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Displayed below are some selected recent viaLibri matches for books published in 1527

        Descriptio Germaniae Inferioris. [Altkolorierter Kupferstich / colored copper engraving].

       Abraham Ortelius, geboren 1527 in Antwerpen; gestorben 28. Juni 1598 ebenda. Handkolorierter Kupferstich um 1595. Maße Platte: 38,0 x 50,8 cm. Maße Blatt: 46,0 x 57,2 cm. Blatt wenig fleckig. Gutes Exemplar. Colored cooper engraving from about 1595. Measure plate: 38,0 x 50,8 cm. Measure sheet: 46,0 x 57,2 cm. Sheet lightly spotted. Good copy. Versand D: 4,90 EUR Kupferstich / copper engraving / etching; Landkarten / Karten / maps / cards

      [Bookseller: Antiquariat Lenzen GbR]
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        Paulo Orosio tradotto di latino in volgare per Giovanni Guerini da Lanciza novamente stampato

      (Toscolano: P. Alex Pag. Benacenses. F. Bena. V.V., 1527-1533) - In-8 (15,5 cm) (172) c. Titolo al frontespizio senza dati editoriali. al colophon "P. Alex. Pag. Benacens. F. Bena. V. V." in doppio riquadro. Pieno cartoncino decorato con titolo manoscritto al dorso. Carta ki slegata e con uno strappo senza perdita di testo. Paolo Orosio (in latino: Paulus Orosius; Braga, 375 circa – 420 circa) è stato un presbitero, storico e apologeta romano. Discepolo e collaboratore di Agostino d'Ippona, su invito di questi redasse gli Historiarum adversos paganos libri VII ("Sette libri delle storie contro i pagani") che dovevano servire da complemento storiografico a La città di Dio (De civitate Dei) del suo maestro. Questa è la prima traduzione italiana. 16mo secolo

      [Bookseller: Libreria Emiliana ]
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        Descriptio Germaniae Inferioris. [Altkolorierter Kupferstich / colored copper engraving].

      Abraham Ortelius, geboren 1527 in Antwerpen gestorben 28. Juni 1598 ebenda. Handkolorierter Kupferstich um 1595. Maße Platte: 38,0 x 50,8 cm. Maße Blatt: 46,0 x 57,2 cm. Blatt wenig fleckig. Gutes Exemplar. Colored cooper engraving from about 1595. Measure plate: 38,0 x 50,8 cm. Measure sheet: 46,0 x 57,2 cm. Sheet lightly spotted. Good copy.

      [Bookseller: Antiquariat Lenzen GbR]
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        Descriptio Germaniae Inferioris. [altkolorierter Kupferstich / colored copper engraving].

      - Abraham Ortelius, geboren 1527 in Antwerpen; gestorben 28. Juni 1598 ebenda. Handkolorierter Kupferstich um 1595. Maße Platte: 38,0 x 50,8 cm. Maße Blatt: 46,0 x 57,2 cm. Blatt wenig fleckig. Gutes Exemplar. Colored cooper engraving from about 1595. Measure plate: 38,0 x 50,8 cm. Measure sheet: 46,0 x 57,2 cm. Sheet lightly spotted. Good copy.

      [Bookseller: Antiquariat Lenzen]
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        Itinerarii Galliae, et magnae Britanniae, (...) Oder (...) Reyßbeschreibung durch Franckreich, Groß Britannien oder Engelland unnd Schottland. 2 in 1 Bd.

      Mit 2 gestoch. Titeln. 7 Bl., 598 S., 29 Bl. (Register), 7 Bl., 284 (recte 286) S., 13 Bl. Hldr. des 18. Jhs. mit goldgepr. Rsch. und Rverg. (kl. Klebezettel am unteren Kapital). Erste Ausgabe. - Vgl. Griep/Luber 1527-1528 (Ausgabe 1674). - Zur Kollation: in Bd. II Paginierung für S. 79/80 doppelt. - Titel und einige Blatt Register in Bd. I mit alt ergänzten Fehlstellen im Rand (tls. Buchstabenverlust). Titel gestempelt. Etwas gebräunt, stellenweise fleckig.

      [Bookseller: Antiquariat Sander]
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        Culiacanae Americae regionis. / Hispaniolae, Cubae?

      Países Bajos - ABRAHAM ORTELIUS (1527-1598) Estampa de la obra Theatrum Orbis Terrarum, publicada en Amberes (primera edición, 1584). Considerada como una de las más bellas obras cartográficas e inspirada en las aportaciones del cartógrafo Mercator. En la primera edición la inscripción "Trópico de Capricornio" aún no se halla corregida (después se cambiaria "Trópico de Cáncer"). Muy buen estado de conservación. Siglo/Century: XVI Buril iluminado Papel verjurado Grabador/Engraver: Ortelius, Abraham Dibujante/Draw Artist: Ortelius, Abraham 1584 Altura papel/Paper height: 413 Anchura papel/Paper width: 520 Altura plancha/Plate height:357 Anchura plancha/Plate width: 498 [Attributes: First Edition]

      [Bookseller: Palau Antiguitats]
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        Textus de sphaera Ioannis de Sacrobosco: introductoria additione ... illustratus. Cum compositione annuli astronomici Boneti Latensis: et geometria Euclidis Megarensis.

      Parigi, apud Simonem Colinaeum, 1527. In-folio; 35 cc., 1 c. bianca; xilografia a piena pagina al titolo stampata su fondo nero raffigurante la sfera celeste con le figure di Mercurio e dello stesso autore, incisa da Geoffroy Tory; altra xilografia in cornice floreale a c. a3v, con Tolomeo, Urania e la personificazione dell'Astrologia sotto un astrolabio sferico con sullo sfondo veduta di una; illustrazioni e diagrammi nel testo, numerose iniziali decorate. Mezza pelle novecentesca con piatti in carta marmorizzata, titolo in oro su tassello in marocchino al dorso. Ex libris di George Abrams al contropiatto anteriore. Margini ampi. Seconda edizione pubblicata da Simon de Colines, dove compare per la prima volta al titolo la bella grande xilografia opera di Geoffroy Tory. L'altro legno a piena pagina con le figure di Tolomeo, Astrologia e Urania Š invece opera di Oronce Fin‚ ed era gi... stato inserito sul frontespizio dell'edizione del 1521. Questa versione del testo di Sacrobosco, commentata da LefŠvre d?Etaples ad uso degli studenti della Sorbona, usc? a Parigi tra 1494 e 1495. Oltre alla Sfera, vi si ritrova la descrizione dell'anello astronomico inventato dal medico ebreo Bonet de Lattes, come anche la traduzione boeziana dei primi quattro libri della Geometria di Euclide. "The Sphere was the first printed book on astronomy. Twenty-four more editions appeared in the following twenty-eight years, and more than forty editions from 1500 to 1547" (DSB). Cantamessa 7000. Houzeau & Lancaster 1646. Kenney 158. Grassi, p. 614. Renouard, Bibliographie des ‚ditions de Simon de Colines, p. 100. Moreau, III, 1328. Mortimer 475 (ed. 1531).

      [Bookseller: Libreria Antiquaria Mediolanum]
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        Libro del peregrino Nouamente ristampato & alla sua pristina integrita ridotto

      appresso santo Moise, nelle case noue Iustiniane per Francesco Bindoni & Mapheo Pasini compagni, 1527. ITALIANO 0,24 Volume rilegato in tutta pergamena, Vignetta xil. sul front. raffigurante un' allegoria dell'amore e recante il motto: Ancora spero soverme. Si compone di tre libri ciascuno con iniziali e testatine xilogr. Contiene anche lo scritto Vita de Iacobo Caviceo per Georgio Anselmo al r. misser Piramo Pepuli. Al libro primo dedicatoria a Lucrezia Borgia Duchessa di Ferrara. Pag. [16] 232. Da segnalare alcune sottolineature e alcune notazioni rappresentanti il dito indice molto datate e a penna. Lavorio di tarlo sul amrigine superiore di circa 24 pagine, idem alle ultime 8 pagine. L' ultima pagina è strappata e ne rimane solo una piccola parte. Pagine ingiallite con fioritura e alcune gore. Coperta parzialmente distaccata dal dorso. Opera rara USATO

      [Bookseller: Biblioteca di Babele]
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        Serenissimi Domini, D. Friderici Daniae, Norvegiae Regis, Slesvici, Holdsatiae, Stormariae Ducis, Comitis in Aldenburg & Delmenhorst, ad Christierni Patruelis calumnias, Responsio.

      (Leipzig, Melchior Lotter ?, 1527). Lille 4to. Nyere helbind i grøn langnarvet maroquin. Forgyldt stregramme samt bred forgyldt rammebort på begge permer. Indvendig forgyldt bordure. Stregforgyldning på kanter. Et ornamentalt forgyldt stempel i midten.Ryggen med forgyldt titel og forgyldt ramme. Bindet udført af Morley - Oxford. (28) blade. På titelbladet det danske rigsvåben i stort træsnit udført af Lucas Cranach d.æ. Enkelte svage brunpletter. Velbevaret. ¶ Det yderst sjældne originaltryk af Svaves indlæg i striden mellem Chr. II og Fr. I. Defensoratet for Chr. II var forfattet af Cornelius Scepper og Svaves indlæg her går på Fr.I's vegne hårdt i rette med dette defensorat. Svave var en af Luthers mest hengivne disciple og fulgte ham til rigsdagen i Worms 1521. "Allersenest fra begyndelsen af 1526 kan S. være trådt i den danske konges tjeneste; thi allerede samme sommer havde han forfattet et svar (Friderici Daniæ Regis ... ad Christierni Patruelis calumnias responsio) på et af Cornelius Scepper forfattet forsvarsskrift for Christian II. Selv om Frederik I også i de følgende år lod S. udarbejde andre lignende skrifter blev det dog i højere grad på anden måde at Frederik I drog nytte af den lærde og dygtige pommerske adelsmands arbejdskraft. Han gjordes således også 1526 til lærer for kongens næstældste søn hertug Hans. Desuden anvendtes S., med titel af sekretær, fra 1528 til diplomatiske sendelser, og det er næppe for meget sagt at han blev den af Frederik I mest benyttede diplomat."(DBL).Lauritz Nielsen, 260 (med årstallet 1527) - Bibl. Dan. III,49 (med årstallet 1524).

      [Bookseller: Herman H J Lynge & Søn A/S]
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        Homeri poetae clariss. Ilias. Interprete Lauren. Valla.

      N.pl. (Cologne), Eucharius Cervicornus excudebat, 1527. - 495,(1 woodcut),32 (index) p. 20th century calf 16 cm (Ref: VD16 H 4663; Hoffmann 2,334; Not in Brunet, Graesse, Ebert & Moss) (Details: Very tasteful new binding in antique 16th century style, with 4 raised bands on the back, and a red shield in the second compartment. Title with woodcut borders, depicting in the lower part the adoration of Christ by the three Magi; the text of the title is flanked by 2 pillars; on the upper part two winged putti that flank a coat of arms; on the shield of it a kind of thornbush (thorns - antlers?); above the shield are the three crowns of the arms of the city Cologne. The woodcut at the end of the Ilias depicts Saint George killing the dragon) (Condition: The title is slightly soiled and its right margin and that of the last leaf are thumbed. A tiny and almost invisible hole in the title) (Note: 'Despite the faltering knowledge of Greek in the early Middle Ages, stories of the battle of Troy and the wanderings of Odysseus never lost their appeal in the European imagination. Christian intellectuals read and reread these tales in late antique Latin paraphrases that communicated most of the content but little of the poetic virtuosity of Homer's Iliad and Odyssey. Some, like the Ilias latina, which condensed Homer's poem into 1070 lines of Latin hexameter, were crude distillations of long familiar stories. Others, like the 'Ephemeris belli Troiani' of Dictys Cretensis and the 'Historia de excidio Troiae' of Dares Phrygius, were presented as Latin translations of lost Greek accounts of the fall of Troy allegedly composed by individuals who had taken part in the battle. In the absence of the Greek originals, these Latin texts mediated the tale of Troy's fall to medieval readers for almost a millenium. (.) It was only in the 14th century that early humanists sought out Homer's poems in Greek and rendered them into Latin for a learned audience eager to devour the poet's words, even if they were mediated in another language. By the end of the 15th century, 17 Latin translations of the works of Homer had appeared. (G.S. Scott's review of B. Schneider and Chr. Meckelnborg, 'Odyssea Homeri a Francisco Griffolino Aretino in Latinum translata' in 'The Medieval Review' of 13-03-06) The most influential one was the prose translation of The Italian humanist Lorenzo Valla, latinized as Laurentius Valla, 1407-1457, famous student of the humanist scholar Giovanni Aurispa, promoter of the revival of Greek studies in Renaissance Italy. In 1450 Valla was appointed professor of Rhetoric in Rome. He is one of the founders of historical criticism. On the basis of textual analysis he proved that the so-called 'Donation of Constantine' in the decree of Gratian, was a forgery, being an interpolated passage. 'In the domain of pure scholarship Valla's reputation mainly rests on his widely diffused work 'On the Elegancies of the Latin language', the result of many years of labour. He here attacks the barbarous Latin of the Middle Ages and of his own times.' (Sandys, 2,68) As a Greek scholar Valla translated Thucydides, Herodotus, and the 'De Corona' of Demosthenes. In the service of the king of Naples he translated between 1442 and 1444 the first 16 books of the Ilias of Homer. This translation, left incomplete, was completed by Valla's pupil Francesco Griffolini sometime before 1461, and was first published in 1474) (Provenance: On the front pastedown a small bookseller's label: 'Matthäus Truppe, Buchhandlung u. Antiquariat, Graz, Stubenberggasse 7') (Collation: A-2H8, 2a-2b8, woodcut on 2H8 verso) (Photographs on request) 600 gr

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        De piscibus marinis, lacustribus, fluviatilibus, item de testaceis ac salsamentis liber. - (Colophon:)

      Roma, Francesco Minzio Calvo, 1527. In-4 (19,3 x 13,1 cm.). Legatura del '900 in pelle con copertina del '700 alle armi di Sir William Burrell riapplicata sul piatto superiore. Titolo entro ampia bordura silografica floreale. (44) ff.; lieve alone sulle prime cinque carte. Rara seconda edizione della prima opera del Giovio, interessante per l'ittiologia e la gastronomia (edizione originale: Roma, Calvo, 1524). Nel 1515 Giovio entrò a servizio del cardinale Giulio de' Medici che nel 1523 ascese al soglio pontificio col nome di Clemente VII. La vicinanza al papa fece dello storico ed umanista comasco una personalità molto richiesta alla corte pontificia e quest'opera nasce dalla sua partecipazione a feste e banchetti papali, di cui era diventato un assiduo frequentatore. Vi descrive oltre quarantacinque pesci e crostacei di mare e d'acqua dolce; di ognuno fornisce la descrizione fisica, il luogo di pesca, e in particolare le caratteristiche culinarie, con aneddoti e citazioni di Plino, Galeno, Platina e altri autori. Sul verso della carta D1 c'è un osservazione sui navigatori spagnoli e portoghesi che alle isole Canarie si rifornivano di storioni prima di affrontare l'Oceano in cerca di "nuove terre del mondo non conosciuto". Adams 636. Sander 3169. Ceresoli 288. BING 952. Second edition of this important treatise on ichthyology and gastronomy (first edition: Rome, Calvo, 1524). The well-known humanist and historian Giovio describes some fortyfive species of fish, as well as crustaceans, especially those the Romans used to catch and eat. On p. 63, mentioning sturgeons at the Canary Islands, the author makes an allusion to early voyages to the New World. Title within a large woodcut floral border. 20th century calf (18th century cover with gilt arms of Sir William Burrell has been pasted on front cover); mild damp stain on first 5 leaves.

      [Bookseller: Libreria Antiquaria Rappaport]
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        Homeri poetae clariss. Ilias. Interprete Lauren. Valla.

      N.pl. (Cologne), Eucharius Cervicornus excudebat, 1527. 495,(1 woodcut),32 (index) p. 20th century calf 16 cm (Ref: VD16 H 4663; Hoffmann 2,334; Not in Brunet, Graesse, Ebert & Moss) (Details: Very tasteful new binding in antique 16th century style, with 4 raised bands on the back, and a red shield in the second compartment. Title with woodcut borders, depicting in the lower part the adoration of Christ by the three Magi; the text of the title is flanked by 2 pillars; on the upper part two winged putti that flank a coat of arms; on the shield of it a kind of thornbush (thorns - antlers?); above the shield are the three crowns of the arms of the city Cologne. The woodcut at the end of the Ilias depicts Saint George killing the dragon) (Condition: The title is slightly soiled and its right margin and that of the last leaf are thumbed. A tiny and almost invisible hole in the title) (Note: 'Despite the faltering knowledge of Greek in the early Middle Ages, stories of the battle of Troy and the wanderings of Odysseus never lost their appeal in the European imagination. Christian intellectuals read and reread these tales in late antique Latin paraphrases that communicated most of the content but little of the poetic virtuosity of Homer's Iliad and Odyssey. Some, like the Ilias latina, which condensed Homer's poem into 1070 lines of Latin hexameter, were crude distillations of long familiar stories. Others, like the 'Ephemeris belli Troiani' of Dictys Cretensis and the 'Historia de excidio Troiae' of Dares Phrygius, were presented as Latin translations of lost Greek accounts of the fall of Troy allegedly composed by individuals who had taken part in the battle. In the absence of the Greek originals, these Latin texts mediated the tale of Troy's fall to medieval readers for almost a millenium. (...) It was only in the 14th century that early humanists sought out Homer's poems in Greek and rendered them into Latin for a learned audience eager to devour the poet's words, even if they were mediated in another language. By the end of the 15th century, 17 Latin translations of the works of Homer had appeared. (G.S. Scott's review of B. Schneider and Chr. Meckelnborg, 'Odyssea Homeri a Francisco Griffolino Aretino in Latinum translata' in 'The Medieval Review' of 13-03-06) The most influential one was the prose translation of The Italian humanist Lorenzo Valla, latinized as Laurentius Valla, 1407-1457, famous student of the humanist scholar Giovanni Aurispa, promoter of the revival of Greek studies in Renaissance Italy. In 1450 Valla was appointed professor of Rhetoric in Rome. He is one of the founders of historical criticism. On the basis of textual analysis he proved that the so-called 'Donation of Constantine' in the decree of Gratian, was a forgery, being an interpolated passage. 'In the domain of pure scholarship Valla's reputation mainly rests on his widely diffused work 'On the Elegancies of the Latin language', the result of many years of labour. He here attacks the barbarous Latin of the Middle Ages and of his own times.' (Sandys, 2,68) As a Greek scholar Valla translated Thucydides, Herodotus, and the 'De Corona' of Demosthenes. In the service of the king of Naples he translated between 1442 and 1444 the first 16 books of the Ilias of Homer. This translation, left incomplete, was completed by Valla's pupil Francesco Griffolini sometime before 1461, and was first published in 1474) (Provenance: On the front pastedown a small bookseller's label: 'Matthäus Truppe, Buchhandlung u. Antiquariat, Graz, Stubenberggasse 7') (Collation: A-2H8, 2a-2b8, woodcut on 2H8 verso) (Photographs on request)

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        IL DECAMERONE DI M. GIOVANNI BOCCACCIO NUOVAMENTE CORRETTO ET CON DILIGENTIA STAMPATO.

      Heredi di Philippo Giunta. In-8 (mm. 205x128), p. pergamena antica, tit. ms. al dorso, 8 cc.nn. (frontesp., 6 di Indici, l'ultima bianca), 284 cc.num., con due marche tipografiche una al frontespizio e una all'ultima carta. "Rarissima edizione originale della Ventisettana", la più corretta ed importante tra le antiche. Le varie edizioni del Decamerone, a partire dalla prima del 1470, presentavano un testo fortemente corrotto e alterato. Un gruppo di giovani intellettuali e studiosi fiorentini, tra i quali ricordiamo Bernardo di Lorenzo Segni, Antonio degli Alberti, Francesco di Lorenzo Guidetti, Schiatta Bagnesi, Pier Vettori, Antonio Francini ed anche Bartolomeo de Cavalcanti, diedero vita nel 1527 a questa nuova edizione corretta. Prezioso, per questo lavoro, fu un codice del Mannelli e uno di casa Cavalcanti, non rinvenuto da loro, ma utilizzato attraverso un riscontro fatto da Francesco Berni. "E' l'originale 1527 una delle edizioni del Decameron più famigerate per correzione, e detta convenientemente la "Ventisettana". Quei giovani fiorentini che si presero cura di emendare il testo furono ricordati dal Manni.. e le loro fatiche furono coronate da buon successo che sin ai moderni tempi tutte le numerose ristampe dovettero lasciare alla "Ventisettana" il primato". (Gamba,172). "Il existe peu de livres qui aient acquis une valeur d'estime et en meme temps une valeur d'argent proportionnée à celle que depuis plus de deux siècles a conservé ce volume.. Edition correcte et soignée d'un livre dont s'enorgueillit la littérature italienne, elle fut presque à son apparition considérée comme le prototype, le modèle obligé de toute édition future". (Renouard,93). Non a caso nel 1729 fu fatta in Venezia dal Pasinello, a spese del console Smith, una ristampa che anche nella forma tipografica cercò di imitare questa del 1527. Cfr. anche Bacchi della Lega, p. 36 - Domenico Maria Manni "Istoria del Decamerone di Giovannni Boccaccio", Firenze, 1742 - Vittore Branca "Tradizione delle opere di Giovanni Boccaccio", (Roma, Ediz. di storia e letteratura, 1991). Nel ns. marginoso esemplare consolidamenti al margine interno bianco delle prime due carte. Alle cc. 77 e 78 un difetto nell'impasto originale della carta che non causa nessuna mancanza nè al testo, né al margine. Leggeri e piccoli aloni al margine esterno bianco in qualche occasione. P.a.r. .

      [Bookseller: Libreria Antiquaria Malavasi]
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        De scripturis antiquis compendiosum opusculum.

      Parisiis, Apud Simonem Colinaeum, 1527, pleine basane de l'époque, dos à nerfs orné, reliure habilement restaurée. - in-12 de 27 ff. n.ch. + 12 ff. blancs rajoutés, comportant qq. annotations du XVIIIe siècle ; "First Colines edition of a very useful treatise on the abbreviations employed in Roman inscriptions and other writings. The manuscript of this work, traditionally attributed to Valerius Probus, the foremost Roman grammarian of the first century A.D., was discovered by Poggio in 1417. In view of the great interest in Roman inscriptions shown by humanists and antiquarians, combined with the difficulty of interpreting their mysterious abbreviations, this handbook provided an invaluable aid. First printed at Brescia, 1486, the work was re-issued often, and served as a model for several Renaissance tracts." (Schreiber, Simon de Colines 23).

      [Bookseller: LIBRAIRIE PHILIPPE SERIGNAN]
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        Das New Testament ... durch Hieronymum Emser trewlich verdeutscht, wie es under des ... Hertzogen Georgen in Sachsen außgegangen ist. (Und:) Annotationes Hieronymi Emsers uber Lutthers Newe Testament, jetzt zum vierden mal ubersehen.

      20 Bll., 881 (recte 882), (1) S., 1 Bl. Mit Titel in Rot- u. Schwarzdruck, etwa 70 Textholzschnitten u. 7 ganzseitigen Holzschnitten 176 Bll. Schweinsleder der Zeit mit reicher Platten- u. Rollstempelprägung. VD16 B 4470. - Früher Druck des sogenannten Emsertestaments, das zuerst 1527 und dann bis ins 18. Jahrhundert in mehr als 50 Nachauflagen erschien. Der Kontroverstheologe Emser (1478 - 1527) stand im Dienste Georgs von Sachsen und war einer der prominentesten und erbittertsten Gegenspieler Luthers (vgl. NDB4 S, 488 f.) Luther bezeichnete den katholischen Gegenentwurf zu seiner Bibelübersetzung als Plagiat. - VD16 E 1096. - Die Annotationes erschienen zuerst 1524/25 und dienten der Rechtfertigung des Verbotes von Luthers Übersetzung des Neuen Testaments in Sachsen. Hier führt Emser hunderte von Lügen und ketzerische Irrtümer Luthers auf. - Beide Drucke von Creutzinger, ansässig im schlesischen Neisse (Nysa), von großer Seltenheit. - Aus der Bibliothek von Wilfred Merton. - Einband etwas beschabt u. leicht bestoßen u. mit wenigen kleinen Wurmgängen, Schließen fehlen, Schenkungsvermerk auf Titel, überwiegend mit schwachem Feuchtigkeitsrand im Fußsteg, gering fleckig.

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Il Decameron / di Messer Giovanni Boccacci cittadino fiorentino; Si come lo diedero alle stampe gli SSri. Giunti l´anno 1527

      - BOCCACCIO, Giovanni (1313-1375). Il Decameron / di Messer Giovanni Boccacci cittadino fiorentino; Si come lo diedero alle stampe gli SSri. Giunti l´anno 1527. In Amsterdamo, 1665. 12º. [24], 744 p. Portada a dos tintas. Marca tipográfica en portada (esfera armillar). Edición atribuida a Daniel Elzevier. Magnífica encuadernación de principios del s. XVIII en piel completa jaspeada, con doble filete dorado en el plano y florones en las esquinas. Lomo con composición de cinco nervios, con recuadros, cantoneras y florones. Guardas en papel pintado y contracantos. Tres cortes pintados. [Attributes: Hard Cover]

      [Bookseller: VOLATERRA]
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        Kalendarium Hebraicum, opera Sebastiani Munsteri ex Hebraeorum penetralibus iam recens in lucem aeditum... Hokhmat ha-mazalot bi-tekufot u-me`ubarot ve-ha-kevo`ot. [Text hebräisch und lateinisch]. Mit Holzschnitten im Text und auf zwei Falttafeln sowie illustrierten Initialen.

      Basel: Johannes Froben 1527 4 Blatt, 200 Seiten, 8 Blatt. Lagenzählung: a-z 4, A-E 4. Ganzpergament der Zeit oder etwas jünger, Oktav, 19,7 x 15 cm (Fehlstellen am Rücken fachmännisch mit Pergament hinterlegt, leicht bestoßen und etwas fleckig, 7 fehlende Blätter durch hervorragende Faksimiles ersetzt, fliegender Vorsatz fehlt hinten, wenig gebräunt oder fleckig, vereinzelt zeitgenössische Marginalien) Erste Ausgabe. Im Buch fehlen die ersten sechs und das letzte Blatt, die aber durch Faksimiles auf altem Papier ersetzt wurden. Sonst ist das Buch vollständig. Der Unterschied von Faksimile und Original ist kaum wahrzunehmen.First edition. The first six and the last leave are missing, replaced by facsimiles on old paper, else complete. the difference between facsimile and original part is hard to see.Sebastian Münster (geb. 20. Januar 1488 in Nieder-Ingelheim; gest. 26. Mai 1552 in Basel) war ein Kosmograph, Humanist und Hebraist. Er studierte und unterrichtete in Heidelberg, ebenso in Pforzheim und Basel. Seine ersten Publikationen behandeln sämtlich das Gebiet der Hebraistik. Die erste nachweisbare Veröffentlichung, \"Liber viarum linguae sacrae\", die Übersetzung einer hebräischen Grammatik, erschien 1520 bei Johann Froben in Basel. 1523 erschienen \"Grammatica hebraica Eliae Levitae\" und das \"Dictionarium hebraicum\", beide erlebten zahlreiche Auflagen. Das vorliegende \"Kalendarium Hebraicum\" zeigt in der Mitte der Holzschnitttafel gegenüber Seite 52 eine der frühesten Ansichten von Heidelberg und verweist somit auf Münsters spätere Arbeit als Geograph. Seine zuerst 1544 erschienene \"Cosmographia\" mit zahlreichen Stadtansichten machte ihn zu einem der berühmtesten Geographen des 16. Jahrhunderts.Obwohl nicht eigentlich ein hebräisches Buch, hat Münster das Kalendarium Hebraicum in der Art hebräischer Bücher von hinten nach vorne angelegt. Das Buch sollte dem christlichen Publikum Informationen über den jüdischen Kalender und die jüdische Chronologie liefern. Über weite Strecken des Buches hat Münster die hebräischen Quellen und seine lateinische Übersetzung Seite an Seite gegenübergestellt. Ästhetisch reizvoll sind die kreisförmigen Kalenderdarstellungen und die Darstellungen von Mond- und Sonnenfinsternissen, die Münster laut Nachwort von seinem Lehrer Johannes Stöffler bezogen hatte. \"Johannes Stöffler (geb. 10. Dezember 1452 vermutlich in Justingen bei Blaubeuren; gest. 16. Februar 1531 in Blaubeuren) war ein süddeutscher Astronom, Mathematiker, Astrologe, gefragter Hersteller von Himmelsgloben und astronomischen Instrumenten sowie Pfarrer. Er war der erste Professor für Astronomie an der Universität Tübingen.\" (Wikipedia).In dem Buch wird eine Umrechnung bzw. Zusammenschau des christlichen Sonnen- und jüdischen Mondkalenders dargestellt. Es geht im wesentlichen um die Monatsanfänge (jüdischer Kalender) und die christlichen und jüdischen Feiertage. Auch Sonnen- und Mondfinsternisse und wie sie astronomisch funktionieren, wird dargestellt. Der Band enthält auch den hebräischen und lateinischen Text von \"Seder Olam Zuta\", eine anonyme altjüdische Chronik um das Jahr 800.Zu Münster: NDB (nach der online-Fassung); VD 16: M 6688; Burmeister p. 49,44; Adams p. 762,1933; BMCGB p. 633. - Weitere Bilder auf Anfrage oder auf unserer Homepage. Versandkostenfreie Lieferung [jüdischer hebräischer Kalender Astronomie Sonnenfinsternis Mondfinsternis Heidelberg Schloss Mondkalender]

      [Bookseller: Versandantiquariat Bürck]
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        Kalendarium Hebraicum, opera Sebastiani Munsteri ex Hebraeorum penetralibus iam recens in lucem aeditum. Hokhmat ha-mazalot bi-tekufot u-me'ubarot ve-ha-kevo'ot. [Text hebräisch und lateinisch]. Mit Holzschnitten im Text und auf zwei Falttafeln sowie illustrierten Initialen.

      Johannes Froben, Basel 1527 - Oktav, 19,7 x 15 cm 4 Blatt, 200 Seiten, 8 Blatt. Lagenzählung: a-z 4, A-E 4. Ganzpergament der Zeit oder etwas jünger. Sprache: Latein, (Fehlstellen am Rücken fachmännisch mit Pergament hinterlegt, leicht bestoßen und etwas fleckig, 7 fehlende Blätter durch hervorragende Faksimiles ersetzt, fliegender Vorsatz fehlt hinten, wenig gebräunt oder fleckig, vereinzelt zeitgenössische Marginalien). Erste Ausgabe. Im Buch fehlen die ersten sechs und das letzte Blatt, die aber durch Faksimiles auf altem Papier ersetzt wurden. Sonst ist das Buch vollständig. Der Unterschied von Faksimile und Original ist kaum wahrzunehmen. First edition. The first six and the last leave are missing, replaced by facsimiles on old paper, else complete. the difference between facsimile and original part is hard to see. Sebastian Münster (geb. 20. Januar 1488 in Nieder-Ingelheim; gest. 26. Mai 1552 in Basel) war ein Kosmograph, Humanist und Hebraist. Er studierte und unterrichtete in Heidelberg, ebenso in Pforzheim und Basel. Seine ersten Publikationen behandeln sämtlich das Gebiet der Hebraistik. Die erste nachweisbare Veröffentlichung, "Liber viarum linguae sacrae", die Übersetzung einer hebräischen Grammatik, erschien 1520 bei Johann Froben in Basel. 1523 erschienen "Grammatica hebraica Eliae Levitae" und das "Dictionarium hebraicum", beide erlebten zahlreiche Auflagen. Das vorliegende "Kalendarium Hebraicum" zeigt in der Mitte der Holzschnitttafel gegenüber Seite 52 eine der frühesten Ansichten von Heidelberg und verweist somit auf Münsters spätere Arbeit als Geograph. Seine zuerst 1544 erschienene "Cosmographia" mit zahlreichen Stadtansichten machte ihn zu einem der berühmtesten Geographen des 16. Jahrhunderts. Obwohl nicht eigentlich ein hebräisches Buch, hat Münster das Kalendarium Hebraicum in der Art hebräischer Bücher von hinten nach vorne angelegt. Das Buch sollte dem christlichen Publikum Informationen über den jüdischen Kalender und die jüdische Chronologie liefern. Über weite Strecken des Buches hat Münster die hebräischen Quellen und seine lateinische Übersetzung Seite an Seite gegenübergestellt. Ästhetisch reizvoll sind die kreisförmigen Kalenderdarstellungen und die Darstellungen von Mond- und Sonnenfinsternissen, die Münster laut Nachwort von seinem Lehrer Johannes Stöffler bezogen hatte. "Johannes Stöffler (geb. 10. Dezember 1452 vermutlich in Justingen bei Blaubeuren; gest. 16. Februar 1531 in Blaubeuren) war ein süddeutscher Astronom, Mathematiker, Astrologe, gefragter Hersteller von Himmelsgloben und astronomischen Instrumenten sowie Pfarrer. Er war der erste Professor für Astronomie an der Universität Tübingen." (Wikipedia). In dem Buch wird eine Umrechnung bzw. Zusammenschau des christlichen Sonnen- und jüdischen Mondkalenders dargestellt. Es geht im wesentlichen um die Monatsanfänge (jüdischer Kalender) und die christlichen und jüdischen Feiertage. Auch Sonnen- und Mondfinsternisse und wie sie astronomisch funktionieren, wird dargestellt. Der Band enthält auch den hebräischen und lateinischen Text von "Seder Olam Zuta", eine anonyme altjüdische Chronik um das Jahr 800. Zu Münster: NDB (nach der online-Fassung); VD 16: M 6688; Burmeister p. 49,44; Adams p. 762,1933; BMCGB p. 633. - Weitere Bilder auf Anfrage oder auf unserer Homepage. 335 Gramm. [Attributes: Hard Cover]

      [Bookseller: Versandantiquariat Bürck (VDA / ILAB)]
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        Antique Print-ORNAMENT-GENII-PUTTI-MASK-COAT OF ARMS-Van Leyden-1527

      - Antique print, untitled. Coat of arms with a mask held by two genii / putti. Engraving on laid paper paper. Description: Source unknown, to be determined. State: Third state of 3. Ref: New Hollstein 167/Bartsch 167. Good slightly later impression; ca. 1640.Artists and Engravers: Made by 'Lucas van Leyden' after own design. Lucas van Leyden (1494 - 1533), also named either Lucas Hugensz or Lucas Jacobsz, a Dutch engraver and painter, born and mainly active in Leiden. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. Condition: Good, given age. Thread margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-C2-16 The overall size is ca. 4.8 x 3.1 inch. The image size is ca. 4.7 x 3 inch. The overall size is ca. 12.1 x 7.9 cm. The image size is ca. 11.9 x 7.7 cm.

      [Bookseller: ThePrintsCollector]
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        Le Vite de gli Huomini Illustri

      Per Gregorio de Gregorii, 1527. In-8° piccolo (158x106mm), ff. (6), 381, (1), legatura novecentesca in piena pergamena con legacci e titolo manoscritto al dorso di imitazione rinascimentale. Frontespizio con titolo entro bordura xilografica composta di putti e animali fantastici. Piccola impresa tipografica al recto dell'ultima carta con un guerriero a cavallo di un bue e, ai quattro lati del rettangolo in cui tale immagine è racchiusa, le iniziali Z.M.B.B. Carattere corsivo italico. Spazi guida per i capilettera. Registro al colophon. Marginalia di mano coeva. Forellino di tarlo nella parte ingeriore, abilmente restaurato, talora lesivo di alcune lettere di testo (terzultima riga della stampa) e lievi ingialliture ma ottimo esemplare nel complesso. Rara impressione veneziana, mancante a numerosi repertori, del volgarizzamento di Donato degli Albanzani dl "De Viris Illustribus" petrarchesco, ricalcata sull'edizione veronese del 1476. L'opera, iniziata dal Petrarca nel 1338, fu da lui condotta avanti sino alla vita di Giulio Cesare, ma furono poi aggiunte altre biografie sino a Traiano. Sander, n. 5597. Gamba, n. 755. Fowler, Fiske Cornell Petrarch Collection, p. 30. EDIT16 CNCE 30491. Manca a STC Italian e all'Adams. Italiano

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Sanctum Iesu Christi ./. Evangelium. ./. Secundum Matthaeum ./. Secundum Marcum ./. Secundum Lucam ./. Secundum Ioannem. Acta Apostolorum. verso Titelei: Hieronymus in catalogo scriptorum ecclesiasticorum.

      307 Bl. (von 310). Mit zahlr. teils figürlichen, handkol. Initialen (5- oder 10-zeilig) und ganzseitiger handkol. Druckermarke am Schluß. 12. Blindgepr. Leder d. Z. auf 3 Bünden. Im Kolophon am Schluß: 1527, Mense Januario Kollation: A-Z8, AA-PP8, QQ4-6. Antwerpener Druck von außerordentlicher Seltenheit: kein Exemplar in KVK, Brunet, VD16, Adams etc. Berieben und bestoßen Schließen fehlen Hinterdeckel mit geringem Bezugsleder-Verlust Leder mit je 4 Nägeln fixiert auf den Deckeln zentral ein ovaler Abdruck und mit alten kleinen Löchlein (zur Befestigung eines Medaillons oder einer Plakette?) Innenfalz angebrochen Eckausschnitt am fliegenden Vorsatz alte Glosse am Spiegel Titelei und 4 weitere Bll. alt eingefärbt zeitgenössische Anstreichungen in Rot teils etwas (finger-) fleckig es fehlen 3 Bll. vom Register (QQ1-3).

      [Bookseller: Antiquariat am Moritzberg]
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        Libro del peregrino Nouamente ristampato & alla sua pristina integrita ridotto

      VENEZIA: appresso santo Moise, nelle case noue Iustiniane per Francesco Bindoni & Mapheo Pasini compagni, 1527. rilegato. DISCRETO. 10 15,7. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Letter Signed to Henry of Valois, Duke of Anjou, later King Henry III of France. Dated 'Madrid a xxiiii. de Novembre 1572'.

      Written by a secretary, Gabriel de Cayas, with his signature. Folded leaf of paper with circular watermark. 30,3 x 21,7 cm. 10 lines in a neat chancellor's hand, with Philip's signature 'Yo El Rey' (I, The King) and 'buen Germano de.v.al' ('de vuestra alteza' = Good Brother of Your Highness). Folded as an envelope with address in the secretary's manuscript, and in a cursive hand 'La Depesche du Conte d'Arenbergue' (The Message of the Count d'Aremberg'). Traces of a wax seal. Some creasing and light browning. (Added: an extensive background dossier (partly in Dutch), including publications on the House of Aremberg.)l King Philip (1527-1598) wishes Henry of Anjou (1551-1589) luck with the birth of the daughter of his older brother, King Charles IX of France (1550-1574). He sends this letter to the Duke through Count Charles of Aremberg (1550-1616), who performed diplomatic services for him. The Duke of Anjou is invited to trust the Count of Aremberg in everything, to believe all he will say on behalf of Philip, and tell the Count whatever Anjou wants to happen. Philip will endeavor to provide Anjou with all the good will he is well-known for.Henry of Anjou was the younger brother of Elisabeth of Valois (1545-1568), Philip's third wife. But the term 'bueno germano' might as well be a formula of courtesy.You should see this letter in the light of the massacre of St. Bartholomews Day, when the leaders of the Protestant party in France were slaughtered, which had taken place three months earlier. Philip was excited about that bloody reckoning, it is the only time that is known of the King, that he laughed! The ambitious Duke of Anjou was regarded by many of his contemporaries as an important instigator of the St. Bartholomews Day Massacre. No doubt Philip was keen to keep Henry of Anjou on his side. The promise with the well-known goodwill refers to bribery.

      [Bookseller: Antiquariaat Fokas Holthuis]
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        Opera Ciceronis Philosophica - Epistolica

      Ioanni Paruo & Iodoco Badio (Josse Bade), 1527. 2 tomi in un volume in-folio (324x220mm), ff. (8), CLXXVI; (11), CLXXXI; legatura settecentesca in piena pelle bazzana con titolo in oro su tassello bicormo su dorso a 6 nervi. Frontespizi (il primo è in rosso e nero) con vignetta xilografica centrale raffigurante lo stampatore parigino dell'opera intento ad azionare il suo torchio tipografico col motto "Prelum Ascensianum", il tutto entro sontuosa borda architettonica xilografica con grottesche, anfore, figurazioni allegorico-mitologiche. Capilettera xilografici riccamente ornati, ampi indici preliminari su tripla colonna. Testo inquadrato entro cornice di filetto rossa. Timbro di antica biblioteca al verso del frontespizio. Etichetta di libreria antiquaria. Rifilatura al margine superiore del volume. Rade e lievi arrossature. Buon esemplare. Assieme di due cinquecentine parigine adunanti l'opera filosofica (Academicarum Quaestionum, De Legibus, Cato Maior seu de Senectute, Laelius seu de Amicitia, De Somnio Scipionis, De Finibus Bonorum et malorum, Quaestionum Tusculanarum, De Natura Deorum, De Fato, Fragmentum in Arati Phenomena, De Re Militari, Officiis, Paradoxa, De Divinatione, De Universitate, ecc.) e quella epistolografica di Cicerone. Adams, C-1638. Latino

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Libro del peregrino Nouamente ristampato & alla sua pristina integrita ridotto

      appresso santo Moise, nelle case noue Iustiniane per Francesco Bindoni & Mapheo Pasini compagni, 1527. ITALIANO 0,24 Volume rilegato in tutta pergamena, Vignetta xil. sul front. raffigurante un' allegoria dell'amore e recante il motto: Ancora spero soverme. Si compone di tre libri ciascuno con iniziali e testatine xilogr. Contiene anche lo scritto Vita de Iacobo Caviceo per Georgio Anselmo al r. misser Piramo Pepuli. Al libro primo dedicatoria a Lucrezia Borgia Duchessa di Ferrara. Pag. [16] 232. Da segnalare alcune sottolineature e alcune notazioni rappresentanti il dito indice molto datate e a penna. Lavorio di tarlo sul amrigine superiore di circa 24 pagine, idem alle ultime 8 pagine. L' ultima pagina è strappata e ne rimane solo una piccola parte. Pagine ingiallite con fioritura e alcune gore. Coperta parzialmente distaccata dal dorso. Opera rara USATO

      [Bookseller: Biblioteca di Babele]
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        Hiberniae Britannicae Insulae. Nova Descriptio.

      - Large sometime hand-coloured engraved map of Ireland from a 16th-century French folio edition of Ortelius' Theatrum Orbis Terrarum with some minor neat repairs, not affecting map. Abraham Ortel.was born on April 4th, 1527, in Antwerp. He studied Greek, Latin and mathematics, and at the age of twenty set up as a map colourist and salesman, his sister aiding him. Business prospered and he made friends with the literati of his own and other lands…In 1570 his greatest work appeared - the Theatrum Orbis Terrarum, or "Atlas of the Whole World". The publication of this atlas marked an epoch in the history of cartography. It was the first uniformly sized, systematic collection of maps of the countries of the world based only on contemporary knowledge since the day of Ptolemy, and in that sense may be called the first modern atlas…It is said that the great Mercator delayed the publication of his own atlas in order that his younger friend Ortelius might have the honour of being first in the field with a standardised atlas.The Theatrum achieved immediate popularity, four editions being printed in the first year (1570), and then edition followed edition, no less than 42 folio editions being printed between 1570 and 1612. (TOOLEY, R.V., Maps and Map-Makers, Bonanza Books, 1970; pp. 29-30.)

      [Bookseller: Henry Sotheran Ltd]
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        Regni Neaploitani . Descriptio

      Artist: Ortelius Abraham ( - 1598) Antwerp; issued in: Antwerp; date: ca 1585 1527 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 37 x 50; - description: map of the kingdom of Naples / Southern Italy; -vita of the artist: Abraham Ortelius(1527 ?1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, and the first to imagine that the continents were joint together before drifting to their present position.He began as a map-engraver, in 1547 and entered the Antwerp guild of St Luke as afsetter van Karten. His early career is that of a businessman and most of his journeys before 1560 are for commercial purposes. In 1564 he completed a "mappemonde", eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basle (cf. Bernoulli, Ein Karteninkunabelnband, Basle, 1905, p. 5). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and a six-sheet map of Spain before the appearance of his atlas. Theatrum Orbis Terrarum. In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book.In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book originals of his maps in these days are popular collector's items.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Hiberniae Britannicae Insulae. Nova Descriptio.

      Large sometime hand-coloured engraved map of Ireland from a 16th-century French folio edition of Ortelius' Theatrum Orbis Terrarum with some minor neat repairs, not affecting map. Abraham Ortel...was born on April 4th, 1527, in Antwerp. He studied Greek, Latin and mathematics, and at the age of twenty set up as a map colourist and salesman, his sister aiding him. Business prospered and he made friends with the literati of his own and other lands...In 1570 his greatest work appeared - the Theatrum Orbis Terrarum, or "Atlas of the Whole World". The publication of this atlas marked an epoch in the history of cartography. It was the first uniformly sized, systematic collection of maps of the countries of the world based only on contemporary knowledge since the day of Ptolemy, and in that sense may be called the first modern atlas...It is said that the great Mercator delayed the publication of his own atlas in order that his younger friend Ortelius might have the honour of being first in the field with a standardised atlas...The Theatrum achieved immediate popularity, four editions being printed in the first year (1570), and then edition followed edition, no less than 42 folio editions being printed between 1570 and 1612. (TOOLEY, R.V., Maps and Map-Makers, Bonanza Books, 1970; pp. 29-30.)

      [Bookseller: Henry Sotheran Ltd.]
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        Orlandino qual tratta darme e damor per Limerno Pitocco da Mantua composto. Et con gratia novamente impress. 1527

      8vo (155x111 mm). LXVI leaves. Collation: A-P4 Q6. Title-page printed in red and black within an elaborated woodcut frame. Half-page woodcut vignette on l. II (showing Berta and Milone), the same used in the 1526 editions of De Gregori and Da Sabbio with some retouching. On the front pastedown bookplate of the booksellers from Barcelona "La Anticuaria Libreria de Llordachs Hermanos". 19th-century stiff vellum, red edges. Title-page soiled, some foxing and browning, ink and damp stains on a few leaves, tear on l. XIX with no loss, round worm hole in the outer margin of the first thirty leaves not affecting the text, pin worm hole in the first twenty leaves that slightly affects the title-page border, the frame of the woodcut on the following page and a few letters. All in all a good copy. On last leaf recto ownership's entry by a certain Eliezer bar Silomo Debauzo (?); at the verso two notes in Hebrew.THE PRESENT is the last edition printed by Soncino in Italy before moving to Constantinople. It is the third of eight editions of Orlandino published in the 16th century. The first edition of the poem was printed in Venice on July 1526 for the bookseller Niccolò Garanta by Gregorio de Gregori, followed a few months later by another edition, also issued for Niccolò Garanta, by the da Sabbio brothers, which also includes a reprint of Folengo's Chaos.Orlandino is a poem in octaves, which narrates the early years of Orlando, fitting into the semi-popular tradition of the 'cantari' dedicated to the childhood of the hero. The poem is basically divided into two sections: the background (Berta and Milone, Orlando's parents, falling in love) occupies six books, while the hero's deeds are narrated in the seventh and final canto. Soncino's edition omits a few stanzas of the seventh canto and the entire eighth canto, which contains an anti-clerical tale on the fake abbot Griffarosto.Orlandino is a harsh satirical work written in a hurry under a mood of indignation, not a long-meditated book such as the Baldus; a book in which the characters profess religious views tinged with Protestantism, reject papal authority, deride the sacrament of confession, and thunder against the sale of indulgences. It is a book apparently composed in three months ("mensibus tribus indignatio istud opus fecit", as stated in the preliminary verses) and dominated by a bitter spirit, which often overwhelms the comic skills of the author (cf. T. Folengo, Orlandino, M. Chiesa, ed., Palermo, 1991).Teofilo Folengo, born Girolamo, was a native of Mantua. He entered the Benedictine order in 1509. In 1525 he was dispensed from his vows and, along with one of his brothers, led a wandering life, before deciding to return to the church. He was re-admitted to the order around 1534, after four years of penance in which he lived as a hermit.In 1526 Folengo published in Venice two profane works, the Orlandino and the Chaos of Triperuno. In 1533 he wrote the religious poem, L'umanità del figlio di Dio, with the intention to redeem his past secular publications. In 1538 he was sent to Sicily near Palermo, together with many others monks from Mantua, eg Benedetto da Mantova, who between 1537 and 1539 composed the famous Beneficio di Cristo. Folengo wrote also a sacred representation, the Atto della Pinta, which was repeatedly staged. In 1542 he returned to the Veneto region. He died on December 9, 1544.His masterpiece remains however the poem Baldus published together with other works in macaronic Latin under the title Opus Merlini Cocaii Poetae Mantuani Macaronicorum (first edition Venice 1517, best edition Toscolano 1521) (cf. Teofilo Folengo nel quinto centenario della nascita, Atti del Convegno, 1991, Florence, 1993).USTC, 830143; Edit 16, CNCE42923 (1 copy at the Biblioteca nazionale Marciana in Venice); OCLC, 249563354 (1 copy at the Staatsbibliothek zu Berlin); M. Sander, Le livre à figures italien, Milan, 1942, I, no. 2834; Catalogue des livres composant la Bibliothèque de M. Giuseppe Cavalieri à Ferrara, Florence, 1908, no. 765; G. Melzi & P.A. Tosi, Bibliografia dei romanzi di cavalleria in versi e in prosa italiani, Milan, 1865, p. 192; G. Manzoni, Annali tipografici dei Soncino, Bologna, 1886, III, pp. 125-127, no. 134 (Manzoni says he was never able to see a copy of this book); A. Nuovo, La parte volgare del catalogo di Gershom Soncino, in: "L'attività editoriale di Gershom Soncino, 1502-1527. Atti del convegno (Soncino, 17 settembre 1995)", G. Tamani, ed., Soncino, 1997, pp. 73 and 92-93; E. Sandal, Indice cronologico delle edizioni latine e volgari di Girolamo Soncino (1502-1527), in: "Op. cit.", p. 151, no. 110.

      [Bookseller: Govi Rare Books LLC]
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        Bellissimo disegno a penna di Luca CAMBIASO. 1527 - 1585

      Bellissimo disegno a penna originale di Luca CAMBIASO. 38 x 27. Si consiglia a chi è interessato di venire a vederlo nel nostro negozio di Bologna previo appuntamento perchè il disegno non è presente in negozio. Luca Cambiaso (Moneglia, 18 ottobre 1527 - San Lorenzo de El Escorial, 6 settembre 1585) è stato un pittore italiano. Allievo del padre Giovanni, presto influenzato dagli artisti del fiorente manierismo genovese (primo fra tutti Perin del Vaga), che sviluppa nei suoi modi originali. Luca Cambiaso nasce a Moneglia il 18 ottobre 1527. Il padre è il pittore Giovanni Cambiaso (1495-1579), nato a San Quirico in Val Polcevera, luogo che aveva dovuto abbandonare per sfuggire alle truppe ivi accampate del connestabile di Borbone. Giovanni Cambiaso si era allora spostato a Moneglia, dove nacque Luca. Giovanni diede a Luca i primi insegnamenti pittorici e gli fece copiare i disegni dei maestri del Rinascimento italiano, modellare figure di creta e soprattutto studiare gli affreschi di Perin del Vaga, Domenico Beccafumi e Il Pordenone, da poco eseguiti nel palazzo di Andrea Doria a Fassolo. Uff.

      [Bookseller: Brighenti libri esauriti e rari]
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        Supplementum supplementi chronicarum ab ipso mundi exordio vsque ad redemptionis nostrae annum M.ccccc.x editum. Venice, Rusconi, 1513.

      Good condition, complete. Full leather, 17th century, with decorated spine, with title and 6 ribs. Red spotted decoration on the cuts. One joint is partly cracked. (20)+670 p., illustrated with several woodcuts. A richly illustrated Italian incunable, written by the Augustinian hermit Jacobus Philippus, with many city illustrations. The work begins with the creation of the world and summarizes the most important historical facts until the 15th century. Copy from the famous library of Antwerp cartographer Abraham Ortelius (1527-1598) with his name in handwriting at the bottom of the title page. Some 16th century annotations in the margins, in the same ink colour and handwriting as the owner's mark of Ortelius on the title page. Some of these annotations are partly cut off, so we can determine that the book was rebound and cut after the annotations. It is cut off quite short. Sabin 25086; Adams F750; BM STC Italian, 1465 - 1600, p. 263. Not in Op de Beeck & De Coster 2006. B2288

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        [Libro de Peregrino] Dialogue treselegant intitule le Peregrin, traictant de lhonneste et pudicq amour concilie par pure et sincere vertu, traduict de vulgaire Italien en langue Fra[n]coyse...

      Paris: [Pr. by Nicolas Couteau for] Galliot du Pré, [1527]. 4to (25 cm, 9.8"). [8], 169, [1 (facs.)] ff.; illus. First French edition of Caviceo's best-selling, often translated, and widely influential romance. The author had a complicated life which included dropping out of law school shortly before he could be expelled, becoming a court historian and diplomat in Parma, being banished from that city for seducing a nun (and possibly more than one), voyaging in the Middle East and India, and embroiling himself in various political intrigues before working his way to the post of Vicar General in cities including Rimini, Ravenna, and Florence. His classically inspired novel, first published in 1508 and dedicated to Lucrezia Borgia, is a romance in which Peregrin tells the ghost of Boccaccio all about his globe-spanning quest to satisfy his passion for the fair Genevre — with the plot incorporating the author's own travel experiences.    This first known French edition is uncommon: WorldCat reports => only three U.S. institutional holdings. The translation from the original Italian was done by "Maistre Francoys Dassy" — François Dassi, secretary to Jean d'Albret, King of Navarre, and to Louise Borgia, Duchess of Valentinois. The text is printed in an elegant lettre bâtarde and ornamented with numerous decorative capitals, with the title-page printed in red and black. In addition, this printing features three large woodcuts: Opposite the first page of the first chapter is a split scene showing the lovers as a youthful pair in the distance and as a mature couple in the foreground (with the lady holding her angelic baby in her lap), while another scene shows the hero making preparations for pilgrimage, and the third shows his search throughout "tous les pays habitables" for his lost love. The final leaf, bearing the printer's device, appears here in facsimile.    Binding: 19th-century calf, spine with gilt-stamped title, raised bands, and small circular gilt-stamped decorations in compartments; board edges and turn-ins with gilt rolls and covers framed and panelled in blind with gilt-stamped corner fleurons. All page edges stained red, red silk placemarker present and attached. Binding done by Koehler (with his stamp on front free endpaper).    Provenance: From the library of American collector Albert A. Howard (sans indicia).         Brunet, I, 1701-02; Index aurel. 134.656; Moreau, Editions parisiennes du XVI siecle, III, 1158. This ed. not in Adams or Mortimer, French 16th-Century Books. Bound as above, spine and edges rubbed, sides scuffed. Endpapers with pencilled annotations and with binder's small rubber-stamp as above; title-page with date faintly inked in an early hand. Final leaf (printer's vignette) in facsimile, title-page with lower outer corner with small loss of paper in blank area repaired via excellent leaf-casting, and a similar excellent leaf-cast repair to two inner areas of last text leaf with a few letters supplied in pen and ink facsimile. One leaf with small printing flaw affecting a handful of words without loss of sense; three leaves at back with small semi-circulr areas of worming touching a few letters, also without loss of sense. Pages very clean and type very clear. => A scarce and desirable volume.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        HORAE, use of Rome, in Latin. Horae in laudem beatissime virginis Marie: secundum consuetudinem ecclesie parisiensis

      Paris: Simon Du Bois for Geoffroy Tory, 1527. From the Collection of Arthur & Charlotte Vershbow. 4to (196 x 139 mm). Collation: a-r8 s4. 140 leaves, bâtarde type, title printed in red and black, initials and headings printed in red throughout, printer's "pot cassé" device (Bernard, no. 9) on title and on verso of last leaf, each page within a four-part woodcut border of flowers, insects, animals and other ornaments, 13 large outline woodcuts, including the Annunciation on two facing pages, ruled in red. 18th-century French marbled calf gilt, edges gilt. Front joint repaired; slight marginal worming, repaired. Provenance: Pierre Bosuiel (bookplate); purchased from Georges Heilbrun, 1968. A FINE COMPLETE COPY OF THE THIRD TORY HOURS, AND THE FIRST APPEARANCE OF THESE ILLUSTRATIONS AND BORDERS. Each of Tory's three sets of Horae woodcuts represents an independent cycle of design. The renewed privilege granted to Tory on 5 September 1526 appears in both this edition (on a1v-a2r) as well as the octavo edition completed in Simon de Colines' shop on the previous day. This edition, however, contains the first use of the illustrations and borders "à la moderne" previously mentioned in the privilege of his 1524/25 Horae, which used the woodcuts of his "à l'antique" set. "Every page is enclosed in a charming border composed, after the manner of illuminated manuscripts, of detached flowers, fruit, foliage, birds, beasts, insects, &c., all in outline, the various portions of the blocks being combined in endless variety throughout. At the foot of each page is seen either a coat-of-arms or a device, personal or otherwise" (Fairfax Murray). Mortimer considered them somewhat less effective in their uncolored state than Tory's earlier "antique" set, and Pollard suggests that both borders and illustrations were intended to be filled in by an illuminator, as the designs are reminiscent of manuscript Hours. Striking among the illustrations is the dramatic use of black for Death's horse (and black crow flying overhead) in the Triumph of Death illustration, as well as the black figure for one of the Kings in the Adoration of the Magi. Each of the first three Tory Horae contain different cuts and borders, the second with colophon dated 21 October 1527 is printed in octavo format in roman type. Brun, p.232; Bohatta 330; Fairfax-Murray French 279; Harvard/Mortimer French 304; Lacombe 364-371. Fact and Fantasy 21.

      [Bookseller: Riverrun Books & Manuscripts]
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        Le vite de gli uomini illustri di messer Francesco Petrarcha.

      per Gregorio de Gregorii], 1527. In-8? (cm. 15,2), genuina legatura del XVIII secolo in p. pelle maculata con nervi al dorso e titolo in oro su tasselli ai comparti, tagli rossi, risguardi marmorizzati; cc. [6] 381 [1] in buono stato, con frontespizio inquadrato da cornice silografica (putti e animali fantastici) e stemma all'ultima carta (guerriero a cavallo di un toro con iniziali), testo in caratteri corsivi; Ex libris araldico e antica etichetta al risguardo della collezione settecentesca del bibliofilo Fontanelli (di cui solo una terza parte fu venduta dagli eredi al duca di Modena per la Biblioteca Estense); iniziali in inchiostro antico al frontespizio e qualche sporadica fioritura. Squisita edizione volgare del De virus illustribus di cui si servirono i ?vocabolaristi??[Gamba 755] non senza cadere in qualche errore. Sul diplomatico collezionista cfr. Montecchi-Venturi-Chiarelli, Gli ozi di un illuminista. I libri di Alfonso Vincenzo Fontanelli alla Biblioteca Estense di Modena, Serra 2008. Esemplare molto buono e d'illustre provenienza.

      [Bookseller: Gabriele Maspero Libri Antichi]
 34.   Check availability:     maremagnum.com     Link/Print  


        Sebastian Ligsalcz (Ligsalz) und Ursula Ligsalcz. 2 Bronzemedaillen nach Friedrich Hagenauer ( * um 1499 in Straßburg; † nach 1546 in Köln )

      1527 - 2 Bronzemedaillen wohl zur Hochzeit erstellt. Gezeigt werden: Portrait von Sebastian Ligsalcz mit der Umschrift: Sebastians Ligsalcz Gestalt war im XXXXIIII Jar alt MDXXVII /// Portrait von Ursula Sebasti Ligsalcz mit der Umschrift: Ursula Sebasti Ligsalcz, Hausfrau war im XXVIII Jar alt MDXXVII. Die Bronzemedaillen möglicherweise ein Nachguss, jeweils im Durchmesser von ca. 12 cm, ca. 1 cm hoch, verso mit Befestigungsmöglichkeit. Die Medaillen jeweils mit schöner Patina. Jeweils ca. 380 Gramm schwer. ( Lagerort ApoSch )( Weitere Bilder auf Anfrage – further pics at request )

      [Bookseller: Antiquariat Friederichsen]
 35.   Check availability:     ZVAB     Link/Print  


        Hore beate Marie virginis secundum ordinem cartusianum

      Little Office of the Virgin for the Order of the Carthusians. Printing in red and black. Great brand of the printer Kerver in title page, with 2 unicorns. This rare edition is illustrated with 12 vignettes of headings in bands for the 12 months of the year and 8 large figures in wood text: Annunciation, visitation, nativity, annunciation to shepherds, Adoration of the Magi, circumcision, the flight of Egypt, and a curious one at the head of the penitential Psalms representing a lord in prayer, beside him a greyhound, in the distance the war.Binder in brown marbled modern brown halter, pastiche of an eighteenth-century binding. Back with ornate nerves. Black shagreen Title Piece. Traces of friction. Bites on the first 3 sheets. Thielmann Kerver Parisiis (Paris) 1527 In-8 (11x17cm) 135f.n.c. Sign : AQ relié

      [Bookseller: Librairie Le Feu Follet]
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        De scriptoribus Frisiae, decades XVI. Et semis: in quibus non modo peculiares Frisiae, sed & totius Germaniae communes antiquitates plurimae indicantur, & veterum historicorum ac geographorum loci, hactenus non intellecti, explicantur.Franeker, Jacobus Horreus, 1699. 12mo. Contemporary vellum.

      Besterman, Early printed books 433; cf. Breslauer & Folter, Bibliography: its history and development 35; for the author: NNBW V, cols. 498-499. Second edition of an important work on Frisian authors by Suffridus Petri (1527-1597), "one of the most famous scholars of his time" (NNBW). Petri extensive description of the lives and works of 165 Frisian authors, is besides one of the most important bibliographical sources for the history of Friesland, also "the first bibliography exclusively devoted to Dutch authors" (Breslauer & Folter).With bookplate and a covered library stamp. A very good copy.

      [Bookseller: Antiquariaat FORUM BV]
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        POLYCRONICON [translated by John de Trevisa]

      Southwark: Peter Treveris at ye expences of John Reynes, 1527, the 16th day of May. VERY RARE. THE FIRST ILLUSTRATED EDITION OF THE POLYCRONICON and only the third issuance of the book after the Caxton printing of 1482 and the Wynken de Worde printing of 1495. With the exception of the woodcut of the musical notation on n5r, which first appeared in the printing of 1495 (and was the earliest printed musical notation in an English book), ALL THE WOODCUT ILLUSTRATIONS APPEAR HERE FOR THE FIRST TIME. Double column, black letter, zylographic title printed in red between two parts of a large woodcut block printed in red and black (Hodnett 2489, state 2), the upper portion featuring the royal arms, a portrait of Henry VIII, and the arms of London, the larger lower portion showing St. George, this block repeated in its undivided state on the verso of colophon, full page woodcut of a battle on z6v, 9 smaller woodcuts in the text (six blocks, some repeated), woodcut musical notation on n5r, many 10-line and smaller woodcut initials. John Reynes? printer?s mark, colophon with hunting scenes. Folio (271x 191 mm), bound in correct 16th century style in full calf, the boards paneled in blind, the spine with tall raised bands blind ruled, compartments with central blind tool device but one which is gilt lettered, a.e.g. Fo. CCCxlvi. (aa8, bb-hh6, a-y8, z6, A-S8, T6, U, X8) A very handsome and complete copy of this rare and highly desirable book, interesting and early manuscript notations in two hands, one of which documented as 16th century, censor markings to Catholic references, particularly references to the Pope now faded and the print beneath now legible, faint and occasional evidence of old damp, some other minor occasional staining, a few minor paper repairs in margins or corners, not effecting text. RARE AND IMPORTANT. Only the third printing of one of the most important pieces of early English historical prose. Higden's POLYCRONICON, a world history from the Creation to 1360 A.D., was translated by Trevisa at the command of Thomas, Earl of Berkeley (d. 1361). The work draws on over 40 sources, and synthesizes a continuous diachronic and multicultural history, beginning with the Biblical account of the Creation and moving through the history of the Semitic, Hellenic, Roman, and medieval-European cultures. It served as a model for innumerable later histories, both universal and localized. The POLYCRONICON was Caxton's most ambitious printing project. It is his longest book in terms of page count, and the second-longest in terms of word count (after the GOLDEN LEGEND of 20 November 1483). It is also Caxton's most ambitious work as an editor and a writer; for Caxton significantly revised the extant English translation of the POLYCRONICON, updating its terminology considerably; and he also authored an original history of England to serve as Book 8 of the text--a writing effort which stands as Caxton's greatest achievement as an author. This printing is only the third, after Caxton?s original in 1482, it is considered one of the best examples of Treveris' ability as a printer.

      [Bookseller: Buddenbrooks, Inc.]
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