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         Hoc in Volumine C. Crispi Sallustii haec omnia continentur. Epistola Pomponii ad Augustinum Mapheum. Epistola Io. Badii Ascensii nobliss ac Reuerendo D. Francisco Rouhan Lugdunensium Archipraesuli [etc.] . . . C. Crispi Sall. bellum Catilinariu [etc.] . . .

      Venetiis [Venice]: In aedibus Ioannis Tacuini de Tridino... 1534. Later printing. Folio, pp. (6 leaves) [xii] + 151 leaves [302]; 19th century morocco gilt; boards detached but present; spine perished; marbled endpapers; with Harvard Detur Prize bookplate on front pastedown ("detur XXX XXX XXX Collegii Harvardiani Alumno, ex testamento Edvardi Hopkins Armig. Pro insigni in studiis diligentia Henry Aaron Yeomans Decanus 1917. Consill. Pret TT. adjuv. AD MDCCCLX."); later flyleaves; decorative wood engraved title leaf printed in red and black; woodcut initials throughout; few marginal notes in a contemporary hand; scattered offsetting and foxing to text leaves; text block sound. Rear board with heraldic arms of Edvardi Hopkins. Front board with Harvard seal (Christo et Eccelsiase Veritas). A solid candidate for rebinding. Disbound. Scarce edition illustrated with 15 wood engraved insets. (The first printed edition of Sallust was published in 1470.) With commentary by various authorities surrounding Sallust's text. Born into a plebeian family, the Roman historian Sallust (85-35 BCE) was a partisan and friend of Julius Caesar, who installed him as governor of Africa Nova, a position that allowed him to amass great wealth through extortion, graft and oppression. He escaped condemnation through his connection to Caesar and retired to Rome in luxury. Two of his works survive as complete texts, Cataline's War (his first published work) and the Jurgenthine War; only fragments of his Histories remain. Sallust strongly opposed the old Roman aristocracy which he described as vicious and depraved. In Caesar he saw a leader who might strengthen Roman morality and politics, though his own personal ethics were notable only in what they lacked. As a writer he showed a lively, unusual and epigrammatic style, often employing either archaic terms or even creating neologisms. Other classical writers, including Tacitus and Quintillian, considered Sallust an historian of the first rank. WorldCat locates three copies, including one at the Houghton. OCLC accession # 83423551. Fair.

      [Bookseller: Kuenzig Books ABAA]
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         Isolario di Nel qual si ragiona ditutte lIsole del mondo con li lor nomi antichi and moderni historie fauole and modi del loro viuere and in qual parte del mare stanno and in qual parallelo and clima giaciono 

      Second edition. Four double-page & 108 smaller woodcut maps to text. Folio. Nineteenth-century half vellum over marbled boards, spine gilt with gilt label, bookplate to front pastedown, shelfworn, spine darkened & rubbed, repaired loss to gutter of double-page maps, tape-repairs to leaves 67 & 74, some soiling & foxing. [4], 74ll. Venice, Nicolo d'Aristotile, June,

      [Bookseller: Maggs Bros. Ltd.]
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         Triomphi de Troilo Pomeran da Cittadela composti sopra li Terrocchi in Laude delle famose Gentil donne di Vinegia

      Venice, Giovanni Antonio dei Nicolini da Sabbio, 1534. Very rare volume of verse in praise of the noblewomen of Venice, loosely organised in four parts, commencing with thirteen stanzas of ottava rima on Venetian women in general, then (after a pictorial sub-title) twenty-two stanzas of ottava rima with headings associating specific women with the tarocchi trumps (Major Arcana), next twenty-one stanzas of ottava rima addressed to the author's "Fenice", and lastly two quatrains and two stanzas of terza rima. No other publication of the author is known.Pomeran da Cittadella, Troilo fl. Venice 1534 Triomphi de Troilo Pomeran da Cittadela composti sopra li Terrocchi in Laude delle famose Gentil donne di Vinegia. Venice, Giovanni Antonio dei Nicolini da Sabbio, 1534 quarto (194 × 140 mm), (12) ff. signed A-C 4 , not foliated or paginated. Large woodcut impresa (150 × 100 mm) on folio A1 recto (Virtus and Fama standing within a wreath, banderols at top and bottom lettered Nobis et ecaris [sic] amicis and Con gratia e privilegio; Fig. 1), another woodcut by the same hand (180 × 110 mm) on folio B1 recto (a group of five figures, lettered around Carmine formosa[e] precio capiuntur auarae; Fig. 2). provenance Georges Heilbrun, 'Catalogue 20: Manus­crits Incunables Premières éditions et Livres illustrés', Paris, circa 1962, item 95 -- Pierre Berès, his sale by Pierre Bergé & Associés, 'Fonds de la librairie Pierre Berès. Des incunables à nos jours, 4ème partie', Paris, 17 December 2007, lot 15 Lightly washed; otherwise in fine state of preservation. binding nineteenth-century French citron morocco; covers decorated by a gilt centre-piece with red morocco inlay, back decorated in gilt and by red and blue lettering-pieces (in the style of Capé). Very rare volume of verse in praise of the noblewomen of Venice, loosely organised in four parts, commencing with thirteen stanzas of ottava rima (folios A2 recto-A4 verso) in praise of Venice and of Venetian women in general, whom the author imagines in a triumphal procession through an arbour, garlanded with flowers, their blond heads (capeibiondi) crowned with wreaths, each lady holding aloft a triumph card, as if it were a trophy. The second part has a pictorial sub-title and consists of twenty-two stanzas of ottava rima (folios B1 verso-C1 recto), with headings associ­ating specific women with the tarocchi trumps (Major Arcana). The third part comprises twenty-one stanzas of ottava rima (folios C1 recto-C4 verso) addressed to the author's 'Fenice', in which her physical attributes are praised one-by-one; the fourth part consists of two quatrains and two stanzas of terza rima (folio C4 verso). No other publication of the author is known. [img-2338-left-large_default] Fig. 1 The only recorded use of this woodcutimpresa(page height 194 mm) The second part has attracted the attention of historians of trionphi or tarocchi card games, as an example of 'tarocchi appropriati' offering evidence of the sequence (i.e. relative values) of the trumps before the cards were numbered and trick-taking values codified. Pomeran starts with 'The World' and runs to 'The Fool', with variations to the usual order, and also unusual names: 'Traditore' (for The Hanged Man), 'Tempo' (for The Hermit), and 'Foco' (probably for The Tower). 1 The cards were not given any divinatory meaning, but simply worked into the poem as a playful exercise of verbal agility, humour, and flattery. The twenty-two trumps are presented by Pomeran in the following order and in praise of the women named: Mondo (The World) = Andriana Corner [Cornaro]Giustitia (Justice) = 'La bella' [Lucrezia?] BarbarigoAngelo (The Angel) = Isabella GrimaniSole (The Sun) = Laureta TronLuna (The Moon) = Grazimana [Zane, or Giane?]Stella (The Star) = Isabetta Sanuto (Sanudo)Foco (Fire) = Bianca Contarini 2 Diauolo (The Devil) = Laura BollaniMorte (Death) = Paola CapelloTraditore (The Traitor) = [Isabetta?] MocenigoTempo (Time) = Maria LeoneRota (The Wheel [of Fortune]) = Paola MoroFortezza (Fortitude) = Paola QueriniAmore (Love) = Orsina Foscoletta [Foscolo]Carro Triomphale (The Chariot) = Maria LoredanTemperanza (Temperance) = Bianca ZenoPapa (The Pope) = 'Famos' [Marina?] AlbertiImperatore (The Emperor) = Benedetta PisaniPapessa (The Popess) = Marieta Zane (Giane)Imperatrice (The Empress) = [Marietta?] PasqualigoBagattela (The Juggler) = Paola ValierMatto (The Fool) = Nicolosa Cornera [Cornaro] Pomeran's association of a named person with a trionphi card had few literary precedents. The inspiration for his book most probably was a popular parlour game and carnival entertainment, in which each player is assigned a tarot card or cards by an opponent, and then has to explain the reason for the attribution in an extemporaneous poetic composition. 3 Although 'tarocchi appropriati' developed into a literary phenomenon, later works - by Giovanni Battista Dragoncino, Girolamo Parabosco, Giovanni Battista Susio, and others - are not obviously indebted to Pomeran. The only clear evidence of the influence of his book is seen in Nicolò Franco's Tempio d'amore, published at Venice by Francesco Marcolini in 1536 (about half the thirty names listed by Pomeran reappear in Franco). 4 [img-2339-left-large_default] Fig. 2 The only recorded use of this woodblock (page height 194 mm) Our book has long been prized by collectors, for its two fine woodcuts (neither recorded in use elsewhere), the elegance of the cursive type, and rarity. We note copies in the dis­tinguished collections of Italian literature assembled by Crofts (1783), 5 Celotti (1825), Riva (1857), 6 Libri (1859), 7 and Landau (1890), 8 and trace six copies in public collections ● Cambridge, ma, Harvard University, Houghton Library, Typ 525 34.706 9 ● Florence, Biblioteca nazion­ale centrale (located by Carpané; identified as the Landau copy by Pratesi) ● London, British Library, C.57.c.28 ● Udine, Biblioteca Arcivescovile e Bartoliniana, KK.VII.23(10) 10 ● Venice, Fondazione Cini, FOAN TES 465 11 ● Venice, Biblioteca nazionale Marciana, 83.C.197. 12 A second edition, printed in octavo format and without the two woodcuts, was published under the imprint 'per Giouann' Antonio, e Pietro fratelli de Nicolini da Sabio' on 23 November 1541. 13 references Emmanuele Antonio Cicogna, Saggio di bibliografia veneziana (Venice 1847), p.569, no. 2592; Jacques-Charles Brunet, Manuel du libraire et de l'amateur de livres (fifth edition Paris 1860-1865), iv, col. 793; Jules Gay, Bibliographie des ouvrages relatifs à l'amour, aux femmes, au mariage, edited by J. Lemonnyer (Paris 1894-1900), iii, col. 1265; Victor Masséna, prince d'Essling, Bibliographie des livres à figures vénitiens... 1469-1525 (Paris 1892-1914), ii, p.662; Hugues Vaganay, Le Sonnet en Italie et en France auxvi e siècle. Essai de bibliographie comparée (Lyon 1902-1903), no. 1534/4; Lodovico Frati, La Donna italiana nei più recenti studi (Turin 1928), p.126; Max Sander, Le Livre à figures italien depuis 1467 jusqu'à 1530 (reprint Nendeln 1969), no. 5832; Biblia: Biblioteca del libro italiano antico. La biblioteca volgare, 1: Libri di poesia, edited by Italo Pantani (Milan 1996), no. 3789; Lorenzo Carpané, 'Annali tipografici' in Il mestier de le stamperie de i libri: le vicende e i percorsi dei tipografi di Sabbio Chiese tra Cinque e Seicento e l'opera dei Nicolini, edited by Ennio Sandal (Sabbio Chiese [Brescia] 2002), p.171, no. 29 (title-page reproduced p.172 [img-2340-left-large_default] Fig. 3 One of seven copies known (height of binding 198 mm) 1. Stuart R. Kaplan, The Encyclopedia of Tarot (New York 1986), ii, pp.185, 187; see also, Michael Dummet, Il Mondo e l'angelo. I tarocchi e la loro storia (Naples 1993), 'Gruppo B'; and Lucia Nadin Bassani, Carte da gioco e letteratura tra quattrocento e ottocento (Lucca 1997), pp.88-90; Franco Pratesi, 'Italian cards: New Discoveries, 7. Venetian tarot in the 16th century − evidence from specific literature' in Journal of the Playing-Card Society 17 (no. 2, November 1988), pp.58-64 (link). 2. Five of Pomeran's stanzas are translated into English by Kaplan, op. cit., ii, p.9: 'Foco', 'Rota', 'Carro Triomphale', 'Temperanza', and 'Imperatore'. 3. The only earlier publication cited by Kaplan is the Mantuan poet Teofilo Folengo's Chaos del Tri per uno (Venice 1527), containing sonnets associating each of two men and two women - Giuberto, Focilla, Falcone, Mirtella - with five or six trionphi cards (Kaplan, op. cit., ii, pp.8-9). An unpublished 'Pasquinate sopra il Conclave del 1521' by Pietro Aretino and other manuscripts of uncertain dates are cited by Giordano Berti and Andrea Vitali, I Tarocchi: le carte di corte, gioco e magia alla corte degli Estensi, catalogue of an exhibition in the Castello Estense, Ferrara, September 1987-January 1988 (Bologna 1987), nos. 29, 32, 33, 35; see also Giordano Berti, Storia dei Tarocchi: verità e leggende sulle carte più misteriose del mondo (Milan 2007), pp.174-176. 4. Nadin Bassani, op. cit., pp.91-98. 5. S. Paterson, 'Bibliotheca Croftsiana. A catalogue of the curious and distinguished library of the late Reverend...Thomas Crofts', London, 7 April 1783 (and 43 days), lot 3758. 6. L. Potier, 'Catalogue de livres rares et précieux, manuscrits et imprimés composant la bibliothèque de M. C[arlo] R[iva] de Milan, dont la vente aura lieu le jeudi 8 janvier 1857', Paris, [1856], lot 970. 7. S. Leigh Sotheby and John Wilkinson, 'Catalogue of the choicer portion of the magnificent library, formed by M. Guglielmo Libri', London, 1 August 1859 (and 13 days), lot 2111. 8. [Fr. Roediger], Catalogue des livres manuscrits et impri més composant la bibliothèque de M. Horace de Landau (Florence 1890), ii, p.386. Presumably the copy offered by the booksellers Frederick Startridge Ellis and David White (trading as Ellis & White), A Catalogue of Valuable Books Comprising Many Volumes of Great Rarity and Curiosity, London [c. 1883], p.78, item 532 ('red morocco super extra, gilt edges', £6 6s), sold by Sotheby, Wilkinson & Hodge, Catalogue of the Very Choice Collection of Rare Books: Illuminated, and Other Manuscripts Books of Prints, and Some Autograph Letters, Formed by Mr. Ellis, London, 16 November 1885, p.306 lot 2409 ('red morocco, gilt edges', £2 2s; link), and now in Biblioteca nazion­ale centrale, Florence. Pratesi, op. cit., p.58, writes: 'The copy now preserved in Florence National Library, coming from the Landau Finaly collection, is singly bound in red morocco super extra, with a gold garland printed on the plates [i.e. covers], decorated flyleaves, gilt edges'. 9. Harvard College Library Department of Printing and Graphic Arts; Catalogue of Books and Manu­scripts, Pt. 2. Italian 16th century books, compiled by Ruth Mortimer (Cambridge, ma 1974), no. 393. 10. Local opac reports 'Esemplare mutilo del fasc. A4'. 11. Tammaro De Marinis, Il castello di Monselice; raccolta degli antichi libri veneziani figurati (Verona [1941]), p.96; Dennis E. Rhodes, Catalogo del fondo librario antico della Fondazione Giorgio Cini (Florence 2011), p.213 no. P105. 12. Exhibited by Berti and Vitali, op. cit., pp.106-107, no. 30. 13. No copy is known to the editors of Edit 16/Censimento nazionale delle edizioni italiane del XVI secolo (link); the only one traced by the writer is ● Vienna, Österreichische Nationalbibliothek, 56.K.44. (3.), digitised (link). A copy was once in the library of Jean-Baptiste-Pierre Jullien de Courcelles (1759-1834): Leblanc, Catalogue des livres et documens historiques, manuscrits et imprimés, autographes, etc. composant la bibliothèque de feu M. de Courcelles, Paris, 25 June 1835, pp.79-80 no. 752 (link). The same or another copy passed through the collections of Gustave Parthey -- Charles Fairfax Murray (Catalogo dei libri posseduti da Charles Fairfax Murray, London [i.e. Florence] 1899-1902, p.276, no. 1577) -- Giuseppe Martini (sold by Libreria antiquaria Hoepli, 'Bibliothèque Joseph Martini, deuxième partie', Zürich, 21-23 May 1935, lot 167), since when it is unlocated. See Sander, op. cit., no. 5833; Biblia, op. cit., no. 3790; Carpané, op. cit., p.206 no. *11.

      [Bookseller: Robin Halwas | Rare Books]
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         De Linguae Latinae elegantia libri sex, diligentia haud vulgari ad emendatissima quaeq. exemplaria recogniti. Eiusdem De Reciprocatione Sui, & Suus, libellus adprime utilis. Dialogos vero, & Antidotus in Poggium: Annotationes in Raudensen Recriminationes in Bartholomaeu[m] Faccium, & Benedictum Morandum, & alia quaedam ad linguae Latinae repurgationem spectantia, altero tomo seorsim excudimus

      apud Seb. Gryphium, 1534. In-8° (175x117mm), pp. 516, (42), legatura del primo '800 in m. pelle marrone con titolo in oro su tassello blu e fregi ornamentali in oro al dorso. Tagli a spruzzo azzurri. Impresa tipografica al titolo. Sparsi aloni, sporadici lavori di tarlo marginali non lesivi del testo. Firma rinascimentale al titolo. Ex-libris dello storico saluzzese Carlo Muletti (1786-1869); al verso della sguardia anteriore è applicato un frammento manoscritto in data 1803 con firma di possesso dello stesso Muletti e annotazione coeva di Carlo Capelli da Mondovì relativa alla firma di possesso del frontespizio e alla discendenza del tale da uno studioso di Clavesana. Reimpressione lionese cinquecentesca del capolavoro valliano, il trattato forse il più rilevante dell'Umanesimo italiano sotto il prospetto linguistico-retorico (assai forte fu il suo influsso sullo stesso Erasmo). L'opera intese propugnare la restaurazione della purezza del latino antico (con Cicerone e Quintiliano come paradigmi stilistici) contro l'imbarbarimento che di tale lingua si era avuto nel corso del Medioevo, sostenendo al contempo l'uso del latino come organismo linguistico vivo, in cui la diretta conoscenza degli autori classici predominava sull'apprendimento meccanico di regole pure. Baudrier, VIII, 77. Gültlingen, V, p. 58, 283. Pettegree / Walsby, 89893. Non in Adams né in STC French Books. Latino

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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         Institouta Theophilou. (graece). Institutiones iuris civilis in Graecam linguam per Theophilum Antecessorem olim traductae . nunc vero primum in lucem restitutae & recognitae, cura & studio Viglii Zuichemi.

      Basel, Froben, 1534. - Folio, circa 32,3 x 24 cm. 14 Bll., 284 SS., 2 Bll., mit 2 grossen Druckermarken und einigen Initialen Blindgeprägtes Schweinsleder d. Zt. "VD16 C 5245; BM STC, German 746; Heckethorn S. 121. - Erste Ausgabe, bis auf die lateinische Einleitung durchgehend griechisch. Herausgegeben und eingeführt von Wigle van Aytta (1507-1577). - VORGEBUNDEN: 2. Leunclavius (Löwenklau), J. LX librorum Basilikon (graece), id est universi iuris Romani, auctoritate principum Rom. Graecam in linguam traducti, ecloga sive synopsis, hactenus desiderata . Item novellarum antehac non publicatarum liber. 2 Teile in 1 Band. Basel, E. und N. Episcopius, 1575. 16 Bll., 543, 112 S., 24 Bll., mit 2 Holzschnitt-Druckermarken und 2 Holzschnitt-Initialen. VD 16 O 1409; IA 114.394. Erste Ausgabe des seltenen Werkes, durchgehend in griechisch-lateinischem Paralledruck, besorgt von Johannes Leunclavius (1533-1593). - "Mit seiner Edition der Basiliken. zählt er zu den Begründern der byzantinistischen Rechtsgeschichte" (NBD XV, 96). - Teils kleine Wasserränder, beide Titel mit kleinen Stempeln einer aufgelösten Franziskaner-Bibliothek, wenig fleckig oder gebräunt, Einband beschabt, Rücken und Aussengelenke mit kleinen Einrissen aber solide, Schliessbänder entfernt, dennoch recht dekorativer Prägeband. " [Attributes: First Edition]

      [Bookseller: Antiquariat Thomas Rezek]
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         De Linguae Latinae elegantia libri sex, diligentia haud vulgari ad emendatissima quaeq. exemplaria recogniti. Eiusdem De Reciprocatione Sui, & Suus, libellus adprime utilis. Dialogos vero, & Antidotus in Poggium: Annotationes in Raudensen Recriminationes in Bartholomaeu[m] Faccium, & Benedictum Morandum, & alia quaedam ad linguae Latinae repurgationem spectantia, altero tomo seorsim excudimus

      apud Seb. Gryphium, Lugduni 1534 - In-8° (175x117mm), pp. 516, (42), legatura del primo '800 in m. pelle marrone con titolo in oro su tassello blu e fregi ornamentali in oro al dorso. Tagli a spruzzo azzurri. Impresa tipografica al titolo. Sparsi aloni, sporadici lavori di tarlo marginali non lesivi del testo. Firma rinascimentale al titolo. Ex-libris dello storico saluzzese Carlo Muletti (1786-1869); al verso della sguardia anteriore è applicato un frammento manoscritto in data 1803 con firma di possesso dello stesso Muletti e annotazione coeva di Carlo Capelli da Mondovì relativa alla firma di possesso del frontespizio e alla discendenza del tale da uno studioso di Clavesana. Reimpressione lionese cinquecentesca del capolavoro valliano, il trattato forse il più rilevante dell'Umanesimo italiano sotto il prospetto linguistico-retorico (assai forte fu il suo influsso sullo stesso Erasmo). L'opera intese propugnare la restaurazione della purezza del latino antico (con Cicerone e Quintiliano come paradigmi stilistici) contro l'imbarbarimento che di tale lingua si era avuto nel corso del Medioevo, sostenendo al contempo l'uso del latino come organismo linguistico vivo, in cui la diretta conoscenza degli autori classici predominava sull'apprendimento meccanico di regole pure. Baudrier, VIII, 77. Gültlingen, V, p. 58, 283. Pettegree / Walsby, 89893. Non in Adams né in STC French Books. Latino [Attributes: Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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         Platonis Opera Omnia

      Valder 1534 - Plato, Platonis Opera Omnia cum commentariis Procli in Timaeum & Politica, thesauro ueteris Philosophiae maximo Adiectus etiam est in Platonis omnia, sentential-rum & uerborum memorabilium, Index. Baileae apud Ioan. Valdervm, Mense Martio, Anno. Folio size (31 x 20cm) but collates like an 8vo, 8 leaves per signature. 48pp title-page+ index, etc.; text 1-690; inserted title for Proclus’ commentary on Timaeus and Republic, then 1-433 Proclus’ commentary. Rebacked ½ calf, old boards. Some paper repair, one leaf margin trimmed. This is the second complete edition of the works of Plato in Greek. The Aldine 1513 is the first. The two commentaries of Proclus are on dialogues he took to be concerned with physics. The Statesman (Politicus) is the dialogue from the first cycle of dialogues in his curriculum; the Timaeus from the second. The commentary on the Politicus seems to be a series of excerpts from other works in which Proclus discusses that dialogue. [Attributes: Hard Cover]

      [Bookseller: South Willington Book Cartel]
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         RENAISSANCE POCKET LAW GUIDE: Enchiridion. De verborum et rerum significationibus ex pandectis. De regulis juris civilis et canonici.

      Lyons: excudebant Gaspar & Melchior Trechsel 1534 - First edition thus; 16mo (110mm tall); 335, [i]pp. In full contemporary vellum with three raised spine bands and early ink manuscript title to spine (binding somewhat soiled with a few holes to spine, binding attached to textblock at head and foot only but still secure), early ink inscription to foot of title page and head and foot of colophon leaf, early ecclesiastical stamp to reverse of title page, staining to closing 20 leaves, otherwise a clean and complete example of this miniature renaissance reference work on civil and canon law. With woodcut printer's device on closing leaf and a handful of attractive woodcut decorative capitals. A very rare edition; USTC 124815, citing just 1 institutional location at the University of Urbino. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lyppard Books]
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         Tertia centuria, Das ist, Das dritte Hundert, der gedoppelten Evangelosen warhait, betreffendt D. Luthers lehr und dolmetschung der Bibel, auß ernstlichem ansüchen und begeren D. Andres Schmidleins in truck gegeben. [...] Durch F. Ioann Nass.

      8. (17 x 10 cm.). 6 Bll., 260 [i. e. 259], (7) Bll. Ldr. d. Zt. über Holzdeckel. Mit 2 intakten Messingschließen. In sehr gutem Zustand. VD16 N 100 Goed. II, 487, 2c - Erste Ausgabe der dritten Centurie. Die reichen figürl. Blindprägungen auf beiden Deckeln zeigen je ein rechteckiges Mittelfeld (Taufe Jesu und eine Segnung) umgeben von je 12 Heiligenportraits. Tit. in Rot u. Schwarz mit Holzschnitt-Bordüre. - Johannes Nas (Bamberg 1534-1590 Innsbruck), Franziskaner, Weihbischof von Brixen war ein beliebter Volksprediger. Sein Hauptwerk waren die Centurien. Im vorl. Band geht er auf die Lehren Luthers und insbesondere auf dessen Bibelübersetzung ein.

      [Bookseller: Antiquariat Burgverlag]
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         Asiae Europaeque elegantissima descriptio. Maxime quae sub Frederico III. apud Europaeos Christiani cum Turcis, Prutenis, Soldano, & ceteris hostibus fidei comiserunt. Accessit Henrici Glareani compendiaria Asiae, Africae, Europaeque descriptio.

      Paris, Galeotus a Prato, 1534, - in-8vo, 8 Bl. + 522 S., Ex-libris gravé sur la dernière feuille, Reliure d?époque en daim, dos ä trois nerfs, tranches rouges. Zweite in Frankreich gedruckte Ausgabe (zuerst 1509 bei Estienne), kollationsgleich auch mit Impressum Claudius Chevallonius erschienen (so bei Adams). Erstmals mit dem Anhang Glareans, der dessen "De geographia" entstammt (Kap. 22-40, hier ab S. 493). Mit umfangreichen Auslassungen über das Osmanische Reich. Pius II. war bekanntlich Verfasser eines Bittbriefes an Mohammed II, den Eroberer von Konstantinopel. - 1 Reg. Bl. mit Ausrissen (kl. Textverluste, bei diesem und d. nächsten Bl. je 1 Seite stark schmutzfleckig. Tls. braunfl., ansonsten ansprechendes Ex. - Selten. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Adams P 1336. BM, French Books 352. Fritzsche, Glarean 93.

      [Bookseller: Harteveld Rare Books Ltd.]
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         Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis summo studio ac maximis impensis Terra Marique conquistae feliciter incipiunt.

      Ingolstadt, P. Apianus, 1534. - Folio (210 x 292 mm). (40), DXII, (8) pp. Title page printed in red and black. With large emblematic title woodcut after Albrecht Dürer, woodcut printer's device on verso of final leaf, woodcut arms of Raimund Fugger, 7 large woodcut initials showing astronomical and mathematical motifs, and 184 woodcut illustrations. Text surrounded by various woodcut borders throughout. 18th-century calf with gilt arms of Maximilian Ulrich von Kaunitz-Riedberg. All edges sprinkled in red. Only edition. - Printed at the expense of the banker Raimund Fugger, this work presents classical inscriptions and statues collected all over Europe (of which many were in Fugger's own collection). The text is based on earlier studies by Peutinger, Pirckheimer, and others. An exceptionally fine work from the private press of Peter Apianus (1495-1552), mainly known as a mathematician and geographer. - Binding rubbed and bumped at extremeties. Title and final page somewhat duststained; insignificant waterstain near beginning. Page tt1r (the printed area of which reaches far into the margin) is folded in; edge trimmed close to printed text, with slight loss to woodcut. Title has ms. ownership of Count Leopold Wilhelm von Kaunitz (1614-55), dated 1647; contemporary (autograph?) note about a 15th century tomb in Everdingen on recto of final leaf. Bound around 1720 for Leopold Wilhelm's grandson Maximilian Ulrich Graf von Kaunitz-Rietberg (1679-1746), Imperial statesman and governor of Moravia, father of the famous chancellor Wenzel Anton von Kaunitz-Rietberg. VD 16, A 3086. IA 106.422. Adams A 1291. BM-STC (German) 37. Stalla 85. Brunet I, 342. Van Ortroy 109. Günther (Apian) 20f. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         Tnyeuvve Testament al geheel Dleue(n)de woort Gods wtghesproke(n) door onsen salichmakere Jesum Christu(m), Bescreuen door dingeue(n) desheylige(n) gheests, vande(n) Apostolen en(de) Euangeliste(n), Na der translatie(n) dieme(n) ouer al kerste(n)rijc inder heyliger kercken houdt, Welck men vastelic toescrijft Sinte Hieronimo, weder ende weder om nu alder laetste met alle neersticheyt, ende vlijt gecorrigeert, met de(n) Canones ofte onder wijsen van Eusebio. Item noch een Tafele om ghereet te vindene die Epistolen ende Euangelie(n) van den gheheelen iare, ghelijck alsmen die inder heyligher kercken houdt, singhet ende prediker.

      Antwerpen, Willem Vorsterman 1534. (gegraveerde titelpagina) CII folia. Opnieuw gebonden oud Perkament met ribben en stempels, Folio H. 31 x L. 21,5 x D. 2,5 cm. (Plaatselijk wat gebruind, de bladen van katern Q zijn verkeerd gebonden, de laatste pagina's zijn aan de randen plaatselijk verstevigd. Het Nieuwe Testament van de Vorsterman Bijbel, genoemd naar de uitgever Willem Vorsterman (gestorven 1543). Deze vroege bijbeluitgave lijkt aan de buitenkant een kerkelijk betrouwbare uitgave voor die tijd maar bevat een vertaling met vooral protestantse invloeden. Geïllustreerd met een rijkelijk gedecoreerde titelpagina en talloze fraaie houtgravures van Jan Swart en Lucas van Leyden. Dankzij de capabele illustratoren werd de Vorsterman Bijbel bekend als een van de mooiste uitgaves van de Bijbel in de tijd van de Reformatie.) Bruin, C.C. de (1993). De Statenbijbel en zijn voorgangers. Nederlandse bijbelvertalingen vanaf de Reformatie, p. 111-120 / Hollander, A.A. den (1997). De Nederlandse Bijbelvertalingen 1522-1545, p. 87-94 & 423-427 / Lamberigts, M. (2006). Lay Bibles in Europe 1450-1800 / Long, Isaac le (1764). Boek-Zaal der Nederduitsche Bybels, p. 576-581 / Poortman, W.C. (1983). Bijbel en Prent. Deel I: Boekzaal van de Nederlandse Bijbels, p. 92-94 / Rosier, B.A. (1992). De Nederlandse bijbelillustratie in de zestiende eeuw.

      [Bookseller: Antiquariaat De Roo]
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         IOANNES BOLLIUS... (portrait of Hans Bol)

      Portrait of the painter Hans Bol (1534-1593) in an oval. Half-length turned towards the right, looking into the eyes of the observer. Positioned on a plinth with Latin inscription. Surrounding the frame are elements recalling the activity of the artist. Inscribed on the frame: 'IOANNES BOLLIBS MECHELINIENSI PICTOR AET. LVIII A. M.D.XCIII.' Monogrammed on the left bottom: 'HG'. Engraving on paper with margins; plate mark: 263 x 182 mm, total: 285 x 203 mm; state I/2; very nice impression; some foxing; New Hollstein 209; Strauss 316; Bartsch 161

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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         Lexicon medicum, Graecolatinum

      Brea Pietro. 8vo. (16), 434, (22, of which the last 2 are blank) pp. With the author's device on the title-page.17th century mottled calf, marbled edges, some foxing in the margins, but a very good copy. VERY RARE FIRST EDITION of what was to become the most popular medical lexicon of all times. It was preceded by works as Otto Brunfels', Onomastikon medicinae (1534), Henri Estienne's Thesaurus vocabulorum medicinalium (1560) and his Dictionarium medicum (1564), Jean de Gorris', Definitionum medicarum libri XXIII literis graecis distincti (1564), and Anuce Foes', Oeconomia Hippocratis alphabeti distincta (1588). Whereas these earlier authors concentrated only on the terminology of the ancients, Castelli also considered also modern and contemporary authors. The medical terminology was at that time very confused, so that it was not easy for the physicians to agree on the meaning of a word. With the purpose to fill that gap, Castelli sketched a history of medicine from ancient Egypt, where it was built as an autonomous science, and from ancient Greece, where the discipline received its foundations with Hippocrates, to early modern Europe passing through the Arabic physicians. Castelli shows how the medical lexicon has continuously changed and grown over the centuries thanks to the contribution of the alchemists and Paracelsus. Castelli's lexicon covers all branches of medicine, including chemistry and physics. The Lexikon was reprinted many times until the end of the 18th century: Venice, 1607 and 1626; Basel, 1628; Rotterdam (revised by A. Ravenstein), 1644, 1651, 1657, and 1665; Lyon, 1667; Nürnberg, 1682 (augmented and edited by J. Bruno under the title Castellus renovatus); (all subsequent editions bear the title Amaltheum Castellanum Brunonianum:) Padua, 1699, 1713, 1721, 1746, and 1755; Leipzig, 1713; Genève, 1741 and 1746; Amsterdam 1746; etc. "Das entscheidende Novum und damit das eigentliche Erfolgsgeheimnis von Castellis Werk ist wohl vielmehr darin zu suchen, daß sich sein Verfasser erstmals in der Geschichte der medizinischen Lexikographie, oder doch zumindest wesentlich stärker als die Autoren vor ihm, nicht ausschließlich auf die antiken Texte stützte, sondern die alte und die zeitgenössische medizinische Begrifflichkeit gleichermaßen behandelte. Das widersprach bis zu einem gewissen Grad den Idealen des philologischen Humanismus, erhöhte jedoch die praktische Nützlichkeit des Werks, das auf diese Weise die medizinische Fachsprache in ihrer Gesamtheit erschloß" (M. Stolberg, Das "Lexicon medicum graeco-latinum' des Bartolomeo Castelli, in: "Castellus renovatus: Hoc est lexicon medicum. Nürnberg, 1682. Archiv der europäischen Lexikographie, Abt. 3: Geschichte der Medizin; 10", Erlangen, 1994, passim). Born in Messina, Castelli studied theology, philosophy and medicine and taught medicine for many years in his hometown. He probably died around 1607 (cf. A. Hirsch, ed., Biographisches Lexikon der hervorragenden Ärzte aller Zeiten und Völker, München e Berlin 1962, I, p. 852). Edit 16, CNCE 10022; Adams, C-921; Durling 884; Index Aureliensis 133.514; Universal STC, no. 819437; A. Bonifacio, Gli annali dei tipografi messinesi del Cinquecento, (Vibo Valenzia, 1977), p. 54; G. M. Mira, Bibliografia siciliana, (Palermo 1875), I, p. 193..

      [Bookseller: Libreria Govi Alberto]
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         Biblia / das ist / die gantze Heilige Schrifft Deudsch - 2 Bände * G A N Z L E D E R -Faksimilie-Ausgabe des Alten Testaments der ersten vollständige Lutherbibel von 1534, in den Original-Verslagsschubern

      Vollständige Ausgabe in eindrucksvollem Handeinband der Zeit: 2 Bände, gebunden in braunes Leder / Ganzleder / Leder im Format 23 x 33,3 cm mit blindgeprägter Deckel- und Rückendekoration sowie -illustration, jeweils im Original- Verlagspappschuber mit Rückentitel auf Papierschild. Mit Druckvermerk: "Diese Faksimile-Ausgabe der ersten vollständigen Lutherbibel von 1534 erschien im Dezember 1934 bei A. Foersters Verlag in Leipzig. Die Ausgabe wurde nach dem in der Universität-Bibliothek zu Leipzig befindlichen Original hergestellt. Das Papier lieferte die Firma Freytag & Petersen in Leipzig. Aufnahmen und Druck wurden vom Bibliographischen Institut AG in Leipzig vorgenommen. Die Einbandzeichnung schuf Wolfgang Bender nach dem Handeinband des Leipziger Buchbinder Adolar Baltershain, eines Zeitgenossen Martin Luthers. Der Einband entstand in den Werkstätten der Buchbinderei H. Fikentscher in Leipzig" - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Zum Kapital wird kein schlappes maschinengewebtes Bändchen verwendet, sondern das Kapital wird von Hand mit dem Buchblock umstochen, gibt dadurch dem Rücken einen festen Abschluß und bietet zugleich dem späteren Ledereinschlag ("Häubchen") die Unterlage. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München. - Lutherbibel, Meistereinband, Handeinband, deutsche Kunstbuchbinderei im 20.Jahrhundert, Luxuseinband, Prachtausgabe, Gesamtausgabe in sehr guter Erhaltung Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
 15.   Check availability:     booklooker.de     Link/Print  


         Comoedia Acolasti titulo inscripta De filio prodigo.

      Parisiis: Christianus Wechelus, 1534. 8vo (16.7 cm, 6.5"). 68 pp. (33–48 misbound), [1] f.; without the blank leaf E3. Early edition of the best-known and most influential of the Humanist "Prodigal Son"–inspired plays. The Dutch-born Gnapheus (1493–1568, also known by a range of variations on Wilhelm Gnapheus and William de Volder or van de Voldesgraft) wrote the Acolastus after emigrating to Germany to escape persecution by => the Inquisition. Performed originally by the author's Latin students, the comedy was first published in 1529; it became "the most famous play written in the Low Countries . . . often performed, printed, translated and adapted all over Europe" (Bloemendal, Neo-Latin Drama in Early Modern Europe, 305).    The work's importance and influence can be seen by its having been translated into German (1535), English (1540), and French (1564).    This Parisian printing is uncommon: WorldCat locates => only one U.S. institutional holding. Chrétien Wechel's attractive production bears his tree and bird printer's device on the title-page and again on the verso of the last leaf.    Provenance: Undeciphered 18th-century signature with many fussy flourishes, at rear. Most recently in the library of American collector Albert A. Howard (sans indicia).         Brunet, II, 1629; Renouard, ICP, IV, 1008. Not in Adams. 19th-century half red morocco over mottled marbled paper–covered boards, leather edges with single gilt fillet, spine with gilt-dotted raised bands, gilt-ruled compartments, and gilt-stamped title, date, and compartment fleurons; edges, extremities, and joints showing light to moderate rubbing, spine slightly darkened. French combed marbled endpapers; original blue silk bookmarker attached and present. Pp. 33–48 bound in after p. 64. A few instances of faint early inked underlining and miniscule early inked annotations (in text); a very few scattered small spots of foxing, pages otherwise clean. Without the blank leaf E3 but retaining E4 with the printer's device. => An uncommon edition of an important work in a lovely copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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         Historia navigationis in Brasiliam quæ et America dicitur. Qua describitur authoris navigatio, ... Secunda editio.Geneva, heirs of Eustache Vignon, 1594. 8vo. With 7 full-page and 1 folding woodcut plate (16 x 22.5 cm), 7 full-page woodcuts on integral leaves. Contemporary blind-tooled vellum.

      Borba de Moraes, pp. 468-473; JCB I, p. 334; Rodrigues 1399 note; Sabin 40154. Rare second separately published Latin edition, with minor revisions, of a very important, successful and beautifully illustrated work on Brazil by the Protestant minister Jean de Léry (1534-1611). De Léry, born Margelle (Bourgogne) in 1534, altered the course of his life by deciding in 1556 to accompany a group of Protestant (Huguenot) ministers and faithful to Brazil under the protection of Admiral Caspard de Coligny (1519-1572). He left for Brazil with 13 others in November 1556, heading for the colony founded the year before by Vice-Admiral Nicolas Durand, Chevalier de Villegagnon on an island in the Bay of Rio de Janeiro. Léry's book attempts to provide French readers with an accurate description of Brazil, its people (including their shocking cannibalism) and its exotic plants and animals.With inscriptions on an endleaf. An owner's stamp on the back of the title-page and margins of two text pages has been partly erased. Very slightly browned, with some small marginal worm holes in the first and last leaves, but still in good condition. The binding also has some worm holes, but is also good, with the tooling very crisp and clear.

      [Bookseller: Antiquariaat FORUM BV]
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         [ Biblia Sacra: integrum vtriusq testamenti corpus coplectens ]

      Parisiis [Paris]: Yolande Bonhomme, vidua Thielmanni Kerver, 1534 . 0. A very good full leather binding. 8vo. 6.25" x 4.00" x 2.25". Plain dark brown calf with the remains of mounts for clasps and hasps. Spine carefully repaired with 5 raised bands and maroon leather title label: "Biblia Sacra". Recent free-endpapers (handmade paper). First 3 leaves (including title absent). Text begins on A iiij - Biblie summariu - 2pp.; 'Tabula alphabetica historiaru.' - 15pp. 1p. bearing woodcut (the creation of man). Followed by 3 preliminary leaves: 'Epistola sancti hieronymi' - 5pp.; 'Prologus.' - 1p. Genesis begins on ff.4 through to 'Apocalypsis.' on ff. 520 Ending with a colophon: 'Parisiis, ex officina libraria yolande bonhomme, vidue spectabilis viri Thielmanni Keruer, sub signo unicornis in vico sancti iacobi,ubi et venundatur. M.D. xxxiij. Octauo idus Januarij.' Interpretationes hebraicozu.' (Interpretations of Hebrw names) - 67pp. (incomplete, lacks the last 4 leaves). There is also another full-page woodcut before 'Evangeliu Mattheu.' representing the Stem of Jesse "T. Kerver was a German who began printing in Paris in 1497, and produced many beautiful books of devotion... His widow, Yolande Bonhomme had already printed two octavo editions in 1526 and 1530. - See Darlow & Moule 6113 / Also referenced by Copinger 238 . ** The stem of jesse is an image which shows the figure of Jesse, larger than all the rest, reclining or sleeping (perhaps by analogy to Adam when his rib was taken) at the foot of the pictorial space. From his side or his navel springs the trunk of a tree or vine which ascends, branching to either side. On the branches, usually surrounded by formally scrolling tendrils of foliage, are figures representing the ancestors of Christ. The trunk generally ascends vertically to Mary and then Christ at the top..." - See Wikipedia . .

      [Bookseller: Chilton Books ]
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         EN TIBI LECTOR ROBERTUM VALTURIUM AD ILLUSTREM HEROA SIGISMUNDUM PANDULPHUM MALATESTAM ARIMINENSIUM REGEM, DE RE MILITARI LIBRIS XII

      Parisiis, apud Christianum Wechelum, 1534.. multo emaculatius, ac picturis, quae plurimae in eo sunt, elegantioribus expressum, quam cum Veronae inter initia artis chalcographicae Anno M.cccclxxxiii invulgaretur. Latin text, 1534. Folio, approximately 320 x 210 mm, 12¾ x 8¼ inches, printer's pictorial device on title page and repeated on final page, 97 large woodcut illustrations, many full or almost full page, woodcut pictorial initials throughout, pages: (12), 383, (1), bound in full contemporary vellum, early hand lettering to spine, all edges red. Vellum darkened and with a small dark stain on lower cover, wrinkled across centre of upper cover, spine also wrinkled and with 1 tiny chip to vellum, pale damp stain to inner edge of first 3 leaves, another to lower inner corner of 13 leaves near the end, title page faintly foxed and missing tip of upper corner, pale age-browning to pages throughout, a very occasional small light stain, small closed tear to 2 inner margins at lower edge, another affecting 4 lines of text, all expertly repaired with no loss of text, 1 very small corner missing, small neat repair to lower inner edge of 2 adjacent leaves, 1 of them has a slight crease and is very slightly ragged at lower edge, the other is slightly ragged at fore-edge, small chip and tiny hole to fore-edge margin of last leaf, final page a little spotted. Binding tight and firm. Overall a very good copy. Roberto Valturio (1413 -1483) was an Italian military engineer to Sigismondo Malatesta, ruler of Rimini. This work was first printed in Latin in Verona in 1472 and was the first printed book to show technical military equipment. "The historical importance of the De Re Militari lies in the fact that it is the first book printed with illustrations of a technical or scientific character depicting the progressive engineering ideas of the author's own time. ...The Verona Valturius and its reprints were the handbooks of the military leaders of the Renaissance, and Leonardo da Vinci, when acting as chief engineer to Cesare Borgia, possessed a copy and borrowed some of its designs." Printing & the Mind of Man, page 7, No. 10. This edition was edited by Paolo Ramusio, who signs the preliminary dedication. The woodcuts are reversed free copies of those in the 1483 Italian edition. They show the equipment necessary for the military and naval engineer including weapons, revolving gun turrets, siege engines, platforms and ladders for sieges, battering rams, paddle wheels, flotation devices, a lifebelt, something resembling a tank, pontoon and other bridges, a completely closed boat that could be half submerged, etc. Cockle, A Bibliography of Military Books up to 1642, p.133, No. 501. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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         Compendium logices. Part of Compendium totius philosophiae.

      Venice: Aurelius, 1534. Savonarola, Girolamo (1452-98). Compendium logices [part 3 of Compendium totius philosophiae]. 4to. 67ff. Venice: in officina Aurelii Pincii, 1534 (colophon). 151 x 101 mm. Later limp vellum, title in ink on front cover. Minor staining, otherwise very good. One or two marginal notes. Slip of paper bound in at end with what appears to be a table of contents written in an early hand. Third (?) edition, preceded by the editions of 1492 and 1497. Rare-OCLC cites only one copy in the U.S., at the University of St. Thomas in Minnesota. Adams S-462 (citing the entire Compendium totius philosophiae, of which this forms the third part).

      [Bookseller: Jeremy Norman's Historyofscience.com]
 20.   Check availability:     IOBABooks     Link/Print  


         Historia navigationis in Brasiliam qu? et America dicitur. Qua describitur authoris navigatio, ... Secunda editio.Geneva, heirs of Eustache Vignon, 1594. 8vo. With 7 full-page and 1 folding woodcut plate (16 x 22.5 cm), 7 full-page woodcuts on integral leaves. Contemporary blind-tooled vellum.

      Borba de Moraes, pp. 468-473; JCB I, p. 334; Rodrigues 1399 note; Sabin 40154. Rare second separately published Latin edition, with minor revisions, of a very important, successful and beautifully illustrated work on Brazil by the Protestant minister Jean de Léry (1534-1611). De Léry, born Margelle (Bourgogne) in 1534, altered the course of his life by deciding in 1556 to accompany a group of Protestant (Huguenot) ministers and faithful to Brazil under the protection of Admiral Caspard de Coligny (1519-1572). He left for Brazil with 13 others in November 1556, heading for the colony founded the year before by Vice-Admiral Nicolas Durand, Chevalier de Villegagnon on an island in the Bay of Rio de Janeiro. Léry's book attempts to provide French readers with an accurate description of Brazil, its people (including their shocking cannibalism) and its exotic plants and animals.With inscriptions on an endleaf. An owner's stamp on the back of the title-page and margins of two text pages has been partly erased. Very slightly browned, with some small marginal worm holes in the first and last leaves, but still in good condition. The binding also has some worm holes, but is also good, with the tooling very crisp and clear.

      [Bookseller: Antiquariaat FORUM BV]
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         [ Biblia Sacra: integrum vtriusq testamenti corpus coplectens ]

      Parisiis [Paris]: Yolande Bonhomme, vidua Thielmanni Kerver, 1534 . 0. A very good full leather binding. 8vo. 6.25" x 4.00" x 2.25". Plain dark brown calf with the remains of mounts for clasps and hasps. Spine carefully repaired with 5 raised bands and maroon leather title label: "Biblia Sacra". Recent free-endpapers (handmade paper). First 3 leaves (including title absent). Text begins on A iiij - Biblie summariu - 2pp.; 'Tabula alphabetica historiaru.' - 15pp. 1p. bearing woodcut (the creation of man). Followed by 3 preliminary leaves: 'Epistola sancti hieronymi' - 5pp.; 'Prologus.' - 1p. Genesis begins on ff.4 through to 'Apocalypsis.' on ff. 520 Ending with a colophon: 'Parisiis, ex officina libraria yolande bonhomme, vidue spectabilis viri Thielmanni Keruer, sub signo unicornis in vico sancti iacobi,ubi et venundatur. M.D. xxxiij. Octauo idus Januarij.' Interpretationes hebraicozu.' (Interpretations of Hebrw names) - 67pp. (incomplete, lacks the last 4 leaves). There is also another full-page woodcut before 'Evangeliu Mattheu.' representing the Stem of Jesse "T. Kerver was a German who began printing in Paris in 1497, and produced many beautiful books of devotion... His widow, Yolande Bonhomme had already printed two octavo editions in 1526 and 1530. - See Darlow & Moule 6113 / Also referenced by Copinger 238 . ** The stem of jesse is an image which shows the figure of Jesse, larger than all the rest, reclining or sleeping (perhaps by analogy to Adam when his rib was taken) at the foot of the pictorial space. From his side or his navel springs the trunk of a tree or vine which ascends, branching to either side. On the branches, usually surrounded by formally scrolling tendrils of foliage, are figures representing the ancestors of Christ. The trunk generally ascends vertically to Mary and then Christ at the top..." - See Wikipedia . .

      [Bookseller: Chilton Books ]
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         Il corteo dei prigionieri

      1534 - Bulino, circa 1534-1545, firmato in lastra, in basso al centro "IULIUS ROMANUS INVENTOR/GEORGIUS MANTUANUS FECIT". Esemplare nel secondo stato, di tre, con l’aggiunta, in basso a destra, della firma editoriale "Nico Van aelst formis Romae. 1605". Da un soggetto di Giulio Romano. Bellissima prova, impressa su due fogli di carta vergata coeva, uniti, rifilati alla linea marginale, in ottimo stato di conservazione. La scena raffigura un corteo formato da prigionieri, di un popolo vinto, che i soldati romani fanno sfilare sulla pubblica via, per deriderli. Il corteo, che ha appena oltrepassato un arco, è preceduto da un buffone che, come ricorda Appiano (Guerre Puniche, VIII,9,66) "faceva diverse pantomime, deridendo i nemici prigionieri, per suscitare l’ilarità". Il soggetto riproduce in controparte, e con alcune varianti, un disegno di Giulio Romano eseguito per uno degli arazzi da tappezzeria commissionati da Francesco I, raffiguranti la vita del generale romano Scipione. Il ciclo completo degli arazzi si componeva di due serie: la prima, di 13 arazzi, dedicata alle imprese di Scipione; la seconda, di 10, dedicata ai Trionfi, disegnata da Giulio. Commissionati nel 1532 e completati nel 1535, gli arazzi, tessuti a Bruxelles, sono andati tutti distrutti durante la Rivoluzione Francese. Si sono, invece, conservati i 10 petits patrons, ovvero i disegni preparatori, del Romano, 9 conservati al Louvre e uno a Chantilly. Il disegno per Il corteo dei prigionieri è al Louvre, inv. 3540. Oltre all’incisione del Ghisi, soltanto un’altra scena dei Trionfi fu riprodotta in stampa, ad opera del Primaticcio a Fontainbleau, datata 1543. Quest’opera è la prima lastra di grandi dimensioni incisa da Ghisi. Secondo la Boorsch, è possibile che la lastra sia stata incisa prima del 1534, ovvero prima che i petits patrons fossero spediti a Bruxelles. Inoltre, ipotizza che il modello utilizzato dal Ghisi fosse non il disegno finale di Giulio, ma un altro, molto simile a questo, rimasto a Mantova. La studiosa ha infatti osservato che doppi disegni esistono anche per altri soggetti della serie. Bellini data l’opera alla fine del primo periodo mantovano o ai primi anni del successivo periodo romano, 1546-47, dove l’artista avrebbe portato con sé il disegno. È certo – continua – che il bulino non sia stato stampato a Mantova, come prova l’aggettivo "mantuanus", che sarebbe stato superfluo aggiungere nella propria città natale. La lastra originale si conserva a Roma, presso la Calcografia Nazionale, inv. 649. Engraving, circa 1534-1545, signed on the plate, bottom center, "JULIUS ROMANUS INVENTOR / GEORGIUS MANTUANUS FECIT". Second state, of three, added at bottom right the address "Nico Van Aelst formis Romae.1605 ". After Giulio Romano A good impression, printed on two sheets of contemporary laid paper, joined, trimmed close to the platemark, in excellent condition. The literary source for the image depicted in this print is Appian's Punic Wars (bk. vin, chap, ix, 66): "White oxen came next, and after them elephants and the cap- tive Carthaginian and Numidian chiefs . a chorus of harpists and pipers. . . . One of these, in the middle of the procession, wearing a purple cloak reaching to the feet and golden brace- lets and necklace, caused laughter by making various gesticula- tions, as though he were dancing in triumph over the enemy." Reproduces in reverse a drawing by Giulio Romano in the Louvre, inv. no. 3540, preparatory to the petit patron (cartone) sent to the weavers of the tapestries for Francis I. Depicing the life of the Roman general Scipio, these were commissioned in 1532 and woven by 1535 in Brussels. They consist of two series, thirteen tapestries representing The Deeds of Scipio and ten The Triumph of Scipio. Giulio Romano made the so-called petits patrons (the drawings used as models for the full- size cartoon from which the weavers would work) for the Triumph series. All ten of these still exist (nine in the Louvre and one at Chantilly). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Libreria Antiquarius]
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         Consvetvdines Dvcatvs Bvrgvndiae, Fereqve Totivs Galliae Commentariis D. Bartholomaeia Chassenaeo, Vt Amplissimis, Ita Doctissimis illustrata, summaq, diligentia & labore recognita. Ex Ultima Avctores Recognitione. Acc. Index (etc.)

      2. Titelblatt in Holzschnitt, 7 nn. Bll., 1534 Sp., 43 nn. Bll (Indices), mit großen Kopfstücken, großen u. kleinen Initialen, Schlussvignetten u. einigen großen Textillustrationen in Holzschnitt. Biegsamer Pergamentband d. Zeit, mit Rückenbeschriftung v. aller Hand, nachgedunkelt u. fleckig, mit Wurmgängen, Knickfalten, etwas zerkratzt, Schließbänder u. fliegende Vorsatzblätter fehlen. Titel- u. Schlußblatt angeschmutzt, Anfangsblätter fingerfleckig, Seiten vereinzelt fleckig, sonst kaum vergilbt oder stockfleckig, in einigen Blättern Wurmloch in der rechten Blattkante, mit einigen unbedeutenden Blattein- bzw. Eckausrissen. Mit wenigen Textanstreichungen, e. Anmerkung in Bleistift (Titel Jost Amman?), sow. e. Besitzervermerk v. alter Hand (1744) am vorderen Spiegel u. mehreren, teilw. durchgestrichenen alten Besitzvermerken am Titelblatt. VD16 3,591B9842. Zedler 5,1247 ODell 101,a15 u. 214,d15 - Schöne, mit Holzschnitten v. Jost Amman ausgestattete Ausgabe e. burgundischen Gesetzeswerkes, kommentiert v. Barthelemy Chasseneux (auch Cassanaeux, gest. 1542) ... Sein Commentarius super consuetudines ... hat ihm nicht geringe Ehre erworben, und ist bey seinen Lebzeiten fünffmahl gedruckt ... worden. ... (Zedler). Der dekorative Titelholzschnitt zeigt das Urteil des Salomon (vgl. ODell, Abb.S 133), in den Text eingefügt kunstvolle Darstellungen v. Stammbäumen. Nicht bei BM German Books u. Adams.

      [Bookseller: Antiquariat Löcker]
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         Daniel's Dream Map)

      Wittenberg 1534 - La carta riproduce il cosiddetto "Mappamondo di Wittenberg", probailmente la carta del mondo più mistica di sempre. Raffigura una curiosa mappa dell'Europa, Africa ed Asia e deriva dalla letteratura apocalittica emanata da Wittenberg. La mappa di Hans Luft rappresenta la prima versione fedele a stampa del Mappamondo di Wittenberg, e per la prima volta è inserita in un testo di Martin Lutero, un commentario sul profeta Daniele del 1530. Una seconda edizione appare nel 1534, in una pagina di testo di una Bibbia. Xilografia, bella coloritura antica, in perfetto stato di conservazione. Rara. Woodcut with fine colouring, set in a text page of a Bible printed in Wittenberg. A somewhat curious map of Europe, Africa, and Asia is to be found in apocalyptic literature originally emanating from Wittenberg in 1530 or even 1529. The map was used by the printer Hans Luft to illustrate two works: one a commentary on the prophet Daniel by Martin Luther (1530) and another linking the vision of Daniel with the assaults of the Turks on the perimeters of Christian Europe at the time. The wood cut map is showing the four beasts of Daniel's Dream Map. The Wittenberg World Map, more commonly known in English as Daniel’s Dream Map, is probably the most mystical world map of all time. R. W. Shirley, "The Mapping of the world", 65A. Dimensioni 155 115mm

      [Bookseller: Libreria Antiquarius]
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         Decisiones Parlam[en]ti Dalphinalis Grationopolis per...

      1534. 1534 Collection of Grenoble Reports La Pape, Guy de [c.1402-c.1487]. [Ferrandat, Henri, Editor]. Decisiones Parlam[en]ti Dalphinalis Grationopolis per Excellentissimii J.U. Monarcham d. Guidonem Pape in Curia Eiusde[m] Civitatis Senatore Dignissimum Edite: Alliduam Materiam Continentesitam in Foro Seculari & Ecclesiastico Creb. Esercitatione Versatilez: Cum Summariis Decisivis (Preter Dilligentissima Emendatione) Manus Appositione Notatis Rote Decisiones Capelieq[ue] Tholosane: Novissime Scripta per Euendem Guidone Pape in Tripertito Suo Opere Consil[iorum] I[m]primim. in Luce Emisso Repertorio/Humeris et Addi. dni. Herici Ferraandi P Pulcre sub hoc Signo Accomodatis. Lyons: Jacobum Hiuncti, 1534. [xxv], 267, [3] ff. Main text printed in double columns. Octavo (6-3/4" x 4-3/4"). Later three-quarter vellum over paper boards, hand-lettered title to spine and top edge. Some soiling, rubbing with minor wear to extremities, three tiny partial worm holes to boards, hinges starting. Title printed in red and black within an ornamental architectural border. Woodcut head-pieces, tail-pieces and decorated initials. Some wear to edges of preliminaries and final few leaves, faint dampstaining to margins, minor worming to final few leaves and rear pastedown with negligible loss to text, light foxing to portions of text. Early owner signature to title page, occasional early annotations, check marks and underlining. An appealing copy. * Later edition. With side notes. This thoroughly annotated volume contains reports of decisions of the Parlement of Grenoble, France. Like many books of this kind, it opens a window on the legal culture and society of the era. First published in 1504, it was reprinted several times well into the seventeenth century. Beyond its legal value, it is significant as the first book published in Grenoble. Guy de la Pape was a legal scholar and statesman who spent most of his career in Grenoble. His best-known work is Commentaria in Statutum Delphinale, a study of the Dauphine region. All editions are scarce. OCLC locates 2 copies of the 1534 edition, both in Europe . Not in Adams or Brunet. Baudrier, Bibliographie Lyonnaise 4:25.

      [Bookseller: The Lawbook Exchange, Ltd.]
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         Xenophontis philosophi et historici clarissimi opera, partim Graecorum exemplarium collatione recognita, partim a viris doctissimis iam primum latinitate donata. Quorum elenchum subsequens pagina indicabit

      Basileae apud And. Cratandrum, Basileae 1534 - Idioma latín. Encuadernación en pegamino original. Algunas manchas. Buen estado general [Attributes: Hard Cover]

      [Bookseller: Librería Antonio Azorín]
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         Decisiones Parlam[en]ti Dalphinalis Grationopolis per.

      1534 - 1534 Collection of Grenoble Reports La Pape, Guy de [c.1402-c.1487]. [Ferrandat, Henri, Editor]. Decisiones Parlam[en]ti Dalphinalis Grationopolis per Excellentissimii J.U. Monarcham d. Guidonem Pape in Curia Eiusde[m] Civitatis Senatore Dignissimum Edite: Alliduam Materiam Continentesitam in Foro Seculari & Ecclesiastico Creb. Esercitatione Versatilez: Cum Summariis Decisivis (Preter Dilligentissima Emendatione) Manus Appositione Notatis Rote Decisiones Capelieq[ue] Tholosane: Novissime Scripta per Euendem Guidone Pape in Tripertito Suo Opere Consil[iorum] I[m]primim. in Luce Emisso Repertorio/Humeris et Addi. dni. Herici Ferraandi P Pulcre sub hoc Signo Accomodatis. Lyons: Jacobum Hiuncti, 1534. [xxv], 267, [3] ff. Main text printed in double columns. Octavo (6-3/4" x 4-3/4"). Later three-quarter vellum over paper boards, hand-lettered title to spine and top edge. Some soiling, rubbing with minor wear to extremities, three tiny partial worm holes to boards, hinges starting. Title printed in red and black within an ornamental architectural border. Woodcut head-pieces, tail-pieces and decorated initials. Some wear to edges of preliminaries and final few leaves, faint dampstaining to margins, minor worming to final few leaves and rear pastedown with negligible loss to text, light foxing to portions of text. Early owner signature to title page, occasional early annotations, check marks and underlining. An appealing copy. * Later edition. With side notes. This thoroughly annotated volume contains reports of decisions of the Parlement of Grenoble, France. Like many books of this kind, it opens a window on the legal culture and society of the era. First published in 1504, it was reprinted several times well into the seventeenth century. Beyond its legal value, it is significant as the first book published in Grenoble. Guy de la Pape was a legal scholar and statesman who spent most of his career in Grenoble. His best-known work is Commentaria in Statutum Delphinale, a study of the Dauphine region. All editions are scarce. OCLC locates 2 copies of the 1534 edition, both in Europe . Not in Adams or Brunet. Baudrier, Bibliographie Lyonnaise 4:25. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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         Onomastikon medicinae.

      Strasbourg, Johann Schott, (14 April) 1534. - Folio (212 x 308 mm). (186) ff. With full-page woodcut on fol. 6v showing Saints Cosmas and Damian, the patron saints of physicians. Contemporary full vellum binding. First edition of this Renaissance dictionary of natural science compiled by Otto Brunfels, the "father of German botany", best known for pioneering the emancipation of that field from mediaeval herbalism. "Brunfels' passion for compiling and organizing reference material [.] was fully exhibited in his 'Onomastik

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         Questio de phlobotomia in pleuresi Ex Hippocratis e Galeni sententia contra communes medendi modum quam in gymnasio Patavino diligenter examinavit Venice Giovanni Padovano and Venturino Ruffinelli

      

      [Bookseller: Maggs Bros. Ltd. ]
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         De Evangelica praeparatione

      Ex officina Antonii Augelli, sub signo D. Iacobi 1534 - . EUSEBIUS. - De Evangelica praeparatione, à Georgio Trapezuntio e Graeco in Latinum traductus, opus cuique fideli non solum utile, uerum etiam iucundum & pernecessarium, summàque diligentia emèndatum. Parisiis. Ex officina Antonii Augelli, sub signo D. Iacobi, via ad S. Iacobum. 1534. Vaenit Antonio Augerello, & Simoni Colinaeo. In 4°piccolo cm. 21X15,5. Carte 202 (2) 1b, più 2 carte di guardia. Ottima e solida legatura coeva in pergamena con l’utilizzo di antico manoscritto di codice parzialmente cancellato, dorso a nervi e scomparti con due etichette antiche. Etichetta antica di ex libris al piatto anteriore, tre firme parimenti antiche al frontespizio. Antica scritta di 5 righe alla carta di guardia con notizie dell’autore, all’interno qualche annotazione sbiadita ai bordi bianche delle carte. Esemplare in ottimo stato di conservazione, con poche tracce di uso alle prime pagine, carta salida e croccante, stampa perfettamente inchiostrata in gran parte ancora brillante. Rara edizione con il bifoglio finale della epistola: Ioanni Russaeo vtriusque iuris doctori Diui Martini Turon. canonico S. La Praeparatio composta da quattordici libri è particolarmente ricercata per l’interesse storico delle citazioni di opere non altrimenti note, in particolare • Il riassunto degli scritti del sacerdote fenicio Sanchuniathon. • Il racconto, tratto dal sesto libro di Diodoro Siculo, del meraviglioso viaggio di Evemero verso l'isola di Pancaia, dove pretende di aver trovato la sua vera storia degli dei. • gli scritti del filosofo medioplatonico Attico. • importanti opere di Porfirio, il critico neoplatonico del cristianesimo: Sulle immagini, Filosofia dagli oracoli, Lettera ad Anebo, Contro i cristiani, Contro Boeto, Lezione filologica. [Attributes: Hard Cover]

      [Bookseller: Libreria Aurora]
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         Orationes duae in Tholosam.

      (Lyon, Sébastien Gryphe, 1534). ____ Première édition. C'est le premier livre publié par Etienne Dolet. Né à Orléans en 1509 et mort sur le bûcher à Paris en 1546, il ne séjourna à Toulouse que deux ans. Il y étudia le droit et fut élu en 1533 orateur de la 'nation française'. Ce sont les discours qu'il y prononça s'en prenant avec violence aux Capitouls, tyranniques et barbares. Il dénonce les superstitions qui à Toulouse dénaturent la religion, défend la liberté d'association, fait sa propre apologie et se pose en défenseur de l'humanisme contre la barbarie des Toulousains. Dolet fut même arrêté quelques temps par la Sénéchaussée. "Le recueil ici présenté, composé par Dolet à son arrivée à Lyon en 1534, rassemble l'ensemble des pièces qu'il a voulu verser au dossier de son affaire toulousaine, lettres écrites de Toulouse puis de Lyon, poèmes adressés à G. Budé, à Marguerite de Navarre, à Jean de Pins, à Jean de Langeac, à Boyssoné ou à Guillaume Scève : autant d'illustrations en prose et en vers ... de ses talents d'écrivain et de ses convictions d'humaniste." L'humanisme à Toulouse N° 39. Longeon, Bibliographie des oeuvres d'Etienne Dolet N°1. Baudrier 8, 38. Adams D768 *****. In-8. [154 x 99 mm] Collation : (8), 246, (2) pp. Maroquin vert, dos orné, encadrements sur les plats, tranches dorées. (Reliure du XVIIIe.).

      [Bookseller: Hugues de Latude]
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         Het boeck van den oproer der Weder-dooperen. Eerst int Latijn beschreven, ende ghedruckt tot Basel . Ende nu in Nederlandts overgheset. .Enkhuizen, Jacob Lenaertsz Meyn, 1614. Folio. With 1 half-page and 8 full-page engraved plates in text (one repeat). Contemporary vellum.

      - Mennonite Encyclopedia II, p. 816; Simoni H-186; STCN (5 copies); cf. Knuttel, Kerkgeschiedenis, pp. 150-151 (later editions). The first Dutch edition (in the first state) of a detailed and graphic description of the Anabaptist attempt to establish a sectarian government in Münster, known as the Münster Rebellion, 1534-1535. The work includes a description of the Amsterdam Riots and is dedicated by the printer to the city council of Enkhuizen and by the author to the council of Amsterdam. The fine, anonymous plates vividly illustrate the persecution and subsequent execution of the Annabaptists. The plate on leaf 3 is erroneously repeated on leaf 5; in later states this error has been corrected. The present copy is inscribed on the title-page by "Meynte Mathijs" [Iserman] from Leeuwarden, an ancestor of the Leeuwarden branch of the Siderius family. With the bookplate of M. van Brée on pastedown; slightly frayed at outer margins; some plates shaved; a few stains, also affecting some plates. Small pieces of vellum from front cover gone. A fair copy of a rare work on the Münster Rebellion.

      [Bookseller: ASHER Rare Books]
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         Opera di Santo Antonino arciuescouo fiorentino utilissima & necessaria alla instruttione delli sacerdoti idioti.

      Stampato in Venetia nella stamperia di Luc'Antonio Giunti, 1534. 88 [1] c. 4°(21 cm) cartonato settecentesco con titoli a china manoscritti al dorso). Antonino Pierozzi noto anche come sant'Antonino da Firenze (Firenze 1389 - Montughi 2 maggio 1459) è stato un teologo arcivescovo cattolico e letterato italiano; appartenne all'ordine dei Frati Predicatori fu arcivescovo di Firenze e studioso nei ranghi della tarda scolastica. È venerato come santo dalla Chiesa cattolica. UsatoBuono Anno pubblicazione: MDXXXIIII [1534]. Buono ordinari segni d'uso e del tempo qualche macchia di polvere alla legatura e alla parte alta di qualche pagina interna timbretto privato e qualche nota a china alla carta di sguardia buchettino di pochi mm all'ultima carta. ...

      [Bookseller: Studio Bibliografico Adige]
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         Consvetvdines Dvcatvs Bvrgvndiae, Fereqve Totivs Galliae Commentariis D. Bartholomaeia Chassenaeo, Vt Amplissimis, Ita Doctissimis illustrata, summaq, diligentia & labore recognita. Ex Ultima Avctores Recognitione. Acc. Index (etc.)

      2. Titelblatt in Holzschnitt, 7 nn. Bll., 1534 Sp., 43 nn. Bll (Indices), mit großen Kopfstücken, großen u. kleinen Initialen, Schlussvignetten u. einigen großen Textillustrationen in Holzschnitt. Biegsamer Pergamentband d. Zeit, mit Rückenbeschriftung v. aller Hand, nachgedunkelt u. fleckig, mit Wurmgängen, Knickfalten, etwas zerkratzt, Schließbänder u. fliegende Vorsatzblätter fehlen. Titel- u. Schlußblatt angeschmutzt, Anfangsblätter fingerfleckig, Seiten vereinzelt fleckig, sonst kaum vergilbt oder stockfleckig, in einigen Blättern Wurmloch in der rechten Blattkante, mit einigen unbedeutenden Blattein- bzw. Eckausrissen. Mit wenigen Textanstreichungen, e. Anmerkung in Bleistift (Titel Jost Amman?), sow. e. Besitzervermerk v. alter Hand (1744) am vorderen Spiegel u. mehreren, teilw. durchgestrichenen alten Besitzvermerken am Titelblatt. VD16 3,591B9842. Zedler 5,1247 ODell 101,a15 u. 214,d15 - Schöne, mit Holzschnitten v. Jost Amman ausgestattete Ausgabe e. burgundischen Gesetzeswerkes, kommentiert v. Barthelemy Chasseneux (auch Cassanaeux, gest. 1542) ... Sein Commentarius super consuetudines ... hat ihm nicht geringe Ehre erworben, und ist bey seinen Lebzeiten fünffmahl gedruckt ... worden. ... (Zedler). Der dekorative Titelholzschnitt zeigt das Urteil des Salomon (vgl. ODell, Abb.S 133), in den Text eingefügt kunstvolle Darstellungen v. Stammbäumen. Nicht bei BM German Books u. Adams.

      [Bookseller: Antiquariat Löcker]
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         Der Kargenspiegel. Ein schöner Spruch von einem Reichen kargen und einem Arme(n) durfftigen, dar jnnen angezaigt, welcher standt der selligkeit nehenner sey.

       Nürnberg. S. Hamer 1534. 12 nn. Bll. Mit gr. Titelholzschn. v. Erhard Schön. Mod. Pbd. Bll. a2 u. a3 in Kopie fachger. eingebundenVD 16 F 1777; BM German Books 310; Goed. I, 332, V, 56 - Sehr seltene 2. Ausgabe. Die einzige im 16. Jhdt. Das Fastnachtspiel war erstmals schon 1480 in Nürnberg erschienen (GW 10137). \"Hans Folz, Barbier und Meistersinger in Nürnberg, schrieb seine von ihrer Zeit bewunderten Fastnachtspiele gegen Ende des XV. Jahrhunderts.\" (Neufforge 103f.) - \"Blumendüftelnder Meistersinger, schmutziger Schwankdichter und Verfasser lasciver Faßnachtspiele\" (Goed.). Versand D: 4,00 EUR Alte Drucke

      [Bookseller: Antiquariat Burgverlag]
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         Omnia opera in unum volumen contexta, denuo quantum fieri potuit accuratissime praelis ascita

      1534 - Prostant Lugduni 1534. Apud Jacobum Giunti. Typis Nicolaus Petit & Hector Penet. (32 x 22,5 cm), k. [6], CCIII, il., inicj., k. tyt. w drzeworycie, liczne plany Å›wiÄ…tyÅ„ w drzeworycie, w tym caÅ‚ostronic., opr. perg. z epoki. Opr. zabrudzona. Grzbiet ze zwiÄ™zami, uszkodzony. Zawilg. Nieliczne zapiski na marginesach i podkreÅ›lenia tekstu. Druk w szpaltach. K. tyt. czarno-czerwona. DzieÅ‚o zawiera wszystkie traktaty mistyczne autora, a także m. in. O Trójcy ÅšwiÄ™tej, komentarz do PieÅ›ni nad PieÅ›niami. W traktacie „Explanatio Templi Ezechielis" liczne ilustracje przedstawiajÄ…ce plany Å›wiÄ…tyni. Ryszard od Å›w. Wiktora (ca 1110-1173) - filozof, teolog i mistyk szkocki, opat wspólnoty zakonnej Å›w. Wiktora w Paryżu, wspóÅ‚zaÅ‚ożyciel szkoÅ‚y teologicznej reprezentujÄ…cej kierunek mistyczny w teologii. Rzadkie. [Attributes: Hard Cover]

      [Bookseller: Antykwariat Wójtowicz]
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         Tertia centuria, Das ist, Das dritte Hundert, der gedoppelten Evangelosen warhait, betreffendt D. Luthers lehr und dolmetschung der Bibel, auß ernstlichem ansüchen und begeren D. Andres Schmidleins in truck gegeben. [...] Durch F. Ioann Nass.

      (6), 260 [i. e. 259], (7) Bll. Ldr. d. Zt. über Holzdeckel. Mit 2 intakten Messingschließen. In sehr gutem Zustand. VD16 N 100 Goed. II, 487, 2c - Erste Ausgabe der dritten Centurie. Die reichen figürl. Blindprägungen auf beiden Deckeln zeigen je ein rechteckiges Mittelfeld (Taufe Jesu und eine Segnung) umgeben von je 12 Heiligenportraits. Tit. in Rot u. Schwarz mit Holzschnitt-Bordüre. - Johannes Nas (Bamberg 1534-1590 Innsbruck), Franziskaner, Weihbischof von Brixen war ein beliebter Volksprediger. Sein Hauptwerk waren die Centurien. Im vorl. Band geht er auf die Lehren Luthers und insbesondere auf dessen Bibelübersetzung ein.

      [Bookseller: Antiquariat Burgverlag]
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         Joannis Passeratii eloquentiae professoris, et interpretis Regii orationes ...

      seltene Schrift Original Pergamenteinband guter Zustand ,ohne Stockflecken .Jean Passerat (* 18. Oktober 1534 in Troyes 14. September 1602 in Paris) war ein französischer Schriftsteller und Lyriker. Passerat studierte an der Universität von Paris und unterrichtete zunächst am Collège de Plessis. 1572 wurde er Professor für Latein am Collège de France. Er verfasste hier Kommentare zu Catullus, Tibullus und Propertius und einige lateinischsprachige Werke, darunter die zweibändigen Kalendae januariae et varia quaedam poemata, die 1606 im Druck erschienen. Bekannt wurde

      [Bookseller: urtica]
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         Consvetvdines Dvcatvs Bvrgvndiae, Fereqve Totivs Galliae Commentariis D. Bartholomaeia Chassenaeo, Vt Amplissimis, Ita Doctissimis illustrata, summaq, diligentia & labore recognita. Ex Ultima Avctores Recognitione. Acc. Index (etc.)

      2. Titelblatt in Holzschnitt, 7 nn. Bll., 1534 Sp., 43 nn. Bll (Indices), mit großen Kopfstücken, großen u. kleinen Initialen, Schlussvignetten u. einigen großen Textillustrationen in Holzschnitt. Biegsamer Pergamentband d. Zeit, mit Rückenbeschriftung v. aller Hand, nachgedunkelt u. fleckig, mit Wurmgängen, Knickfalten, etwas zerkratzt, Schließbänder u. fliegende Vorsatzblätter fehlen. Titel- u. Schlußblatt angeschmutzt, Anfangsblätter fingerfleckig, Seiten vereinzelt fleckig, sonst kaum vergilbt oder stockfleckig, in einigen Blättern Wurmloch in der rechten Blattkante, mit einigen unbedeutenden Blattein- bzw. Eckausrissen. Mit wenigen Textanstreichungen, e. Anmerkung in Bleistift (Titel Jost Amman?), sow. e. Besitzervermerk v. alter Hand (1744) am vorderen Spiegel u. mehreren, teilw. durchgestrichenen alten Besitzvermerken am Titelblatt. VD16 3,591B9842. Zedler 5,1247 ODell 101,a15 u. 214,d15 - Schöne, mit Holzschnitten v. Jost Amman ausgestattete Ausgabe e. burgundischen Gesetzeswerkes, kommentiert v. Barthelemy Chasseneux (auch Cassanaeux, gest. 1542) ... Sein Commentarius super consuetudines ... hat ihm nicht geringe Ehre erworben, und ist bey seinen Lebzeiten fünffmahl gedruckt ... worden. ... (Zedler). Der dekorative Titelholzschnitt zeigt das Urteil des Salomon (vgl. ODell, Abb.S 133), in den Text eingefügt kunstvolle Darstellungen v. Stammbäumen. Nicht bei BM German Books u. Adams.

      [Bookseller: Antiquariat Löcker]
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         Das Glockendon-Gebetbuch. Biblioteca Estense Universitaria, [alpha].U.6.7. Kommentarband mit Beiträgen von Regina Cermann, Ernesto Milano, Ulrich Merkl und Eberhard König.

      Faksimile / Facsimile: 128 (3) foliierte Blätter mit Kupferstich Albrechts von Brandenburg auf der Versoseite des zweiten Papiervorsatzes, gestochen von Albrecht Dürer. Der Kodex setzt sich aus insgesamt 16 Lagen zusammen. Kommentarband / Commentary: 200 Seiten mit Abbildungen auf Tafeln. 8 (21,5 x 16,5 cm). Faksimile / Facsimile: Faksimiliertes, mit Supralibros versehenes, blindgeprägtes Kalbsleder auf Holzdeckeln auf 6 Bünden und 2 Schließen. Vorsatzblätter im Bereich der Innenfalze mit Lederfalzstreifen verstärkt. Goldschnitt. Kommentarband / Commentary: Halblederband mit goldgeprägtem Rückentitel. Beide Bände im Acrylglasschuber. Hinweis zum Exemplar: "Originalgetreue Nachbildung der Bilderhandschrift, die unter der Signatur Est.136 = [alpha].U.6.7 in der Biblioteca Estense Universitaria in Modena aufbewahrt wird. Dieser Faksimile-Band ist Teil der auf 420 arabisch numerierte Exemplare limitierten Auflage aus dem Faksimile Verlag Luzern. [..] Diese einzige durch das Ministero per i Beni Culturali, Rom, autorisierte und von der Direktion der Biblioteca Estense Universitaria beglaubigte Ausgabe ist weltweit als internationale Coedition auf 999 Exemplare limitiert. Mit der Faksimilierung in Photolithographie, Druck und Goldprägung wurde Il Bulino edizioni d'arte, Modena, beauftragt. Das Faksimile wurde in den Ateliers der Legatoria Bergamasca, Bergamo, in Kalbsleder gebunden und mit Repliken der Schließen des Originals versehen. Dieses Exemplar der Edition aus dem Faksimile Verlag Luzern trägt die Nummer 351." - Verlagsangabe: "Im Jahr 1534 schuf Nikolaus Glockendon, der letzte große Meister deutscher Buchmalerei, dieses deutsche Gebetbuch für Kardinal Albrecht von Brandenburg. Die farblich ausgewogenen Miniaturen zum Leben Jesu, die 63 Prunkinitialen und auch die heute noch gut lesbare Schrift begeistern den Betrachter. [..] Den auch für den heutigen Benutzer gut lesbare Text hat Nikolaus Glockendon mit 42 farblich ausgewogenen Miniaturen zum Leben Jesu und mit dem prachtvollen Wappen des Mainzer Erzbischofs geschmückt. [..] Seinen Bildern hat Glockendon einen Kupferstich seines Freundes Albrecht Dürer beigefügt, der aus dem Jahr 1523 stammt. Doch nicht nur die Bilder machen die Qualität der Handschrift aus, auch die 62 Prunkinitialen des Buchmalers und Mitarbeiters Glockendons, Georg Stierlein, begeistern durch ihre Ausführung und prachtvolle Ausstattung. [..] Alle 256 Seiten (128 numerierte Blätter) der Handschrift und der Kupferstich Albrecht Dürers wurden im Originalformat von 21,5 x 16,5 cm faksimiliert. Die verschiedenen Goldarten von Nikolaus Glockendon und Georg Stierlein werden originalgetreu differenziert und in unterschiedlichen, teils handwerklichen Techniken wiedergegeben." - Streng limitiertes und vergriffenes Faksimile. Für den deutschsprachigen Raum wurden nur 420 Exemplare reserviert. - Stehkanten des Faksimilebandes minimal berieben. Acrylglas mit leichten Kratzspuren. Ansonsten tadellos. - Exceptional facsimile edition in very good condition. (No. 351 of 999 copies worldwide). ISBN: 3856720634

      [Bookseller: Antiquariat-Kretzer]
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         Viri Illustris Iacobi Bongarsi Epistolae At Joachimum Camerarium, Medicum Acphilosophum Celeberrimum Scriptae et Historicis Ac Politicis Documentis Instructae Nunc Primum Edita

      Erstausgabe Leder Sehr gut Text Lateinisch. Ganzledereinband mit ornamental gestaltetem, goldgeprägtem Rückentitel, 4 Bünde, Einband mit angenehmster Patina, Kapital/Kapitalband intakt, Goldprägung auch an den Buchkanten, minimalste Schieflage, Schnitt rundum rot eingefärbt, Titelblatt mit Elzevir-Markenzeichen, mit Titelvignetten, Vorwort 10 Seiten, 444 Seiten mit Endvignette, perfekt gedruckt, stockfleckenfrei, sauber, ein Kleinod! Die Briefe des berühmten Jacobus Bongarz (vermutlich oder Bongart) geschrieben an Joachim Camerarius, den hochberühmten Arzt und Philosophen, durch historische und politische Zeugnisse ergänzt. Joachim Camerarius der Jüngere (1534 - 1598), deutscher Arzt, Botaniker und Naturforscher. +++ An exquisite and first edition of Jacob Bongarz, letters to Joachim Camerarius jr., excellent condition. 7,3 x 12,5 Cm. 0,17 Kg. +++ Stichwörter: Alte Drucke Elseviriana Rarität Rara Briefwechsel Bibliophilie

      [Bookseller: Antiquariat Clement]
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         Concordia alter unnd newer, guter, auch böser Glaubens strittiger lehren verglichne beschreibung mit fridgiriger bitt und vermanung mann wölle forthin die fromen Ludgerischen und dergleichen Christimenschen unverdambt lassen Ir schonen auch irer Evangelischen Lehr leben löblich nachfolgend dem glauben zufaln und nur in Concordieren.

      8. 10 nn. Bll., 257 num. Bll., 1 Bl. Mit 6 (dav. 4 wdh.) gr. Holzschnitten. Mod. HLdr. über alte Holzdeckel. Mit 2 intakten Schließen. 2 Bll. aus der Vorrede verbunden. 4 Bll. (93-96) fehlen, letztes Bl. durch Kopie ersetzt. Tit. u. Holzschn. (verso), erste u. letzte Bll. wurmstichig m. unterl. Rissen, 1 Bl. einger. Bautz XIV, 1299ff. VD16 N118 - Erste Ausgabe der gegen Nigrinus gerichteten Streitschrift, "welche, wie kaum ein anderes seiner Werke, die ungemeine Belesenheit des Verfassers bekundet, aber in einem milderen u. versöhnlicheren Tone geschrieben ist" (ADB XXIII, 260). - Johannes Nas [Nasi] (Bamberg 1534-1590 Brixen), Franziskaner, Weihbischof in Brixen, zunächst Schneider. In seiner Jugend begeisterte er sich für Martin Luther. Nachdem er jedoch die "Nachfolge Christi" studiert hatte, konvertierte er, wurde katholisch (1552) und trat in das Franziskanerkloster in München ein. Nach seiner Priesterweihe im Jahr 1557 übersiedelte er 1559 in das Kloster in Ingolstadt. In Rom war er als Prediger vom Papst und von den Kardinälen sehr geschätzt. Der Papst schenkte ihm den Titel: "Sedis apostolicae concinator". Ferdinand II berief ihn nach Innsbruck, wo er die Nachfolge des Petrus Canisius Hofprediger wurde. Als solcher geriet "der wortgewaltige und streitsüchtige Franziskaner" (J. Gelmi) schnell mit den Jesuiten in Streit. Trotz allem erwarb sich N. für die Errichtung der Tiroler Franziskanerprovinz große Verdienste. Bald darauf wurde er (1580) Weihbischof in Brixen. Auch da gab es Streit um ihn: 1583 brach ein offener Konflikt aus mit dem Brixner Generalvikar Adam von Arz. Nach kurzem Aufenthalt in Lambach in Oberösterreich kam N. 1586 wieder nach Brixen. Lapidar umreisst Gelmi die Persönlichkeit des N.: "N. war begabt, aber exzentrisch und an vielen Konflikten durch seine grobe Art selbst schuld. Er erwarb sich um die Erneuerung der Tiroler Kirche große Verdienste." (S. 494). Sein Grab findet sich in der Hofkirche zu Innsbruck. - Die Holzschnitte zeigen Kämpfe der Truppen von den Türmen Babylons und des himmlischen Jerusalems gegen apokalyptische Drachen und Ungeheuer.

      [Bookseller: Antiquariat Burgverlag]
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        Chiromantia. 1. Physiognomia, ex aspectu membrorum Hominis. 2. Periaxiomata, de Faciebus SIGNORVM. 3. Canones Astrologici, de iudicijs Aegritudinum. 4. ASTROLOGIA NATVRALIS. 5. Complexionum noticia, iuxta dominium Planetarum.

      Strasbourg: Apud Ioan. Schottvm, 1534 Fourth edition. 4to (303 x 215 mm.). 126, (1) pp. Half morocco, gilt-lettered spine with 2 raised bands. Illustrated with many large woordcuts in the text. Very good copy. Rare early edition of this famous work on the occult sciences: astrology, physiognomy and chiromancy, profusely illustrated with numerous woodcuts by Hans Baldung Grien and H. Wechtlin. Also called palmistry, chiromancy is the art of reading character and divination of the future by interpretation of the lines and undulations on the palm of the hand. For a full description and more images please visit www.zaalbooks.nl .

      [Bookseller: Zaal Books]
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