viaLibri Requires Cookies CLICK HERE TO HIDE THIS NOTICE

Displayed below are some selected recent viaLibri matches for books published in 1535


         Lyricorum facilè principis, Olympi, Pythia, Nemea, Isthmia

      Apud Andream Cratandrum,, Basileae, 1535 - Cm. 21,5, pp. (12) 458 (18). Marchio tipografico al frontespizio e ripetuto al verso dell'ultima carta. Bei capolettera ornati. Legatura coeva in pergamena floscia con unghie e traccia di tassello (posteriore) al dorso. Esemplare genuino, marginoso ed in eccellente stato di conservazione. Con alcune glosse ms. coeve, compresa una correzione al frontespizio. Seconda edizione impressa a Basilea di questa pregevole edizione che presenta il commetario di Johannes Lonicer (1497-1569). Particolarmente apprezzata per la nitidezza dei caratteri e l'eleganza della stampa.

      [Bookseller: Studio Bibliografico Benacense]
 1.   Check availability:     AbeBooks     Link/Print  


         De vita, and moribus philosophorum libri decem, nouissime iam post omnes omnium castigationes noua diligentia emendati, ad exemplaria Graeca diligenter collati, multisque versibus, quos superiores editiones non habent, donati ... Cum indice in omnes libros locupletissimo

      Eucharius Agrippinas excudebat, 1535. Cm. 16, pp. (24) 679 (1). Bei capilettera xilografici, testo in latino intercalato da numerosi passi in greco. Bellissima legatura coeva in piena pelle con dorso a 4 nervi e ricche impressioni a secco ai piatti. Prima carta di guardia assente. Tre antiche firme manoscritte di possesso al frontespizio. Sporadiche macchiette e alone limitato alle carte finale, peraltro esemplare nel complesso ben conservato. Bellissima edizione delle vite dei filosofi di Diogene Laerzio (180-240), storico greco vissuto sotto l'impero Romano. Le sue celebri Vite dei filosofi sono una delle principali fonti sulla storia della filosofia greca. L'Autore esamina le vite di 83 pensatori dai Sette Sapienti fino a Epicuro. Questa traduzione latina, come si evince dalla prefazione, si deve al lavoro del teologo umanista Ambrogio Traversari (1386-1439). Edizione non comune. Cfr. Kvk..

      [Bookseller: Studio Bibliografico Apuleio]
 2.   Check availability:     maremagnum.com     Link/Print  


         Q. Horatii Flacci Odarum sive Carminum libri quatuor. Epodon liber unus, cum annotatiunculis quam antea auctoribus in margine adiectis, quae brevis commentarii vice esse possint. Nicolai Perotti libellus non infrugifer de metris Odarum Horatianarum. (Bound with:) Q. Horatii Flacci Epistolarum libri duo. Sermonum sive satyrarum libri duo, ad Mecaenatem. Ars poetica, ad Pisones. cum annotatiunculis quam antea auctoribus in margine adiectis, quae brevis commentarii vice esse possint. (And:) Iunii Iuvenalis Aquinatis Satyrae decem et sex. Cum annotatiunculis in margine adiectis, quae brevis commentarii vice esse possint. (And:) Auli Persii Flacci Satyrae sex. Cum annotatiunculis in margine adiectis, quae brevis commentarii vice esse possint.

      Paris (Parisiis), Apud Simonem Colinaeum, 1535 - 1541. (Ad 1 & 2: 1539. Ad 3: 1535. Ad 4: 1541) 8vo. 4 volumes in 1: 96,75,64 & 12 leaves. 20th century red morocco. 8vo. 17.5 cm (Ref: Ad 1: Schweiger 2,420, reissue of the edition of 1533. Brunet 3,314: 'Texte d'Alde, édition correcte'. Dibdin 2,93. Moss 2,12. Graesse 3,350. Ebert 10154) Ad 2: Schweiger 2,426. Brunet 3,314. Dibdin 2,93. Moss 2,12. Graesse 3,350. Ebert 10154. Ad 3: Schweiger 2,503 & 508, reissue edition of 1528, Brunet 3,630. Dibdin 2,153. Graesse 3,519. Ebert 11224. Ad 4: Schweiger 2,709. cf. Moss 2,259. Dibdin 2,153. Graesse 5,212) (Details: Back ruled gilt, and with a black morocco shield. Each of the four titles shows Colinaeus' woodcut printer's mark: the Great Reaper, Tempus, swaying his scythe; 'Father Time', in the shape of a winged Satyr, moves on a broad pedestal, above which are shown flowers and grass cut down; behind this figure we read word 'Tempus'; upon the pedestal is the motto: 'Virtus sola aciem retundit istam'. All 4 copies printed completely in Italics. Dibdin on this Italic letter: 'To the curious, this will be an additional incitement to purchase the work, as Colinaeus is thought, perhaps not very justly, to have surpassed Aldus himself in the Italic type'. Woodcut initials) (Condition: Wear to the extremities. Back slightly rubbed. 3 small & old inscriptions on the first title, which is somewhat soiled; one of the names has been erased. Small wormhole in the first four leaves. Occasional old ink underlings and annotations) (Note: This convolute contains 4 titles which were published by Simon de Colines, who was one of the greatest typographers, printers and publishers of Renaissance Paris. He was active in Paris between 1520 and 1546, and cut lucid and elegant roman and italic types and a beautiful Greek type, superior to its predecessors. Colines was associated with the elder Henri Estienne I, and continued his work after his death in 1520. He married the widow of Henri Estienne, and was in charge of the press until Estienne's son Robert I entered the business in 1526, by which time Colines had set up his own shop nearby. In 1528 he began to use italic type. Colines published many Greek and Latin classics. In 2012 K. Amert published a monograph: 'The Scythe and the Rabbit: Simon de Colines and the Culture of the Book in Renaissance Paris'. § All four titles in this binding form more or less a unity, not only with respect to content, the best of Latin poetry, but also in appearance. Colines chose for all four good quality paper, the same type, and the same layout. Even the appearance and the wording of the title pages show similarity. Colines did not only have taste, but he had also a sharp eye for good scholarship. He chose to reissue editions of the Venetian printer Aldus Manutius, whose books were amongst the best of his age, sometimes for centuries to come. The Horace volumes were first published by Colines in 1528. At the end Colines placed a short metrical treatise of the Italian humanist Nicolaus Perrotti, 1429-1480, his 'libellus de metris Odarum Horatiarum'. In the margins of his Juvenal Colines repeated the marginal notes that were printed in the Horace/Juvenal edition of 1524, published by the Basle publisher Valentin Curio. (In aedibus Valentini Curionis) In Blackwell's Companion to the ancient world, 'A Companion to Persius and Juvenal' edited by S. Braund & J. Osgood, Oxford 2012, chapter 'Renaissance scholarship on Juvenal and Persius', these marginal notes in the edition of Valentin Curio are erroneously attributed to the Italian humanist Celio Secondo Curione, in Latin Caelius Secundus Curio, 1503-1569. This misunderstanding probably arises from the fact that Caelius Secundus Curio published a folio edition of the satires with commentary of Juvenal & Persius in Basel (Froben/Episcopius) in 1551. (See Schweiger 2,509)) (Provenance: At the upper edge of the title: 'phi ign: pagart, no. 193'. We found a Philippe Ignace Pagart in 'Coutumes locales tant anciennes que nouvelles des bailliages, ville et echevinage de Saint-Omer', Paris 1744, p. 16. He is referred to as one of the 'Officiers du Roi au Bailliage de Saint-Omer'. On the internet we found further: 'messire Philippe-Ignace Pagart, sieur du Buis, 1969-1760, nommé conseiller au bailliage de Saint-Omer, 1723') (Collation: a-m8; a-i8, k3 (leaf k3 blank); a-h8; a8, b4) (Photographs on request)

      [Bookseller: Antiquariaat Fragmenta Selecta]
 3.   Check availability:     Biblio     Link/Print  


         1535/1838 - 1st Complete Bible in English/Coverdale - Printing by Bagster

      - Printed in London. Measures at 9" x 11" x 2.75". A 19th century type reproduction, itself now venerable, of Coverdale's 1535 Bible: the first complete translation of the Old and New Testaments into Modern English, as well as the first complete printed English translation. Bagster, who had reprinted Tyndale's New Testament in 1836, here had the text set - preserving all original orthography and abbreviations - in what the New York Review described at the time as "a clear type of the antique cast," with black letter headers. John Brain steel engraved the frontispiece portrait of Coverdale, which is followed by a facsimile of the original woodcut title page by Holbein the Younger. An advertisement for Bagster's "just published" memorials of Coverdale is tipped in. Copies of the 1535 first edition have been scarce virtually ever since it was printed, and this Bagster reprinting made the landmark work widely and handsomely available for the first time. Darlow & Moule 1152; Rumball-Petre 58. Later black buckram, spine with neat gilt stamped lettering; one back corner bumped. Frontispiece portrait with a little foxing not affecting appearance of image; engraved title page with light smudge in lower margin. An eminently solid, attractive copy of this important edition of an important work from an important printer. [Attributes: Hard Cover]

      [Bookseller: Cross and Crown Rare Books]
 4.   Check availability:     AbeBooks     Link/Print  


         Margarita philosophica, rationalils, moralis philosophiae principia, duodecim libris dialogice complectens

      New edition, after the first edition published in 1503. Publisher and printer in the colophon in fine: Basileae excudebat Henricus Ptrus, ac Conradi Reschij impensis, an. MD XXXV. Henricus Petrus [ Heinrich Petri] Basileae [Bâle] 1535 Très fort Pet. in-4 (16x21,5cm) (80) 1498pp. (5) relié

      [Bookseller: Librairie Le Feu Follet]
 5.   Check availability:     Direct From Seller     Link/Print  


         Institutionum in Linguam Graecam Grammaticarum, Libri duo. Quorum primo quae simpliciorem octo partium orationis rationem, secundo ureo quae ad accuratiorem earundem pertinentex plicationem, continentur.

      Basileae, In officina Ioannis Valderi, 1535. - Petit in-4. 1f. 472pp. 3ff. Demi-veau à coins postérieur, dos à nerfs avec titre doré, tranches vertes. Belle édition bâloise de la célèbre grammaire grecque de l'humaniste Urbano dalle Fosse (1442-1524), généralement connu comme Urbano Bolzanio. Elle fut la première grammaire grecque en langue latine. On y trouve notamment des diagrammes gravés sur bois, parfois à pleine page, sur la construction des locutions. Papier un peu bruni mais bon exemplaire comportant de belles annotations anciennes à l'encre rouge, probablement de l'époque, dans les marges des premiers feuillets. Brunet, V, 1012.

      [Bookseller: Librería Comellas]
 6.   Check availability:     AbeBooks     Link/Print  


         Diogenes Laertius - De vita et moribus philosophorum libri decem - 1535

      Eucharius Agrippinas excudebat, 1535. Cm. 16, pp. (24) 679 (1). Bei capilettera xilografici, testo in latino intercalato da numerosi passi in greco. Bellissima legatura coeva in piena pelle con dorso a 4 nervi e ricche impressioni a secco ai piatti. Prima carta di guardia assente. Tre antiche firme manoscritte di possesso al frontespizio. Sporadiche macchiette e alone limitato alle carte finale, peraltro esemplare nel complesso ben conservato. Bellissima edizione delle vite dei filosofi di Diogene Laerzio (180-240), storico greco vissuto sotto l'impero Romano. Le sue celebri Vite dei filosofi sono una delle principali fonti sulla storia della filosofia greca. L'Autore esamina le vite di 83 pensatori dai Sette Sapienti fino a Epicuro. Questa traduzione latina, come si evince dalla prefazione, si deve al lavoro del teologo umanista Ambrogio Traversari (1386-1439). Edizione non comune. Cfr. Kvk..

      [Bookseller: Studio Bibliografico Apuleio]
 7.   Check availability:     maremagnum.com     Link/Print  


         Untitled Map of Persia

      Double-page woodcut map, 310 x 477 mm; the paper of the margins is burnt and brittle; with Latin text, set within elaborate woodcut borders, printed on the verso. [Lyons : Melchior and Gaspar Trechsel],

      [Bookseller: Maggs Bros. Ltd.]
 8.   Check availability:     Direct From Seller     Link/Print  


         Ton dialogon meros proton. (graece) Dialogorum pars prima (Band 1 von 2).

      Venezia, Lucantonio Giunta il vecchio, 1535. - 8°, circa 16,5 x 11,5 cm. 7 Bll. (ohne das achte weisse), 603 (recte 605) SS., 1 w. Bl., Titel mit Druckermarke Neuerer Pappband "Adams 1607; CNCE 29518; Hoffmann II, 537: "Der Text ist verbessert, ohne dass man aber die Quellen genau kennt; auch hat der Herausgeber Conjecturen aufgenommen". - In sich abgeschlossener Band 1 (von 2) der frühen, rein griechischen Werkausgabe mit einer Biographie des Lukian, zahlreichen Dialogen und einigen weiteren philosophischen bzw. satirischen Texten. Herausgeber war der Humanist Antonio Francini, von dem auch das lateinische Vorwort stammt. - Das weisse Blatt am Ende ist vorhanden, das der ersten Lage nicht. " "- Titel mit kleinen Papierfehlern in der oberen äusseren Ecke weit im weissen Rand ohne Textberührung, zu Beginn matter Feuchtrand, etwas gebräunt, teils leicht stockig, meist jedoch recht sauber. Sehr schlichter neuerer Einband. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
 9.   Check availability:     ZVAB     Link/Print  


         Tabula VIII Asiae (reverse)

      Artist: Ptolemy/ Fries Claudius/ Laurent ( Lorenz) ca ; issued in: Lyon; date: ca1535 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 30,5 x 40,5; - description: Map shows Mongolia (antique name:Scythie ), Tartaria, Tibet and India. Typicly for the time, roughly showing the mountains and cities.; - vita of the artist: Lorenz (Laurent) Fries was born in Alsace in 1490 or thereabouts, describing himself on one occasion as from Colmar, one of the towns of the region. He studied medicine at university, or rather at universities, as he seems to have had a peripatetic education, apparently spending time at the universities of Pavia, Piacenza, Montpellier and Vienna.Having successfully completed his education, Fries established himself as a physician, at a succession of places in the Alsace region, with a short spell in Switzerland, before settling in Strasbourg, in about 1519.By this time, he had established a reputation as a writer on medical topics, with several publications already to his credit. Indeed, it was thus that Fries met the Strasbourg printer and publisher Johann Grüninger, an associate of the St. Die group of scholars formed by, among others, Walter Lud, Martin Ringmann and Martin Waldseemuller. Gruninger was responsible for printing several of the maps prepared by Waldseemuller, and for supervising the cutting of the maps for the 1513 edition of Ptolemy, edited by the group.This meeting was to introduce a important digression into Fries' life, and for the next five years, from about 1520 to about 1525, he worked in some capacity as a cartographic editor with Gruninger, exploiting the corpus of material that Waldseemuller had created. Claudius Ptolemy ( arround 100- 160 a.C.) Geographia, gives a list of geographic coordinates of spherical longitude and latitude of almost ten thousand point locations on the earth surface, as they were known at his times. The list is organized in Tabulae which cor- respond to specific regions of the three known continents at that time, Africa, Asia and Europe. Research on Ptolemy?s Geographia has started at the University of Thessaloniki, Greece, in the eighties, focused mainly, but not exclusively, on data re- lated to territories which are now under the sovereignty of the modern Greek state. The World of Ptolemy is classified in Regions, since each Chapter is referred to one of them, giving by this way the concept of Atlas as it is understood today.

      [Bookseller: Antique Sommer& Sapunaru KG]
 10.   Check availability:     ZVAB     Link/Print  


         1535 Justinian Institutes Roman LAW Corpus Juris Civilis Accursius Commentary

      Venundantur Lugduni : Jean Crespin; A Jacobo Giunti, 1535. - 1535 Justinian Institutes Roman LAW Corpus Juris Civilis Accursius Commentary “Freedom is the natural ability of everyone to do what he likes, unless it is prohibited by law or by force.” Justinian I The ‘Institutes of Justinian’ is a portion of the full Corpus Juris Civilis, largely based on the Institutes of Gaius. Justinian sought to reform Roman law and education. This work was originally intended to be used by law students, but they were not solely used as a textbook, they actually carried legal weight as law! This 1535 Lugduni edition was edited by 13th-century Italian lawyer and jurist Franciscus Accursius. It features a charming double-page woodcut of a legal tree, decorative initials, and an illustrated title page. Red and black inks used throughout. Item number: #2107 Price: $950 JUSTINIAN Institutiones imperiales : Institutionum Juris civilis D. Justiniani Sacratissimi principis libri quatuor accurate castigat : cum Accursiana interpretatione aliorumque Juris peritorum non contemnendis annotationibus. Venundantur Lugduni : Jean Crespin; A Jacobo Giunti, 1535. Details: • Collation complete with all pages: [28], ccclxxxvii (i.e. 387) o Signatures: [8] A-B8 2C4 a-z8 [et]8 [con]8 [rum]8 A-Y8 Z4 o Imprint: Lyon, Jean Crespin sumptu Jacques Giunta, 1535. • References: USTC 124633; Baudrier VI, 164; • Language: Latin • Binding: Vellum; tight & secure • Size: ~6.75in X 4.5in (17cm x 12cm) • Very rare with no other example for sale worldwide Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 2107 Photos available upon request [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
 11.   Check availability:     AbeBooks     Link/Print  


         Historia Naturalis

      Venice: Heirs of Aldus & Heirs of Andrea Toressani,, 1535-8. 4 volumes, Aldine octavo (167 x 112 mm). Contemporary vellum over boards, smooth spines, tawed leather, later red, blue, and gilt labels. Woodcut printer's device to title pages and colophons of vols. 1-3. Bookplate of Baron Horace De Landau (1824-1903). For all volumes: occasional pale damp-staining to fore edges, occasional foxing to text block, majority not affecting text, a couple of manuscript annotations, cloth page markers; For vol. 1: a few marks to page, not affecting text; For vol. 2: damping to top margin touching text pp. 1-16, lower outer corner cut off p. 105, not affecting text, slight loss to bottom of p. 121 and p. 125, not affecting text; For vol. 3: worm damage to front cover, damping to inner margin touching text pp. 8-20 and lower outer corner pp. 283-295; For Index: worm damage to front cover. An excellent set. First Aldine edition of Pliny the Elder's Historia Naturalis. Renouard commented in 1803 that this edition is rarely found with all three volumes and the index complete and well-preserved, pointing to the exceptional survival of the index (Renouard pp. 205-6, p. 208). The first volume is dated 1536, a year later than the second and third whilst the index is dated to 1538.

      [Bookseller: Peter Harrington]
 12.   Check availability:     Biblio     Link/Print  


         Della Fisonomia Dell'Hvomo Del Signor Gio. Battista Dalla Porta Napolitano. Libri Sei. Tradotti di Latino in volgare, e dall'istesso Auttore accresciuti di figure, ... Et hora in questa Terza,& vultima Editione migliorati in piu di mille luoghi, che nella stampa di Napoli si leggeuano scorrettisimi, & aggiontaui la Fisonomia Naturale di Monsignor Giouanni Ingegneri. Beigebunden 3 weitere Texte: - Fisionomia di Polemone tradotta die greco in latino. DallIllustisssimo Signor CO: Carlo Montecvccoli con Annotation del medemo... (4 Werke in einem Bd.)- Fisionomia natvrale di Monsignor Giovanni Ingegneri vescovo di capodIstria. Nella quale con ragioni tolte dalla Filosofia, dall Medicin, & dallAnatomia, si Dimostra...- Della celeste Fisionomia di Gio Battista della Porta Napoletano. Libris Sei nei qvali Ribvttata la vanita dellAstrologia givdiciaria....

      Gr.8, 10 Bl. (Titelbl. m. Titelkupfer, 2 Portraitholzschnitte), 222 pag. Bl, 136 Textholzschnitt-Illustr. 40 Bl.(Titelbl. m. Titelkupfer) 64 pag. Bl., (Titelbl. m. Titelkupfer) 6 Bl., 147 pag. Bl. (Titelbl. m. Titelkupfer), 1m Portraitholzschnitt, 30 Textholzschnitt-Illustr., OPerg d. Zeit, Frontdeckel partiell erneuert, einige Blätter mit kleinen Randfehlstellen (teilweise professionell kaum sichtbar hinterlegt). Einige S. m. kleinen Tuschflecklein, 80 Bl. etwas wasserrändig am Steg, einige wenige Marginalien von alter Hand. Insgesamt gutes Exemplar. Graesse V, 417 Anm. Cicognara 2459., Mortimer, Italian Books 398, vgl. Eines der Hauptwerke della Portas,,das in etlichen Auflagen erschien Die Holzschnitte zeigen meist Vergleiche der Physiognomien von Menschen und Tieren. - Giovan Battista della Porta (1535- 1615 in Neapel) neapolitanischer Arzt, Universalgelehrter und Dramatiker. Durch seine Methodik und relative Neutralität gilt er als einer der ersten Naturwissenschaftler im modernen Sinne. 1558 veröffentlichte er die "Magia naturalis" (in der er unter anderem eines der wenigen existierenden Hexensalbenrezepte überlieferte), die ihm ersten Ruhm brachte. Weiters erwähnt er erstmals ein Wassertrommelgebläse zur Erzeugung eines kontinuierlichen Luftstrahles für eine Schmiedeesse in Nettuno südlich von Rom. Eine von ihm 1560 in Neapel gegründete Gesellschaft zur Erforschung der Natur, die Academia Secretorum Naturae , musste auf Befehl des Papstes aufgelöst werden. Seine grundlegende Schrift über Kryptologie mit dem Titel De furtivis literarum notis (Über die verborgene Bedeutung der Buchstaben), die er 1563 veröffentlichte, machte ihn endgültig berühmt. Um 1570 herum entwickelt er die Camera obscura weiter, einen frühen Vorläufer der Fotokamera.Die jeweils 1583 bzw. 1584 veröffentlichten Pomarium (über Obstanbau) sowie Olivetum (über Olivenanbau) flossen ein in sein umfassenderes Werk über Agrikultur, Villae von 1592. Zuvor jedoch, 1586, erschien sein zweites Hauptwerk, ein medizinisches Werk unter dem Titel De humana physiognomia, 1588 gefolgt von einem Werk über die Physionomie der Pflanzen, "Phytognomica". Hier versuchte er, vom Aussehen und dem Lebenslauf der Pflanzen auf ihre Wirkung zu schließen. So führte er aus, dass Kräuter mit gelbem Saft die Gelbsucht heilen könnten, solche mit rauhen Oberflächen Hautkrankheiten. Wegen seiner Beschäftigung mit Magie und Physionomie musste er sich 1592 vor der Inquisition verantworten, das Verfahren blieb aber für ihn folgenlos. In den folgenden Jahren zog er sich aber vorsichtshalber von den Wissenschaften zurück und wandte sich der dramatischen Literatur zu. Seine Komödie La Trappolaria, eines von vielen erfolgreichen dramatischen Werken, erschien 1596 in Bergamo.

      [Bookseller: antiquariat peter petrej]
 13.   Check availability:     booklooker.de     Link/Print  


         Sammelband mit 6 seltenen juristischen Werken des 16. Jahrhunderts. Mit zahlr. Titel- u. Textholzschnitten.

      München Andreas Schobser bzw Adam Berg bzw 1595 1535 - Folio. (30 x 20 cm). Blindgeprägtes Schweinsleder über Holzdeckeln mit 2 intakten punzierten Schließen u. handschriftl. Rückentitel (Gelenke und Kapitale hinterlegt, etwas fleckig und mit leichten Kratzspuren). Das bayerische Landrecht und die Landesordnung mit allen unter Herzog Wilhelm IV. (1493-1550) erlassenen und von Andreas Schobser in München gedruckten Teilen der großen Rechtsreform, "eines der konservativsten Landrechte der Zeit; eine eigenartige, sprachlich und rechtspolitisch ansprechende Leistung" und die seltenere "für die Rechtsentwicklung so bedeutende Gerichtsordnung" (Sauer-Auvermann, Europ. Rechtsgeschichte, 1848 u. 1849). 4. Dy New Erclärung der Landßfreyhait des loblichen haus und Fürstenthumbs Obern und Nidern Bairn. Anno Fünffzehenhundert und im Sechtzehenden auf den Achtundzwantzigsten tag des Monats Aprilis zu Jngolstat aufgericht. 16 nn Bll. Mit großem Wappenholzschnitt auf dem Titel. (München, Andreas Schobser) 1535. - VD 16, B 981. Vgl. Schottenloher, Schobser 146. 2. Gerichtzordnung Imm fuerstentumb Obern- und Nidern Bayrn, Anno 1520 aufgericht. 15 nn Bll. 1 w. Bl., 87 num Bll., 1 w. Bl. Mit großem Titelholzschnitt von Caspar Clofigl. München, (Andreas Schobser) 1520 (recte 1535). - VD 16, B 990. Schotteloher, Schobser 171. 1. Reformacion des bayrischnn Lanndrecht nach Cristj unsers Hailmachers gebürde Im Fünftzehenhundert unnd Achtzehendm Jar Aufgericht. 35 (statt 36, ohne das letzte weiße) nn Bll., 169 num. Bll., 1 w. Bl. Mit großem Titelholzschnitt von Caspar Clofigl und einem doppelblattgroßem Musterstammbaum in Holzschnitt. München, (Andreas Schobser) 1518 (recte 1535). - VD 16, B 1008. Schottenloher, Schobser 153. - Titel stark angeschmutzt u. mit hinterlegten Ausrissen (jedoch nur geringer Text u. Darstellungsverlust), die ersten Bll. im Register an den Ecken hinterlegt, etwas fingerfleckig. Sonst sehr sauber. 3. Das büech der gemeinen landpot. Landsordnung, Satzung, und Gebreüch, des Furstenthumbs, in Obern- und Nidern Bairn, im funftzehenhundert und Sechtzehendem Jar aufgericht. 12 nn, 77 num. Bll., 1 w. Bl. Mit großem Titelholzschnitt von Caspar Clofigl. (München, Andreas Schobser 1535). - VD 16, B 965. Schottenloher, Schobser 141. - Die ersten 6 Blatt des Textes fehlen und sind durch eine zeitgenössische, sehr klare und kalligraphische Handschrift ergänzt, die Lage K (Bl.55-60) sind unbedruckt. 5. Die Ordnung uber gemainer Lanndtschafft in Bairn aufgerichte Hanndtuesst. Tausennt Fünffhundert unnd jm Sechzehennden Jar, zu Ingoldtstat beschlossen. 6 nn Bll. Mit großem Wappenholzschnitt auf dem Titel (wie bei 4, jedoch ohne Jahreszahl). (München, Andreas Schobser 1535). - VD 16, B 1004. 6. Ain laysche Anzeigung So allen Landsässen, und denen, die ordentlich, oder bevohlen, Obrigkeit haben, als Hofmarch, und Gerichtsherren, Pflegern, Richtern; Gerichtschreibern, auch der Stätt, unnd Schrannenrednern (welche sonst, der Lateinischen, Gerichtsübung, oder Gebreuch, gütlicher, Aufrichtung, und Verwaltung, nit mehrers wissens haben) auch in gemain, allen Jnnwohnern, de0 löblichen Hauß, und Fürstenthumbs Bayrn, zu dienst, und gutem, in Druck, geben worden. 19 nn. Bll., 1 w. Bl. Mit großem Wappenholzschnitt auf dem Titel. München, Adam Berg 1595. - VD 16, L 124. Anfangs fleckiges Exemplar mit wenigen Randläsuren, und leichten Randansetzungen, gelegentlich etwas knapp beschnitten, lediglich im letzten Teil mit einigen sauberen roten Anmerkungen einer Handschrift von 1875. Insgesamt gutes Exemplar in einem bemerkenswert schönen und intakten Einband.

      [Bookseller: Daniel Osthoff]
 14.   Check availability:     AbeBooks     Link/Print  


         Viehartznei. Erziehung, Gbrauch, Lernung, Artznei in zûfelligen vnd natürlichen Kranckheyten, aller zahmen, dem menschen gebräuchlichen, vnd geheymen Thier vnd viehs

      Egenolff, 1535. Woodcuts by Hans Weiditz depict a charming stockyard scene on the title page, and a trio of men with a horse on the first leaf (two of the three men have their eyes gouged out, presumably by a previous owner), plus 16 additional smaller text woodcuts of animals. Later vellum; interior lightly browned, faint water stain on first and last leaves, unobtrusive repair on the title page, otherwise an excellent copy. This rare treatise on veterinary medicine is distinguished for being the first illustrated edition from the 1530 printing. Much of the text is focused on equestrian care and medicine, with information on treating a variety of maladies including equine cancer and gallbladder disease. The latter part of the treatise explains the husbandry and medical treatment of other livestock, including mules, donkeys, oxen, sheep, pigs, dogs and birds, along with a short section on apiculture. A two page index follows the text. Although the author's name is unknown, the illustrations were done by Weiditz (1495-1537), a member of an elite group of woodcutters of the German Renaissance, which also included Albrecht Dürer, Hans Holbein, and Weiditz's teacher, Hans Burgkmair. He is known for his illustrations of secular books, particularly Otto Brunfels' acclaimed Herbarum vivae eicones, in which his innovative, realistic depictions of plant life were greatly influential. OCLC locates 3 copies, with only one in America (University of Michigan); Durling, 4600 (1550 ed.); Wellcome, 6603 (1550 ed.).

      [Bookseller: B & L Rootenberg]
 15.   Check availability:     maremagnum.com     Link/Print  


         Tabu. Nova Asiae Mi.

      Melchior & Gaspar Treschsel 1535 - Melchior & Gaspar Treschsel Lyon 1535 woodcut map with modern hand colouring; image size 30 x 38 cm (incl. title banner) A beautiful example of this early and desirable Ptolemaic map of modern Turkey and the Middle East with Cyprus. There is good detail of place names along the shoreline with the interior limited to a few rivers, mountain ranges, a lake, and a king seated on his throne. Title above the map is in a fancy banner-style cartouche. On verso is Latin text, some very fine architectural woodcut illustrations attributed to Hans Holbein of Basel, and the title "de Mahometo et Turcarum Origine et moribus." - What makes this map rather ‘quirky’ are the contemporary hand written annotations in ink which are confined to the margins. This map is from the atlas ‘Claudii Ptolemaei Alexandrini Geographicae ’, re-issued by Lorenz Fries (c1490-c1531) with reduced maps by Waldseemuller. Born in Alsace, he studied medicine, apparently spending time at the universities of Pavia, Piacenza, Montpellier and Vienna. After completing his education, Fries worked as a physician in several places, before settling in Strassburg, in about 1519. Claudius Ptolemy was a mathematician, astronomer and geographer who worked in Alexandria, then a part of the Roman Empire, in the 2nd century AD. One of the most learned and influential men of his time, his theories dominated both astronomy and geography for nearly 1500 years. His writings were kept alive by Arabic scholars during the Middle Ages and reemerged in Europe during the Renaissance. The birth of printing led to wide dissemination of his great works on astronomy and geography. There were a number of editions of his Geographia beginning in 1477. These early editions contained maps based on his original writings, known as Ptolemaic maps. As geographic knowledge increased with the explorations of Columbus, Magellan, Cabot and others, maps of the New World were added, and maps of the Old World were revised. Ptolemy's Geographia continued to be revised and published by some of the most important cartographers including Martin Waldseemuller, Sebastian Munster, Giacomo Gastaldi, Jodocus Hondius, and Gerard Mercator (whose last edition was published in 1730). fold as issued; 2 small worm holes; paper cream coloured; some spots and soiling in margins; marginal annotations; slight off-set; on verso: colour off-set; o/w exc. cond. [ref: 2850 ]

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
 16.   Check availability:     AbeBooks     Link/Print  


         Opera quaedam. Tractatus Ethicorum. Regula, sive ta asketika (graece). De Virginitate. Contra Eunomium. Item Sermones & Epistolae non nullae insertae in regula: Quae omnia diligenter recognita nunc primum impressa sunt.

      Venedig, Stephanus de Sabio für Damianus de Sancta Maria, 1535. - Fol. 6 (1 w.) Bl., 191 (recte 182) num. Bll., 1 w. Bll., mit einigen Zierleisten, Buchschmuck und Initialen in rot Pergament d. 18. Jh. BMC STC 2, 513, 413; nicht bei Adams; Hoffmann I, 408; Brunet I, 688: ?belle et assez rare? Editio princeps auf griechisch - die Basler Ausgabe von 1532 hatte die vorliegenden Texte nicht enthalten. Typographisch sehr eleganter Druck mit zahlreichen Marginalien, Hervorhebungen, Überschriften und Buchschmuck in Rotdruck. Der Verleger Damiano di Santa Maria aus Spic in Illyrien führte in Venedig das Werk seines frühverstorbenen Schwiegersohnes Andreas Kounadis aus Patras / Peloponnes fort (Layton SS. 338-354). Der Drucker Stefano da Sabio hatte zuvor eine griechische Grammatik veröffentlicht. Von ihm stammt vermutlich auch das längere Vorwort an Kardinal Gaspare Contareni, in dem er die verwendeten Textgrundlagen beschreibt. Darunter sind drei Codicesaus Venedig, einer aus Monte Cassino und vor allem ein von dem englischen Kardinal Reginald Pole (1500-1558) durch Vergleich und Konjektur hergestellter Text, der lobend erwähnt wird. "- Papierbedingt unterschiedlich gebräunt, meist sauber, einige Blatt jedoch stark gebräunt. Titel gereinigt und mit ergänztem Ausriss im weissen Rand. Anfangs einige Wurmlöcher (in den ersten Blatt geschlossen), sonst gut erhalten. [Attributes: First Edition]

      [Bookseller: Antiquariat Thomas Rezek]
 17.   Check availability:     AbeBooks     Link/Print  


         Ragionamenti della lingua toscana

      Giovanni Farri and fratelli. 8vo (152x102 mm). 439, (5) pp. With the printer's device on the title-page. Recent stiff vellum, lettering-piece on spine, inked title on lower edge. Provenance: on the title-page ownership's inscription of the humanist Alfonso Cambi Importuni (Naples, 1535-1570). Cambi collaborated with Lucantonio Ridolfi to the edition of Petrarch's Canzoniere published in Lyons in 1558; is the dedicatee of Galeazzo Florimonte's Ragionamenti sopra l'Etica di Aristotile (Venice, 1567, see below in this catalogue); was a correspondant of Annibal Caro; figures as an interlocutor in the dialogue Il Rota, ovvero Dialogo delle Imprese by Scipione Ammirato (Naples, 1562) (cf. C. Mutini, Cambi, Alfonso, in: "Dizionario Biografico degli Italiani", vol. 17, 1974, s.v.). Some light foxing, small stain and pen tests on last leaf verso, a fresh and genuine copy. FIRST EDITION. Bernardino Tomitano was a 24-year-old philosopher, when in 1541 he attended the ceremony during which his teacher, the famous scholar Sperone Speroni, was crowned prince of the Accademia degli Infiammati of Padua. In the two days following this event, scholars, academics, and poetry connoisseurs met at Speroni's house to discuss about literature and language. Four years later, in 1545, Tomitano published a detailed account of those literary conversations on poetics and rhetorics in his Ragionamenti della lingua Toscana (cf. M.T. Girardi, Il sapere e le lettere in Bernardino Tomitano, Milan, 1995, pp. 3-5). "The Ragionamenti della lingua toscana of Bernardino Tomitano (1545) represents the first nearly complete "art of poetry' in the present series of Platonic treatises; it also represents the most eclectic and in a sense the most typical studied thus far. If one were to read the three books of the Ragionamenti in reverse order, one would find in the third all the detailed treatment of the more particular aspects of the art, a treatment resting largely on Horace's Ars poetica and on their rhetoricians but deriving certain essential ideas from Aristotle. The second book deals largely with oratory, but even here the application of oratorical principles to poetry is constantly traced and all the examples are taken from poets; once again, the classical rhetoricians provide the distinctions and the rules. But in the first book, where Tomitano wishes to lay the philosophical foundations for all the art of writing, his source his Plato. And it is Plato appealed to on a much broader basis than was done by most of Tomitano's contemporaries. For rather than begin with one of the favorite dicta..., he takes as his starting point Plato's general concept of Ideas. Like the painter, the poet and the orator attempt to represent in the medium of the arts some perfect concept or Idea... If the poet is to succeed as a poet, he must therefore be something of a philosopher so that he may know the truths which he is going to imitate. The relationship of poetry to philosophy is indeed a complicated one. The business of philosophy is the discovery of truth; the business of poetry is the imitation of truth through the medium of fictions. But poetry does not imitate all truth, nor does it serve its ultimate ends in every part of its imitation. Of its two ends, pleasure and utility, it is the latter which involves philosophy. For the utility is both moral and intellectual in character, and it is found in moral and intellectual precepts scattered throughout the work" (B. Weinberg, A History of Literary Criticism in the Italian Renaissance, Chicago, IL, 1961, pp. 264-265). "I Ragionamenti della lingua toscana di Tomitano, [furono] pubblicati nel 1545 a Venezia. I Ragionamenti furono ristampati l'anno successivo, sostanzialmente immutati sesi eccettua l'aggiunta di una cinquantina di pagine contenenti unconfronto tra la retorica di Aristotele e quella di Cicerone. L'opera,come si dirà, sarà poi rimaneggiata molti anni dopo e pubblicatacon il titolo di Quattro libri della lingua thoscana. Si tratta in sostanzadi un trattato in forma dialogica dove si riferiscono i discorsi degliaccademici Infiammati su questioni di poetica, retorica e linguain occasione dell'elezione di Speroni. Stando ai Ragionamenti, ilnuovo principe impresse all'accademia un indirizzo piú marcatamenteumanistico: abolí le lezioni su diritto e teologia, lasciandoin vita solo quelle di filosofia, e focalizzò gli studi sulla poesia involgare, bandendo l'esegesi di testi classici" (M. Colombo, Bernardino Tomitano e i "Quattro libri della lingua thoscana, in: "Momenti del Petrarchismo veneto: cultura volgare e cultura classica tra Feltre e Belluno nei secoli XV-XVI, Atti del convegno di studi, Belluno-Feltre, 15-16 ottobre 2004", P. Pellegrini, ed., Rome, 2005, p. 114; see also A. Daniele, Bernardino Tomitano: dai "Ragionamenti', 1545-1546 ai "Quattro libri della lingua thoscana, in: "Museum Patavinum", 1/1, 1983, pp. 67-85). Tomitano's treatise is also important for the history of music, since he tried hard to forge a link between language and sound, what possibly led to an emergent consciousness of rhetorical issues in music among Venetian musicians of the time (cf. M. Feldman, City Culture and the Madrigal at Venice, Berkeley, CA, 1995, pp. 157-158). Bernardino Tomitano studied philosphy and medicine at the University of Padua, his hometown. In 1539 he was appointed as reader of Aristotle's Organon at the university. From then on until 1563 he always taught, but never achieved to become ordinary professor. He was a member of the Accademia degli Infiammati (cf. A. Daniele, Sperone Speroni, Bernardino Tomitano e l'Accademia degli Infiammati di Padova, in: "Filologia Veneta", 1989, pp. 1-53) and was in close relationship with Sperone Speroni, Pietro Bembo, Jacopo Sadoleto, Paolo Giovio, Bernardo Navagero, Girolamo Fracastoro, and Aldo Manuzio, with whom he shared the same view on poetics and rhetorics. He also wrote on mathematics and cosmography. In 1563 he left Padua and moved to Venice, where he worked as doctor and published the treatise De morbo gallico (cf. M.R. Davi, Bernardino Tomitano filosofo, medico, letterato, 1517-1576, profilo biografico e critico, Trieste, 1995, passim). Edit 16, CNCE39253; Universal STC, 859345..

      [Bookseller: Libreria Govi Alberto]
 18.   Check availability:     maremagnum.com     Link/Print  


         Rapsodiae Historiarum Enneadum. Ob orbe co[n]dito. Pars Prima quinque complectens Enneades: Praemissis earundem Repertoriis & Epitomis - Posterior Pars eiusdem Rapsodiae Historiarum. co[n]tinens sex Enneades reliquas

      Aedibus Nicolai Petit & Hectoris Penet, Lugdun. 1535 - 2 parti in un volume in-folio (335x220mm), pp. (40), 506, (2); (32), legatura settecentesca piena pelle marmorizzata con filettatura dorata lungo il perimetro dei piatti. Fregi in oro (stinti) su dorso a 5 nervi. Legatura ampiamente restaurata e con lavori di tarlo. Annotazioni coeve al recto e al verso della sguardia anteriore di un canonico di St. Gudule (presso Bruxelles ?). Restauri a strappetti marginali ad alcune cc. Sparsi aloni. Buon esemplare nell'insieme. Rara cinquecentina lionese di questo grandioso tentativo (il solo prodotto dalla storiografia umanistica) di storia universale fino al 1504. Nella cronaca non mancano accenni alle nuove scoperte geografiche e a Cristoforo Colombo e ad altri celebri viaggiatori e navigatori (non a caso l'opera fu presto tradotta in lingua potoghese). A concise account of the discoveries made in the first and second voyages of Columbus. Mention is also made of the voyage of Pedro Alonso Nuno.It was writen before the year 1503, at a time when the only printed works treating of the Western World, so far as we know, were the Columbus's letter, Sybellico's second- hand relation, and one or two of the letters of Vespuccius. On that account the Enneades, like, Maffei of Volterra's Commentary, and Bergomas' Chronicle, acquire that kind of interest which pertains to all works relating to this country, and published before the Decades of Peter Martyr, which form, as it were, the basis and material of all subsequent publications on the subject. (Sabin]). Il Sabellico, al secolo Marcantonio Coccio (Vicovaro, 1436 ca.-Venezia, 1505), umanista e storiografo ammirato anche da Erasmo (che negli Adagia cita un proverbio del Sabellico e che, nel Ciceronianus, tesse le lodi di lui come umanista e come retore), studiò a Roma sotto la guida di Pomponio Leto; dal 1475 fu professore di retorica ad Udine e, dal 1484, a Venezia, dove fu pure Custode della Libreria di San Marco. Adams, S-168. STC French, p. 118. Renouard, Ascensius, III, 226:5. Baudrier, V, 455; VI, 166. Cfr. Sabin, 74663. Latino [Attributes: Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
 19.   Check availability:     IberLibro     Link/Print  


         Vita et Fabulae [with] Flavii Aviani Fabularum Aesopiarum Liber Unicus.

      Paris Antonio Bonnemere 1535 - 8vo. Cont. ff 120 (printer's error in pagination means f. 119 labelled as 116), pp. [16] index; a few scribbles and small hole on title not affecting text, light annotations (mostly marginal) in 'Vita' section, very slight waterstaining to a few pages, edges slightly discoloured by age, small hole ff. 33-lower board. Blind tooled pigskin, 3 raised bands on spine; crack to leather on upper board, small holes on lower board. Charming old copy of this classic work. The present edition is written entirely in Latin and contains a 44-page biography of the Ancient Greek slave and story teller followed by over 100 of his fables, including favourites such as The Hare and the Tortoise. In addition, it features a commentary by the Italian writer and professor of philology Laurentius Abstemius (c. 1440-1508). Abstemius himself also wrote fables, and would often publish his own work in collections alongside Aesop's in order to suggest that they were of the same calibre. Many of the fables in this work end with their moral clearly spelled out in one or two straightforward sentences under the heading 'Morale.' [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
 20.   Check availability:     AbeBooks     Link/Print  


         1535 Coverdale Bible; First Edition of the First Printed Bible in English

      James Nicholson 1535 - The 1535 Coverdale Bible; First Printed Bible in English. BIBLIA. THE BIBLE, THAT IS, THE HOLY SCRIPTURE OF THE OLDE AND NEW TESTAMENT, FAITHFULLY AND TRULY TRANLSATED OUT OF DOUCHE AND LATYN IN TO ENGLISH [?COLOGNE: EUCHERIUS CERVICORNUS (PTS. 1–2, 6) AND JOHANNES SOTER (PTS. 3–5)] 4 OCTOBER 1535; [PRELIMINARIES (FIRST QUIRE) PRINTED AT SOUTHWARK: JAMES NICOLSON, 1535]. An extraordinarily fine copy of the first edition of the printed Bible in English. Six parts in one volume, folio (12 1/4 x 7 7/8 in.; 311 x 200 mm). Text in double columns, black letter (English for preliminaries, Schwabacher for the text with roman for marginalia and disputed words), General title within woodcut border attributed to Hans Holbein the Younger, Separate titles within woodcut borders composed of eight blocks for parts two (The seconde parte of the Olde Testament) and four (All the Prophetes in Englishe) of the Old Testament, the Apocrypha and the New Testament, each with separate registers and foliation (as well as for the Book of Job which has a drop title), 158 woodcut illustrations made from 68 woodblocks derived from designs by Hans Sebald Beham (which first appeared in a Bible printed at Frankfurt by Christian Egenolff, 1534), woodcut and flourished gothic script initials; washed and pressed, [Maltese cross]1–6, TT5, and folding map (as usual) supplied in fine old facsimile by John Harris, minor marginal repairs to some leaves chiefly to lower right corners. Early twentieth-century crushed black morocco, spine in six compartments lettered gilt, gilt-ruled turn-ins, edges gilt; spine and board edges very lightly rubbed. From the collection of Dr. Adam Clarke (1760-1832), a prominent Methodist theologian and contemporary of John Wesley. Clarke is best remembered for his commentary on the English Bible, in which he references this volume. Later acquired by William Gott (1797-1863), including his engraved armorial with the motto "Nec temere | Nec timide.” [Attributes: First Edition; Hard Cover]

      [Bookseller: RareBibles.com]
 21.   Check availability:     AbeBooks     Link/Print  


         Amsteldam en zyne geschiedenissen, in het kort.Amsterdam, Johannes Allart, 1788-1792. 6 volumes. 12mo. With 28 engraved plates (13 folding; 15 full-page) by D. Vrijdag, N. van de Meer, T. Elffers and J. Buys. Publisher's boards.

      Buijnsters, School- en kinderboeken, 1087; Haitsma Mulier & Van der Lem 166c; Nijhoff & V. Hattum 315; STCN (8 copies, all but 3 lacking the publisher's boards). First edition of this history of Amsterdam in the form of conversations between a father and his son, adapted from Wagenaar's Amsterdam in zyne opkomst, aanwas, geschiedenissen . The fine illustrations include folding views of the theatre, Felix Meritis, Amstelveen, Diemen, Ouderkerk, Slooten, a folding plan of Amsterdam in 1200, and full-page plates showing historical events, including the Anabaptists running naked through Amsterdam in 1535.Some quires loose; the plan torn at fold; boards damaged. A very good, uncut set in publisher's boards.

      [Bookseller: Antiquariaat FORUM BV]
 22.   Check availability:     Biblio     Link/Print  


         Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua Castigliana in Italiana idioma

      1535 - A fine early illustrated edition of the Celestina. 1535. Venice. Pietro Nicolini da Sabbio. 8vo (144 x 102 mm). 1 [blank], cxii, 1 [blank]. Very attractive nineteenth century red morocco by Niedree, raised bands to spine forming compartments, gilt edges, spine lettered and tooled in gilt, boards with fillets tooled in blind forming and with gilt corner pieces. Excellent condition, large, clean and crisp. 13,000 $ An early edition of the Celestina, one of the rare illustrated with woodcuts following the plot. The Celestina is probably the most celebrated literary work in the Spanish language before the publication of the Don Quijote, and the most popular Spanish romance, “the first connected long story with a complete plot written in modern literature” (Maggs, cat. 495); it marks the transition between medieval and renaissance literature. The title “Celestina” instead of “Tragicomedia” would only appear in 1595, almost a full century after its the appearance of the edition princeps in 1499. The illustration is composed of a woodcut on title-page portraying Celestina and possibly Melibea with the legend Vetula Cauda Scorpionis, woodcuts initials and several large woodcuts in text portraying the romance with an artistic vision, directly illustration the story. Provenance: Thomas Gaisford (of Worthing), armorial bookplate, sale, Sotheby’s, 23 April 1890, lot 406, £1, to Stibbs; £1-10s., price in pencil on flyleaf; William O’Brien, bookplate dated 1899. Censimento 16 CNCE 32742. cf. Sander 1910 (1534 edition). [Attributes: Hard Cover]

      [Bookseller: HS Rare Books]
 23.   Check availability:     IberLibro     Link/Print  


         Vergine col Bambino, S. Giovannino e S. Elisabetta

      1535 - Bulino, databile al terzo decennio del XVI secolo, firmato in lastra in basso a sinistra. Da un soggetto di Giulio Romano. Esemplare nel terzo stato di tre, con il lato in luce della culla terminato. Bellissima prova, ricca di toni di lastra, impressa su carta vergata coeva con filigrana "stella nel cerchio", rifilata al rame, in ottimo stato di conservazione. L’opera riproduce la composizione della cosiddetta Piccola Sacra Famiglia (1518-19), un dipinto conservato al Louvre ed attribuito in passato a Raffaello ora invece assegnato a Giulio Romano o Giovanni Francesco Penni. Tuttavia potrebbe derivare anche da un anonimo disegno a sanguigna conservato a Windsor, sempre attribuito a Giulio. L’incisione rappresenta un ottimo esempio della maestria tecnica del Caraglio, con una serie di segni incrociati che forniscono un forte contrasto tonale. La rarità dei primi stati, con la culla in basso a destra non completata, lascia supporre che il solo stato finale sia il risultato voluto dall’artista. Magnifico esemplare. Engraving, circa 1530, signed at lower left. After Giulio Romano. Example in the third state of three, with the cradle completed. A fine impression, rich of tone, printed on contemporary laid paper with "star in a circle" watermark, trimmed to the platemark, in perfect conditions. The work reproduces the composition of the so-called Little Holy Family (1518-19), a painting in the Louvre and attributed to Raphael in the past but now assigned to Giulio Romano and Giovanni Francesco Penni. However, it could also result from an anonymous drawing stored at Windsor, and attributed to Giulio Romano. The engraving is a good example of technical mastery of Caraglio, with a number of signs crossed that provide a strong tonal contrast. The rarity of the first states, with the cradle at the bottom right is not complete, suggesting that only the final state is the desired result by the artist. A magnific example. Bartsch XV, p. 69, 5; TIB, p. 87, 005 III/III; Massari, Giulio Romano, p. 62, 53; Passavant VI, p. 96, 5; Massari, Raphael Invenit, p. 207, XXXIX. Dimensioni 220 305mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
 24.   Check availability:     IberLibro     Link/Print  


         C. Plinii Secundi Naturalis Historiae. Tertia pars.

      Venetia (Venezia / Venedig): Aldus Manutius [dum Aldi et Andreae Asulani Soceri] bzw 1536 1535 - 295 + 1 Blatt. Halbpergament mit handschriftlichem Rückentitel (berieben und bestoßen, Blatt 2 mit einer Fehlstelle mit geringem Buchstabenverlust, das letzte Blatt (mit Siglenverzeichnis, Kolophon und Druckermarke) mit Fehlstellen und fleckig, sonst gutes und sauberes Exemplar). Auf dem Titelblatt die Jahreszahl 1535, laut dem Kolophon jedoch 1536 gedruckt. 850 gr.

      [Bookseller: Antiquariat Dr. Lorenz Kristen]
 25.   Check availability:     ZVAB     Link/Print  


         Il Petrarcha: nuouamente conferito con essemplari antichi scritti al tempo ch'egli era in uita, & con somma diligenza corretto con le figure àluoghi suoi accommodate: aggiuntaui la spositione de luoghi difficili del Petrarcha, & le regole de gli accenti.

      1535 - Title within woodcut ornamental border with printer's device; his device repeated at end. Colophon (leaf [32a]): Impresso in Vinegia, per Vettor .q. Piero Rauano, della Serena & compagni. Nel anno del signore M.D. XXXV. (1535) "Trionfi": leaves 138b-176a, with six woodcuts. Reprint of the Aldine edition of 1533 without preface, but with the woodcuts of the Zoppino editions. Imprint supplied by colophon, under which is printer's device. Rare edition. [Attributes: Hard Cover]

      [Bookseller: Elena Gallego - Rare Books]
 26.   Check availability:     AbeBooks     Link/Print  


         Iuvenalis Persius

      in Aedibus Haeredum Aldi, et Andreae Soceri, 1535. 8vo (cm. 14,5), 78 cc. Ancora aldina al frontis. Carattere corsivo. Legatura ‘700 in pergamena rigida con titolo oro su tassello in pelle rossa al ds. Tagli rossi. Un forellino restaurato al margine interno del frontis. ed un altro, anch’esso restaurato, al margine esterno delle ultime dieci carte. Minuscolo percorso di tarlo marginale, che non lede il testo, su otto carte. Nel complesso ottimo esemplare. Ristampa dell’edizione aldina del 1501. Renouard, p. 113: ‘Elle n’est pas commune’.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
 27.   Check availability:     maremagnum.com     Link/Print  


         De Fructibus. Libri quatuor (Ioannis Copi Iurisconsulti Parisiensis, ad Christianiss. Francorum regem Franciscu)

      ex officina Christiani Wecheli, Parisiis 1535 - In 4°, pp. (16), 263, (1). Pergamena floscia dell'epoca con titoli calligrafati sul dorso. Alone bruno sul margine alto delle prime quattro carte, altrimenti copia in buono stato. Nota di possesso coeva sul frontespizio. Vignetta incisa sul frontespizio e sul verso dell'ultima carta (Due mani tengono un caduceo tra due cornucopie sormontate da Pegaso). Edizione originale [Attributes: First Edition]

      [Bookseller: Libreria antiquaria Atlantis]
 28.   Check availability:     AbeBooks     Link/Print  


         Elysium. Ein Buch Gedichte. Leipzig, Insel-Verlag 1906. 4to. 26 S. Orig.-Pergamentband mit Rückentitel.

      - Erstausgabe und eines von 25 numerierten Exemplaren der Luxusausgabe auf Pergament. Dieses Buch wurde im Auftrag von Walter Heymel gedruckt. Druck der Initialen in Rot. Sehr schönes Exemplar. - Sarkowski 1535. - Wilpert/Gühring 2/12. [Attributes: First Edition]

      [Bookseller: Antiquariat Schmidt & Günther]
 29.   Check availability:     ZVAB     Link/Print  


         Amsteldam en zyne geschiedenissen, in het kort.Amsterdam, Johannes Allart, 1788-1792. 6 volumes. 12mo. With 28 engraved plates (13 folding; 15 full-page) by D. Vrijdag, N. van de Meer, T. Elffers and J. Buys. Publisher's boards.

      Buijnsters, School- en kinderboeken, 1087; Haitsma Mulier & Van der Lem 166c; Nijhoff & V. Hattum 315; STCN (8 copies, all but 3 lacking the publisher's boards). First edition of this history of Amsterdam in the form of conversations between a father and his son, adapted from Wagenaar's Amsterdam in zyne opkomst, aanwas, geschiedenissen. The fine illustrations include folding views of the theatre, Felix Meritis, Amstelveen, Diemen, Ouderkerk, Slooten, a folding plan of Amsterdam in 1200, and full-page plates showing historical events, including the Anabaptists running naked through Amsterdam in 1535.Some quires loose; the plan torn at fold; boards damaged. A very good, uncut set in publisher's boards.

      [Bookseller: Antiquariaat FORUM BV]
 30.   Check availability:     NVvA     Link/Print  


         APOPHTHEGMATUM LIBRI OCTO. Cum primis frugiferi, denuò vigilanter ab ipso recogniti autore, non sine lucro novae accessionis.

      Basileae, in officina Frobeniana, 1535. In-16 p. (mm. 152x104), p. pelle bazana settecentesca (picc. spacchi ale cerniere), decoraz. e tit. oro su tassello al dorso, tagli rossi, 8 cc.nn., 864 pp.num., 28 cc.nn.; al frontespizio marca tipograf. xilografata (e anche disegnata a penna), ornato da grandi e bei capilett. figur. su fondo nero, pure inc. su legno. Traduzione e raccolta di brevi significativi insegnamenti e aneddoti di autori antichi, greci e romani (Plutarco, Diogene Laerzio, Senofonte, Plinio, Tito Livio, Svetonio, Macrobio, Erodoto, Seneca, Filostrato, Valerio Massimo, Eutropio, etc.). "Prima edizione frobeniana" in 8 libri (la prima ediz., in 6 libri, è del 1531). L’opera ebbe grande successo, fu tradotta in varie lingue ed ebbe numerosiss. edizioni. Cfr. Adams,I, 493 (p. 395). Corto del marg. sup. altrimenti esemplare ben conservato.

      [Bookseller: Libreria Malavasi sas]
 31.   Check availability:     IOBABooks     Link/Print  


         LIBRO PRIMO DE LA CONQVISTA DEL PERV & PROUINCIA DEL CUZCO DE LE INDIE OCCIDENTALI

      [Colophon: Vinegia (i.e. Venice): Stampato per Stephano da Sabio, 1535. [62] leaves. Small quarto. Later vellum over boards, manuscript title on spine. Corners bumped and lightly worn. Armorial bookplate on front pastedown. Several leaves lightly dampstained. Light scattered soiling. Very good. As one of the "Men of Cajamarca," Francisco de Xerez holds a very special place among writers on the earliest period of Spanish contact with the Inca of Peru: He was there from day one, a member of the very small band of men who left Panama with Pizarro and Almagro to seek fame and fortune in South America. At Cajamarca he participated in the taking of the Inca leader, Atahualpa, the slaughter of his army, and the sharing of the ransom demanded of the Inca nation for the return of their leader. By training a notary public and practiced writer, he was by choice Pizarro's secretary/confidant, the two having been close since at least 1524, when they met in Panama; and when in 1534 he returned to Spain, he took with him his share of the wealth of Atahualpa, a broken leg, and a tale to tell that was significant, stirring, and in fact tellable by no other man. He conceived of his book as being at once a socially and politically useful celebration of Pizarro's deeds and his own, a celebration of the glory of Spain as that was expressing itself in a remote and wondrous New World, and as a true entertainment cast in the tradition of the romance of chivalry; not surprisingly, it was a blockbuster. Xerez's eyewitness account of the conquest of Peru was originally published in Spain in 1534 in Spanish as the VERDADERA RELACIÓN DE LA CONQUISTA DEL PERU Y PROVINCIA DEL CUZCO LLAMADA LA NUEVA CASTILLA. Demand for news of the new, "exotic" kingdom of Peru, which had only been conquered in 1532, was found to be keen not only in Spain but all across Europe, leading to this rapid translation into Italian. Appended to Xerez's account (fols. [43v] to [55r]) is a translation of Miguel de Estete's account of Pizarro's army's journey from Cajamarca to Pachacamac and then to Jauja. Estete was also present at Cajamarca and is said to have been the first Spaniard to lay hands on Atahualpa. Both of these first translations into Italian are from the pen of Domingo de Gaztelu (secretary of Don Lope de Soria, Charles V's ambassador to Venice) and are taken from the second edition of the Spanish-language original. The text is printed in roman type and has a large heraldic woodcut device on the titlepage and a xylographic printer's device on the verso of the last leaf. CHURCH 73. HARRISSE 200. SABIN 105721. EUROPEAN AMERICANA 535/21. HUTH 1628. BM STC, ITALIAN, p.738. MEDINA (BHA) 95. JCB I:119.

      [Bookseller: William Reese Company - Americana]
 32.   Check availability:     IOBABooks     Link/Print  


         Tractatus Perutilis et Completus de Fractura Cranei..

      Woodcut on title & woodcuts of instruments in the text. Text printed in italics. CX leaves, one leaf of colophon, one blank leaf. Small 4to, cont. limp vellum (spine neatly repaired, endpapers replaced, a few tiny holes in the title sometime patched with a small piece of paper). Venice: per Joan. Ant. de Nicolinis de Sabio, Expensis D. Joan. Baptistae Pederzani, 1535. Third edition of Berengario's book on head wounds, the first book on a neurosurgical subject. "The first separate treatise on head injuries and their neurological treatment. The work originated in a dispute between Berengario and some other physicians over the treatment of Lorenzo de Medici, who had suffered a skull fracture in battle. Berengario described several types of skull fractures and grouped the resulting lesions according to their symptoms, drawing from his own observations, as well as contemporary knowledge, to cite the relation between location and neurological effect… "He also discussed prognosis, diagnosis and treatment, described the technique of craniotomy and provided detailed illustrations of contemporary neurosurgical instruments."-Norman 186-(1st ed. of 1518). The book also discusses apoplexy, meningitis, and paralysis, and contains Hippocrates' De Capitis Vulneribus in the translation of Marcus Fabius Calvus. "Berengario's book was the most original neurological treatise until then and was not surpassed until the appearance of Ambroise Paré's similar work in 1562, in which Paré expressed his appreciation of his predecessor's efforts and made use of them."-D.S.B., I, p. 618. The two earlier editions, one undated, are virtually identical to each other. A fine copy, complete with the colophon leaf and final blank. ❧ Garrison-Morton 4850.2-(1st ed. of 1518). Stillwell, The Awakening Interest in Science during the First Century of Printing, 600-(1st ed.).

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
 33.   Check availability:     IOBABooks     Link/Print  


         Fl. Vegetii Renati viri illustris De re MILITARI LIBRI QUATUOR. Sexti Iulii Frontini viri consularis De strategematis libri totidem. Aeliani De instruendis aciebus liber vnus. Modesti De vocabulis rei militaris liber vnus.

      Parisiis. Sub scuto Basiliensi ex officina Christiani Wecheli. M.D.XXXV. [1535].. Item picturæ bellicæ cxx. passim Vegetio adiectæ / Collata sunt omnia ad antiquos codices, maxime` Budaei, quod testabitur Aelianus. THIRD Wechell edition, 1535. TEXT IN LATIN. Folio bound in sixes, approximately 310 x 205 mm, 12½ x 8 inches, numerous errors in paging, all catch words correct, LACKS 6 ILLUSTRATIONS ON 3 LEAVES, N4, P3 and Q1, 116 FULL PAGE ILLUSTRATIONS (OF 122) plus 1 half page, (the knight in amour at front of book is duplicated "lansquenet" ), 1 small text illustration and some troop formations in the text. Pages: [8], 1-279, [1], collation: a4, A-Y6, Z8; printers device to title page and last page, decorated initials, bound in full old calf, edges gilt. Binding worn, rubbed and scuffed with some repairs to spine, shelf wear to edges and corners with repairs, title page has neat small repair to outer edge, nowhere near text, all outer margins of text and illustrations have pale stain (see attached images), not affecting images or text, occasional neat old ink marginalia, some pale age-browning to last three pages, occasional small brown spot, 1 plate has pale spotting to margins, not affecting image, otherwise a very good copy with superb illustrations including catapults, rams, cannons, grenades, scaling ladders, water-raising machines, a water-clock, diving equipment, bridges, rafts etc. See: Harvard College Library Department of Printing, Volume 2, page 599, No. 487; C. Fairfax Murray, Catalogue of Early French Books, page 835, No. 563. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 34.   Check availability:     IOBABooks     Link/Print  


         De Architettura dal vero esemplare latino nella volgar lingua tradotto

      Venice: Nicolo de Aristotele detto Zoppino, 1535. Second Durantino edition of the first illustrated edition of Vitruvius (original Latin 1511) and the first attempt to establish a critical text of the only surviving ancient architectural treatise, notoriously difficult for its technical matter and crabbed means of expression.

      [Bookseller: Martayan Lan, Inc.]
 35.   Check availability:     IOBABooks     Link/Print  


         M. L. Vitrvuio Pollione Di architettura dal vero esemplare latino nella volgar lingua tradotto: e con le figure a suoi luoghi con mirãdo ordine insignito. Anchora con la tauola alfabetica: nellaquale facilmente si potra trouare la moltitudine de vocaboli a suoi luoghi cõ gran diligenza esposti : e dichiarati: mai piu da alcuno altro fin al presente stampato a grande vtilita di ciascuno studioso

      Venice: Nicolo de Aristotele detto Zoppino, 1535. Hardcover. Very Good. Folio (295 x 190mm). [12], I-CX, (110ff.) Signatures: AA6-BB6; A8-N8; O6. Title printed in red and black with woodcut block border depicting strewn armor and dueling knights with wreathed portrait of Cicero at top and plaques with monogram initials of Roman Emperors Fabius Maximus, Julius Caesar, and Alexander Magnus. 136 woodcut in-text illustrations depicting lives of primitive humans, the famous Vitruvian Man on p. XXII, constellations, rules for perspective, and other mathematical figures and diagrams of architecture. Woodcut historiated chapter initials throughout of repeating portraits. Translated by Benedetto Giovio (1471-1545). Edited by Francesco Lutio Durantino. 19th-century calf with decorative stamps, spine stamped in gilt TRAT DE ARCH, endpapers renewed; (loose in binding, some margins trimmed close, some light worming, at least six early cancelled inscriptions on title, leaf CX with significant excision, otherwise an crisp and clean text block with wonderful woodcut impressions). 19th-century inscription on fly-leaf “Famoza Archi-tectura.” Another 19th-century inscription on front flyleaf, “Presented to the Mercantile Library Association of New York by Philip A Reach ...Consul/ Lisbon Jan. 7 1848.” Sold in 1958 “on removal of Architecture Books from the Library” (pencil note). Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety, another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de’ Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice (Tacuino). This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar, Julius Caesar, and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life, nature, and architecture and are characteristic of Vitruvian ideals in regards to proportion, ornament, language, space, place and beauty. The famous figure of “Symmetria” (Vitruvian Man) is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists, thinkers, and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture. Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety, another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de’ Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice (Tacuino). This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar, Julius Caesar, and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life, nature, and architecture and are characteristic of Vitruvian ideals in regards to proportion, ornament, language, space, place and beauty. The famous figure of “Symmetria” (Vitruvian Man) is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists, thinkers, and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture.

      [Bookseller: Sanctuary Books]
 36.   Check availability:     IOBABooks     Link/Print  


        Tabv Moder Sici & Sardi

      Lione 1535 - Carta geografica della isole, per la prima volta stampata da Laurent Fries nel 1522. La carta, riduzione di quella edita dal Waldseemuller nel 1513, doveva servire per una sorta di cronica del mondo a cura dello stesso Waldseemuller, la cui morte interruppe il progetto. Tratta dalla Geografia di Tolomeo a cura di M. Servetus e G. Treschel, stampata a Lione nel 1535, si differenzia dalla prima edizione del Fries per la presenza del titolo nel cartiglio in alto, e la mancanza al verso del testo. Nella successiva ristampa del 1541 il titolo viene cambiato. Xilografia, leggera ossidazione alla piega centrale, per il resto in eccellente stato di conservazione. Rara. Dufour/Lagumina 54 (edizione 1541). Dimensioni 420 260mm

      [Bookseller: Libreria Antiquarius]
 37.   Check availability:     AbeBooks     Link/Print  

______________________________________________________________________________
More rare books found from 1535


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service     


Copyright © 2018 viaLibri™ Limited. All rights reserved.