADONDE SE ESCRIVEN mvchas, y mvy estrañas cosas que vio, y oyò en los Reynos de la China, Tartaria, Sornao, que vulgarmente se llama Siam, Calamiñam, Peguu, Martauan, y otros muchos de aquellas partes Orientales, de que en estas nuestras de Occidente ay muy poca, ò ninguna noticia. CASOS FAMOSOS, ACONTECIMIENTOS ADMIRABLES, leyes, gouierno, trages, Religion, y costumbres de aquellos Gentiles de Asia. TRADVZIDO DE PORTVGVES EN CASTELLANO POR el Licenciado Francisco de Herrera Maldonado, Canonigo de la Santa Yglesia Real de Arbas. A MANVEL SEVERIM DE FARIA, Chantre, y Canonigo de la Santa Yglesia Metropolitana de Euora. Año [vinheta com escudo armoriado das armas Reais de Portugal]. 1620. COM PRIVILEGIO. En Madrid, Por Tomas Iunti, Impressor del Rey nuestro señor. Impresso a costa de Manuel Rodriguez, Mercader de Libros. Vendese en su casa fronteiro de San Basilio, y en Palacio. In 8º grande de 27x19 cm. com [5], 8, [2], 4, fólios e 481*** pags. Encadernação do sec. XIX/XX em percalina com lombada em pele. *** Exemplar com danos; com falta das páginas 233/234; 375/376 e 377/78; títulos de posse da época na folha de rosto "Thomas Andriaga Cortabazza"; danos em vários fólios; substituição de folhas com perda de margem; e sublinhados e notas marginais coevas. Apresentando restauros marginais na folha de rosto (espelhado), manchas de acidez própria do papel e outras leves manchas Impressão barroca com texto a duas colunas, adornada com o brasão das Armas Reais de Portugal (variante de outro exemplar conhecido com armas de Manuel Severim de Faria)gravado ao centro da folha de rosto, e a primeira folha do texto adornada com um bela vinheta tipográfica e uma capitular xilográfica. Raríssima primeira edição da tradução castelhana da autoria de Francisco de Herrera Maldonado, saída apenas 6 anos depois da 1ª edição Portuguesa de 1614, que foi o ponto de partida para a enorme divulgação da Peregrinação em toda a Europa, pois foi a partir do texto de Maldonado que foram realizadas as traduções para outras línguas. Esta é a variante com dedicatória a D. Duarte Marquês de Flechilla As duas variantes (por nós) conhecidas apenas diferem na dedicatória e no brasão de armas estampado na folha de rosto. Contém uma dedicatória a D. Duarte, Marquês de Flechilla, y Villarramiel, de Malagon, etc. etc. No entanto esta variante não tem gravado ao centro da folha de rosto o brasão do mesmo Marquês, mas sim armas de Portugal. Seguem-se 2 fólios de dedicatória, também diversa no texto, e todas as páginas numeradas do corpo da obra são exactamemtes iguais às da presente variante. O que nos faz concluir que se trata de uma só impressão. A Peregrinação é uma obra de caráter novelesco, ímpar na literatura mundial pelo seu estilo, uma obra de arte de grande classe, uma das maiores criações romanescas produzidas na Península Ibérica por um autor de elevada sensibilidade artística e com notável capacidade para criar personagens, espectáculos e pequenas novelas inseridas na narrativa principal. É a primeira obra a nível mundial que transmite a tomada de consciência da unidade do mundo, através da sua diversidade, consequência do encontro de civilizações resultante dos descobrimentos portugueses. Baseada na vasta e rica experiência obtida pelo autor na sua aventurosa vida, durante os anos de juventude e nas viagens pelo Oriente, a sua apresentação do mundo exótico oriental e da reacção dos portugueses de quinhentos ao ambiente asiático, apesar de não ser factualmente exacta, tem muito de verdade. Foram estas características que a tornaram umbestseller mundial no século XVII e XVIII, (6 edições castelhanas, 4 inglesas, 6 francesas, 6 holandesas, 2 alemãs) pois era a primeira informação de conjunto sobre o Extremo Oriente, com o atractivo especial de apresentar essa informação sob uma forma romanesca, que conseguia atingir públicos mais vastos do que os tratados históricos e descrições oficiais. A obra tem afinidades com D. Quixote [Attributes: Hard Cover]

      [Bookseller: Livraria Castro e Silva]
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        Contrafehe Der Herrn Fugger, und Frawen Fuggerin wöllche in disem geschlecht geporen worden oder zue demselben sich ehelich verpflichtet haben. (Titelrückseite:) Diß Werck/ Hat auff der Wolgebornen Herren Fugger ... uncosten/ vor sechs und zwaintzig Jaren/ Dominicus Custos ... in Kupffer gestochen an tag geben. Welches an jetzt/ durch Lucasen und Wolffgangen die Kilian/ gebrüdere/ Burgere und Kupfferstechere zu Augspurg gemehret/ und mit Fuggerischer Genealogi von newem gezierdt/ wider in truckh kommen thut.

      Augsburg, Mang 1620 (verso 1619).. Mit gest. Titel, gest. Wappentafel, 129 gest. Portraits von D. Custos sowie Lukas u. Wolfgang Kilian gest., mit rückseitigem Text. 1 Bl. Register. - Angebunden: Signiertes Manuskripf des bayerischen Juristen, Historikers und Archivars Felix Joseph (von) Lipowsky: Materialien, Leitwaege und Ergaenzungen zur Genealogie und Geschichte (...) der Herren Fürsten und Grafen Fugger. München, 1820. 230 num. Bll. HLdr. d. Zt. 29 x 20 cm. VD17 12:648635H; Kress S. 480; Lipperheide Da 8 (fälschlich 1618). - Seltene Ausgabe der schönen Porträtfolge mit deutschem Text. Die männlichen und weiblichen Mitglieder der verschiedenen Zweige des Hauses Fugger sind teils im Rechteck, teils im Oval in halber Figur dargestellt. - Das Manuskript enthält teils umfangreichere Biographien der Abgebildeten, meist mit besonderem Augenmerk auf die Verwandtschaftsbeziehungen. Nicht alle Portraitierten wurden von Lipowsky bearbeitet, so befinden sich zwischen den ausgearbeiteten Biographien auch eine Reihe weiß gebliebener Blätter. Es mag sich um eine Vorarbeit handeln, die woanders eine endgültige Fassung erfuhr. Eine Veröffentlichung des Manuskripts konnte ich allerdings nicht nachweisen, es ist aber sicher mit in die zahlreichen Arbeiten Lipowskys eingeflossen. - Etwas berieben und bestoßen. Vorderer Spiegel und fliegender Vorsatz mit handschriftl Register, wohl auch von Lipowsky verfasst. Kupfertitel verso gestempelt und seitlich mit Hinterlegung. Der Titel des Manuskripts verso gestempelt.

      [Bookseller: Antiquariat Turszynski]
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        8 Antique Prints-GENRE-MILITARY EXERCISE-GUN-CANNON-Callot-ca. 1620

      1620 - 8 Antique prints, untitled. 8 Prints with military exercise; pikemen, riflemen and cannoneers. Description: Source unknown, to be determined. Ref: Lieure 1326/27/24/25/28/30/31/32.Artists and Engravers: Made by 'Jacques Callot' after own design. Jacques Callot (Nancy 1592-1635) was a famous baroque printmaker and draftsman from Lorraine / present day France. He was active in Italy employed by Cosimo II de Medici until 1621. He was very influential and popular with his prints. Etching on laid paper. Anonymous. Good, given age. Thread margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 21.5 x 11.6 cm. The image size is ca. 21.5 x 11.6 cm. The overall size is ca. 8.5 x 4.6 inch. The image size is ca. 8.5 x 4.6 inch. Storage location: TPCLA-C32-19

      [Bookseller: ThePrintsCollector]
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        Newe, volstendige Braunschweigische und Lüneburgische Chronica darin eigentlich nach einander beschrieben, ... vermehret und biß auff jetziges 1620. Jahr ausgeführet, durch Heinrich Meybaum. 4 Teile in einem Band.

      Magdeburg: A. Kirchner, 1620. leather_bound. Mit 6 Stadtansichten in Textholzschnitten, 2 Porträts und zahlreichen Wappenholzschnitten (davon 1 ganzseitiger). Privater Halblederband des 20. Jahrhunderts mit goldgeprägtem Rückentitel, 8 Bll., 612 S., 11 Bll. BL German 1601-1700, B 2436. Loewe 442. ADB 3, 552. Angebunden eine Handschrift: "Provheceyung von Anno 1616 (1610 ?) biß zum ende des 1623 Jhars" (2 Blätter mit 3 Seiten Text und einem kleinen Fragment auf Seite 4). Eine undatierte Übertragung des Manuskripts in Schreibmaschinenschrift durch Bischof Müller, Magdeburg, liegt bei. - Einige Fehler und Sprünge in der Paginierung, jedoch vollständiges Exemplar. Die Ansichten zeigen Hildesheim (2 x), Braunschweig, Hannover, Lüneburg und Göttingen. Titelblatt in Rot und Schwarz, mit kleinem Ausriß am unteren Rand und überklebtem Einriß am Falz. Papier gebräunt, stellenweise etwas fleckig. Fragmente der alten Vorsätze mit handschr. Besitzervermerken (u. a. Kaufeintrag von 1621) auf den Innendeckel montiert. Blatt 2 des Manuskripts mit Textverlust durch Eckabrisse, mit dünner Schutzfolie überzogen.

      [Bookseller: Antiquariat Dr. Wolfgang Wanzke]
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        Logarithmorum canonis descriptio. Arithmeticarum supputationum mirabilis abbreviatio. - (II.) Tabula canonis logarithmorum. - (III.) Mirifici logarithmorum canonis constructio . cum annotationibus aliquot doctissimi D. Henrici Briggii. 3 Teile in 1 Band.

      Lyon Vincentium 1620 - (20,5 x 14,5 cm). (8) 56 S.; 46 Bll.; 62 (1) S. Mit 2 Holzschnittdruckermarken und einigen geometrischen Textholzschnitten. Flexibler Pergamentband der Zeit. Erste Gesamtausgabe mit allen drei Teilen; einzeln erstmals zwischen 1614 und 1619 erschienen. In den ersten beiden Teilen erklärt Napier das Wesen der Logarithmen und stellt eine logarithmische Tabelle der Sinuswerte eines Viertelkreises im Minutenabstand zusammen. Im dritten (posthum erschienenen) Teil erklärt er, wie er seine Tabellen entwickelt hatte. - "His 'Description of the Wonderful Table of Logarithms' is unique in the history of science in that a great discovery was the result of the unaided original speculation of one individual without precursors and almost without contemporaries in his field. The essence of Napier's method is his ingenious use of a relation between an arithmetical and a geometrical progression. Unlike modern logarithms, however, Napier's decrease as the numbers increase. Also his logarithms had no explicit 'base'" (PMM). - Stellenweise etwas gebräunt und mit schwachen Fleckenrändern. Die letzte beiden Blätter mit kleinen hinterlegten Fehlstellen im weißen Rand. Haupttitel mit Besitzvermerken von alter Hand. Ein Blatt mit hinterlegtem Eckabriss (ohne Textverlust). Einband gering fleckig und mit ergänzten Fehlstellen im Bezug. Insgesamt gut erhalten. - Cantor II, 730 ff.; Macdonald, Catalogue of the works of John Napier 141; Knott, Napier S. 185; vgl. Dibner 106; Norman 1573; PMM 116 (alle die Ausgabe 1614); Horblit 77a-b (Ausg. 1614 und 1619)

      [Bookseller: Antiquariat Gerhard Gruber]
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        Le monde universel

      Artist: Mercator Gehard ca ; issued in: Duisburg; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 9,5 x 12; - description: Map shows the northern and southern zodiacs sourrounded by a beautyfull border; - vita of the artist: "Gerardus Mercator (1512 - 1594)He was a cartographer, philosopher and mathematician. He is best known for his work in cartography, in particular the world map of 1569 based on a new projection which represented sailing courses of constant bearing as straight lines. He is renowned to the present day as the cartographer who created a world map based on a new projection which represented sailing courses of constant bearing as straight lines. In his own day he was the world's most famous geographer but in addition he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments. He wrote few books but much of his knowledge is to be found in the copious legends on his wall maps and the prefaces that he composed for his atlas ,the first in which the term "atlas" appears and the sections within it.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Schloßansicht, darunter lat. Text, "Horneck".

      - Kupferstich ( anonym ), um 1620, 9,1 x 13,8 Schefold, 3649. Bachmann, S. 272 ff.; Wüthrich Bd. I,223 - Von allergrößter Seltenheit! Aus einer Folge von 24 Ansichten, die Bachmann Merian d. Ä. zuschreibt. Vergl. aber auch dazu Würthrich, der diese Folge dem Straßburger Kreis um Jakob von der Heyden zuordnet. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Vita di Santa Caterina da Bologna.

      Bologna, Bartolomeo Cochi, 1620, 4to mm. 226 x 168 in piena pergamena morbida coeva, tracce d'uso con strappetti al dorso, pp. (6)-254-(2) con una tav. in antip. incisa in rame. Rara, davvero, prima edizione di opera ristampata altre volte nel secolo seguente.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        America meridionalis

      Artist: Mercator Gehard ca ; issued in: Duisburg; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 14 x 18,5; - description: Map shows total South America; - vita of the artist: "Gerardus Mercator (1512 - 1594)He was a cartographer, philosopher and mathematician. He is best known for his work in cartography, in particular the world map of 1569 based on a new projection which represented sailing courses of constant bearing as straight lines. He is renowned to the present day as the cartographer who created a world map based on a new projection which represented sailing courses of constant bearing as straight lines. In his own day he was the world's most famous geographer but in addition he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments. He wrote few books but much of his knowledge is to be found in the copious legends on his wall maps and the prefaces that he composed for his atlas ,the first in which the term "atlas" appears and the sections within it.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Hispaniae veteris descriptio

      Artist: Goos Abraham ca ; issued in: Amsterdam; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Upper and lower margin some tears perfecly restored; - size (in cm): 37 x 49; - description: Map shows total Spain; - vita of the artist: Abraham Goos (1590?1643), was a cartographer and map seller. He has published numerous globes, land and sea maps together with Jodocus Hondius and Johannes Janssonius in Antwerp.From 1666, Pieter Goos, his son, also published a number of well produced atlases. He was the first to map Christmas Island, which he labelled "Mony" in his map of the East Indies, published in his 1666 Zee-Atlas (Sea Atlas). His Atlas ofte Water-Weereld (Atlas or Water World) has been cited as one of the best maritime atlases of its time. Another of his fine works was the Oost Indien (East Indies) map published in 1680. Pilot books, which contained a large number of navigation charts, were published by many authors, including Goos. He had a notarized agreement with two others, Jacob Lootsman and Hendrick Doncker, to publish pilot books for navigation along the Mediterranean coast, also covering easterly and westerly navigational routes. These were called the Dutch pilot books and remained valid for the period from 1643 to 1680. Goos was also instrumental in publishing the first pilot book for coastlines outside Europe. A further improvement over the pilot books in Dutch cartography was the publication of sea atlases covering the whole world. Initiated in 1659 by Doncker, the approach was also adopted by Goos from 1666. One of his larger works is named le grand & nouveau miroir ou flambeau de la mer (1662).In the same year, Goos published -The Lighting Colomne or Sea-Mirrour-, which not only contained nautical charts, but also -a brief instruction of the art of navigation-.The maps of Goos and Gerard van Kuelen were used exclusively during the eighteenth century until 1740. They were, however, found to have deficiencies such as the location of sandbars, grand banks and islands in the Gulf of St. Lawrence, with inaccuracies of as much as 44 leagues on the reduced Goos maps.Goos' famous world map titled Atlas ofte Water-Weereld was in two parts, one for each hemisphere. The colourful presentation included the two poles. His maritime maps encompassed not only Europe, Great Britain and Ireland but also the two poles.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Conometria Mauritiana; Das ist, ein newer Stereometrischer Tractat, von der lang-gesuchten unnd gewündschten Visierung deß vollen unnd lähren Stücks, oder Theyls eines Weinfasses. Sampt denen darzu gehörigen Läng- und Circulruthen, auch der Circuln, und Circulstücken Flächtaffeln. Frankfurt a. M., N. Hoffmann für J. Fischer Erben 1619. 4°. 125 S., 1 Bl., mit Holzschn.-Druckermarke am Titel, einigen Holzschn.-Illustrationen im Text u. 1 (gef.) Kupfertafel.- Angeb.: Ders., Kurtzer Bericht von Zubereytung einer Visier-Ruthen, auß einem geeichten Weinfaß. Für die angehende Visierer gestellet; Zur Erläuterung deß 28. Capituls seiner Visierkunst; und 4. Capituls Conometriae Mauritianae. Frankfurt 1620. 6 S., Buntpapierumschlag.

      - I) VD17 39:121355G - Bibl. Dt. Mus., Libri rari 39 - Schöne 5139 - vgl. Poggendorff I, 183 (1620).- II) VD17 39:121361H - Schöne 5140.- Einzige Ausgabe.- Johann Hartmann Beyer (1563-1625) war Arzt und Bürgermeister in Frankfurt am Main, der sich "sehr mit mathematischen Problemen beschäftigte und ist dadurch mit mehreren berühmten Mathematikern in Verbindung gekommen, vor allem mit Kepler, der ihn in seiner Faßberechnung erwähnt. Beyer hat auch Schriften darüber veröffentlicht und wendet dabei Dezimalbrüche an, auf die er nach seiner eigenen Angabe schon 1596 gekommen ist." (NDB II, 204).- Gebräunt u. braunfleckig.# Sole edition.- The Frankfurt medic J. H. Beyer (1563-1625) occupied himself intensely with mathematical problems, he was in touch with the leading experts at the time, among others with Ludolf Ceulen and, above all, Kepler. Beyer introduced decimal fractions in Germany.- Browned and foxed.

      [Bookseller: Antiquariat Johannes Müller]
 18.   Check availability:     IberLibro     Link/Print  


        Tabula exatissima Regnorum Sueciae et Norvegiae, nec non Maris universi orientalis.

      Artist: Goos Abraham ca ; issued in: Amsterdam; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Mounted; - size (in cm): 46 x 55; - description: Map shows total Scaninavia with beautiful heraldic cartouche; - vita of the artist: Abraham Goos (1590?1643), was a cartographer and map seller. He has published numerous globes, land and sea maps together with Jodocus Hondius and Johannes Janssonius in Antwerp.From 1666, Pieter Goos, his son, also published a number of well produced atlases. He was the first to map Christmas Island, which he labelled "Mony" in his map of the East Indies, published in his 1666 Zee-Atlas (Sea Atlas). His Atlas ofte Water-Weereld (Atlas or Water World) has been cited as one of the best maritime atlases of its time. Another of his fine works was the Oost Indien (East Indies) map published in 1680. Pilot books, which contained a large number of navigation charts, were published by many authors, including Goos. He had a notarized agreement with two others, Jacob Lootsman and Hendrick Doncker, to publish pilot books for navigation along the Mediterranean coast, also covering easterly and westerly navigational routes. These were called the Dutch pilot books and remained valid for the period from 1643 to 1680. Goos was also instrumental in publishing the first pilot book for coastlines outside Europe. A further improvement over the pilot books in Dutch cartography was the publication of sea atlases covering the whole world. Initiated in 1659 by Doncker, the approach was also adopted by Goos from 1666. One of his larger works is named le grand & nouveau miroir ou flambeau de la mer (1662).In the same year, Goos published -The Lighting Colomne or Sea-Mirrour-, which not only contained nautical charts, but also -a brief instruction of the art of navigation-.The maps of Goos and Gerard van Kuelen were used exclusively during the eighteenth century until 1740. They were, however, found to have deficiencies such as the location of sandbars, grand banks and islands in the Gulf of St. Lawrence, with inaccuracies of as much as 44 leagues on the reduced Goos maps.Goos' famous world map titled Atlas ofte Water-Weereld was in two parts, one for each hemisphere. The colourful presentation included the two poles. His maritime maps encompassed not only Europe, Great Britain and Ireland but also the two poles.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Li Dottori Bolognesi di Legge Canonica e Civile, dal principio di essi per tutto l'anno 1619. Con li viventi per ordine del loro Dottorato, et un'Appendice, dichiaratione, e correttione, e tre Tavole, una delle dignità, e cose curiose. UNITO A: Appendice, dichiaratione, e correttione al libro delli Dottori Bolognesi di Legge Canonica e Civile. Per tutto li 6 d'agosto MDCXXIII. UNITO A: I Dottori Bolognesi di Teologia, Filosofia, Medicina, e d'Arti Liberali dall'anno 1000 a tutto marzo del 1623. UNITO A: Li Dottori Forestieri, che in Bologna hanno letto Teologia, Filosofia, Medicina, & Arti Liberali, con li rettori dello Studio da gli anni 1000, fino per tutto maggio 1623.

      Bologna, presso Bartolomeo Cochi, 1620, quattro volumi rilegati in uno in-8vo legatura in mezza pelle ottocentesca con titoli e fregi dorati al dorso, pp. (12)-245-(34) con vignetta xilografica al frontespizio raffigurante San Pietro. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (22)-79-(2) con marca tipografica xilografica al frontespizio, fregi e capolettera xilografici, testo riquadrato. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (28)-226-(6) con bel frontespizio inciso in rame, testate, capolettera e finali xilografici, testo inquadrato. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (8)-103, frontespizio con marca tipografica inquadrato in cornice xilografica, testate e capolettera xilografici, testo inquadrato. La numerazione delle pagine di quest'ultima parte è errata editorialmente dalla pag. 64 alla 74.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Novus Atlas, das ist / Welt- beschreibung/ mit schönen neuen ausführlichen land-Taffeln in Kupfer gestochen und an den tag gegeben

      Artist: Blaeu Willem Janszoon ca ; issued in: Amsterdam; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 41 x 25; - description: Titlepage from the Atlas of J. Blaeu; - vita of the artist: Joan Guilliemus Blaeu was the eldest son of Willem Janszoon Blaeu (1571-1638), and was probably born in Alkmaar in the province of Noord-Holland in the final years of the 16th century. He was brought up in Amsterdam, and studied law at the University of Leiden before going into partnership with his father in the 1630s. Although his father Willem had cartographic interests, having studied under the Danish astronomer Tycho Brahe and having manufactured globes and instruments, his primary business was as a printer. It was under the control of Joan that the Blaeu printing press achieved lasting fame by moving towards the printing of maps and expanding to become the largest printing press in Europe in the 17th century.By the 1660s the Theatrum Orbis Terrarum (or Atlas Maior as it had became known by this time) had expanded to between 9 and 12 volumes, depending on the language. With over 3,000 text pages and approximately 600 maps, it was the most expensive book money could buy in the later 17th century. The translation of the text from Latin into Dutch, English, German, French, and Spanish for several volumes created enormous work for those involved in typography and letterpress activities. It is estimated that over 80 men must have been employed full-time in the Blaeu printing house in Bloemgracht, not including engravers who worked elsewhere, with over 15 printing presses running simultaneously, and in 1667 a second press was acquired at Gravenstraat. At the same time as producing the Atlas Maior, Blaeu was also publishing town plans of Italy, maps for globes, and other volumes. At its peak the Blaeu press managed to produce over 1 million impressions from 1,000 copper plates within four years.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        ACTA SYNODI NATIONALIS, IN NOMINE DOMINE NOSTRI IESU CHRISTI &c.

      Typis Isaaci Ioannidis Canini, Dordrechti 1620 - Thick quarto, later diced calf boards, woodcut title in red and black, [52] 411pp. [1] 328pp., 412pp. in double-column, all edges red, full-page woodcut illustration, tailpiece. Spine rubbed, front board starting a little, minor wear, minor soiling at boards, inextensive, isolated foxing, two leaves turned down at corner, closed marginal tear at Aa4, just a few mispaginations, but catchwords in order. A decent copy with the armorial bookplate of Le Gendre Pierce Starkie. [Attributes: Hard Cover]

      [Bookseller: OXFORD HOUSE BOOKS]
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        Fessae et Marocchi Regna.

      Artist: Hondius Hendrik ca ; issued in: Amsterdam; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Perfect condition; - size (in cm): 36 x 48,5; - description: Map shows Morocco with the island Madeira, the Canary islands, on inset maps Penon de Velez and a decorative cartouche.; - vita of the artist: "Jodocus Hondius (1563 ?1612) was a Dutch engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. He helped establish Amsterdam as the center of cartography in Europe in the 17th century. He was born in Wakken and grew up in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders.While in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the bay of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London.In 1593 he moved to Amsterdam, where he remained until the end of his life. In co-operation with the Amsterdam publisher Cornelis Claesz. in 1604 he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself had produced. Despite the addition of his own contributions, Hondius gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator's work was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version Atlas Minor. The maps have since become known as the "Mercator/Hondius series".In the French edition of the Atlas Minor we find one of the first instances of a thematic map using map symbols. This is a map entitled Designatio orbis christiani (1607) showing the dispersion of major religions.[1]Between 1605 and 1610 he was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine.Hondius died, aged 48, in Amsterdam. After his death, his publishing work in Amsterdam was continued by his widow, two sons, Jodocus II and Henricus, and son-in-law Johannes Janssonius, whose name appears on the Atlas as co-publisher after 1633.[2] Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the "Mercator/Hondius/Janssonius" series because of Janssonius's later contributions." [Attributes: First Edition; Soft Cover]

      [Bookseller: Antique Sommer& Sapunaru KG]
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        West- Indianischer Historein under Theil

      Artist: Bry de Theodor Dietrich ca ; issued in: Frankfurt on Main; date: ca1620 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 28,5 x 19; - description: Map shows the landing of the dutch on Fuerte Ventura; - vita of the artist: Theodorus de Bry (1528-1598) Frankfurt a.M. Around 1570, Theodorus de Bry, a Protestant, fled religious persecution south to Strasbourg, along the west bank of the Rhine. In 1577, he moved to Antwerp in the Duchy of Brabant, which was part of the Spanish Netherlands or Southern Netherlands and Low Countries of that time (16th Century), where he further developed and used his skills as a copper engraver. Between 1585 and 1588 he lived in London, where he met the geographer Richard Hakluyt and began to collect stories and illustrations of various European explorations, most notably from Jacques Le Moyne de Morgues.Depiction of Spanish atrocities in the New World, as recounted by Bartolome de las Casas in Narratio Regionum indicarum per Hispanos Quosdam devastatarum verissima.In 1588, Theodorus and his family moved permanently to Frankfurt-am-Main, where he became citizen and began to plan his first publications. The most famous one is known as Les Grands Voyages, i.e., The Great Travels, or The Discovery of America. He also published the largely identical India Orientalis-series, as well as many other illustrated works on a wide range of subjects. His books were published in Latin, and were also translated into German, English and French to reach a wider reading public.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Gloria Mundi. Kleine Paradeis-Tafel. Das ist: Beschreibung der uralten Wissenschaft des Lapidis Philosophorum Autore Anonymo. [4. Aufl.].

      8 Bll., 165 S., 1 Bl., Kl.-8, Neues Leder mit gold- u. blindgepr. Rückentext Caillet 4598 Ferguson I,331 Ferchl 189 Brüning 5140 Kopp II,370. - Erschien zuerst 1620, dann 1648 u. 1692. Nachgedruckt in "Deutsches Theatrum Chemicum" 1732 (III, S.357) u. im "Musaeum Hermeticum" 1749 (S.203). Eine letzte Aufl. erschien noch 1780. Der Verfasser ist unbekannt bzw. umstritten, einige Bibliografien schreiben den Titel Robertus Vallensis, andere Barcius oder Johann von Sternberg zu. - Titel aufgezogen u. mit restauriertem Anriss ab S.111 mit Wurmgang (zuerst min. dann größer werdend u. tlw. mit Verlust von Buchstabenteilen) wenige Randanstreichungen, sonst ein gutes u. schönes Expl. - Sehr selten.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Bila, Friedrich von. - Wappen & Autograf. - "Friedrich der Jünger von Bila".

      - Zeichnung / Gouache & Tusche, auf Büttenpapier, 1620. Von Französisch (17. Jh.). 21,0 x 18,8 cm (Darstellung) / 30,3 x 20,3 cm (Blatt) / 35 x 22 cm (Trägerblatt). In brauner Feder oben französische Devise: "L'honneur pour grude. La vertu pour kompagne." Unten bezeichnet: "Zur freundtlichen angedencken schrieb diß in Bourges den 5. April Anno 1620. Friedrich der Jünger von Bila." - Barockes Wappen- & Stammblatt des Friedrich von Bila für das Liber amicorum des Gelehrten Johann Papius, Rektor an der Universität in Bourges. Dazu Autograf mit Unterschrift. - Wappenbild des Adelsgeschlechts von Bila. - Mit knappem Rand um Darstellung und Schrift. Alt (spätes 19. Jh.) auf Trägerpapier gesetzt. Im seitlichen Rand etwas angelaufen. Links alt hinterlegter Riss. Kolorit kräftig und frisch. Insgesamt mäßig guter Erhaltungszustand. Französisch (17. Jh.) . Friedrich von Bila der Jüngere ( - 1635 Görlitz). Deutscher Adliger aus dem Haus derer von Bila. Sohn des kaiserlichen Rats in Prag Friedrich von Bila, Besitzer der Herrschaft Schochau, der nach dem Prager Aufstand von 1618 verhaftet und 1621 auf dem Altstädter Ring enthauptet worden war. Friedrich der Jüngere bemühte sich bei Kurfürst Johann Georg I. von Sachsen um die Rückgabe von Schochau. Er diente einige Zeit als Rittmeister in dänischen Diensten. 1631/32 wurde er als Kreiskommissar im Leitmeritzer Kreis erwähnt. Verließ Böhmen im Zuge der Gegenreformation. Lebte als Exulant zunächst in Dresden, später in Görlitz. Sprache: Deutsch

      [Bookseller: GALERIE HIMMEL]
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        Li Dottori Bolognesi di Legge Canonica e Civile, dal principio di essi per tutto l'anno 1619. Con li viventi per ordine del loro Dottorato, et un'Appendice, dichiaratione, e correttione, e tre Tavole, una delle dignità, e cose curiose. UNITO A: Appendice, dichiaratione, e correttione al libro delli Dottori Bolognesi di Legge Canonica e Civile. Per tutto li 6 d'agosto MDCXXIII. UNITO A: I Dottori Bolognesi di Teologia, Filosofia, Medicina, e d'Arti Liberali dall'anno 1000 a tutto marzo del 1623. UNITO A: Li Dottori Forestieri, che in Bologna hanno letto Teologia, Filosofia, Medicina, & Arti Liberali, con li rettori dello Studio da gli anni 1000, fino per tutto maggio 1623.

      Bologna, presso Bartolomeo Cochi, 1620, quattro volumi rilegati in uno in-8vo legatura in mezza pelle ottocentesca con titoli e fregi dorati al dorso, pp. (12)-245-(34) con vignetta xilografica al frontespizio raffigurante San Pietro. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (22)-79-(2) con marca tipografica xilografica al frontespizio, fregi e capolettera xilografici, testo riquadrato. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (28)-226-(6) con bel frontespizio inciso in rame, testate, capolettera e finali xilografici, testo inquadrato. UNITO A: Bologna, per Nicolò Tebaldini, 1623, pp. (8)-103, frontespizio con marca tipografica inquadrato in cornice xilografica, testate e capolettera xilografici, testo inquadrato. La numerazione delle pagine di quest'ultima parte è errata editorialmente dalla pag. 64 alla 74.

      [Bookseller: Libreria Piani già  Naturalistica]
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        Schloßansicht, darunter lat. Text, "Horneck".

      - Kupferstich ( anonym ), um 1620, 9,1 x 13,8 Schefold, 3649. Bachmann, S. 272 ff.; Wüthrich Bd. I,223 - Von allergrößter Seltenheit! Aus einer Folge von 24 Ansichten, die Bachmann Merian d. Ä. zuschreibt. Vergl. aber auch dazu Würthrich, der diese Folge dem Straßburger Kreis um Jakob von der Heyden zuordnet.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Traité des abus qui se commettent sur les procédures de l'impuissance des hommes et des femmes

      Chez Abraham Pacard, Paris, 1620, in 12, de 42pp. 1f. bl. & 4ff. de table, pl. chagrin rouge fin XIXe, dos orné, triple filet doré sur les plats, dent. int., rousseurs et notes anciennes en marge, exemplaire rogné lég. court en tête (ex-Libris Bibl. du Dr. Charpentier) Edition originale peu commune, de ce traité qui est souvent joint au traité "de la grossesse et accouchement des femmes" de 1621. On y trouve les sujets suivants : "Compagnie charnelle n'est nullement de l'essence du mariage. Dresser, entrer & mouiller, ne sont les poincts suffisants pour la génération. Femme puissante n'est pas toujours celle qui retient & reçoit la semence virile. Des femmes qui ont mis leurs maris en procès pour impuissance. Médecins trenchent & fendent l'hymen comme inutile. Testicule seul engendre. Turc fait couper rasibus le membre à ceux qui gardent ses concubines. Sotte & impertinente définition des Sages femmes." ¶ Bien que généralement attribué à J. Guillemeau, Dezeimeris II. p.665 dit que le traité est de Charles Guillemeau (1588-1656), fils de J. Guillemeau, et le cat. BNF l'attribue aux deux (?) - Gay Amour, femmes III.1238 "Rare" - CCFR 1 seul exemplaire séparé (Reims)

      [Bookseller: L'intersigne Livres anciens]
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        ACTA SYNODI NATIONALIS, IN NOMINE DOMINE NOSTRI IESU CHRISTI &c.

      Dordrechti: Typis Isaaci Ioannidis Canini, 1620. Thick quarto, later diced calf boards, woodcut title in red and black, [52] 411pp. [1] 328pp., 412pp. in double-column, all edges red, full-page woodcut illustration, tailpiece. Spine rubbed, front board starting a little, minor wear, minor soiling at boards, inextensive, isolated foxing, two leaves turned down at corner, closed marginal tear at Aa4, just a few mispaginations, but catchwords in order. A decent copy with the armorial bookplate of Le Gendre Pierce Starkie.. Hard Cover.

      [Bookseller: Oxford House Books]
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        Candia Insula Archipelagi Insularum aliquct Descrip.

      Amsterdam, 1620 circa. Dal "Theatrum Orbis Terrarum" incisione in rame all'acquaforte, coloritura d'epoca, cm 36,5 x 51 circa (alla lastra) più margini. Titolo in alto al centro, sottotitolo entro semplice riquadro al centro; nella parte superiore del foglio la grande isola di Creta, nella parte inferiore, in dieci più piccoli riquadri, le isole di Metellino, Cerigo, Scarpanto, Nicsia, Santorini, Milo, Stalimene, Negroponte, Rodus, Scio, testo spagnolo al verso. La prima edizione, con testo latino al verso, è 1584. Esemplare uniformemente ingiallito, con qualche difetto nella parte centrale e bassa del foglio, bella la coloritura e nell'insieme buono lo stato di conservazione.

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
 31.   Check availability:     maremagnum.com     Link/Print  


        5 etched print series:]1) Divers combats.Series of 6 unnumbered prints including title-print.2) Diverses especes d[']animaus faits apres nature.Series of 7 unnumbered prints including title-print.3) Veuës et païsages du Chasteau de Longuetoise et des environs.6 unnumbered prints, including title-print, from a series of 12.4) [Views near Paris].Series of 4 numbered prints, published without title.5) [Pastoral views].Series(?) of 2 unnumbered prints without title. Paris, [Jacques Lagniet (ads 1, 3), Jacques van Merlen (ad 4), unknown publisher (ads 2, 5)], [ca. 1660]. Small 4to (16.5 x 13 cm). Five series of small oblong folio etched views (16 x 21.5-23 cm; plate size: 10 x 17 to 12.5 x 21.5 cm), 3 complete, 1 incomplete and 1 documented onl

      - Bartsch V, Flamen 112-117 (ad 1), 093-095, 099-100, 103 (ad 3), 105-108 (ad 4), 110-111 (ad 5) and supp. 520-526 (ad 2); Robert-Dumesnil, Flamen 365-370 (ad 1); 382-388 (ad 2); 524-526, 530, 531, 534 (ad 3); 520-523 (ad 4); 561-562 (ad 5). Five series of finely executed and well-printed etchings by Albert Flamen, mostly in their first states and all in early states, the five series showing: 1) cavalry fighting viewed from the thick of the battle; 2) wild and domestic animals on or around a farm; 3) views of Château de Longuetoise and its surroundings in Chalo-Saint-Mars, southwest of Paris; 4) views of several areas near Paris; and 5) pastoral views in an unidentified location. Flamen (ca. 1620?-1693 or soon after), a painter, draughtsman and etcher born in Bruges, worked in Paris from 1648 to 1692. He belonged to the French school of Callot and worked mostly after his own designs.With two gold-stamped morocco bookplates. With a faint stain in the upper right corner of the prints in series 3 and 4, but still in very good condition. The hinges are worn, but the binding is otherwise very good. Lovely and rare etchings, mostly in their earliest states, including three complete series.

      [Bookseller: Antiquariaat FORUM BV]
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        Disputationum Roberti Bellarmini Politiani, S. R. E. Cardinalis De controversiis Christianae Fidei, adversus huius temporis haereticos - Tomus I,II,III, IV - 4 Teile in 2 Büchern. Editio Plumrimis Locis Aucta et Emendat a ex correctorio libello ab Autore Rome vulgato anno 1613, Lutetiae Parisiorum, excudebat Adrianus Tiffaine via Iacoaea sub signo Samaritanae.

      Ingolstadt, Sartori, Adam, 1620. Erstauflage 1046, 900, 1427, 1244 Spalten, 14, 14, 49, 27 Blatt Index 4° Leder Goldprägung am Buchrücken, 5 Bünde, geprägtes Leder auf Holz, jeder Teil mit Frontispiz, Buch 1 seitlich etwas beschädigt, Buch 2 unten am Buchrücken Fehlstelle, Kanten berieben, Buchrücken etwas randrissig, durchgehend wurmlöchrig, keine Schließen, sonst beide Bände guter Zustand. Versand D: 5,00 EUR Robertus Bellarminus

      [Bookseller: Antiquariat Buch-Buch]
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        Malleus Daemonum

      Malleus DaemonumYou can find the description of this exact book from the Paris book seller I acquired it from several years ago (see Wierus Books on the internet). This exact book is still on his on-line catalog (as of 11/3/17) and designated as 'sold' even though this has been several years ago. I also found a copy for sale about 8 years ago on Abebooks, but the vendor was delaying its sale while the book was on loan for a traveling book exhibit.--------------------------------------------------------------------------------------------------------------------------------------------------------------------------by Albertinus, AlexandroMalleus daemonum, sive quatuor experimentatissimi exorcismi ex evangeliis collecti1620 (colophon 1621) 8vo. Vellum. 1 or 2 cm� lacking from the spine, else very good state. Complete. Title page in red and black. "1620 (colophon 1621) , Veron� : Typis B. Merli. 8vo. Full contemporary vellum. 1 or 2 cm lacking from the spine, else very good state. Interior well complete and in perfect condition. Title page in red and black. First edition (of only two).The book was put to the Index on Jan. 17th 1707. and is still in the last edition. It is a little known treatise of demonology , comprising a lot of exorcisms to get rid of demons (whereby the title "the hammer of demons"). Almost impossible to find, no copy in France, only one in the UK. First edition (of only two).The book was put to the Index on Jan. 17th 1707. and is still in the last edition. It is a little known treatise of demonology , comprising a lot of exorcisms to get rid of demons (whereby the title "the hammer of demons"). Almost impossible to find, no copy in France, only one in the UK." (Wierus)"Alexander Albertinus, a Franciscan of the Observance of the Roman Catholic Church, in 1620 from Mantua, addressed to the Bishop of Verona this Hammer of Demons; or Four Most Experimented widely used Exorcisms Collected from the Gospels; a different format than what is used in the Flagellum Daemonum of Girolamo Menghi. The text consists of alternating prayers with certain scriptural passages from the Gospels, litanies, and sections containing instructionary notes for the Priest performing the exorcism. There is also included in the text, an Italian translation of the fourth exorcism, giving somewhat of an overview of the actions being performed. This is a most rare work" (March 2005, Ghost of a flea post)Ultra rare, uncommon, not often seen on the market, a collector's gem in one of several genres - exorcism, Catholicism, occult, demonology, comparative religion, books on the Index of Prohibited Books (Index Librorum Prohibitorum)

      [Bookseller: Hechler Books]
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        2 Antique Master Prints-FOUR ELEMENTS-Anonymous-ca. 1620

      - Antique print, titled: 'Le feu, l'eau, l'air and la terre', The four elements, each shown by a putto with attributes related to the element (fishing, alchemy, birds, vegetable planting). Engraving, on laid paper. Description: Apparently undescribed set of four elements in ornamental borders. A Dutch origin is possible, but it could also be French. State: only state. Ref: undescribed. Artists and Engravers: Anonymous. Condition: Very good, thread margins. Printed on two sheets of paper; on impression has two restored holes and a small restoration lower right side. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-111 LA The overall size is ca. 3.2 x 14.9 inch. The image size is ca. 3.2 x 14.8 inch. The overall size is ca. 8.2 x 37. 8 cm. The image size is ca. 8.1 x 37.6 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Master Print-SPANISH NOBLEMAN-NOBLEWOMAN-De Jode-Vrancx-ca. 1620

      - Antique Master Print, titled: 'Hispani et Hispanae in vestitu cultus.' - A Spanish nobleman and woman. Engraving on laid paper paper. Watermark: coat of arms Description: From a set of Fashions of different nations. State: First state of 2 Ref: Hollstein 241 Artists and Engravers: Made by 'Pieter de Jode I' after 'Sebastiaan Vrancx'. Petrus / Pieter de Jode I (1570-1634), was a Flemish Baroque painter and engraver. He learned drawing and engraving first from his father, the map maker Gerard de Jode, and later from Hendrik Goltzius. He was the teacher of his son Pieter de Jode II and others. Sebastian Vranckx (1573-1647) was a Flemish Baroque painter and etcher of the Antwerp school. Condition: Very good, given age. No margins, very good impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q1-082 LA The overall size is ca. 5.9 x 9 inch. The image size is ca. 5.9 x 9 inch. The overall size is ca. 15 x 22.8 cm. The image size is ca. 15 x 22.8 cm.

      [Bookseller: ThePrintsCollector]
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        The Sanctuarie of a Troubled Soule by Sr. Ioh. Hayward Knight, Doc. of Lawe. (Sanctuary of a Troubled Soul)

      London: (1620). Printed by George Purslow, 1620. The decorated title page is an engraved full page frontispiece with a miniature print of Hayward and signed: W Hole sculp. (William Hole, d. 1624, engraver. ) Dedicated to George [Abbot] Archbishop of Canterbury. - Sir John Hayward was an English historian born and educated at or near Felixstowe, Suffolk, and graduated at Cambridge. His earliest book production, "The First Part of the Life and Raigne of Henrie the IIII. , extending to the End of the First Yeare of his Raigne (1599) ", placed him in the bad graces of Queen Elizabeth, who was easily persuaded that he was painting a moral for herself in his account of Richard II. 's downfall, and therefore had the historian imprisoned. Having learned his lesson, Hayward kept the favor of James I. , dedicated books to him and his son, defended the divine right of kings, and advocated the union of England and Scotland. In this seventeenth century work on devotion and meditation, the First Part of "Sanctuarie of a Troubled Soule" was written while Hayward was imprisioned within the Tower. The frontispiece shows Hayward staring out from beneath a bleeding, Contrite Heart of Grief and Fear, supported by Faith, Love, and Hope, and above two vignettes indicating pictorially the need to 'Flye from Evel' and 'Doe Good'. - STC 13007. - Extremely Rare. 12mo [62], 342, [18], 413 pp. - Handsome volume securely bound with boards tooled in full calf and in quite good condition. Spine professionally restored in the sometime distant past with contemporary leather over three raised bands and blindstamped label. Internally, the leaves are mostly clean and collated complete having numerous decorations of Floral Headpieces and Initial Capital letters throughout., 12mo

      [Bookseller: Antiquarian Collections]
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        Unparteyischer Anweiser, was vor denckwürdigste Sachen von Anno 1650 biss 1659 im Römischen Reiche von Anno 1655 biss 1659 zwischen den Schweden, Pohlen, Mosscowittern und derer alliirten. Und von Anno 1657 biss 1659 zwischen den Nordischen Königen vorgefallen seyn. Zu guter Erinnerung geställt von G. G.

      kl.-8. 52 Bll. u. 1 gefalt. Kupferkarte. Kart. 1 gefalt. Taf. fehlt. Durchgeh. schmaler Wasserrand. 1 Ansicht von Cronenburg fehlt (liegt in Kopie bei). EA. Goedeke III, 29, 28 VD17 14:084320E - Georg Greflinger (Pseud. Celadon), 1620 in Neunburg vorm Wald - 1677 in Hamburg, gilt als erster deutschsprachiger Zeitungsredakteur im heutigen Sinne, der für den Nordischen Mercurius, ein seinerzeit modernes Publikationskonzept entwickelte. Er besuchte das evangelische Gymnasium in Regensburg, liße sich 1646 in der Hansestadt als Schriftsteller nieder. Schon 1654 wurde er von seinem Freund Johann Rist zum poeta laureatus gekrönt und in den Elbschwanenorden aufgenommen. Als Dichternamen gebraucht er Seladon und Celadon. In Hamburg war Greflinger sowohl als Übersetzer wie auch als Gelegenheitsdichter ungemein produktiv. Literarhistorischen Ruf erlangte seine Übersetzung des Cid von Pierre Corneille (die erste in Deutschland). In den Jahren 1663/65 begann Greflinger mit der Herausgabe der Zeitung Norddeutscher Mercurius, die von seinen Söhnen bis 1730 fortgeführt wurde. Hier ordnete er die Nachrichten schon nach thematischen Rubriken, behandelte relevante Themen ausführlicher und baute sogar lokale Nachrichten mit ein. Er verwendete verschiedene feuilletonistische Elemente. Als erster Zeitungsroman erschien Die Entdeckung der Insel Pines, welcher zwar utopisch war, jedoch zu der Zeit von den Lesern als wahrer Bericht verstanden wurde. Greflinger zählt zu den frühesten deutschen Journalisten. Das heute übliche Ressort-System geht im Wesentlichen auf ihn zurück. (Siehe auch: ADB IX, 625)

      [Bookseller: Antiquariat Burgverlag]
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        Candia Insula Archipelagi Insularum aliquct Descrip.

      - Amsterdam, 1620 circa. Dal "Theatrum Orbis Terrarum" incisione in rame all'acquaforte, coloritura d'epoca, cm 36,5 x 51 circa (alla lastra) più margini. Titolo in alto al centro, sottotitolo entro semplice riquadro al centro; nella parte superiore del foglio la grande isola di Creta, nella parte inferiore, in dieci più piccoli riquadri, le isole di Metellino, Cerigo, Scarpanto, Nicsia, Santorini, Milo, Stalimene, Negroponte, Rodus, Scio, testo spagnolo al verso. La prima edizione, con testo latino al verso, è 1584. Esemplare uniformemente ingiallito, con qualche difetto nella parte centrale e bassa del foglio, bella la coloritura e nell'insieme buono lo stato di conservazione. [Attributes: First Edition]

      [Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS]
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        Italia di Gio Ant Magini Data in luce da Fabio figliuolo al Serenissimo Ferdinando Gozaga Duca di Mantova e Monferrato

      BOLOGNA: Nicola Tebaldini, 1620. I. rilegato. OTTIMO. 29 42. USATO

      [Bookseller: Biblioteca di Babele]
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        Antique Print-GENRE-NIGHT SCENE-EPIPHANY-THREE KINGS' DAY-Van de Velde-ca. 1620

      - Antique print, untitled. The star of kings. Three figures are standing in conversation by the light of a lantern. In the background a procession proceeds down the street, with one man carrying a star on a pole, identifying this night scene as an Epiphany (Three Kings' Day) procession. Etching on hand laid paper. Watermark: Coat of arms of Amsterdam (= ca. 1700-1720). Made by 'Jan van de Velde II' after own design. Jan van de Velde (1593-1641) came from the southern Netherlands as a fugitive around 1600 to the Netherlands. His father was a writingmaster and Jan trainend as an etcher. He produced many highly important series of landscape prints. Condition: Very good, given age. Large margins General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 9.4 x 11.6 inch. The image size is ca. 6.5 x 8.2 inch. The overall size is ca. 24 x 29.4 cm. The image size is ca. 16.5 x 20.9 cm.

      [Bookseller: ThePrintsCollector]
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        Rare Antique Master Print-NEW TESTAMENT-MELCHIOR-MAGI-Bellange-Merian-ca. 1620

      - Antique Master Print, titled: 'Melchior Rex Nubia.' - Rare antique master print. Depiction of one of the three Magi, Melchior. Etching on laid paper. Watermark: Coat of arms with a cross and snake. Made by 'Matthaeus Merian' after 'Jacques Bellange'. Matthaus Merian the Elder (1593-1650) learned the art of copper engraving in Zurich. He worked in various places throughout Europe, before returning to Basel in 1615. He moved to Frankfurt in Germany and worked for Johann Theodor de Bry, son of Theodor de Bry. Merian married de Bry's daughter Maria Magdalena, and continued to work for De Bry for a period. From 1623 Merian ran the publishing house of De Bry, after his father-in-law's death. He is mainly known for his Topographia Germaniae, a 21-volume town and country atlas which he produced with his son Matthaus the Younger. Jacques Bellange (active 1602-1616) was active as court painter in Nancy. His work is highly Mannerist and of a very personal style. Condition: Fair, given age. No margins, old restored tear at left paper edge and old vertical fold. A few scattered foxing spots. Despite these imperfections, very rare and good impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 7.3 x 11.4 inch. The image size is ca. 7.3 x 11.4 inch. The overall size is ca. 18.5 x 29 cm. The image size is ca. 18.5 x 29 cm.

      [Bookseller: ThePrintsCollector]
 42.   Check availability:     ZVAB     Link/Print  


        Erster [und: Ander] Thail Der Cronicken der eingesetzten Orden deß heiligen Vatters Francisci: Darinn sein Leben, Werck, Todt, und Wunderzeichen begriffen. Erstlich in Portugalischer Sprach zusammen getragen, Durch den Ehrwürdigen Vatter Marcum von Lißbon a: Und hernach in die Castiglianische verendert, Durch den Ehrwürdigen Vatter Didacum Navarrum. Volgents in die Italianische transferiert, Durch Horatium Diolam von Bologna: Und an jetzo in unser Teutsche Sprach gebracht Durch Den Edlen Gestrengen Herrn Carl Kurtzen von Senfftenau. - [2 Bände.]

      Bergin für Hertsroy, München 1620 - [32] Blätter, 670 Seiten, [6] Blätter, Kupfertitel; 506 Seiten. [9] Blätter, Kupfertitel; goldgeprägte moderne Lederbände; 8vo (20,6 x 15,5 cm). Die beiden ersten (von drei) Teilen der frühen und umfangreichen Geschichte des Franziskanerordens aus der Feder von Marcos de Lisboa (1511-1591) in deutscher Übersetzung, die portugiesischen bzw. spanischen Erstausgaben waren von 1556 bis 1570 erschienen. - VD17 12:113948M (Hauptwerk); 12:113949U (Bd. 1); 12:113965B (Bd. 2). - Provenienz (Stempel in Bd. 2, S. 506): Bibliotheca Provincialatus O.F.M. Prov. Sax. S. Crucis. (Ordo Fratrum Minorum Sa?chsische Franziskanerprovinz vom Heiligen Kreuze). - Die beiden Kupfertitel mit zahlreichen kleinen Darstellungen von Heiligen. - Montierte maschinenschriftliche Titelaufnahmen auf den beiden Innenspiegeln, die Kupfertitel fleckig und angerändert (im ersten Teil mit unschönen Fehlstellen) sowie hinterlegt, das Titelblatt von Band 1 mit rasiertem Stempel und hinterlegt, Papier anfangs etwas angerändert, teils etwas braunfleckig, kleinere Fehlstellen (teils hinterlegt), in Band 1 eine Lage gelockert, im Schnitt fleckig, gegen Ende Minierspuren, sonst gute Exemplare in soliden und schönen Einbänden. 3002 Gramm. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Tautenhahn]
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        Memorial en favor dels Mercaders Forasters sobre la Ordenacio feta per la Ciutat de Barcelona al Primer de Juny 1620 y en Resposta del Memorial fet per un magnifich Advocat de la Ciutat. Ab lo qual se suplica al Excellentissim señor Duch de Alcala Loctinent en Cathalunya mane revocar dita Ordinacio.

      En Barcelona, en casa de Llorens Déu, 1620. - in-4. (1f.blanc). 54ff. Demi-vélin, titre imprimé au dos (reliure postérieure). Edition Originale de ce très rare mémoire économique en catalan qui s'opposait aux fortes mesures protectionnistes émanant du Consell de Cent, l'administration municipale de la ville de Barcelone. L'ordonnance incriminée prévoyait une taxe extraordinaire sur les marchandises importées ou exportées de Barcelone par des commerçants d'origine étrangère ("mercaders forasters", les "marchands du dehors"), au seul motif de leur nationalité. Francesc Soler était jurisconsulte et doyen de l'Université de Perpignan. Son réquisitoire réclamant la révocation de cette ordonnance, dans lequel il répond point par point aux raisons avancées pour justifier la taxe, constitue un florilège particulièrement précoce d'arguments libre-échangistes. Après avoir rappelé l'origine étrangère d'un grand nombre de familles catalanes parmi les plus notables, l'auteur invitait notamment à observer la prospérité de grandes capitales commerciales comme Livourne, Séville, Lisbonne, Marseille, Naples, ou Palerme, ou de pays comme la Perse, la Turquie ou la Chine, où le commerce étranger était encouragé. "Que Ciutat del mon hi ha que noy haja forasters? Ninguna, y en Cathalunya may ni han faltats, sino en les terres incognites, y no descubertas. Lo Turch, lo Persa, y lo Chino volen, aman, y abrassan los mercaders forasters". La polémique entre défenseurs et partisans de cette fameuse ordonnance donna lieu à plusieurs publications, toutes favorables au protectionnisme à l'exception de celle-ci. Tache brune dans la marge inférieure de plusieurs feuillets. Bon exemplaire de cet ouvrage très rare dont Worldcat ne répertorie qu'un seul exemplaire (Université de Barcelone) et qui est resté absent du Catálogo Colectivo del Patrimonio Bibliográfico. Palau, 317706. Sur l'économie catalane de cette époque et la controverse sur l'ordonnance du 1er juin 1620, voir la thèse doctorale de l'actuel vice-président de la Généralité de Catalogne Oriol Junqueras: "Economia i pensament econòmic a la Catalunya de l'Alta Edat Moderna (1520-1630)" (1999). [Attributes: First Edition]

      [Bookseller: Librería Comellas]
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        A defensative against the poyson of supposed prophecies

      John Charlewood, W.Jaggard, London 1620 - A LEARNED ATTACK ON JUDICIAL ASTROLOGY Folio in 4's. ff.(viii) 151 (i). Roman and italic letter. T-p slightly shaved at f-e, title within white interlaced strapwork border on a black crible background,(Mckerrow and Ferguson 249). Decorative headpieces, historiated and floreated initials throughout in two sizes. Slight water staining to first two gatherings. Inner ll. slightly spotted. An interesting and attractive copy in contemp. speckled calf, covers with blind ruled outer borders. Spine in seven compartments, remains of paper label. Upper joint cracked at head. Reputedly the most learned man of his time and a skilled architect and generous benefactor, Northampton (1540-1614), took an active part in political business at court, often out of favour; he was twice arrested for heresy and treasonable correspondence with the Scottish Queen. After his release he retired to St. Albans where he spent a year writing "A defensative.". This work is a learned attack on judicial astrology, dedicated to Walsingham and perhaps suggested by the astrological exploits of Richard Harvey (writer of: "An astrological discourse upon the the great and notable conjunction of two superior planets.1583"). Soon after its publication the book was accused of "seeming heresies and treason" and Howard was sent to the Fleet for several months. This edition printed six years after his death is described on the title page as newly revised and is divided into thirty six chapters. Northampton dispels the authority of dreams, oracles, revelations, invocations of spirits "or any other kind of pretended knowledge whatsoever - which have been causes of great disorder in the common wealth, especially among the simple and unlearned people". He has little time for astrology, the zodiac, planetary powers or fortune telling, one wonders what he would make of our modern day infatuation with all things new-age. Northampton was known as a wit and counted amongst his friends, Bacon, who recorded some of his remarks in his "Apophegms", and George Chapman who inscribed a sonnet to him which was printed before his translation of Homer in 1614. STC 13859. Lowndes IV 1703. Not in Pforzheimer, Caillet or Grolier. English [Attributes: Hard Cover]

      [Bookseller: Sokol Books Ltd. ABA ILAB]
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